Metal Abstract Prints
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Item Ships From: USA
Medium: Metal
FALCO Dance Co., Aspen Rare rainbow color silkscreen (hand signed & Inscribed)
Located in New York, NY
Robert Indiana
FALCO Dance Company (Hand Signed/Dedicated), 1968
Silkscreen on metallic and wove paper
Hand signed by Robert Indiana with personal inscription on the front
Unframed
T...
Category
1960s Pop Art Metal Abstract Prints
Materials
Foil
"Blue Approach #2" - Hand-Augmented Collotype
Located in Soquel, CA
"Blue Approach #2" - Hand-Augmented Collotype
Delicate and layered collotype on both sides of heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piec...
Category
Late 20th Century Abstract Geometric Metal Abstract Prints
Materials
Copper
Butterfly Heart (Small) H7-4 print on aluminum panel new in publishers packaging
By Damien Hirst
Located in New York, NY
Damien Hirst
Butterfly Heart (Small) H7-4, 2020
Laminated Giclée print on aluminium composite panel in original publisher's packaging
Signed by Damien Hirst & numbered 1483/3510 on t...
Category
2010s Abstract Metal Abstract Prints
Materials
Metal
Mill Bay, Salcombe, H13-7, from Where the Land Meets the Sea (mixed media work)
By Damien Hirst
Located in New York, NY
Signed and numbered 185/289 in graphite pencil on the label in the back
Acquired directly from the publisher - Heni Editions Inc., UK
Mint condition: brand new in original packaging ...
Category
2010s Abstract Metal Abstract Prints
Materials
Metal
The Rake's Progress - new ceramic plate in bespoke box designed by Hockney in UK
Located in New York, NY
David Hockney
The Rake's Progress, 2019-2020
Fine Bone China finished with platinum gilding in elegant navy blue presentation box with gilt lettering
Created by Halcyon Days UK in co...
Category
2010s Abstract Metal Abstract Prints
Materials
Platinum
Blizzard (H13-10), from Where the Land Meets the Sea - Lt Ed hand signed - NEW
By Damien Hirst
Located in New York, NY
Damien Hirst
Blizzard (H13-10), from Where the Land Meets the Sea, 2023
Laminated Giclée print on aluminium composite panel
13 9/10 × 20 9/10 × 3/10 in 35.4 × 53.2 × 0.7 cm
Hand-sig...
Category
2010s Pop Art Metal Abstract Prints
Materials
Metal
Pegwell Bay, H13-6, from Where the Land Meets the Sea (hand signed limited ed.)
By Damien Hirst
Located in New York, NY
Damien Hirst
Pegwell Bay, H13-6, from Where the Land Meets the Sea, 2023
Laminated Giclée print on aluminium composite panel
35 2/5 × 35 2/5 in 89.9 × 89.9 cm
Hand-signed on the lab...
Category
2010s Contemporary Metal Abstract Prints
Materials
Metal
TV Re-Run A Unique mixed media monotype and colored embossing geometric abstract
Located in New York, NY
Alan Shields
TV Re-Run A, 1978
Mixed Media Monotype embossing, linocut, with watercolor and silver leaf applied decoration on TGL Handmade Paper. Mounted on Linen Board
Signed by Ala...
Category
1970s Abstract Geometric Metal Abstract Prints
Materials
Silver
Doldrums, H13-12, from Where the Land Meets the Sea (Hand signed mixed media)
By Damien Hirst
Located in New York, NY
Damien Hirst
Doldrums, H13-12, from Where the Land Meets the Sea, 2023
Laminated giclée print on aluminium composite panel
47 3/10 × 35 2/5 × 1/2 in 120.1 × 89.9 × 1.3 cm
Hand-signe...
Category
2010s Pop Art Metal Abstract Prints
Materials
Metal
In the style of Henry Moore, Mother and Child in Rocking Chair
Located in Surfside, FL
This is a cast metal sculpture of a woman and child, mother and baby in a rocking chair. It has a patina on a white metal. Not sure if it is steel or aluminum. It is and older vintage piece and has wear to patina where it sits and rocks on table. It is not signed or numbered and there is no foundry mark. Hence it is being sold as being after or in the manner of Henry Moore.
Henry Spencer Moore (1898 – 1986)
Moore was born in Castleford, the son of a coal miner. He became well-known through his carved marble and larger-scale abstract cast bronze sculptures, and was instrumental in introducing a particular form of modernism to the United Kingdom later endowing the Henry Moore Foundation, which continues to support education and promotion of the arts.
