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Mark TobeyTribute to Mark Tobey Poster1974
1974
$700
£538.49
€625.03
CA$987.17
A$1,105.79
CHF 580.80
MX$13,446.09
NOK 7,354.86
SEK 6,981.74
DKK 4,664.84
About the Item
Mark Tobey
Tribute to Mark Tobey Poster, 1974
Offset lithograph poster
21 1/2 × 17 1/2 inches
Unframed
This was published on the occasion of the exhibition "Tribute to Mark Tobey" at the Seattle Art Museum from September 27 to November 10, 1974. The painting depicted in the poster is Mark Tobey, Written over the Plains #2, 1959."
Published by Seattle Art Museum; printed by Farwest/Acme printers inc.
About Mark Tobey:
One of the most internationally revered American artists of his time, Mark Tobey (1890-1976) developed a unique style, characterized by metaphysical references, all-over abstraction, and densely calligraphic markings, which proved central to the development of American modernism. His signature style emerged from a sustained inquiry into both Western and Eastern visual traditions and was grounded in an exploration of mindfulness and spirituality, rather than the expressive physicality of his Abstract Expressionist contemporaries.
In 1918 Tobey became a member of the Baha’i community, a religion that teaches the essential value of all religions, whose emphasis on universal consciousness suffused much of his work: “I believe that painting should come through the avenues of meditation rather than the canals of action. Only then can one have a conversation with a painting." His travels to China and Japan in the 1930s, where he studied Zen painting, haiku poetry, and calligraphy, also proved invaluable in his artistic development: “It was there that I got what I call the calligraphic impulse to carry my work on into some new dimensions . . . With this method I found that I could paint the frenetic rhythms of the modern city, the interweaving lights and the streams of people who are entangled in the mesh of this net.”
Though his first solo exhibition was held in 1917 at M. Knoedler & Co. in New York, it was a 1944 exhibition at the Willard Gallery and a subsequent 1951 exhibition at the Whitney Museum of American Art that established Tobey as an integral figure in the art world. In 1958 Tobey became the second ever American artist to receive the International Grand Prize for Painting at the XXVIII Venice Biennale.
Today the artist’s works are in the collections of the Metropolitan Museum of Art, New York; the Tate Gallery, London; the Museum of Modern Art, New York; the Art Institute of Chicago; and the Musée des beaux-arts de Montréal, among others. He was the subject of a recent retrospective at the Peggy Guggenheim Collection in Venice and the Addison Gallery of American Art in Andover, MA.
Courtesy of Moeller Fine Art
- Creator:Mark Tobey (1890-1976, American)
- Creation Year:1974
- Dimensions:Height: 21.5 in (54.61 cm)Width: 17.5 in (44.45 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745213229182
Mark Tobey
Mark George Tobey (December 11, 1890 – April 24, 1976) was an American painter. His densely structured compositions, inspired by Asian calligraphy, resemble Abstract expressionism, although the motives for his compositions differ philosophically from most Abstract Expressionist painters.
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Acrylic and collage on board
Hand signed on the front
Frame included: held in original vintage frame with original gallery label
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Provenance: Parker Street 470 Gallery, Boston, Mass (with label verso)
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Measurements:
Image:
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Framed:
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From Wiki:
Jack Wolfe (14 January 1924 – 18 November 2007) was a 20th-century American painter most known for his abstract art, portraiture, and political paintings. Jack Wolfe was born in Omaha, Nebraska on January 14, 1924, to Blanche and Everett L. Wolfe. Soon after his birth, his family moved to Brockton, MA. At 18, Wolfe had an interest in commercial illustration, which he pursued at the Rhode Island School of Design (RISD). However, upon matriculating at RISD in 1942, he developed an interest in fine art and painting inspired by an exhibition of modern French art. He described this change of direction, explaining that, "One day, for the first time, I saw an exhibition of modern French art. It was like being struck by lightning." He became particularly interested in the work of a number of European modernists, including Rouault, Cézanne, Braque, Modigliani, and Picasso.[1] Following his time at RISD, he pursued a Master’s in Fine Arts degree at the Museum of Fine Arts School in Boston, MA. At the Museum School, Wolfe studied under the renowned Expressionist Karl Zerbe, a German-born artist who was the Museum School's most influential and vital teacher until 1953.[2] After graduating from the Museum School, Wolfe was represented by the Margaret Brown Gallery in Boston, which also represented many other cutting edge Moderns that defied the more conservative tastes of New England collectors at the time, including György Kepes, Congur Metcalf, and Alexander Calder.[3]
Career and Museum Representation
Jack Wolfe's painting "Robin's Rock" 1962, 72" x 72"
Jack Wolfe's artwork received early recognition from a number of organizations and was consistently featured in influential exhibitions, including the 1955 Carnegie International at the Carnegie Institute in Pittsburgh, PA, the American Federation of Art's traveling exhibition New Talent in the USA in 1956-57, the Whitney Museum’s Young America exhibition in 1957,[4] the Boston Institute of Contemporary Art's Selection exhibition in 1957,[5] and both the Whitney Museum’s 1958 Annual exhibition and its Forty Artists Under Forty show in 1962-63.[6] In 1959, his widely acclaimed Portrait of Abraham Lincoln toured Europe in a show circulated by the Institute of Contemporary Art, Boston. In addition, his painting Crucifixion was chosen by the United States Information Agency to be exhibited across Europe, including being shown at the Salzburg Biennial in Austria in 1958.[7] Crucifixion was also exhibited at the Whitney Museum and subsequently displayed in the National Cathedral in Washington, DC, in 1958.[8] In 1966-67, his work was selected for Art for Embassies by the U.S. State Department.[9] He received the first annual Margaret Brown Memorial Award for high achievement by a New England Artist from the Institute of Contemporary Art, Boston, in 1958.[10]
With his future as one of the great artists of his time laid out neatly before him, Wolfe moved to New York in the early 1950s, which was then the postwar epicenter of the art world and in the midst of experiencing the first real revolution in American Art, now known as Abstract Expressionism.[11] However, almost immediately upon his arrival, he became disenfranchised with the overtly commercial nature of the art scene there, spurning fame and security in an unwillingness to bend his creative vision to the expectations of others.[12] After four short months, he left New York, returned to Massachusetts where he bought property in Stoughton, cleared the land, and built both his home and studio with his own two hands. He would go on to live and paint there, extensively exhibiting and garnering constant critical acclaim.[13]
Wolfe became one of the earliest artists championed by the deCordova Museum in Lincoln, MA and the Institute of Contemporary Art in Boston. He was awarded a traveling scholarship in 1958,[6] which allowed him to set up studio in San Miguel de Allende, Mexico and then in San Francisco, California.[14] Upon his return in 1959, the deCordova museum hosted Wolfe’s third solo exhibition, featuring work made during his time in California...
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