1970s Abstract Prints

Artist: Salvador Dali (1904-1989) Title: Maquillage cyclopéen (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Cyclopean makeup, Imaginations and Objects of...

Artist: Salvador Dali (1904-1989) Title: Télévision liquide et gazeuse (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Liquid and carbonated television, Im...

Letter U, from the Alphabet series,  is a lithograph, realized by Rafael Alberti in 1972. Hand-signed and dated on the lower right margin.  Numbered in pencil on the lower, from an...

Robert Natkin (1930 - 2010) Untitled, 1979 From the Intimate Light series Color lithograph on wove paper Edition 12/75 Signed and numbered to lower left margin Published and printed...

Carnivalesque Composition is a colored screen print on paper, realized in 1973 by the Italian artist Wladimiro Tulli. Hand-signed on the lower. Artist's proof. A beautiful artwork...

Original Alcazar de Paris Vintage Poster - A Timeless Piece of Cabaret History. Year: 1977. Large size format 30” x 45” unbacked. Genuine 197...

A silkscreen print by Ilya Bolotowsky circa 1970. A retro modern piece with an abstract geometric design. Artist: Ilya Bolotowsky, Russian/American (1907 - 1981) Title: Series 1 Ye...

Joan Miro Miro Abstract Lithograph Artist: Joan Miro Plate III from “Miro Lithographs I” Medium: Lithograph on Rives vellum Year: 1972 Image Size: 10" x ...

Artist: Peter Max Title: Lady with Portrait Medium: Screen print in colors Date: 1971 Edition: 129/250 Sheet Size: 29 3/4" x 21 3/4" Frame Size: 36 3/4" x 28 3/4" Signature: Hand sig...

"Miró Lithographe II - Plate I" is a lithograph realized by Joan Miró in 1975. Perfect conditions. It comes from the set of 11 lithographs realized for the catalog "Miró Lithograph ...

Fulton by Tom Holland, American (1936 - ) Date: 1971 Lithograph, embossing and collage on Rives, signed, titled, numbered and dated in pencil Edition: 25/50 Image Size: 18 x 23 inche...

Letter B by Rafael Alberti, from Alphabet series,  is a lithograph, realized by Rafael Alberti in 1972. Hand signed and dated on the lower right margin. Numbered on the lower left. ...

Arcobaleno is a color silk-screen print on acetates, realized in 1973 by the artist Ennio Pouchard (1928). Original Title: Non so quanto costi comperar l'arcobaleno Signed on plate...

Lithograph, 1978 Handsigned by the artist in pencil and numbered 11/115 Publisher : Erker (Saint Gallen) 38.00 cm. x 28.00 cm. 14.96 in. x 11.02 in. (paper) 32.00 cm. x 22.00 cm. 1...

Lithograph on Guarro vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: Published by Ediciones Polígrafa, S.A., Barcelona; printed by La Polígrafa, ...

Artist: Kyohei Inukai Title: Untitled (Shadow Lines) Year: Circa 1980 Medium: Serigraph, Signed and numbered in pencil Edition: AP 30 Paper Size: 26 x 34 inches

Gate to Infinity Ruth Eckstein, German (1916–2012) Date: circa 1975 Etching, signed and numbered in pencil Edition of AP Image Size: 13.5 x 11.5 inches Size: 16.5 x 14 in. (41.91 x 3...

Robert Indiana ART, poster for Colby College Museum exhibition (hand signed and inscribed by Robert Indiana), 1973 Offset lithograph poster Hand signed and inscribed by the artist on the front 35 × 23 inches This uniquely signed and inscribed poster was published on the occasion of an exhibition at Colby College Art Museum from September 16 - November 3, 1973, featuring new acquisitions...

Diablo by Tom Holland, American (1936 - ) Date: 1971 Lithograph, embossing and collage on Rives, signed, titled, numbered and dated in pencil Edition: 25/50 Image Size: 18 x 24 inche...

