Screen Abstract Prints

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

Artist: Perez Melero, Spanish/Venezuelan Title: Barro Year: 1992 Medium: Silkscreen, signed and numbered in pencil Edition: 45/80 Paper Size: 39 x 27.5 inches

Abstract expressionist print by American artist Michael Steiner, who is most commonly known for his large scale sculptures. Pales I Michael Steiner, American (1945) Date: circa 198...

Johnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th-century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Gotthard Johnny Friedlaender was born in Pless (Pszczyna), Prussian Silesia, as the son of a pharmacist. He was graduated from the Breslau (Wrocław) high school in 1922 and then attended the Academy of Arts (Akademie der Bildenden Kunste) in Breslau, where he studied under Otto Mueller. He graduated from the Academy as a master student in 1928. In 1930 he moved to Dresden where he held exhibitions at the J. Sandel Gallery and at the Dresden Art Museum. He was in Berlin for part of 1933, and then journeyed to Paris. After two years in a Nazi concentration camp, he emigrated to Czechoslovakia, where he settled in Ostrava, where he held the first one-man show of his etchings. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L ‘Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947 he produced the work Reves Cosmiques and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Staël and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951 and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968 Friedlaender was travelling to Puerto Rico, New York City and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth-century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain...

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

Rupprecht Geiger (German, 1908-2009) Untitled (#4 from Zurückgehen, Weitergehen, Fortgehen), 1966 Medium: Screenprint on paper (with middle-fold, as issued) Dimensions: 35 x 57 cm (w...

Color screen print on hand-torn archival art paper. Hand signed and numbered, with a thumb print on the back. Numbered 255 from the edition of 300. Frame size approx 33 x 25 inches...

Joseph Beuys (German, 1921-1986) FIU Joseph Beuys, 7000 Eichen, 1982 Medium: Screenprint on black card stock Dimensions: 61.5 x 45.8 cm Edition of 100: Hand-signed in silver Conditio...

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

Artist: Allan D’Arcangelo (1930-1998) Title: Left Turn Year: 1979 Edition: 148/175, plus proofs Medium: Silkscreen on Arches paper Size: 34 x 26 inches Condition: Excellent Inscripti...

Dancing Duck in Flowers George Chemeche, Israeli/American (1934) Date: circa 1979 Screenprint, signed and numbered in pencil Edition of 250, AP 30 Image Size: 19 x 27 inches Size: 22...

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“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled Year: circa 1980 Medium: Screenprint, signed and numbered in pencil Edition: AP Size: 22.5 x 30 in. (57.15 x 76.2 cm)

Artist: Bruce Porter, American (1948 - ) Title: Bayard Series #9 Year: 1999 Medium: Screenprint, signed and numbered in pencil Edition: 100 Image Size: 23.5 x 16 inches Size: 26.5 x ...

Artist: Josef Albers Portfolio: Formulation: Articulation (Double Portfolio) Title: Portfolio 1, Folder 13, Image 1 Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper ...

Artist: Paul Burlin, American (1886 - 1969) Title: untitled from Drawings Portfolio Year: 1968 Medium: Silkscreen on Paper, signed and numbered in pencil Edition: 31/50 Paper Size: ...

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

Artist: Larry Rivers (1923-2002) Title: Victims—Crispus Attucks (Boston Massacre) Year: 1970 Medium: Silkscreen and collage on wove paper Edition: 25/1...

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

Start, 2000 Bridget Riley Screenprint in colours, on paper Signed, titled, dated and numbered from the edition of 200 Printed by Artizan Editions, Hove Image: 34.8 × 38 cm (13.7 × 1...

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Untitled - Faces in a Grid (Red) Year: 1971 Medium: Screenprint on Scintilla paper, Signed and numbered in pencil Edit...

Abstract expressionist print by American artist Michael Steiner, who is most commonly known for his large scale sculptures. Michael Steiner, American (1945) Date: 1979 Screenprint,...

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

Screen print in colors on wove paper. Hand signed and dated lower right by Robert Indiana. Inscribed 'Shalom' and hand numbered 48/50 lower left. Sheet size 33 x 32.25 inches. Im...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artists most important color and shape theories. A copy of the colophon bearing Albers’ hand-signature and the edition number is included with artwork. Biconjugate: Vice Versa...

Artist: Nassos Daphnis, Greek (1914 - 2010) Title: SS 17-78 Year: 1978 Medium: Screenprint, Signed and numbered in pencil Edition: 120, AP 25 Image: 27 x 27 inches Size: 35 in....

Artist: Alvin Loving, American (1935 - 2005) Title: Red Queen Year: circa 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 100 Image Size: ...

The Agamograph is Yaacov Agam’s unique contribution to the OP Art movement. The object is a print behind a lenticular surface that fools the eye to show movement and three-dimensional depth. The “Yellow Abstraction” is hand-signed and numbered in marker by the artist. Yellow Abstraction Yaacov Agam, Israeli (1928) Date: circa 1980 Agamograph, signed and numbered in marker Edition of 39...

Artist: Mr. Brainwash Title: Flowarh$ - II (A) Portfolio: Flowarh$ Medium: Silkscreen edition print on paper Date: 2021 Edition: PP 2/3 (aside from the edition of 55) Frame Size: 31 ...

