Paper Abstract Prints

Landscape. 1983, paper, ink, 27x19 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947,...

These wonderful lithographs from the imagination of the Glasgow artist Robert Colquhoun are full of colour and dynamism. Robert Colquhoun (1914-1962) Poems of Sleep and dream Three ...

Melody I, 2018 Screenprint in colors, on Saunders Waterford Hi-White 425gsm paper Sheet size: 40 x 30 in. (101.6 x 76.2 cm) Edition of 55 + 15 AP Signed, dated and numbered in pencil...

ABOUT THIS PIECE: Inspired by the warm light, open vistas, and saturated colors of her birthplace (Southern California), Julianna Goodman’s collages often distill memories of nature ...

Original Edition Gelatin Print on archival paper. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Referenc...

Original Edition Gelatin Print on archival paper. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Referenc...

"Space And Space" - 1988 Offset Lithograph on Paper Offset lithograph titled "Space and Space" by Susumu Endo (Japanese, B- 1933). Two bottles are depicte...

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 110, published by Derr...

John Shrehane is from England originally but spent many years working in Italy. His practice brings together an energy and elegance that is unique. John says, “I like to express emot...

Salvador Dali Queen of Hearts, 1967 Limited Edition Limoges Porcelain Plate. Signature Fired into Plate. Numbered with COA 9 3/4 inches diameter Edition 358/2000 Artist Signature and edition Fired into Plate on front. Certificate of Authenticity with edition number from the manufacturer. Produced by Puiforcat, France This dazzling limited edition 1967 Salvador Dali porcelain plate...

Original Edition Gelatin Print on archival paper. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Referenc...

Lithograph by artist Tony Khawam, high quality archival ink on bond paper 11”x14” bevel cut matte mounted on white matte board with options to choose between white or black frame 16x...

Lithograph by artist Tony Khawam, high quality archival ink on bond paper 11”x14” bevel cut matte mounted on white matte board with options to choose between white or black frame 16x...

Original Edition Gelatin Print on archival paper. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Referenc...

Original Edition Offset Lithograph on archival paper. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Note...

Original Edition Offset Lithograph on archival paper. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Refe...

Original Edition Offset Lithograph on archival paper. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Refe...

Original Edition Offset Lithograph on archival paper. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Note...

Original Edition Offset Lithograph on archival paper. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Note...

Original Edition Gelatin Print on archival paper. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Referenc...

Original Edition Offset Lithograph on archival paper. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Refe...

ABOUT THIS PIECE: I based Cloud 9 on the spectrum of colors found in nature at different times of the day and four seasons in Aspen, Colorado. Little Nell is a reflection of the cool...

Rare vintage Keith Haring exhibition poster published on the occasion of: ‘Paradise Garage: Keith Haring and Music, December 14, 2000-February 10, 2001, Deitch Projects, 18 Wooster ...

Sunrise. 1965, paper, etching, 53x52 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she began her studies at the ...

Susan Collet's monoprints are inspired by the colours, textures and shapes found in nature. A gifted ceramicist, Collett originally took printmaking at Central Tech High School in To...

In excellent condition from an edition of 50, this piece is beautifully framed in museum-quality materials. Al Held is best remembered for his large-scale paintings of bright, hard-e...

Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition with center fold, as issued by the publisher; never framed or matted. Notes: From the volu...

Original Edition Offset Lithograph on archival paper. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Note...

Lithograph on Vellum Paper. Inscription: Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume N° 151, published by Derrière le miro...

ABOUT THIS PIECE: The Endless Summer film poster has long been an inspiration to the artist, evoking the question, what if summer never had to end? In these images Jessica share's th...

"Verse" Art print 29" x 36" inch Edition of 25 by Yevgeniy Repiashenko Year photo was taken: 2013 Art Print Limited Edition of 25 Picture size: Height: 29" inch Width: 36" inch *...

Tracey Emin It's A CRIME to Live with The Person You don't LOVE, 2121 Giclée print on Hahnemühle FineArt Pearl 285gsm paper, accompanied by official COA with hologram 16 1/2 × 11 2/5...

Valentin-Gift

Lithograph by artist Tony Khawam, high quality archival ink on bond paper 11”x14” bevel cut matte mounted on white matte board with options to choose between white or black frame 16x...

From a series of large scale abstract photographs of muted color monochromatic water surface color clouds and horizon SEASCAPE IV by Frank Schott an homage to Mark Rothko 60" x 48" / 152cm x 122cm signed edition of 7 75 x 58 inches / 190cm x 147cm signed edition of 7 archival quality fine art pigment print limited art edition published by Edition EKTAlux...

Original Limited Edition Lithograph on Vellum Paper. Edition: 5,000. Paper Size: 12.5 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Excellent Condition; never frame...