Image dimensions: 23.7 x 17.7 cm Senza Titolo is an original black and white etching on paper, realized by the Italian artist Cesare Peverelli (Milan, 1922-Paris, 2000) and printed in 1973 by La Nuova Foglio, a publishing house of Macerata, as the dry-stamp reports on the lower right corner. Hand-signed and numbered in pencil and in Arabic numerals on lower margin. From an edition of 100 prints. This is an instinctive composition showing a very rapid line and remembering the Surrealist lesson of the automatic written. Cesare Peverelli (Milan, 1922 - Paris, 2000) Cesare Peverelli began his artistic career in 1939 when he attended the Brera Academy of Fine Arts and was a pupil of Achille Funi and Carlo Carrà. Through Ennio Morlotti he came into contact with the Corrente group, preferring however to the chromatic lighting of the neo-cubism the tonalism of Giorgio Morandi. He tied himself to the Argine Numero magazine and was in 1946 among the signatories of the Oltre Guernica poster. In 1947, at the Italian art exhibition today. Turin Prize, he won the Grosso Award, met Cesare Pavese and began to collaborate with the Einaudi publishing house, and produced the cover of La nausea by Jean Paul Sartre (1948). In search of an engagé painting not dominated by ideologies, he was one of the founders in 1946 of the Numero Pittura magazine and with Roberto Crippa he opened the Painting gallery, where in 1949 he held a solo show accompanied by a poem by Aimé Césaire...

Screen Print realized by Rafael Alberti as a creative reworking of his signature. Published in 1973. Not signed and not numbered.

Lithograph Optical Pop Art Attrib. Victor Vasarely, 1970s with frame

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 211, 1974. Published by Aimé Maeght, Éditeur, Paris; pr...

"day between" - 1976 Surrealist Lithograph on Paper 1976 surrealist lithograph on paper titled "day between" by Jim Crabb (American, b. 1947). Small lithographic relief, depicting s...

Lithograph on vélin Sarrió paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Tapís De Tarragona, il·lustracions, Joan Miró...

Karl Brandstätter Tache Jaune Year: 1975 Etching and aquatint Signed and numbered by the artist Edition: E.A. (from an edition of 60) Size: 26 x 19.5 inches COA provided Karl Brands...