After the Great War, Moore received an ex-serviceman's grant to continue his education and in 1919 he became a student at the Leeds School of Art (now Leeds College of Art), which set up a sculpture studio especially for him. At the college, he met Barbara Hepworth, a fellow student who would also become a well-known British sculptor, and began a friendship and gentle professional rivalry that lasted for many years. In Leeds, Moore also had access to the modernist works in the collection of Sir Michael Sadler, the University Vice-Chancellor, which had a pronounced effect on his development. In 1921, Moore won a scholarship to study at the Royal College of Art in London, along with Hepworth and other Yorkshire contemporaries. While in London, Moore extended his knowledge of primitive art and sculpture, studying the ethnographic collections at the Victoria and Albert Museum and the British Museum.
Moore's familiarity with primitivism and the influence of sculptors such as Constantin Brâncuși, Jacob Epstein, Henri Gaudier-Brzeska and Frank Dobson led him to the method of direct carving, in which imperfections in the material and marks left by tools became part of the finished sculpture. After Moore married, the couple moved to a studio in Hampstead at 11a Parkhill Road NW3, joining a small colony of avant-garde artists who were taking root there. Shortly afterward, Hepworth and her second husband Ben Nicholson moved into a studio around the corner from Moore, while Naum Gabo, Roland Penrose, Cecil Stephenson and the art critic Herbert Read also lived in the area (Read referred to the area as "a nest of gentle artists"). This led to a rapid cross-fertilization of ideas that Read would publicise, helping to raise Moore's public profile. The area was also a stopping-off point for many refugee artists, architects and designers from continental Europe en route to America—some of whom would later commission works from Moore.
In 1932, after six year's teaching at the Royal College, Moore took up a post as the Head of the Department of Sculpture at the Chelsea School of Art. Artistically, Moore, Hepworth and other members of The Seven and Five Society would develop steadily more abstract work, partly influenced by their frequent trips to Paris and their contact with leading progressive artists, notably Pablo Picasso, Georges Braque, Jean Arp and Alberto Giacometti. Moore flirted with Surrealism, joining Paul Nash's modern art movement "Unit One", in 1933. In 1934, Moore visited Spain; he visited the cave of Altamira (which he described as the "Royal Academy of Cave Painting"), Madrid, Toledo and Pamplona. Moore made his first visit to America when a retrospective exhibition of his work opened at the Museum of Modern Art in New York City.[28]
Before the war, Moore had been approached by educator Henry Morris, who was trying to reform education with his concept of the Village College. Morris had engaged Walter Gropius as the architect for his second village college at Impington near Cambridge, and he wanted Moore to design a major public sculpture for the site.
In the 1950s, Moore began to receive increasingly significant commissions. He exhibited Reclining Figure: Festival at the Festival of Britain in 1951, and in 1958 produced a large marble reclining figure for the UNESCO building in Paris. With many more public works of art, the scale of Moore's sculptures grew significantly and he started to employ an increasing number of assistants to work with him at Much Hadham, including Anthony Caro and Richard Wentworth.
Moore produced at least three significant examples of architectural sculpture during his career. In 1928, despite his own self-described "extreme reservations", he accepted his first public commission for West Wind for the London Underground Building at 55 Broadway in London, joining the company of Jacob Epstein and Eric Gill. At an introductory speech in New York City for an exhibition of one of the finest modernist sculptors, Alberto Giacometti, Sartre spoke of "The beginning and the end of history...
Category
1950s Modern Metal Abstract Prints
Materials
Metal
It's a Crime to Live with the Person You Don't Love with official COA + hologram
By Tracey Emin
Located in New York, NY
Tracey Emin
It's A CRIME to Live with The Person You don't LOVE, 2121
Giclée print on Hahnemühle FineArt Pearl 285gsm paper, accompanied by official COA with hologram
16 1/2 × 11 2/5...
Category
2010s Contemporary Metal Abstract Prints
Materials
Foil
Copper Etching IV
Located in Tulsa, OK
Ana Rosa de Ycaza’s’s Copper Etching IV is a black and white engraving copper minimalist abstract mixed media with a french oak frame measuring 14 x 14 priced at $1000.
Ana Rosa de Ycaza an artist born in 1915 was affiliated with Atelier 17 a studio that attracted the likes of Mark Rothko, Joan Míro, William de Kooning...
Category
1950s Abstract Metal Abstract Prints
Materials
Copper
Medaglia 25 Anni Tecno Limited Edition bronze medallion plaque famous sculptor
Located in New York, NY
ARNALDO POMODORO
Medaglia 25 Anni Tecno (Two Sided Bronze Medallion), 1979
Bronze (incised signature)
2 1/2 × 2 × 7/10 inches
Edition 196/1600
Unframed
This beautiful two sided limit...
