Lithograph Abstract Prints

Joan Miro - Playing Dog - Lithograph in Colors Artist: Joan Miro Composition 7 for the book “Joan Miro” by Jacques Prevert Editor: Maeght Year: 1956 Dimensions: 23 x 38 cm Reference:...

Century Plate Lithograph On white Fabbriano Artistico Paper Hand pulled by Artist on Lithography Press Edition : Varied Edition (1 of 5) Paper Size 10” x 14” Frame Size 14” x 18”

JOHN CHAMBERLAIN Leo Castelli Invitation, 1976 Offset Lithograph invitation 21 1/2 × 16 inches Unframed This rare vintage offset lithograph invitat...

A very good impression of this color offset lithograph on white, thick, smooth Louvain Supreme Vellum Bristol 150-pound paper. Signed and numbered 190/300 in pencil. Printed by Color...

Abstract Composition is a lithograph realized by Renato Livi in 1971. Hand-signed and dated on the lower right margin. Numbered on the lower left margin. Edition of 100 prints Goo...

Mark Ryden Dodecahedron (Hand Signed by Mark Ryden), 2015 Offset Lithograph poster (hand signed by Mark Ryden) Hand signed by artist on lower right front for the present owner. 20 × 16 inches Unframed This Mark Ryden offset lithograph poster was published on the occasion of his exhibition at the Paul Kasmin...

Emilio Sanchez (1921-1999) created this color lithograph entitled “Loft Windows” in 1988. This impression is signed and inscribed “46/100” in pencil. The printed Image size is 25 x ...

Keith Haring Tony Shafrazi 1982: set of 4 printed works: A set of four double-sided lithographic inserts from the seminal, spiral bound 1982 Keith Haring Tony...

Perspective is a lithograph realized by Renato Livi in 1971. Hand-signed and dated on the lower right margin. Numbered on the lower left margin. Edition of 150 prints. Abstract co...

Jean-Paul Riopelle, 1923-2002, Canadian Le Clocher, 1989 Lithograph on Japan paper 22.4 x 30.3 in INSCRIPTIONS signed and numbered in pencil Catalogue raisonné reference: Y. Riopelle...

Color lithograph, Edition 25. Barbara Takenaga is a painter who made her first lithograph at Shark's in the summer of 2002. Her abstract works are full of repeated, obsessive mark...

Colour lithograph, 1890. 210mm by 285mm (sheet). From W Peck's 'A Handbook and Atlas of Astronomy', 1890. Sir William Peck FRSE FRAS (1862 – 1925) was a Scottish astronomer and scien...

Öyvind Fahlström One Hundred and Eight Inflated Dollars, from the Collection of Ileana Sonnabend and the Estate of Nina Castelli, 1973 Lithograph on rag paper. Signed. Numbered. in o...

Après moi is an artwork reazlized by Max Ernst as deluxe edition for the Art Magazine XXème Siècle. Lithograph on japanese paper, 1971. Edition 14/80. Hand signed and numbered. 29 x...

No title is a litograph realized by Wifredo Lam in 1970s. Handmonogrammed in the right lower margin with original dry stamp by Galleria Nuovo Sagittario, Milan. Edition number 4...

Ed Ruscha Paintings (Hand signed by Ed Ruscha), 2014 Offset lithograph poster (Hand signed on the front) Published by Gagosian Gallery, Rome 26 × 27...

Hand Signed. Edition of 90 pieces plus some artist's proofs. Excellent condition.

Lithograph, 1970 Handsigned by the artist in pencil and annotated EA - Artist Proof Edition : 300 Printer : Clot, Bramsen et Georges (Paris) Catalog : [Mason Putman 58] 65.50 cm. x 4...

Joan Miró lithographic cover: Derrière le miroir: Lithographic cover; 15 x 11 inches. Very good overall vintage condition. Unsigned from an edition of unknown. Portfolio: Derrière le miroir, c.1968. Looks superb matted & framed. Derrière le miroir: In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time. The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies. Widely considered one of the leading Surrealists (though he was never officially part of the group), Joan Miró was also a pioneer of automatism: a method of spontaneous drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic manner, developing intricate compositions and a wandering linear style that combined abstract elements with recurring motifs such as birds, eyes, and the moon. During his lifetime, Miró received the Grand Prize for Graphic Work at the 1954 Venice Biennale, exhibited at the first Documenta exhibition in 1955, and enjoyed multiple high-profile retrospectives. Today, Miró’s work—which has sold for eight figures at auction—can be found in the permanent collections of the Art Institute of Chicago and the Museum of Modern Art, among other institutions. His public sculptures and murals are installed in cities around the world, including Milan, Paris, and Barcelona. Related Categories: Mid Century Modern. 1960s. Joan Miro prints...