Artist: Felix Ruvolo – American (1912 - 1992) Title: “Samson and Delila” aka “Untitled” from the suite: 10 West Coast Artists, Collector’s Press, 1967 Year: 1967 Medium: Lithograph on Arches paper Size: 30 x 22.5 inches. Publisher: Collector’s Press, San Francisco Edition: 75. Signature: Signed lower right in pencil Embossed publisher’s chop lower left of the Collector’s Press, San Francisco; Embossed printer’s chop lower left of Ernest De Soto Numbered: 39/75 lower right in pencil Condition: Excellent This lithograph is from the notable portfolio “10 West Coast Artists” containing ten prints, title page and colophon page, published by Collector’s Press in San Francisco in 1967. Prints by Keith Boyle, Bruce Conner, Richard Diebenkorn, Roy de Forest, Sidney Gordin, Frank Lobdell, James Melchert, Manuel Neri, Frank Ruvolo, Peter Voulkos are in the portfolio. The print has no margins – it is full bleed. The print is in excellent condition. Felix Ruvolo was born in New York City in 1912, but raised in the home of his grandparents in Sicily where he first studied with an Italian artist. At age 12, he returned to the home of his parents, who soon moved to Chicago. They were aware of his intense interest in art and had him continue studies with a local artist and then at the Chicago Art Institute. By 1938 he was exhibiting regularly and was accorded his first invitation to participate in an American Federation of Arts traveling exhibition. Invitations to exhibitions at other major institutions followed--the Whitney Museum of American Art, the Metropolitan Museum of Art, the Brooklyn Museum, the Corcoran Gallery of Art, the Carnegie Institute, the Phillips Gallery Museum, the Pennsylvania Academy, the Walker Art Center, the “Contemporary American Painting” surveys at the Krannert Museum from 1948 to 1961, the Sao Paulo Biennials in Brazil, the Galerie Creuse in Paris. He was represented in the ground-breaking exhibition at the Museum of Modern Art in New York in 1951, “Abstract Painting and Sculpture in America.” His many one-man shows included those at the Durand Ruel Gallery, the Catherine Viviano Gallery, the Grand Central, the Poindexter Gallery in New York and the University of Southern California. His works entered public and private collections such as the Chicago Art Institute, the Krannert Museum, the Walker Art Center, the Oakland Museum of Art, and the Aukland City Museum in New Zealand. His work was reproduced in national magazines and in anthologies published by the Museum of Modern Art, the Whitney Museum, and Albright Museum in New York, the Los Angeles County Museum, the American Encyclopedia, the Dictionaire de la Peinture Abstraite, and Il Giornale D'Italia. His teaching career began at the Art Institute of Chicago in 1945 and continued until 1948 when he moved with his wife Mardi to New York. Mills College in Oakland had established a program of bringing distinguished artists, such as Fernand Leger, to the campus as guest instructors. Felix was invited for the summer session of 1948; during that sojourn, he had solo exhibitions in the Mills College Art Gallery and at the De Young Museum in San Francisco. At that time, he met many Bay Area artists who were to become life-long friends of the Ruvolos. His national reputation had been firmly established, when in 1949 Felix was extended the invitation for appointment to the faculty on the Berkeley campus. His earlier works were referential, often on fantasy themes. These new paintings were non-objective in idiom, rich in color, line and texture. They were marvelous, they were beautiful, they bespoke his creative genius. Critics came, collectors came, colleagues came, students came, friends from the East came. Artists were invited to serve as visiting faculty. George McNeil, then Director of the Pratt Institute, said that he accepted an invitation to come to Berkeley because Felix was there. Among his students who have achieved distinction in the profession are: Wayne Anderson, Walter de Maria, Mark di Suvero, William Brown, Mary Snowden...

Artist: Keith Boyle – American (1930 - 2023) Title: “Untitled” from the suite: 10 West Coast Artists, Collector’s Press, 1967 Year: 1967 Medium: Lithograph on ivory wove paper Image size: 18.5 x 18.5 inches Sheet size: 23.25 x 22.25 inches. Publisher: Collector’s Press, San Francisco Edition: 75. Signature: Signed lower right in pencil Numbered: 39/75 lower right in pencil Condition: Good This lithograph is from the notable portfolio “10 West Coast Artists” containing ten prints, title page and colophon page, published by Collector’s Press in San Francisco in 1967. Prints by Keith Boyle, Bruce Conner, Richard Diebenkorn, Roy de Forest, Sidney Gordin, Frank Lobdell, James Melchert...

Artist: Sidney Gordin – American (1918 - 1996) Title: “Untitled” from the suite: 10 West Coast Artists, Collector’s Press, 1967 Year: 1967 Medium: Lithograph on Arches paper Size: 22.5 x 30 inches. Publisher: Collector’s Press, San Francisco Printed by: Ernest de Soto, Michael Knigin, and Gordon Kluge Edition: 75. Signature: Signed lower left in pencil Embossed publisher’s chop lower left of the Collector’s Press, San Francisco; Numbered : 39/75 lower left in pencil Condition: Excellent This lithograph is from the notable portfolio “10 West Coast Artists” containing ten prints, title page and colophon page, published by Collector’s Press in San Francisco in 1967. Prints by Keith Boyle, Bruce Conner, Richard Diebenkorn, Roy de Forest, Sidney Gordin, Frank Lobdell, James Melchert...

