Bochner Obliterate

Mel Bochner experimented with a range of styles before finding his eventual success as a pioneer in Conceptual art. An audacious 1966 show at School of Visual Arts (SVA) in Manhattan that he presented, “Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art,” remains a seminal touchstone for Conceptualism.

Bochner was born to a Pittsburgh sign painter in 1940. While attending the Carnegie Institute of Technology (now Carnegie Mellon) in the late 1950s, he studied color theory and modernist movements as well as classical drawing, a balance that was formative in his career. After graduation, he moved to San Francisco, creating paintings influenced by Clyfford Still and Jean Dubuffet.

It wasn’t until Bochner “found his way out of the labyrinth of late Abstract Expressionism,” as he put it to The Brooklyn Rail, that he began to create his most meaningful work. Following a stint auditing philosophy classes after a friend introduced him to the work of Heidegger, Bochner relocated to New York, finding work as a guard at the Jewish Museum. In Manhattan, he ran in the same circles as Dan Flavin, Brice Marden and Donald Judd.

“One of the conversations going on in New York in the late ’60s was about the relationship of the object to the art experience,” Bochner said. “...Younger artists like myself were talking about what it would mean to eliminate the object altogether.” This idea would become the foundation of the Conceptual movement, in which Bochner was instrumental. The artist is probably best known for his text-focused paintings, including a series that plays with the phrase “Blah Blah Blah.” He produces work that regards art as an experience, rather than an object, centering on the process of creation and viewership as opposed to the finished product.

Bochner’s “Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art” featured drawings, notes and outlines from the likes of Milton Glaser, Carl Andre, Sol LeWitt and others as well as pages from Scientific American. Bochner, then an art history professor at SVA, photocopied the assemblage of works, added them to binders and positioned them on pedestals for the exhibition because the show’s organizers lacked the funds to frame the pieces.

Bochner’s works can be found in the collections of many major museums, including the Museum of Modern Art, the Metropolitan Museum of Art and the Whitney Museum of American Art.

Find original Mel Bochner prints and other art on 1stDibs.

Used to refer to a time rather than an aesthetic, Contemporary art generally describes pieces created after 1970 or being made by living artists anywhere in the world. This immediacy means it encompasses art responding to the present moment through diverse subjects, media and themes. Contemporary painting, sculpture, photography, performance, digital art, video and more frequently includes work that is attempting to reshape current ideas about what art can be, from Felix Gonzalez-Torres’s use of candy to memorialize a lover he lost to AIDS-related complications to Jenny Holzer’s ongoing “Truisms,” a Conceptual series that sees provocative messages printed on billboards, T-shirts, benches and other public places that exist outside of formal exhibitions and the conventional “white cube” of galleries.

Contemporary art has been pushing the boundaries of creative expression for years. Its disruption of the traditional concepts of art are often aiming to engage viewers in complex questions about identity, society and culture. In the latter part of the 20th century, contemporary movements included Land art, in which artists like Robert Smithson and Michael Heizer create large-scale, site-specific sculptures, installations and other works in soil and bodies of water; Sound art, with artists such as Christian Marclay and Susan Philipsz centering art on sonic experiences; and New Media art, in which mass media and digital culture inform the work of artists such as Nam June Paik and Rafaël Rozendaal.

The first decades of the 21st century have seen the growth of Contemporary African art, the revival of figurative painting, the emergence of street art and the rise of NFTs, unique digital artworks that are powered by blockchain technology.

Major Contemporary artists practicing now include Ai Weiwei, Cecily Brown, David Hockney, Yayoi Kusama, Jeff Koons, Takashi Murakami and Kara Walker.

Find a collection of Contemporary prints, photography, paintings, sculptures and other art on 1stDibs.

Explore a vast range of abstract prints on 1stDibs to find a piece to enhance your existing collection or transform a space.

Unlike figurative paintings and other figurative art, which focuses on realism and representational perspectives, abstract art concentrates on visual interpretation. An artist may use a single color or simple geometric forms to create a world of depth. Printmaking has a rich history of abstraction. Through materials like stone, metal, wood and wax, an image can be transferred from one surface to another.

During the 19th century, iconic artists, including Edvard Munch, Paul Cézanne, Georgiana Houghton and others, began exploring works based on shapes and colors. This was a departure from the academic conventions of European painting and would influence the rise of 20th-century abstraction and its pioneers, like Pablo Picasso and Piet Mondrian.

Some leaders of European abstraction, including Franz Kline, were influenced by the gestural shapes of East Asian calligraphy. Calligraphy interprets poetry, songs, symbols or other means of storytelling into art, from works on paper in Japan to elements of Islamic architecture.

Bold, daring and expressive, abstract art is constantly evolving and dazzling viewers. And entire genres have blossomed from it, such as Color Field painting and Minimalism.

The collection of abstract art prints on 1stDibs includes etchings, lithographs, screen-prints and other works, and you can find prints by artists such as Joan Miró, Alexander Calder and more.