Category
1970s Abstract Geometric Metal Abstract Prints
Materials
Bronze
Three Strikes You're Out (Limited Edition Triptych)
By Robert Longo
Located in New York, NY
Robert Longo
Three Strikes, You're Out (Triptych), 1990
Silkscreen and Color Photograph (C-Print) on Aluminum and Lead Plates
9 4/5 × 23 3/5 inches
Edition 120/200
Boldly signed and numbered in black marker from the edition of 200 on the verso; bears the artist's and publishers printed name & copyright
Unframed
Three Strikes You're Out was created in 1990 by Robert Longo exclusively for the mixed-media box-edition Contemporary Archeology, Pandora Part Three. The works were executed by jennifer Cox for Publishing House Bebert in an edition of 200, numbered and signed copies. This work is assembled as triptych and consists of two aluminium plates. Both aluminium plates show a color photograph of a cloud with silkscreened red X, the lead plate only showing the red X
Total size is: 9.8 inches by 23.6 inches
Individual Metal Plate Sizes: 9.8 x 9.1 in (2) / 9.8 x 5.1 (1)
Unframed
Boldly signed and numbered in black marker from the edition of 200 on the verso; bears the artist's printed name and copyright mark, along with the publisher - Publishing House Bebert, Rotterdam.
Robert Longo Biography:
Robert Longo was born in 1953 in Brooklyn and grew up in Long Island, New York. He graduated high school in 1970, weeks after the Ohio National Guard massacred several students at Kent State University who were protesting the U.S. invasion of Cambodia.
One of those killed was a former classmate of Longo’s, and his body was shown in a Pulitzer Prize-winning photograph that was seen across the world. The event shocked Longo, triggering his interest in political activism and media imagery.
In 1972, Longo received a grant to study restoration and art history in Florence. While touring the museums of Europe, he realized he wanted to make, rather than restore art. In 1973, Longo enrolled at Buffalo State College, where he worked for artists Paul Sharits and Hollis Frampton, who introduced him to structuralist filmmaking. Along with Charles Clough, Longo also co-founded Hallwalls (1974–ongoing), an alternative non-profit art exhibition space where he organized shows and talks with artists such as John Baldessari, Lynda Benglis, Robert Irwin, Joan Jonas, Bruce Nauman, and Richard Serra.
At Buffalo State, Longo started a friendship–that still exists to this day–with Cindy Sherman, and in 1977 the two moved to New York together, where Longo began working as a studio assistant to Vito Acconci and Dennis Oppenheim. That year he was included in the exhibition Pictures at Artist’s Space, curated by Douglas Crimp, which showcased work by a group of five young artists who were engaged with the politics of image-making, drawing from advertisements, newspapers, film, and television. The “Pictures Generation,” as they became known, included artists such as Cindy Sherman, Richard Prince, Louise Lawler, David Salle, and drew from semiotics and poststructuralist theory to investigate the way meaning is made and circulated in modern society. Their work often critiqued the anaesthetizing power of consumer capitalism and the indoctrinating effects of mass media. At his first solo show at Metro Pictures in 1981, Longo presented his charcoal and graphite Men in the Cities drawings, which instantly became icons of the “Pictures Generation,” and some of the most recognizable artworks of the 1980s.
Longo performed in New York rock clubs with the band Menthol Wars with Richard Prince, throughout the 1980s. During that period, he also designed numerous album covers, including Glenn Branca’s The Ascension (1981) and The Replacements’ Tim (1985). In 1986, he directed his first music video for New Order’s chart-topping song Bizarre Love Triangle, and the following year directed The One I Love, a video for R.E.M.’s first hit single.
Longo began working with diverse materials at increasingly ambitious scales. His Combines series, first exhibited in 1983, incorporated materials such as paint, graphite, wood, plaster, cast bronze, and steel in works that were part-painting, part-sculptural reliefs. Using Sergei Eisenstein...
Category
1990s Contemporary Metal Abstract Prints
Materials
Metal
The MCA Wrapped, 1969 (Limited Edition of 300) gold foil stamp museum provenance
By Christo
Located in New York, NY
Christo
The MCA (Museum of Contemporary Art) Wrapped, Chicago, 1969, 2019
Limited Edition Four-color offset lithograph on 110 lb. Crane Lettra Cover stock, with an elegant gold foil...
Category
2010s Pop Art Metal Abstract Prints
Materials
Foil
Invading Abstraction 1-4
By Glen Kaufman
Located in Wilton, CT
woven silk, gold leaf, photo collage screen print
Category
1990s Abstract Metal Abstract Prints
Materials
Gold Leaf
It's My Party and I'll Cry If I Want To
Located in New York, NY
Yinka Shonibare
It's My Party and I'll Cry If I Want To, 2013
24ct gold leaf embellishment, hand applied dutch wax batik fabrics on 225gsm Somerset Enhanced Paper
Boldly signed and n...