Artist: Jim Melchert – American (1930 - 2023) Title: “Untitled” from the suite: 10 West Coast Artists, Collector’s Press, 1967 Year: 1967 Medium: Lithogra...

Valentin-Gift

Jellyfish Eyes - Black 5 is an offset lithograph on paper, 19.75 x 19.75 inches, signed and numbered 144/300 lower right. Framed in a contemporary white frame.

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Valentine's Gift

The series ‘In Between the Shadows’ consists of structural and geometric photographs that take their inspiration from the cubist movement. The works aim to challenge the conventional perception of depth within the medium of photography by showing different viewpoints at the same time and within the same space. The chiaroscuro lighting embraces shadows and light as juxta- positional tools to deconstruct familiar objects and transform them into surreal compositions. Sander Vos...

A Judy Rifka ( American, 1945) signed lithograph and numbered 81/84 created on Handmade Paper and entitled "Thou Shalt Not Bear False Witness Against Thy Neighbor" (The Ninth Comma...

MARIA STELMASZCZYK (born in 1983) Studies at the Faculty of Graphic Arts and Painting Laboratory of Woodcut Techniques and Artistic Book at the Academy of Fine Arts Władysław Strzemi...

Original Limited Edition Lithograph on Vellum Paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: ...

Artist: Marcel Mouly – French (1918 - 2008) Title: Petit Luberon II (Little Luberon II) Year: 2003 Medium: Lithograph Image Size: 27.5 x 19.25 inches Sheet Size: 30.5 x 22.25 inches ...

Original Limited Edition Lithograph on Vellum Paper. Edition: 5,000. Paper Size: 12.5 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Excellent Condition; never frame...

A set of 4 vintage Jean-Michel Basquiat announcement cards & one rare early 1990s folding exhibition pamphlet published on the occasion(s) of: “Emerging New York Artists,” Group Sho...

Roy Lichtenstein at CSU, rarely seen exhibition catalogue, 1982 Softback exhibition catalogue with 2 very cool vellum pages with the Benday dots 11 × 8 1/2 inches This softcover cata...

Original Limited Edition Lithograph on Vellum Paper. Edition: 5,000. Paper Size: 12.5 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Excellent Condition; never frame...

‘Florist’ originally called ‘dead flowers’, was created using the flowers from my girlfriends ‘Zoom’ backgrounds over the space of several months. Usually scanned the moment she considered them to be wilted. About the series: " 'Detritus' series was born from the twin frustrations of lockdown halting all planned projects, yet litter still somehow being dropped in abundance on my street. With no idea of the final output, or indeed the hygiene implications, I started to collect, scan, and record what I found. When I realised these colourful misshapen objects could be turned into something beautiful, the frustrations left me and I began looking for other sources of Detritus. Florist, 2020 Series: Detritus Archival Pigment Print, Mounted on Dibond in custom made Frame; with Black Stained Oak and antireflective UV protective museum standard Art Glass Print 60 x 60 cm / Framed: 62 x 62 cm/ 24.5 x 24.5 inches approx. Edition of 8 + 2AP About the Artist George McLeod...

The Kitchen Drawer Simply an overwhelming source of detritus... 'Detritus' series was born from the twin frustrations of lockdown halting all planned projects, yet litter still somehow being dropped in abundance on my street. With no idea of the final output, or indeed the hygiene implications, I started to collect, scan, and record what I found. When I realised these colourful misshapen objects could be turned into something beautiful, the frustrations left me and I began looking for other sources of Detritus. These collages gave me purpose during the pandemic and allowed me to grow something beautiful from a place of frustration. My aim is to simply give viewers of the work a fleeting moment of calm. Unable to shoot anything, I’ve been making collections of things I find on the ground and scanning them to create composite images of otherwise ignored or discarded objects." - George McLeod...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

John Baldessari (American, 1931-2020) Belch (from the Engraving with Sounds series), 2015 Medium: Archival inkjet print on paper Dimensions: 36.8 x 30.5 cm Edition of 25: Monogrammed...

“Feathers are more than pretty; they contain a whole host of spiritual and cultural meanings.... It symbolises trust, honour, strength, wisdom, power, and freedom” Naturally shed feathers, none of them were dyed, all natural colours. Birds’ feathers included in this artwork: Blue Jay Pheasant Woodcock Blue Mallard Homing Pigeon Teal Duck Partridge Han Mallard Magpie Red Kite Blue & Gold Maccaw Red and Green Maccaw Peacock Guinea Fowl Parrot Leopard Spotted Argus Pheasant Lady Amherst Pheasant Ringneck Pheasant Golden Reeves Pheasant Tragopan Pheasant Oriental Bay Owl Scarlet Ibis Feathers, 2022 Series: Detritus Archival Pigment Print, Mounted on Dibond in custom made Frame; with Black Stained Oak and antireflective UV protective museum standard Art Glass Print 100 x 100 cm / Framed: 102 x 102 cm/ 40 x 40 inches approx. Edition of 5 + 2AP About the Artist George McLeod...