Artist: Roy Lichtenstein (American, 1923-1997) Title: "Entablature IV" Portfolio: Entablature Series *Signed and dated by Lichtenstein in pencil lower right Year: 1976 Medium: Original Screenprint and Collaged mat pink Metallic Foil with Embossing on Rives BFK paper Limited edition: 14/30, (there were also 9 artist's proofs) Printer: Tyler Graphics Ltd., Bedford Village, NY Publisher: Tyler Graphics Ltd., Bedford Village, NY Reference: "The Prints of Roy Lichtenstein: A Catalogue Raisonné 1948-1997" - Corlett No. 141, page 144; PCN 7 (July-August 1976); "Tyler Graphics Catalogue Raisonné 1974-1985" - Tyler No. 337:RL5, page 210 Framing: Framed in a contemporary white moulding with plexiglass and matted with a custom hand-wrapped 8 ply linen mat Framed size: 39.5" x 55" Sheet size: 29.19" x 44.82" Image size: 20.19" x 38" Condition: Some light cosmetic wear to frame; presently no hanging wire. The artwork is in mint condition Very rare Notes: Provenance: private company collection - Miami, FL, acquired directly from the publisher Tyler Graphics Ltd., Bedford Village, NY in the 1970's. Numbered by Lichtenstein in pencil lower left. Comes from Lichtenstein's 1976 "Entablature Series" portfolio of 11 prints, (Corlett No. 138-148). Printed in six colors, in seven runs, from five screens, and one embossing plate. Collaboration: Kenneth Tyler (project supervision, plate/screen preparation, proofing, collage, and embossing); Kim Halliday (screen preparation and processing, proofing, and edition printing); Betty Fiske (proofing and edition printing). Swan Engraving processed the magnesium plate. Tyler Graphics Ltd. chop mark/blind stamp lower right. Workshop number inscribed in pencil lower left on verso: "RL75-197". Comes with its original Tyler Graphics "Entablature Series" booklet. Between 1971 and 1976 Lichtenstein produced two series of "Entablature" paintings, using photographs of architectural ornament he had taken in New York as the starting point for his compositions (see Cowart [1981]). The first "Entablature" paintings (1971-72) were black and white. The second group used color and were produced at roughly the same time the "Entablature" series of prints were in production at Tyler Graphics Ltd., 1974-76. The first discussions between Lichtenstein and Ken Tyler concerning the "Entablature" prints took place in May, 1974. As recorded in the Tyler catalogue raisonne, technical research for the project began in September 1974 and production was completed in April 1976. Lichtenstein produced one or more collages for each print in the series to serve as models for the plates and screens. Both the "Entablature" paintings and prints are intimately concerned with texture - the metallic paint and sand of the paintings, the foils and embossing/debossing techniques employed in the prints. The imagery itself - machined architectural ornament - takes technology as its subject. As Barbara Rose suggests, "That industrialism disrupted our notion of style as much as reproduction altered our conception of representation appears to be the subjects of Lichtenstein's "Entablatures". For each print in this series, the Tyler Graphics Ltd. catalogue raisonne gives exact method and press types, as well as the initials of the printers for each run. To complete certain phases of the project, Tyler employed the following companies: Drake Engineering, Danbury, CT (for machining of the metal die); Swan Engraving, Bridgeport, CT (for plate processing); Tallix Foundry, Beacon, NY (for bronze casting); and Tompkins Tooling, Gardena, CA (for machining of the metal die). The ten embossing plates for the series are now in the collection of the National Gallery, Canberra, Australia. Biography: American artist Roy Lichtenstein was born in New York City on October 27, 1923, and grew up on Manhattan's Upper West Side. In the 1960s, Lichtenstein became a leading figure of the new Pop Art movement. Inspired by advertisements and comic strips, Lichtenstein's bright, graphic works parodied American popular culture and the art world itself. He died in New York City on September 29, 1997. Lichtenstein was committed to his art until the end of his life, often spending at least 10 hours a day in his studio. His work was acquired by major museum collections around the world, and he received numerous honorary degrees and awards, including the National Medal of Arts in 1995. In 2013 the painting "Woman with Flowered Hat" set another record at $56.1 million as it was purchased by British jeweler Laurence Graff from American investor Ronald O. Perelman. This was topped in November of 2015 by the sale of "Nurse" for 95.4 million dollars at Christie's auction. Subsequently, that was topped with the private sale of his 1962 painting...

Genichiro Inokuma, Japanese (1902 - 1993) - Fault Lines, Year: circa 1970, Medium: Lithograph, signed in the plate lower right, Size: 9.5 x 6.5 in...

Screen Print realized by Rafael Alberti as a creative reworking of his signature. Published in 1973. Not signed and not numbered.

A sketch of one of the most influential artists of the 20th century. The drawing was made with a pencil on paper. Untitled (from Codies Madrid) Granolithography - double-sided 1975 ...

Sonia Delaunay Hommage a Sonia Delaunay pour son 90eme Anniversaire, 1975 Offset lithograph poster/flyer Plate signed Very rare; published in a limited edition of unknown quantity 1...

Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Une Étoile de Craie, seize lithographies originales par An...

Lothar Quinte, Polish (1923 - 2000) - Quasar-Gelb-Grun, Year: 1973, Medium: Screenprint, signed and numbered in pencil, Edition: 25/40, Size: 35.5 x 35 in. (90.17 x 88.9 cm)

Lithograph realized by Costantino Persiani in 1971. Limited Edition of 120. Excellent condition.