Gustave SINGIER Abstract composition in Orange, 1959 Original lithograph Handsigned in pencil Numbered / 200 On vellum 32 x 25 cm (c. 13 x 10 inch) Excellent condition

Colour lithograph, 1890. 210mm by 285mm (sheet). From W Peck's 'A Handbook and Atlas of Astronomy', 1890. Sir William Peck FRSE FRAS (1862 – 1925) was a Scottish astronomer and scien...

Artist: Alexander Calder Medium: Lithograph Title: Derriere le Miroir #201 Portfolio: Derriere le Miroir #201 Year: 1973 Edition: Unnumbered Framed Size: 21 1/4" x 17 1/4" Sheet Size...

Artist: Sam Francis Title: Pink Venus Kiki Portfolio: 1 Cent Life Medium: Lithograph Year: 1964 Edition Size: 2000 Frame Size: 20 5/8" x 28 3/4" Sheet Size:...

Colour lithograph, 1890. 285mm by 210mm (sheet). From W Peck's 'A Handbook and Atlas of Astronomy', 1890. Sir William Peck FRSE FRAS (1862 – 1925) was a Scottish astronomer and scien...

Larry Zox Niagara Series I - 1973 Print - Linocut Paper Size 25½'' x 35'' inches Edition: Signed in pencil and marked 2/175 Unframed Larry Zox is one of the principal representativ...

Karl Eugene Fortess (1907-1993) Original color lithographs on BFK Rives paper, 1966, Hand signed and numbered 29/36 in pencil, Sheet size 20.5 x 15 inches. Karl E. Fortess (1907-1993) was a painter, printmaker and teacher, of Boston, Massachusetts and Woodstock, N.Y. Fortess was born in Antwerp, Belgium on October 13, 1907, and became an American citizen in 1923. He studied at the Art Institute of Chicago, the Art Students League in New York, and the Woodstock School of Painting with Yasuo Kuniyoshi. In 1937 the Works Progress Administration sent him and several other artists to Alaska to document the towns, villages, and remote wilderness landscapes (Pemberton, “Alaska art museum collects WPA’s Depression works from the territory,” Columbia Daily Tribune, November 9, 2003). Trains, trucks, and industrial buildings were what Karl Fortess envisioned when the Public Works of Art Project suggested that he depict “the American Scene.” His work bears the influence of Surrealism, Russsian Constructivist art and Cubism. He was part of a circle of left leaning artists loosley involved with the WPA which included Sol Wilson, Isaac Soyer, Louis Lozowick, Abraham Harriton, Ben Shahn, William Gropper, Nahum Tschacbasov, Morris Shulman, Yasuo Kuniyoshi, Louis Slobodkin, Adolf Dehn, Le Corbusier and Louis Schanker. Karl Fortress taught at the Art Students League, Brooklyn Museum Art School, Louisiana State University, Fort Wright College, and Boston University School of Fine and Applied Arts. He was a member of the Artists Equity Association, Society of American Graphic Artists, American Association of University Professors, and the British Film Institute. He was awarded the Guggenheim Fellowship in 1946, was named an Associate of the National Academy of Design in 1960 and elected to full Academician in 1971. Fortess taught at many different schools, including Boston University School of Fine Art, where he also created an archive of interviews with more than two hundred and fifty contemporary American painters, sculptors, and graphic artists including many with with artists associated with the Woodstock, N.Y. art community. Among the interviewees are Kenneth Armitage, Will Barnet, Romare Bearden, George Biddle, James Brooks, Adolph Dehn, Jane Freilicher, Julian Levi, Alice Neel, Larry Rivers, Moses Soyer, Dorothy Varian...

