1980s Abstract Prints

Vintage gallery exhibition poster. Navy blue and bold yellow stars with vibrant orange. Surrealist man in hat with scythe or fishing rod. The Galerie Maeght is a gallery of modern ar...

Aquatint Handsigned by the artist in pencil and numbered 95/150 28.00 cm. x 38.00 cm. 11.02 in. x 14.96 in. (paper) 27.00 cm. x 37.00 cm. 10.63 in. x 14.57 in. (image) LCD3946

America-La France Variations IV 1984. Lithograph in colors with collage on Tyler Graphics Ltd. handmade paper. Signed in pencil Numbered 17/68 (there were also XVIII artist’s proofs ...

America-La France Variations I 1983-4. Lithograph in colors with collage on Tyler Graphics Ltd. handmade paper. Signed in pencil Numbered 46/70 (there were also XVIII artist’s proofs...

TECHNICAL INFORMATION: Red Samurai, from Octavio Paz suite 1987-88 Lithograph and linoleum cut in colors with chine appliqué on handmade Japanese Masa Dos...

1988 Lithograph in two tones of red, on Arches wove paper Image/sheet: 44 4/5 x 40 7/10 in. Edition of 13 Signed and numbered in pencil, lower margin Framed, pristine condition

1987 Lithograph in colors, on wove paper Sheet: 31 5/8 x 23 1/2 in. Edition of 50 Signed, dated and numbered in pencil, lower margin

1987 Etching, aquatint and drypoint in colors, on wove paper Sheet: 15 3/4 x 18 3/4 in. Edition of 71 Signed, dated and numbered in pencil, lower margin

1981 Lithograph in colors, on Arches 88 wove paper Sheet: 35 x 26 in. Edition of 58 Signed, dated and numbered in pencil, lower margin Framed

1982 Lithograph in colors, on wove paper Sheet: 17 7/10 x 22 in. Edition of 50 Signed and numbered in pencil, lower margin Unframed, excellent condition

“Cameroon” is a striking, large, artwork by a mid-century modernist artist and print maker Thomas Lahy. This is a framed silkscreen serigraph. The geometry...

TECHNICAL INFORMATION Jasper Johns Target with Plaster Casts (Black & White) 1980-1989 Drypoint etching and aquatint 31 1/8 x 24 1/8 in. AP IV/XVI Pencil...

TECHNICAL INFORMATION Jasper Johns Cicada 1981 Lithograph 35 x 26 in. Edition of 58 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art Condition: This wor...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in white, back, blue gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures. The Athens National Museum of Contemporary Art, which was founded in 2000 and owns Chryssa's Cycladic Books, is in the process of converting the Fix Brewery into its permanent premises. Greek Exhibits, European Cultural Center of Delphi (Council of Europe). "Apollo's Heritage"(July 4, 2003 – July 30, 2003). Works by sixteen artists: Giorgio de Chirico, Salvador Dalí, Nikos Hadjikyriakos-Ghikas, Nikos Engonopoulos, Yannis Tsarouchis...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in black, gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures. The Athens National Museum of Contemporary Art, which was founded in 2000 and owns Chryssa's Cycladic Books, is in the process of converting the Fix Brewery into its permanent premises. Greek Exhibits, European Cultural Center of Delphi (Council of Europe). "Apollo's Heritage"(July 4, 2003 – July 30, 2003). Works by sixteen artists: Giorgio de Chirico, Salvador Dalí, Nikos Hadjikyriakos-Ghikas, Nikos Engonopoulos, Yannis...

1988 Lithograph in two tones of red, on Arches wove paper Sheet: 44 4/5 x 40 7/10 in. (113.8 x 103.4 cm) Edition of 13 Signed and numbered in pencil, lower margin

1987 Color etching, aquatint, drypoint Sheet: 15 3/4 x 18 3/4 in. Edition of 71 Signed, dated and numbered in pencil, lower margin

Pierre Soulages Sérigraphie no. 15 : Walnut Traces Original screenprint Handsigned in pencil Numbered / 250 Published by Circle Fine Arts Inc., Chicago On vellum 106 x 73 cm (c. 4...

This wall sculpture by Yaacov Agam is a 3D screen print on folded construction paper mounted in a plexiglass enclosure. It is # 86 in a series of 99 printed in 1984. The color palett...

1982 Relief, woodcut on white TGL handmade, hand-colored paper Sheet: 66 3/4 x 51 1/2 in. Edition of 30 (aside from 10 artist's proofs) Signed, dated and numbered in pencil

Engraving, 1987 Edition : /99 Catalog : [37] 63.00 cm. x 45.00 cm. 24.8 in. x 17.72 in. (paper) 20.00 cm. x 20.00 cm. 7.87 in. x 7.87 in. (image) Handsigned by the artist in pencil...

From the "Paintings" Series. Lithograph and woodcut in colors. Published by Gemini G.E.L., Los Angeles. Hand signed, dated '84 and numbered in pencil lower right. 14 colors in 11 run...

TECHNICAL INFORMATION: Sol LeWitt Flat Top Pyramid With Colors Superimposed 1988 Silkscreen in Twenty Colors Superimposed 30 x 95 in. Edition of 30 Pencil signed and numbered Accom...

1988 Lithograph hors-texte, on hand-made Japanese Yame paper chine collé to handmade Twinrocker paper Sheet: 29 3/4 x 25 in. (75.6 x 63.5 cm) Edition of 60 + 8AP Signed and numbered ...