Artist: Stanley William Hayter (1901-1988 ) Title: Calculus Date: 1971 Medium: Etching and soft-ground etching Image Size: 23.5 x 19 inches Sheet size: 30 x 22 inches – BFK Rives paper Signature: signed, dated lower right Publisher: La Tortue Gallery, Santa Monica, CA Printer: Hector Saunier Catalogue Raisonne: B&M 353 Edition: 100 plus 5 artist’s proofs. This one: 57/100 This exceptional color viscosity etching is an excellent example of Stanley William Hayter’s iconic printmaking. He is the founder of Atelier 17, and as such, one of the most influential printmakers of the 20th century. Viscosity printing is a multi-color printmaking technique that incorporates principles of relief printing and intaglio printing. It was pioneered by Stanley William Hayter. This is an absolutely beautiful print; it is an exceptional composition with rich, saturated colors. The print is titled “Calculus”. It was published in 1971, and is B&M 353 in the catalog raisonne. The print has full margins and is in very good condition, never framed. There is a bit of slight rippling on the upper and lower edges, barely visible. Please see photographs. Stanley William Hayter CBE (27 December 1901 – 4 May 1988) was an English painter and printmaker associated in the 1930s with surrealism and from 1940 onward with abstract expressionism. Regarded as one of the most significant printmakers of the 20th century, in 1927 Hayter founded the legendary Atelier 17 studio in Paris. Since his death in 1988, it has been known as Atelier Contrepoint. Among the artists who frequented the atelier were Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, Marc Chagall, Nemesio Antúnez...

Friedrich Geiler Geometric Column in Blue (Konkrete Kunst, Constructivsm, Geometric Abstract, Op-Art) Giclee on heavy cotton paper 2021 Size: 28.54 x 12 in (72.5 x 30.5 cm) Edition: ...

Hand signed and numbered. Edition of 50 specimens. Good conditions.

Victor Rosado, Puerto Rican (1938 - ) - Abstract Composition, Year: circa 1975, Medium: Screenprint, signed and numbered in pencil, Edition: 94/400, Image Size: 18.25 x 14.5 inch...

Tom Wesselmann Bedroom painting #7 (detail), 1976 Offset lithograph poster 32 × 22 inches Unsigned, Unframed Limited Edition of 500 (unnumbered) Rarely seen on the market place Offs...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Derrière le miroir, N° 193-194. Publis...

Artist: Yaakov Agam (1928) Title: Double Metamorphosis IV Year: 1979 Medium: Silkscreen on Arches paper Edition: 62/180, plus proofs Size: 36 x 50 inches Condition: Good Inscription:...

MODERNIST ABSTRACT is an original hand drawn lithograph by the Lithuanian/Israeli artist, Yona Lotan (1926 - 1998). Lively modern abstract composition of multicolor Matisse-style flowers and shapes printed in visually appealing shades of lavender, purple, green, peach, burgundy, blue, pink, yellow, and metallic gold ink on archival Arches paper, 100% acid free. MODERNIST ABSTRACT features playful organic shapes, including flowers, breasts, human body shapes, intermingled with rhythmic geometric forms creating a visually compelling composition with metallic gold ink adding a slight shimmer to this impressive, imaginative design. Print size - 26 x 20 in. unframed, excellent condition, hand signed in pencil by the artist Yona Lotan. Edition size - 225, plus proofs Year - 1977 About the artist- Yona Lotan (1926-1998) Jewish engineer and painter was born in Lithuania. His family moved to Tel-Aviv, Palestine in 1936. He served as a high-ranking officer in the Israeli Army and fought in the War of Independence. In 1959 Yona Lotan began painting; he's considered a self-taught, outsider artist. Lotan always had the unquenchable desire to draw. His one-man shows in Israel and Geneva were so successful that he left the army, sold all his belongings and moved to Paris in 1960 in order to devote his life to painting. His art was vibrant and he became well known, not only in Europe, but also in the United States. In 1965 he won the coveted Prize of Foreign Painting given by the National Museum of Modern Art in Paris. Along with Maryan, Avigdor Arikha, Mordechai Ardon and Yaacov Agam. he was part of a group of Jewish emigre artists who worked in Paris. Paintings of Lotan are contained in the collections of: Musee National d'Art Modern, Paris, Pompidou Center, Paris Musee Municipal d'Art Modern, Paris. Museum Boymans, Rotterdam. Musee "Petit Chateau", Geneve. National Galerie, Berlin. Senatsversaltung fur Wissenschaft und Kunst, Berlin. Private collections in Israel, France, England, Brazil, Holland, Switzerland, Sweden, Greece, Spain, Italy, Mexico, USA and Canada. One-Man Shows and Group Shows: 1959 - "Young Painters Exhibitions", Tel-Aviv 1960 - Katz Gallery, Tel-Aviv Nora Gallery, Jerusalem, La Maison Juive, Geneve 1961 - "Exhibition of Israeli Artists", Tel-Aviv Museum "Ecole de Paris 1961" Galerie Charpentier, Paris 1962 - Galerie Camille...