Category
Early 2000s Contemporary Metal Abstract Prints
Materials
Gold Leaf
Shepard Fairey Pattern of Denial Collage Screen Print Contemporary Street Art
Located in Draper, UT
The Pattern of Denial print is an examination of image versus reality. The image is inspired by the sleek and idealized mid-century architecture of both deluxe homes and deluxe facto...
Category
2010s Contemporary Metal Abstract Prints
Materials
Gold Leaf
Mod 1970s Israeli Judaica Foil Print 12 Tribes of Israel Zodiac Signs Hebrew
Located in Surfside, FL
Genre: Israeli Batia Adith
Subject: Biblical
Medium: Print
Surface: Paper
Dimensions w/Frame: 30 1/2" x 21 1/2"
Category
1970s Modern Metal Abstract Prints
Materials
Foil
Dirge 9 Color Archival Pigment print on paper illustration
Located in Draper, UT
Immerse yourself in the timeless allure of "Dirge," a captivating archival pigment print on cotton rag. This exquisite piece measures 16" x 20" and is a testament to the artist's mastery of form and depth.
Crafted on luxurious cotton rag paper, the archival pigment process ensures the longevity of this artwork, allowing you to enjoy its beauty for many years to come. The tactile nature of the paper adds a layer of intimacy, inviting you to explore the subtle intricacies.
Limited to just 44 prints, each piece of "Dirge" is signed and numbered by the artist, guaranteeing its exclusivity.
JAW Cooper...
Category
2010s Metal Abstract Prints
Materials
Gold Leaf
Soothe 9 Color Screen print on gold foil paper Tiger skeleton illustration
Located in Draper, UT
JAW Cooper, a luminary in the world of contemporary art, beckons you into her ethereal realm with "Soothe." This 9-color screen print on gold foil paper is ...
Category
2010s Metal Abstract Prints
Materials
Gold Leaf
A Walk in the Tuileries Gardens Paris (screenprint with silver leaf and glazes)
By Peter Blake
Located in New York, NY
Peter Blake
A Walk in the Tuileries Gardens, 2004
26 colour Screenprint with Silver leaf and 3 Glazes
Hand signed and numbered 28/200 by artist on lower front
30 1/5 × 22 1/2 inches
Unframed
A Walk Through the Tuileries Gardens is based on a memory of a stroll in Paris distilled through the ephemera he found along the way. ' The legendary Peter Blake, the father of British Pop Art, is renowned for his love of gathering and collecting the ephemera of life, of memories, of dreams and whimsies, sometimes mingled with those of other historical fantasists. Possessions he regards as symbolic of his relationships with his world, carefully questioning the personal significance of each object in this respect. The scraps of tickets, fragments of plastic, driftwood, pebbles and sycamore leaf in A Walk Through the Tuileries gardens are evocative and ephemeral souvenirs, gathered at the time and collated later perhaps with a whiff of romance. His image takes us, in turn, on a stroll down the wide gravel, under the autumnal trees, a lingering taste of saucisson and red wine on our palate and with a sudden impulse to take a turn on the Caroussel. This whimsical Peter Blake print would make a great gift for any Blake fan. The work is matted and unframed as it had been removed from its original frame.
Measurements:
Board:
30 1/8 x 22 1/2 inches
Sheet:
24 x 20 inches
Legendary British Pop Art pioneer British Blake was born in 1932, and after his formal training at the Gravesend School of Art, then at the Royal Academy of Art, he broke away from tradition, producing work from 1960 on that would come to define the British Pop Art Movement. He came to be known as the Grandfather of Pop Art, and his art achieved iconic status with his sleeve for The Beatles’ Sgt Pepper’s Lonely Hearts Club Band.
Blake’s art draws on imagery from the popular culture of the past and present, as well as from the canon of fine art, thus creating an alternative, more democratic visual aesthetic. He freely mixes the ‘high’ with the ‘low’, ultimately inviting us to see beyond such distinctions. Always playful, and at times irreverent, he sets up the most unlikely juxtapositions across time and space, creating conversations and ‘parties’ to which all are invited. An abiding theme is an investigation, and celebration, of England and Englishness.
Collage has always been a hallmark of Blake’s work, allowing him to freely mix found objects and images of people and other artworks; screenprinting, with its use of stencils and layers, lends itself perfectly to this technique, and indeed it was Pop Art that fully realised the potential of screenprinting as a medium for complex replication.
More about Peter Blake:
Sir Peter Thomas Blake...