Tracey Emin One Thousand Drawings By Tracey Emin (Hand signed and inscribed for Nadine), 2009 Hardback monograph with dust jacket (ink signed and inscribed by Tracey Emin) Hand signed, dated and inscribed to Nadine by Tracey Emin 7 × 10 × 2 1/2 inches This is the First Edition of the hardback monograph with dust jacket "One Thousand Drawings" by Tracey Emin - featuring reproductions of 1000 of her drawings. It was hand signed, dated and inscribed in ink to the current owner - our gallery director - at the 2011 Marc Jacobs pop up bookstore in Manhattan. (see attached article for details) Inscription reads: For Nadine Love Tracey Emin 2011 NY X Publisher's Blurb: Tracey Emin has stirred controversy as well as acclaim since she rose to fame as the most highly publicized of the infamous Young British Artists. Though denounced by conservative critics at the outset, Emin’s work has attracted serious critical attention since the early 1990s for being consistently engaging, original, and startlingly direct. Her work has succeeded over the years in many media—from films to appliqués, embroideries, and installations—but it is in her works on paper that the honesty and frankness that have come to characterize her work are most fully realized. Edited by the artist herself from an archive of work stretching back before the beginnings of her career in the late 1980s, A Thousand Drawings is at once a collection of Emin’s works on paper, an exposé of her life as an artist, and a collectible artifact in itself. Many of these works on paper shed light on well-known multimedia pieces, previously studied in Works 1963–2006, published by Rizzoli in 2006. Stripped of the distractions of form and context, her bare and enigmatic drawings are presented on bible-thin paper in a uniquely beautiful slipcased volume, with an introduction by the artist. From considered self-portraits to pen-and-ink drawings and informal studies on lined notebook paper, this remarkable collection is as much a catalogue of Emin’s preoccupations as it is a monument to her raw and evocative talents as an artist. Review “Emin-an artist who is not afraid to wear her heart on her sleeve, or, indeed too embroider it on a blanket-personally chose the pictures for this book, and the delicate sketches are at once a glimpse of the profundity she’s capable of, and a reminder of vulnerability.” ~Nylon Magazine About the Author Tracey Emin was born in London in 1963. Nominated for the Turner Prize in 1999 and chosen to represent Britain at the 52nd Venice Biennale in 2007, Emin is also a member of the Royal Academy of Arts. The author of several books, including Strangeland, her memoir, she contributes regularly to The Independent newspaper and lives and works in London. Publisher ‏ : ‎ Rizzoli; First Edition (July 28, 2009) Language ‏ : ‎ English Hardcover ‏ : ‎ 2016 pages Provenance: Personally inscribed to the present owner (our gallery director) at Bookmarc, NY, a pop up art...

’Geranium’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 5/20 Signed - Yes Size - 510mm x 660mm Date - 1978 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

Gina Pellón (1926-2014) "Untitled" Lithograph 30 x 20 in Signed by the artist at the bottom right corner

Two Color Offset Lithograph on Wove Paper Pencil signed, titled and numbered from the edition of 150 on the front This hand signed, titled and numbered lithograph was printed in 197...

Hand Signed. Edition of 99 pieces. Excellent condition.

HOPI EAGLE DANCE is an original hand drawn, limited edition lithograph by the prominent Native American artist Dan Namingha, a member of the Hopi tribe. H...

Damien Hirst From the Cradle to the Grave, 2005 Limited Edition hardback monograph (Hand signed and numbered) Hand signed and numbered 998/1500 by Damien Hirst on the title page 16 ×...

Set on a reddish-brown table, this display of a platter with lemons and a floral-decorated vase is emblematic of Pablo Picasso's Cubist work. With dramatic shading and bold lines, th...

A print by Alexander Calder. "Black Pyramids" is a geometrical abstract print, color lithograph on wove paper in a palette or reds, blacks, and yellows by Post-War artist Alexander C...

Anish Kapoor Poster for Svayambh at the Royal Academy, London (hand signed by Anish Kapoor), 2009 Offset lithograph poster Boldly signed by Anish Kapoor on the lower right front 21 ×...

Lithograph, circa 1965 Handsigned by the artist in pencil and numbered 50/50 This lithograph, one of the last by the Italian artist, presents an agitated composition that gives prid...

