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Robert Indiana
HEAL

2015

$15,000
£11,384.78
€13,121.89
CA$21,021.36
A$23,461.65
CHF 12,343.50
MX$284,994.25
NOK 156,482.78
SEK 146,448.28
DKK 97,933.28

About the Item

Robert Indiana HEAL, 2015 Silkscreen on 2ply Rising Museum Board Signed, dated and numbered 5/25 on the front This is one of the last works the artist personally signed before he passed away; the message HEAL was very personal to him - and one that he wanted to transmit to the world at the end of his life. Like many artists, Robert Indiana was in touch with universal energies, and, almost presciently, he designed this artwork a full five years before the worldwide health pandemic. More and more, this work is urgent and relevant. Frame included: elegantly floated and framed in a museum quality white wood frame with UV plexiglass. Measurements: Frame: 36 x 35 x 2 inches Print: 33 x 32 inches About Robert Indiana: Robert Indiana was born Robert Clark in New Castle, Indiana on September 13, 1928. Adopted as an infant, he spent his childhood moving frequently throughout his namesake state. His artistic talent was evident at an early age, and its recognition by a first grade teacher encouraged his decision to become an artist. In 1942, Indiana moved to Indianapolis in order to attend Arsenal Technical High School, known for its strong arts curriculum. After graduating he spent three years in the U.S. Air Force and then studied at the Art Institute of Chicago, the Skowhegan School of Sculpture and Painting in Maine, and the Edinburgh College of Art in Scotland. In 1956, two years after moving to New York, Indiana met Ellsworth Kelly, and upon his recommendation took up residence in Coenties Slip, once a major port on the southeast tip of Manhattan. There he joined a community of artists that would come to include Kelly, Agnes Martin, James Rosenquist, and Jack Youngerman. The environment of the Slip had a profound impact on Indiana’s work, and his early paintings include a series of hard-edge double ginkgo leaves inspired by the trees which grew in nearby Jeannette Park. He also incorporated the ginkgo form into his nineteen-foot mural Stavrosis (1958), a crucifixion pieced together from forty-four sheets of paper that he found in his loft. It was upon completion of this work that Indiana adopted the name of his native state as his own. Indiana, like some of his fellow artists, scavenged the area’s abandoned warehouses for materials, creating sculptural assemblages from old wooden beams, rusted metal wheels, and other remnants of the shipping trade that had thrived in Coenties Slip. While he created hanging works such as Jeanne d’Arc (1960–62) and Wall of China (1960–61), the majority were freestanding constructions which Indiana called “herms” after the sculptures that served as boundary markers at crossroads in ancient Greece and Rome. The discovery of nineteenth-century brass stencils led to the incorporation of brightly colored numbers and short emotionally charged words into these sculptures as well as canvases, and became the basis of his new painterly vocabulary.
  • Creator:
    Robert Indiana (1928 - 2018, American)
  • Creation Year:
    2015
  • Dimensions:
    Height: 36 in (91.44 cm)Width: 35 in (88.9 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Ships framed.
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1745213513222

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ART (Sheehan, 80) iconic 1970s geometric abstraction Signed/N for Colby College
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Robert Indiana Colby ART (Sheehan, 80), 1973 Silkscreen in Colors on White Wove Paper Pencil signed and numbered 69/100 on the front with artist's copyright @Robert Indiana lower right front Published by Robert Indiana with copyright; Printed by Seri-Arts, Inc. Vintage metal frame included Classic early 1970s work. There was a time, we are told, when every prestigious collector in Germany would have an edition of Robert Indiana's iconic ART print prominently hanging in their home. This is an uncommon and desirable Robert Indiana piece from the early 1970s. Boldly signed in graphite on the recto (front), numbered and bearing the artist's copyright: @ Robert Indiana 1973...
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ROBERT INDIANA Hope Wall, 2010 Silkscreen on wove paper 24 × 25 inches Edition IV/IV (aside from the regular edition of 33) Hand signed, numbered IV/IV and dated on lower front Unframed Robert Indiana created Hope Wall, or Wall of Hope in support of future president Barack Obama in 2008, and the print was published in 2010. This is an extremely rare Artist's Proof - one of only four in the world. It is pencil signed, dated and numbered IV of IV on the recto. The regular edition is only 33. Extremely scarce. This print has appeared on the market fewer than a handful of times over the past decade. “I’d like to cover the world with hope,” said Robert Indiana, the artist whose iconic “LOVE” series became a global symbol of unity during the turmoil of the 1960s. In 2008, Indiana felt the world was ready for a new message, and designed “HOPE” for Barack Obama’s presidential campaign. “I wanted to help name and empower the next generation and I felt that HOPE encompassed the needs of our time,” he said. With its forward-leaning O, “HOPE” symbolizes perseverance, and pushing ahead toward a brighter future. To coincide with the artist’s 86th birthday, the first annual “International Hope Day” launched on September 13, 2014 and included the public display of Indiana’s “HOPE” sculptures...
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