Category
Early 2000s Pop Art Metal Abstract Prints
Materials
Silver
Cannizaro H4-4 Damien Hirst Contemporary Art Diasec-mounted Giclée Print Street
By Damien Hirst
Located in Draper, UT
Damien Hirst
Cannizaro
H4-4
Diasec-mounted Giclée print on aluminium panel
920 x 1260 MM
Edition size: 75 + 5 AP
signed and numbered from an edition of 75 verso, published by HENI Editions; sheet: 92 x 126cm
Damien Hirst first came to public attention in London in 1988 when he conceived and curated "Freeze," an exhibition in a disused warehouse that showed his work and that of his friends and fellow students at Goldsmiths College. In the nearly quarter of a century since that pivotal show (which would come to define the Young British Artists), Hirst has become one of the most influential artists of his generation. His groundbreaking works include The Physical Impossibility of Death in the Mind of Someone Living (1991), a shark in formaldehyde; Mother and Child Divided (1993) a four-part sculpture of a bisected cow and calf; and For the Love of God (2007), a human skull studded with 8,601 diamonds. In addition to his installations and sculptures, Hirst’s Spot paintings...
Category
2010s Contemporary Metal Abstract Prints
Materials
Metal
CREATION IN SPACE (WALL PIECE)
Located in Greenwich, CT
Printed on Italian stainless steel.
Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, City...
Category
2010s Abstract Metal Abstract Prints
Materials
Stainless Steel
The Future
Located in New York, NY
2023, Metal print
Limited edition of 8
Sets of 4, 8, 12, or 16 also available, please inquire
Category
2010s Abstract Metal Abstract Prints
Materials
Metal
Refuse the Judgement
Located in New York, NY
2023, Metal print
Limited edition of 8
Sets of 4, 8, 12, or 16 also available, please inquire
Category
2010s Abstract Metal Abstract Prints
Materials
Metal
No Seat at the Table
Located in New York, NY
2023, Metal print
Limited edition of 8
Sets of 4, 8, 12, or 16 also available, please inquire
Category
2010s Abstract Metal Abstract Prints
Materials
Metal
Loneliness
Located in New York, NY
2023, Metal print
Limited edition of 8
Sets of 4, 8, 12, or 16 also available, please inquire
Category
2010s Abstract Metal Abstract Prints
Materials
Metal
On Shaky Ground
Located in New York, NY
2023, Metal print
Limited edition of 8
Sets of 4, 8, 12, or 16 also available, please inquire
Category
2010s Abstract Metal Abstract Prints
Materials
Metal
Myth of Autonomy
Located in New York, NY
2023, metal print
Limited edition of 8
Sets of 4, 8, 12, or 16 also available, please inquire
Category
2010s Abstract Metal Abstract Prints
Materials
Metal
Making Space
Located in New York, NY
2023, metal print
Limited edition of 8
Sets of 4, 8, 12, or 16 also available, please inquire
Category
2010s Abstract Metal Abstract Prints
Materials
Metal
Being Integral, but Feeling Superfluous
Located in New York, NY
2023, metal print
Limited edition of 8
Sets of 4, 8, 12, or 16 also available, please inquire
Category
2010s Abstract Metal Abstract Prints
Materials
Metal
Letting Someone Go
Located in New York, NY
2023, metal print
Limited edition of 8
Sets of 4, 8, 12, or 16 also available, please inquire
Category
2010s Abstract Metal Abstract Prints
Materials
Metal
Scar Tactics
Located in New York, NY
2023, metal print
Limited edition of 8
Sets of 4, 8, 12, or 16 also available, please inquire
Category
2010s Abstract Metal Abstract Prints
Materials
Metal
Disconnected
Located in New York, NY
2023, Metal print
Limited edition of 8
Sets of 4, 8, 12, or 16 also available, please inquire
Category
2010s Abstract Metal Abstract Prints
Materials
Metal
"Insignia #2" Abstract Mixed Media on Handmade Paper
Located in Soquel, CA
"Insignia #2" Abstract Mixed Media on Handmade Paper
Tactile Abstract on handmade paper by David Dodsworth (English, b. 1952) - David’s work is typifi...
Category
1980s Abstract Expressionist Metal Abstract Prints
Materials
Gold Leaf
The Bound Horizon (edition of 20)
By Beau Carey
Located in Denver, CO
By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern la...
Category
2010s Contemporary Metal Abstract Prints
Materials
Gold Leaf
Bicentennial Dawn
Located in New York, NY
Louise Nevelson
Bicentennial Dawn, 1976
Photolithograph, silkscreen and gold foil on white wove paper
hand signed, dated and numbered 15/100 with incised signature on the front
35 × ...
Category
1970s Abstract Metal Abstract Prints
Materials
Foil
I Remember Heaven (Minimal, Silver, Foil, Heaven, Contemporary, St. Louis)
Located in Kansas City, MO
Jim Hodges and Andy Warhol
I Remember Heaven
Offset Lithograph with silver foil on glossy stock
Year: 2007
Size: 24x18in
Edition: 1,000
Unsigned and unnumbe...
