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Basquiat, Chateau la Coste2019
2019
$2,000
$2,50020% Off
£1,511.39
£1,889.2420% Off
€1,769.38
€2,211.7220% Off
CA$2,792.95
CA$3,491.1920% Off
A$3,142.32
A$3,927.9120% Off
CHF 1,664.93
CHF 2,081.1620% Off
MX$38,803.74
MX$48,504.6720% Off
NOK 20,410.23
NOK 25,512.7820% Off
SEK 19,611.41
SEK 24,514.2720% Off
DKK 13,198.48
DKK 16,498.1020% Off
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About the Item
Artist: After Jean-Michel Basquiat (1960-1988)
Title: Chateau la Coste
Year: 2019
Medium: Offset lithograph exhibition poster on wove paper
Size: 23.75 x 15.75 inches
Condition: Excellent
Notes: The poster is in excellent condition (the stains that you may see in the photos are part of the printing taken from original painting and not a sign of poor condition of the poster).
JEAN-MICHEL BASQUIAT (1960-1988) was born in 1960 in New York City, where he died in 1988. Born to a Haitian father and a Puerto-Rican mother, Basquiat left his family home in Brooklyn, New York at the age of fifteen and took to the streets. A voracious autodidact, he quickly became a denizen of the explosive and decadent New York underground scene—a noise musician who loved jazz, and a street poet who scrawled his sophisticated aphorisms in Magic Marker across the walls of downtown Manhattan, copyrighting them under the name SAMO. In 1981, he killed off this alter ego and began painting and drawing, first on salvaged materials then later on canvas and paper, and making bricolage with materials scavenged from the urban environment. From the outset he worked compulsively; his passion for words and music, his intense yet fluid energy, and the heterogeneous materials that he employed so freely imbued his work with urgency and excitement. He sold his first painting in 1981, and by 1982, spurred by the Neo-Expressionist art boom, his work was in great demand. In 1985, he was featured on the cover of The New York Times Magazine in connection with an article on the newly exuberant international art market. In that photograph, Basquiat is a vision of cool, sprawled in a chair in an elegant three-piece suit and tie, with bunched dreadlocks and bare feet, in front of a large, bold painting—a supernova in the making.
Charismatic image aside, Basquiat was a prodigious young talent, fusing drawing and painting with history and poetry to produce an unprecedented artistic language and content that bridged cultures and enunciated alternative histories. Combining materials and techniques with uninhibited yet knowing and precise intent, his paintings maintain a powerful tension between opposing aesthetic forces—expression and knowledge, control and spontaneity, savagery and wit, urbanity and primitivism—while providing acerbic commentary on the harsh realities of race, culture, and society.
Basquiat is represented in several prominent museum collections all over the world. Major solo exhibitions include “Jean-Michel Basquiat: Paintings 1981–1984,” Fruitmarket Gallery, Edinburgh (1984; traveled to the Institute of Contemporary Arts, London; and the Museum Boijmans Van Beuningen, Rotterdam, through 1985); Whitney Museum of American Art, New York (1992; traveled to the Menil Collection, Houston; the Des Moines Art Center, Iowa; and the Montgomery Museum of Fine Art, Alabama, through 1994); “Basquiat,” Brooklyn Museum of Art, New York (2005; traveled to the Museum of Contemporary Art, Los Angeles; and the Museum of Fine Arts, Houston, through 2006); Fondation Beyeler, Basel, Switzerland (2010; traveled to Musée d’art Moderne de la Ville de Paris); and “Basquiat: The Unknown Notebooks,” Brooklyn Museum, New York (2015). Basquiat starred in “Downtown 81,” a verité movie that was written by Glenn O’Brien, shot by Edo Bertoglio, and produced by Maripol in 1981, but not released until 2000.
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