Untitled is an artwork realized by Giovanni Dova, 1970. Color lithograph, signed lower right. Edition number III/XXX lower left. 76.5 x 51 cm. Excellent condition.

Lithograph, 1967 Handsigned by the artist in pencil and numbered 68/75 Publisher : A.C. Mazo, Paris Printer : Mourlot, Paris Catalog : [Mourlot 535 p.141-148] 64.50 cm. x 49.50 cm. |...

Sam Gilliam Offset Lithograph Warmly Inscribed to Renowned African American Arts Educator, 1988 Offset Lithograph Card Hand written, signed and inscribed card with a warm personal message from the artist Frame Included Hand written, signed and inscribed offset lithograph card with a warm personal message from Sam Gilliam to Lindsay Waldorf Patterson. Measurements: Frame: 14 7/8 x 12 x 1/2 inches Card: 8 x 5 inches The inscription reads: To Lindsay: With Warmest Regards Sam Gilliam Lindsay Waldorf Patterson was an American English literature educator and author as well as a MacDowell Colony fellow (3 awards); Edward Albee Foundation fellow (2 awards); recipient award National Foundation on Arts & Humanities. Hand signed on the front Provenance: From the estate of Lindsay Waldorf Patterson. Lindsay Waldorf Patterson was an American English literature educator and author as well as an MacDowell Colony fellow (3 awards); Edward Albee Foundation fellow (2 awards); recipient award National Foundation on Arts & Humanities. Formerly an account executive, Harrison Advertising Agency, New York City, 1964; feature writer and columnist assistant to Langston Hughes, Associated Negro Press, 1965; special feature writer (film) Uptight,, Paramount Pictures, 1968; co-host Celebrity Hour program, Station WRVR-FM, New York City, 1974-1977; co-host Black Conversations program, Station WPIX-television, New York City, 1976-1979; assistant Professor of English, Queens College, Flushing, New York, since 1990. Adjunct Professor Afro-American & Caribbean literature, black theater...

Sam Francis Exhibition Poster. Color lithograph 1986 Painter and printmaker who was prominent among the group of painters known as the second generation of Abstract Expressionis...

This piece is part of my private collection of 20th Century artists that were part of the School of Paris era. This piece is original and signed by Pelayo and numbered.

This etching is in very good condition, it is signed and numbered by the artist but I was unable to identify the artist. It is a piece from my private collection of artists from the ...

This piece is from my private collection of early to mid 20th Century artists. It is in very good condition and is a limited edition signed by the artist.

Richard Serra Clara, Clara (Hand Signed by Richard Serra), 1983 Offset Lithograph Poster (Hand signed by Richard Serra) Boldly signed with black marker on the front Frame Included: h...

Color offset lithograph. Signed and dated in felt-tip pen and pink ink, lower right. Published by Tony Shafrazi Gallery, New York.

This piece is from my private collection of 20th Century -21st Century artists, many of which are from the School of Paris era. Pelayo produced this lithograph in colors. The Latin A...

Gina Pellón (1926-2014) Cuban Artist "Untitled" Lithograph 24 x 19 in Free Shipping

Lithograph printed in colours on Japon paper Signed and dated lower left: Moore, 67 76 x 55 cm Printer's copy

Jennifer Losch Bartlett American Dance Festival 1978, 1978 Lithograph on wove paper Pencil signed and numbered 163/150 31 × 23 inches Unframed This limited edition print was designed...