Category
Early 2000s Abstract Metal Abstract Prints
Materials
Silver, Foil
Red Dog (limited edition print with gold foil) by famous Street Art Pop Artists
By Faile
Located in New York, NY
FAILE
Red Dog, 2018
Offset Print with gold foil on Lenox 100 paper. Faile studio stamp on the back
Annotated and hand signed in pencil on the lower front with studio stamp on the bac...
Category
2010s Street Art Metal Abstract Prints
Materials
Gold Leaf
Star of Hope, enamel on metal plaque with stamped name and copyright, Framed
Located in New York, NY
Robert Indiana
Star of Hope, 1972
Enamel on Metal with Artists Stamped Name. Date and Copyright
Artist stamped name and copyright on lower right front
Frame Included: held in a white...
Category
1970s Pop Art Metal Abstract Prints
Materials
Metal, Enamel
"Insignia" #1 Hand Made Paper Aquatint Abstract
Located in Soquel, CA
"Insignia" #1 Hand Made Paper Aquatint Abstract
Tactile Abstract on handmade paper by David Dodsworth (English, b-1952) David’s work is typified by his...
Category
1980s Abstract Expressionist Metal Abstract Prints
Materials
Gold Leaf
Plaque (Placca)
Located in New York, NY
Arnaldo Pomodoro
Plaque (Placca), 1980
Bronze
3 4/5 × 3 4/5 inches
Edition of 500
Incised signature on the front top left, and foundry mark on the bottom; Rotary Club of Palermo plaq...
Category
1980s Abstract Geometric Metal Abstract Prints
Materials
Bronze
Set of Four Conch Abstract Color Lithograph With Gold Flakes
Located in Delray Beach, FL
Set of Four
CONCH V, CONCH IX, CONCH X, CONCH XI
Color lithograph on handmade paper with gold flakes, 1987, three signed, dated and titled in pencil, published by Crown Point Press, San Francisco and with their blind stamp, the full sheets, framed.
each sheets 24 x 17 3/4 inches
each frame 28 x 22 1/4 inches
Robert Kushner born 1949, Pasadena, CA is an American contemporary painter who is known especially for his involvement in Pattern and Decoration. He has been called "a founder" of that artistic movement. In addition to painting, Kushner creates installations in a variety of mediums, from large-scale public mosaics to delicate paintings on antique book pages...
Category
1980s Abstract Expressionist Metal Abstract Prints
Materials
Gold Leaf
Les Voiles (The Sails) /// James Coignard Abstract Text Engraving Modern Art
Located in Saint Augustine, FL
Artist: James Coignard (French, 1925-2008)
Title: "Les Voiles (The Sails)"
*Signed by Coignard in pencil lower right
Year: 1984
Medium: Original Hand-Embellis...
Category
1980s Contemporary Metal Abstract Prints
Materials
Gold Leaf
Skyscape 5727, Blue and Purple Gradient Digital Print Photography on Aluminum
By Amanda Lomax
Located in Boston, MA
Skyscape 5727, Blue and Purple Gradient Digital Photography Print
36" x 24" x 0.75" (HxWxD) Print on Aluminum
Hand-signed in verso.
Artist Amanda Lomax h...
Category
21st Century and Contemporary Abstract Metal Abstract Prints
Materials
Metal
Ponce de Leon’s Flagship
By Joe Zucker
Located in San Francisco, CA
Artist: Joe Zucker - American (1941- )
Title: Ponce de Leon’s Flagship
Year: 1984
Medium: Lithograph with acrylic and collage
Size: 36 x 48 inches
Signature: Signed, dated lower right
Condition: Very good
Edition: 18. This one: 10/18
Series: From a series of 5 lithographs on Ponce de Leon and his discovery of Florida
Publisher: Solo Press
This very fine print with acrylic and collage the collage elements are foil) is by the noted American artist Joe Zucker (1941-). It is in very good condition.
I have included below Zucker’s biography and very extensive CV from his website.
Biography
1941 Born in Chicago, Illinois
Lives and Works in East Hampton, New York
Education
1966 MFA, School of the Art Institute of Chicago
1964 BFA, School of the Art Institute of Chicago
Selected Solo Exhibitions
2022 Detritus 2020, The Madoo Conservancy, New York
2019 100-Foot-Long Piece, Marlborough, New York Forbidden Motion – Surface, Image and Metaphor, Thomas Brambilla Gallery, Bergamo, Italy
2017
1000 Brushstrokes, Maccarone, Los Angeles
Armada, National Arts Club, New York
2015
Life & Times of an Orb Weaver, Parrish Art Museum, Water Mill, NY
2013
Empire Descending a Staircase, Mary Boone Gallery, New York
2011
A Unified Theory, Mary Boone Gallery, New York
The Grid Paintings, Corbett vs...