Handsigned edition of 250. Gittleman’s Lunar Transformation is a series of ten vividly colored serigraphs created from black and white photographs taken during the Apollo 15 mission to the moon in 1971. Gittleman uses bright color to transform the craters and crevices of the lunar surface into vibrant abstractions which recall Abstract Expressionist painting. The strong graphic prints reflect the awe-inspiring nature of their source material. photographer, film maker, video producer, graphic designer, multimedia developer, clock maker and teacher. Guggenheim fellowship (graphics), Cannes Film festival, Academy Award Nomination. Work in permanent collections: MFA Boston, MOMA NY, Smithsonian Institution and Fogg Museum, Harvard. He exhibited with Gyorgi Kepes Solo shows: Lunar Transformations: 10 Serigraphs by Len Gittleman - Institute of Contemporary Arts, London Group shows: Integrated Vision: Science, Nature, and Abstraction in the Art of Len Gittleman and György Kepes - DeCordova Sculpture Park and Museum, Lincoln, MA Abstract Photography in the Permanent Collection - DeCordova Sculpture Park and Museum, Lincoln, MA Photography in Boston - 1955-1985 - DeCordova Sculpture Park and Museum, Lincoln, MA Some Photographic Use of Color: Fred Berman...

Anna Harley Starlight Limited Edition Silkscreen Print Edition of 24 Size: H 57cm x W 76cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indication of how a pi...

This handmade screen print depicts an imaginary spiked sphere shape in five colours including fluorescent Yellow, metallic Gold and Red. The Gold ink layer gives the abstract print an extra brilliance and shine showing off the multi layered liquid patterns on the surface of the object. Chris Keegan artist online and in Wychwood Art Gallery...

Chris Keegan Swimmer Limited Edition Silkscreen Print Limited Edition of 50 Size: H 40cm x W 56cm x D 0.1cm Sold Unframed Please note that insitu images a...

Artist: Larry Rivers (1923-2002) Title: 40th Regiment (Boston Massacre) Year: 1970 Medium: Silkscreen and collage on wove paper Edition: 25/150, plus p...

A geometric abstract print by Japanese artist Takaaki Matsumoto. World Takaaki Matsumoto, Japanese (1954) Date: 1991 Screenprint Edition of 54 Size: 24 x 24 in. (60.96 x 60.96 cm)

The work of Ruth Leavitt (1944, Saint Paul, Minnesota) employs computation to manipulate and alter abstract forms by virtually stretching, rotating and deforming them across three ax...

"Dalmatian" is a unique trial-proof screen print on canvas by AI artist Tom White. This piece was created using neural networks trained on images of real Dalmatians to create an abst...

Artist: Josef Albers, German (1888 - 1976) Title: K - P1, F4, I1 Year: 1972 Edition size: 1000 Medium: Screenprint on Mohawk Superfine Bristol paper Image Size: 12 x 14 inches Size: ...

Artist: Michael Argov, Austrian/Israeli (1920 - 1982) Title: untitled 2 Year: 1969 Medium: Serigraph, signed and numbered in pencil Edition: 43 Image Size: 19 x 16 inches Size: 27.5...

Artist: Clayton Pond, American (1941 - ) Title: Column Study from Capital Ideas Portfolio Year: 1974 Medium: Serigraph on Museum Board, signed and numbered in pencil Edition: 150 Ima...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: The Watcher Year: 1977 Medium: Screenprint, signed and numbered in pencil Edition: 200, 30 ...

The work of Ruth Leavitt (1944, Saint Paul, Minnesota) employs computation to manipulate and alter abstract forms by virtually stretching, rotating and deforming them across three ax...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Artist: Joe Tilson, British (1924 - ) Title: Conjunction, Fritallary, Mela Year: 1996 Medium: Woodcut with Screenprint, signed and numbered in pencil Edition: AP 1/10 Size: 21 x 29 ...

Kenny Scharf 2004: A rare mixed media piece by the legendary Los Angeles based artist. Hand-signed, dated and numbered by Scharf. Medium: mixed media mono-print. Dimensions: 22½ ...

Artist: Kenny Scharf Title: Furungle (Green) Size: 42 x 42 in (106.7 x 106.7 cm) Medium: Archival pigment ink print with silkscreened high gloss varnish and diamond dust Editio...

Bernhard Leitner, (Austrian, 1938) From a portfolio "Sound : Space" "Ton : Raum" Self published by artist in 1975/1976, Limited edition of 50 Hand signed in pencil by artist. Acc...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

JAW Cooper, a luminary in the world of contemporary art, beckons you into her ethereal realm with "Soothe." This 9-color screen print on gold foil paper is ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Artist: Isaac Inbal, Moroccan/Israeli (1945 - ) Title: Intertwining Forms - Grey Year: circa 1970 Medium: Serigraph, signed and numbered in pencil Edition: 70/150 Size: 25 x 25 in. (...

Artist: Manuel Felguérez Barra, Mexican (1928 - ) Title: Untitled Year: circa 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 8/100 Image Size: 17.5 x 21.5 inches Siz...

Artist: Josef Albers Title: Variant from the Formulation: Articulation portfolio Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper Edition Size: 1000 Image Size: 9 x 1...

Artist: Josef Albers Title: Portfolio 2, Folder 30, Image 1 from Formulation: Articulation Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper Edition: 1000 Image Size: ...

Artist: Joe Tilson Title: Geometry? Year: 1965 Medium: Screenprint, signed and numbered in pencil Edition: 70 Paper Size: 27 x 40 inches

Artist: Georgette Batlle Title: Collage Elements II Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 125 Size: 44 x 30 in. (111.76 x 76.2 cm)

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Daffodils Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 200 Image Size: 28 x 20 inches Size: 35 in....