H.C. Westermann, Thomas Kapsalis Rare artist designed early poster: Westermann and Kapsalis Sculpture at Four Fourteen Art Center and Gallery Chicago, 1957 Historic offset lithograph poster designed by both artists Not signed 17 × 22 inches Unframed This extremely rare poster on handmade paper was published for the Tom Kapsalis/H.C. Westermann sculpture exhibition at 414 Art Workshop and Gallery, Chicago Momentum, 1020 Art Center, Chicago in December 1957. The poster was hand designed by both artists, with each one designing his respective half for a cohesive whole, for an exhibition at a small, now defunct regional art center in the late fifties -- so it's not unreasonable to believe that there just aren't too many of these out there anymore. A must have for anyone seriously involved in the careers and legacies of each or both of these sculptors. About H.C. Westermann: American artist Horace Clifford Westermann (Los Angeles, 1922 – Danbury, 1981) assembled a distinctive and singular body of sculptures. His works were predominantly made from wood through his masterly command of carpentry and cabinetmaking, yet he also used other techniques and materials such as metal, glass and enamelling with incredible precision. Without adhering to one particular style, Westermann was a maker of objects, of separate pieces: his sculptures, laden with meaning, often irony, result from the processing of experience, coalescing to yield specific fragments of reality. It is the course of these fragments that the retrospective presented by the Museo Reina Sofía follows. A concern with going back to shelter would soon emerge, be it in the home or the body —and blighted by the threat of confinement and death. Also, stubborn or helpless figures would recur through Westermann’s oeuvre. The motif of the “death ship” runs right through the breadth of his production as well, pointing, on one side, to continued wandering and latent abandonment and, on the other, to a determined pursue of refuge which seems to hold firm across his work. At the turning point of the 1960s, Westermann’s sculptures drew from mass culture, and made part of several exhibitions of the new realisms, when the “cold” tag of Pop art had not yet fully taken shape. The exhibition presents this output and the “specificity” of Westermann’s objects, which interested Donald Judd in 1963. In later pieces his work increasingly deals with the absurd, either through playfulness with language, in the confusion between work and instrument, or with references to the impermanent Besides the sculptures, the show displays Westermann’s paintings, letter-drawings —in his correspondence with other artists, critics and friends— and series of prints, in which he applied vibrant colours to address themes such as an escapist, while critical depiction of the American scene; catastrophe, and fragility. A graduate from the School of the Art Institute of Chicago in 1954, Horace Clifford Westermann produced most of his work from a small town in Connecticut, where he settled in 1961. He regularly exhibited his work in New York, and occasionally in Chicago and on the West Coast. Courtesy of Venus Over Manhattan About Tom Kapsalis: One of Chicago’s great abstractionists, painter Thomas H. Kapsalis (born 1922) has been an important artist and educator since the late ’40s, when he graduated from the School of the Art Institute. A prisoner of war in Germany, captured during the Battle of the Bulge, Kapsalis returned to continue his pursuit of art-making, eventually returning to Germany in the early ’50s on a Fullbright-Hays Fellowship to study with Willi Baumeister. He has taught at the School of the Art Institute since 1954, and his work has been exhibited in numerous group and solo shows. Among the honors bestowed upon Kapsalis are Huntington Harford Foundation Grants (1956, 1959); Robert Rice Jenkins Prize, Chicago & Vicinity Exhibition, Art Institute of Chicago (1956); Pauline Palmer Prize, Chicago & Vicinity Exhibition, AIC (1960); Mr. & Mrs. Julie F. Brower Prize, Chicago & Vicinity Exhibition, AIC (1969). Courtesy of Corbett vs...

Bridget Riley Richard Feigen Gallery 1965 Op Art poster, 1965 Offset lithograph poster 21 × 17 inches Unframed Very rare early Bridget Riley poster...

Artist: Keith Haring Title: Untitled (Plate 1) Size: 24 x 36 in. (61 x 91.4 cm) Medium: Lithograph of Arches Paper Edition: 23 of 40 Year: 1982 Notes: From a suite of six prints. S...

Gina Pellón (1926-2014) Cuban Artist "Untitled" 1978 Lithograph 25.5 x 20 in Free Shipping

ADJA YUNKERS Summer in Venice, 1966 Lithograph on wove paper Signed and dated in pencil on the front 14 × 9 1/4 inches Edition of 250 (unnumbered) Published by The Print Club of Clev...

Derriere le Miroir Cover is an original artwork realized by Alexander Calder in 1968. Original mixed colored lithograph. The artwork was th...

Danny Resnic Mick Jagger, The Rolling Stones 1978 World Tour, 1978 (hand signed by Danny Resnic) Offset Lithograph poster. Pencil signed and numbered 769/1000 by Danny Resnic on the front Edition 769/1000 39 × 25 inches Unframed This is a true collectors item. Rarely found on the market, this is one of the most desirable vintage Rolling Stones posters...

Untitled Lithograph printed in colors, 1954 Unsigned as issued From: Derriere Le Miroir: Poeme Offert A Alexander Carlder et a Louisa, Nos 69-70, October-Novembre 1954 Publisher: Ed...