Category
1980s Contemporary Metal Abstract Prints
Materials
Foil
Geometrical Clouds
Located in Henderson, NV
Limited Edition of 10 sets. Laser cut steel with powder coat. “Geometrical Clouds” is reimagined as a major theme in my life’s work, with the earliest pieces of that name dating back...
Category
2010s Surrealist Metal Abstract Prints
Materials
Metal
Majus II
Located in Palo Alto, CA
Victor Vasarely Majus II, 1974 is a screenprint on polyester on metal that is hand-signed by Victor Vasarely (Hungary, 1906 – France, 1997) in pen and ink the lower right margin and...
Category
1970s Op Art Metal Abstract Prints
Materials
Metal
The Wrapped (MCA), Chicago 1969 (Limited Edition of 200, Hand Signed by Christo)
Located in New York, NY
Christo and Jeanne-Claude
The Wrapped (MCA), 1969 (Hand Signed), 2019
Four-color offset lithograph on 110 lb. Crane Lettra Cover stock, with an elegant gold foil stamp.
Hand Signed by Christo
22 3/5 × 30 inches
Edition of 200
Hand-signed by artist, Signed in graphite pencil by Christo on the front. Also elegant gold foil stamp.
Unnumbered from the documented limited edition of only 200
Published by Museum of Contemporary Art, (MCA) Chicago
Unframed
A great gift for anyone with ties to Chicago!
This limited-edition, hand signed offset lithograph on 110 lb. Crane Lettra Cover stock commemorates Christo's exhibition "Wrap In Wrap Out", which took place at the MCA’s original location on 237 East Ontario Street, Chicago. The project became the first public building Christo and his wife, Jeanne-Claude, wrapped in the United States. In an illuminating 2010 article entitled, "A daring plan to wrap a Chicago museum raises city ire – and makes art history," author Robin Amer recounts how Christo came to choose Chicago -- or rather how Chicago chose New York based artist Christo: "During a recent conversation he [Christo] ticked off the list of buildings he approached in downtown Manhattan starting in 1961. “Number 2 Broadway, number 20 Exchange Place,” he recalled. “We tried to wrap a building at Times Square. They all said no. Christo said he quickly realized that his best hope to wrap a building – his first in North America – would be to wrap a museum, which might be more amenable to his strange proposition.Christo and Jeanne-Claude approached New York’s Museum of Modern Art in 1967. The museum was interested, but Christo said they failed to secure permission for the show from the New York Fire...
Category
1960s Pop Art Metal Abstract Prints
Materials
Foil
Abysmal, 2021 Contemporary digital print
Located in Palm Desert, CA
Style: Contemporary, Modern, Conceptual
Small study for the series “Rare Earth"
Category
21st Century and Contemporary Conceptual Metal Abstract Prints
Materials
Metal
My Maine Girl, Signed Contemporary Blue Green Gradient Photographic Print
By Amanda Lomax
Located in Boston, MA
My Maine Girl, Signed Contemporary Blue Green Gradient Photographic Print, 2021
24" x 36" x 0.75" (HxWxD) Dye Sublimation Print on Aluminum
Hand-signed by the artist in verso.
A warm and cozy abstracted landscape by artist Amanda Lomax, this photographic print on metal brings the viewer a nostalgic snapshot of watching the sun pass over the horizon, illuminating the sky with a golden haze. The blurry aspect of the composition allows for this work to come off similarly to a color field painting by Mark Rothko, with the viewer filling in the context with their imagination, as the colors coexist next to each other. Perhaps the golden band of sky is shining over mountains, or maybe it is an oceanic waterscape. There is a mystery and ethereality to the lack of definition and softness of the gradient.
Open edition digital...
Category
21st Century and Contemporary Abstract Metal Abstract Prints
Materials
Metal
Skyscape 8722, Blue and Orange Gradient Digital Print Photography on Aluminum
By Amanda Lomax
Located in Boston, MA
Skyscape 8722, Blue and Purple Gradient Digital Photography Print
36" x 24" x 0.75" (HxWxD) Print on Aluminum
Hand-signed in verso.
Artist Amanda Lomax has used digital photography to capture a breathtaking and ethereal sky as the sun crosses the horizon line. A minimal gradient fills this skyscape composition, transitioning from a grayish blue to a peachy orange as your eye follows the transition downwards.
Open edition digital print...
Category
21st Century and Contemporary Abstract Metal Abstract Prints
Materials
Metal
Camber Sands, Signed Contemporary Abstract Landscape Photographic Print on Metal
By Amanda Lomax
Located in Boston, MA
Camber Sands, Contemporary Abstract Landscape Photographic Print
30" x 20" x 0.75" (HxWxD) Print on Aluminum
Hand-signed in verso.
An abstract impression...