1988 Lithograph hors-texte, on hand-made Japanese Yame paper chine collé to handmade Twinrocker paper Sheet: 29 3/4 x 25 in. (75.6 x 63.5 cm) Edition of 60 + 8AP Signed and numbered ...

1988 Lithograph hors-texte, on hand-made Japanese Yame paper chine collé to handmade Twinrocker paper Sheet: 29 3/4 x 25 in. (75.6 x 63.5 cm) Edition of 60 + 8AP Signed and numbered ...

Lithograph in colors, on Arches 88 paper Sheet: 35 x 25 7/8 in. (88.9 x 65.7 cm) Edition of 58 + 12AP Signed, dated and numbered in pencil

Monotype in colors, on handmade paper, the full sheet Sheet: 29 1/2 x 24 3/4 in. (75 x 63 cm) Frame: 37 1/4 x 32 1/4 x 1 1/2 in. (94.6 x 81.9 x 3.8 cm) Unique Signed in pencil on low...

Lithograph in two tones of red, on Arches wove paper Sheet: 44 4/5 x 40 7/10 in. (113.7 x 103.5 cm) Frame: 47 3/4 x 43 3/4 x 1 1/2 in. (121.3 x 111.1 x 3.8 cm) Edition of 13 Signed a...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in blue gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures. The Athens National Museum of Contemporary Art, which was founded in 2000 and owns Chryssa's Cycladic Books, is in the process of converting the Fix Brewery into its permanent premises. Greek Exhibits, European Cultural Center of Delphi (Council of Europe). "Apollo's Heritage"(July 4, 2003 – July 30, 2003). Works by sixteen artists: Giorgio de Chirico, Salvador Dalí, Nikos Hadjikyriakos-Ghikas, Nikos Engonopoulos, Yannis...

James Coignard (French, 1925–2008) Title: Untitled Edition: Edition: 3/75 Medium: Etching with Carborundum and Collage on Rag Paper Measuremen...

Original lithograph printed in 6 colors on Arches Cover wove paper Hand-signed with the artist’s monogram and dated in pencil at the lower right sheet tip RD82. A superb impression of the definitive state, from the edition of 250, numbered in pencil at the lower left sheet tip. One of 8 plates by various artists from the portfolio Eight by Eight to Celebrate the Temporary Contemporary, published by The Museum of Contemporary Art, Los Angeles; printed by Krystine Graziano, Kenneth Farley, Alan Holoubek, James Reid...

Original aquatint/monoprint printed in 7 colors from 3 runs from 3 steel-faced copper plates, with pure permanent powdered pigment added to the plate prior to printing the third run ...

Soft-ground etching and aquatint, with hand-colouring, 1979-85. Signed and dated in pencil, numbered from the edition of 100. Printed on Hahnemühle mould-made paper by Atelier Crom...

Hand signed, numbered and dated '88 in pencil on recto in the lower right margin. Reference Littman, K, & Haring K. Keith Haring, Editions on Paper 1982-1990: The Complete Printed Wo...

Gelatin silver print (Edition of 50) Signed and numbered in purple, verso This artwork is offered by ClampArt, located in New York City.

Original soft-ground etching with spit bite aquatint printed in colors on Rives wove paper Hand-signed with the artist’s monogram and dated in pencil in the margin lower right RD 80...

Peter Voulkos Title: Untitled Print Year: 1984 Medium: Monotype Signed and Dated Size: 42″x 29″ A West Coast potter and sculptor, Peter Voulkos (1924-2002) led in the development o...

Peter Voulkos Title: Untitled Print Year: 1984 Medium: Monotype Signed and Dated Size: 28″x 22″ A West Coast potter and sculptor, Peter Voulkos (1924-2002) led in the development o...

Peter Voulkos Title: Untitled Print Year: 1984 Medium: Monotype Signed and Dated Size: 24 1/2” x 18 1/2” image 29 3/4” x 22” paper size A West Coast potter and sculptor, Peter Voul...

Peter Voulkos Title: Untitled Print Year: 1984 Medium: Monotype Signed and Dated Size: 17 1/2” x 11 x 3/4” image 29 3/4” x 22” paper size A West Coast potter and sculptor, Peter Vo...

Peter Voulkos Title: Untitled Print Year: 1984 Medium: Monotype Signed and Dated Size: 23 1/2” x 17 3/4” image 29 3/4” x 22” paper size

Monotype Dimensions : 42 x 29 1/16 inches image and paper Peter Voulkos (popular name of Panagiotis Voulkos; January 29, 1924 – February 16, 2002) was an American artist of Greek descent. He is known for his abstract expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art. While his early work was fired in electric and gas kilns, later in his career he primarily fired in the anagama kiln of Peter Callas, who had helped to introduce Japanese wood firing aesthetics in the United States. After serving in the United States Army during the Second World War, Voulkos studied painting and printmaking at Montana State College, in Bozeman (now Montana State University), where he was also introduced to ceramics; Frances Senska...

Irish-born American Sean Scully (b. 1945) is a devoted abstract painter and printmaker who finds inspiration in the sensual forms of the natural world. While his painterly style has transformed over his career, Scully’s consistent concern for assembling a sense of order in his shape-making mirrors his reflections on spiritual and mental harmony. Scully’s creations were featured at the Metropolitan Museum of Art, New York in a solo exhibition titled Sean Scully:Wall of Light (September 26, 2006–January 15, 2007). These images, inspired by the patterns of light and surfaces from Mayan stone...