Il Gelo is an Offset and screen print realized by Pouchard in the 1970s. Hand signed on the lower left in pencil Good condition.

Artist: Jim Bruss, American (1944 - ) Title: Reflection I Year: 1975 Medium: Serigraph, signed and numbered in pencil Edition: 1/25 Image: 23 x 19.5 inches Size: 33 x 25.5 inches

Brown Composition is a colored serigraph on paper, realized in the 1970s by the Italian artist Wladimiro Tulli. Hand-signed on the lower right and numbered in pencil on the lower ma...

"Derriere Le Miroir" is a portfolio of lithographs by Alexander Calder. The artist signed the portfolio on the last page. This is edition number 146/150 of the deluxe edition, with t...

Lithograph, 1978 Handsigned by the artist in pencil and numbered 10/100 Publisher : Jacques Putman (Paris) Printer : Clot Bramsen (Paris) This lithograph reveals the artist's proxim...

Red Six is a lithograph realized by the Italian painter  Lorenzo Indrimi in the 1970s. The artist found inspiration in the most primitive human experiences. This print is a hand-si...

Expressive brushstrokes in vivid colours play against a sunny yellow in this contemporary composition by Yvonne Lammerich. The form of this silkscreen...

"Vegetable Forms No. 9" "1st State" is a beautiful linear design woodcut of an artichoke. What is intellectually interesting is the fractal beauty of nature found in the artichoke. A fractal is a kind of pattern that we observe often in nature and in art. Whenever you observe a series of patterns repeating over and over again, at many different scales, and where any small part resembles the whole, that’s a fractal. The Artichoke is the perfect example in that the shape of the leaves repeat themselves and they are the same shape as the fruit itself. Fractals are exciting, not only for their mathematical or conceptual representation, but also for the fact that you can visualise the math—and it’s beautiful! This print is rendered in an intense green with a light blue color to delineate the intriguing linear element of the artichoke's leaves. Joyce Tilley Nagel...

Lithograph on vélin Sarrió paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Tapís De Tarragona, il·lustracions, Joan Miró...

Untitled is an original artwork realized in the 1970s by the famous artist Fritz Wotruba Black and white lithograph. Included frame: 65 x 78.5 cm Hand-signed in pencil on the low...

’Geranium’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 5/20 Signed - Yes Size - 510mm x 660mm Date - 1978 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

Lithograph realized by Giulio Marelli in 1970 ca. Edition of 150 in arab numbers and XXV in roman numbers. Hand signed and numbered in pencil. Very g...

Ancient Images, color lithograph by Dan Namingha, Hopi Kachinas, katsina, blue

Lithograph, 1970 Handsigned by the artist in pencil and numbered 147/300 Publisher : Jacques Putman - Editions Prisunic Printer : Pierre Badey (Paris) Catalog : [Mason Putman 61, p. ...

Après moi is an artwork reazlized by Max Ernst as deluxe edition for the Art Magazine XXème Siècle. Lithograph on japanese paper, 1971. Edition 14/80. Hand signed and numbered. 29 x...

Red One is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 73/100

2 Lithographs included Artist: Joan Miro, Spanish (1893 - 1983) Title: Les Revolutions Sceniques du XXe Siecle - I & II (Cramer 207) Year: 1975 Medium: Lithograph Image Size: 12 x 1...

Artist: Henry Moore (British, 1898-1986) Title: Les Poetes, La Poesie Year: 1976 Medium: Color lithograph Edition: 110 Paper: Arches Paper size: 18...