Category
21st Century and Contemporary Abstract Metal Abstract Prints
Materials
Metal
Sun Corner /// Abstract Expressionism Helen Frankenthaler Female Post-War Modern
Located in Saint Augustine, FL
Artist: Helen Frankenthaler (American, 1928-2011)
Title: "Sun Corner"
Portfolio: The Metropolitan Scene
*Signed, dated, and numbered by Frankenthaler (inscribed into the metal) lower right
Year: 1968
Medium: Original Screenprint on core-filled, baked Aluminum Panel
Limited edition: 17/50, (there were also 4 artist's proofs)
Printer: Sheila Marbain of Maurel Studios, New York, NY
Publisher: Tanglewood Press, New York, NY
Reference: "Frankenthaler: A Catalogue Raisonné - Prints 1961-1994" - Harrison No. 12, page 90-91; Berggruen No. 13; Clark No. 13
Framing: Recently framed in a white maple moulding and conservation clear glass with frame-space. All archival
Framed size: 37.38" x 37.38"
Sheet size: 36.13" x 36.13"
Image size: approx. 32" x 32"
Condition: Faint crease upper right. Mild creasing lower right. Some light scuffmarks and scratches across sheet. In otherwise very good condition with strong colors
Very rare
Notes:
Provenance: private collection - Upton, MA. Comes from the 1968 "The Metropolitan Scene" portfolio of five screenprints by various artists. Printed in four colors from four screens: blue, orange-red, green, and yellow. This is the third screenprint edition Frankenthaler ever made.
"The Metropolitan Scene", a portfolio of prints by Richard Anuszkiewicz, Helen Frankenthaler, Adolph Gottlieb, Nicholas Krushenick, Roy Lichtenstein, and George Segal, was commissioned for a traveling exhibition organized by the Education Department of The Metropolitan Museum of Art, New York, NY. The museum received ten Roman-numbered copies for this purpose. Tanglewood Press then released all but Gottlieb's print in numbered editions of fifty. (Gottlieb's contract with Marlborough Gallery, New York, NY, did not permit commercial release of his print by the publisher).
"Air Frame" (cat. no. 6) was Frankenthaler's first silkscreen - a medium that Universal Limited Art Editions, West Islip, NY did not use, although it became increasingly popular for artists' prints, both in Europe and the United States, during the sixties. Several other silkscreens followed in the next few years: "Untitled" (cat no. 11), in 1967, and "Sun Corner" (cat. no. 12) by Tanglewood Press, New York, in 1968. - "What Red Lines Can Do" (cat. nos. 22-26) is a suite of silkscreens published by Multiples, Inc., at that time directed by Rosa Esman, in 1970. - (Harrison - page 19).
Biography:
Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting...
Category
1960s Abstract Expressionist Metal Abstract Prints
Materials
Metal
"The Mermaid of Zennor" - Psychedelic Visionary Metallic Print, 9/100
Located in Soquel, CA
A dazzling visionary art print with psychedelic patterned imagery in metallic silver, teal, and yellow by Ian McNeil Cooke (British, b.1937). The Merm...
Category
1980s Other Art Style Metal Abstract Prints
Materials
Foil
Italian Surrealist Pop Art Serigraph Enrico Baj Pop Art Silkscreen Foil Print
By Enrico Baj
Located in Surfside, FL
Enrico Baj (1924-2003) Italian, limited edition print.
Hand signed and numbered Signature on the corner. Edition 44 of 45. metallic silver aluminum.
Baj was an Italian artist best known for his political collages, prints, paintings, and sculptures. He was close to the surrealist and dada movements, and was later associated with CoBrA.
Italian artist Enrico Baj (1924-2003) was born in Milan into a wealthy family, but left Italy in 1944 having upset the authorities and to avoid conscription. He studied at the Milan University law faculty and the Brera Academy of Art. Italian Surrealist Pop Art.
Artist, attorney, ironist, writer, sharp critic, and political dissenter, Enrico Baj brought an urgent, refreshing and unique voice to the art of his time. In 1951 he founded the Movimento d'Arte Nuclear...
Category
1970s Surrealist Metal Abstract Prints
Materials
Foil
Southern Sea 14, Digitally Abstracted Seascape Printed on Metal, 2021
By Amanda Lomax
Located in Boston, MA
Digital print on metal; semigloss finish; signed in verso.
Artist Commentary:
Part of the Southern Seas Series, this image is a manipulation of my own original photograph. Harnessin...
Category
21st Century and Contemporary Abstract Metal Abstract Prints
Materials
Metal
Metal abstract prints for sale on 1stDibs.
Find a wide variety of authentic Metal abstract prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, yellow, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Pierre Muckensturm, Amanda Lomax, Donald Sultan, and David Borawski. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Metal abstract prints, so small editions measuring 0.02 inches across are also available
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