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Joan MiróPlate XVI, from Album 191961
1961
About the Item
Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered in Roman numerals), published by Galerie Maeght, Paris, 51 x 66.4 cm. (20 x 26 in.)
- Creator:Joan Miró (1893 - 1983, Catalan)
- Creation Year:1961
- Dimensions:Height: 20.08 in (51 cm)Width: 26.15 in (66.4 cm)
- More Editions & Sizes:Edition of 75Price: $9,707
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:Seller: 1058601stDibs: LU4709646702
Joan Miró
With his wide-ranging oeuvre, comprising strikingly original paintings, prints, ceramics, sculptures, metal engravings and murals, Catalan modernist Joan Miró was a critical force in moving 20th-century art toward complete abstraction. Although often considered an early Surrealist because of his nonobjective imagery and evocation of the subconscious, he defies neat categorization.
Miró’s identity is largely rooted in the city of his birth: Barcelona. To this day, a number of his public artworks can be found there, including the 72-foot-tall statue Dona i Ocell (Woman and Bird), 1983. Female and avian forms, along with bright colors and the theme of Catalan pride, are recurring elements in his work.
The radical visual world Miró created with his expressive lines, signature symbols and biomorphic shapes influenced such American Abstract Expressionists as Jackson Pollock and Color Field painters like Mark Rothko and Barnett Newman.
Mirò continued to work and experiment until his death at the age of 90 in 1983. Five years before that, he was quoted saying, “I painted these paintings in a frenzy, with real violence so that people will know that I am alive, that I’m breathing, that I still have a few more places to go. I’m heading in new directions.”
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View AllPlate X, from Album 19
By Joan Miró
Located in London, GB
Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in black ink, numbered from the edition of 75 (the total edition included 15 impressions numbe...
Category
1960s Modern Abstract Prints
Materials
Lithograph
Plate XII, from Album 19
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Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered...
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Plate VI, from Album 19
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Plate III, from Album 19
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Lithograph, 1971, on paper, signed and dated in pencil, numbered from the edition of 60,
published by Hollanders Workshop and Fourcade, New York, 75.7 x 56 cm. (30 x 2 2in.)
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Orofena, from Imaginary Places III
By Frank Stella
Located in London, GB
Lithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 55 (there were also 14 artist's proofs), with the publisher's blindstamp, Tyler Graphics, Ltd., Mount Kisco, 54.6 x 55.2 cm. (21½ x 21¾ in.)
Catalogue Raisonne: Axsom 252
Over a period of four years, Stella created a body of prints whose titles all came from ‘The Dictionary of Imaginary Places’ by Alberto Mangual and Gianni Guadalupi. Each work from this series is recognisable for its teaming compositions of twisting, colliding and knotted forms. The shapes appear to spill out of their sheet, seemingly trying to escape their frames. As he had done since the ‘Swan Engravings...
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