Abstract Abstract Prints

Laredo Jackson, American, Texas, b. 1987. Abstract Expression #614, 2024. Signed. This Medium Sized print measures 16x20 and is a one-off print, editi...

Christopher lithograph 2017: A rare original hand-signed lithograph by Christopher Wool, letter-pressed on fine, textured matte paper. This work was included as part of a ‘Merde 3/4’...

Laredo Jackson, American, Texas, b. 1987. Abstract Expression #600, 2024. Signed. This Medium Sized print measures 16x20 and is a one-off print, editi...

Laredo Jackson, American, Texas, b. 1987. Abstract Expression #611, 2024. Signed. This Medium Sized print measures 16x20 and is a one-off print, editi...

Laredo Jackson, American, Texas, b. 1987. Abstract Expression #605, 2024. Signed. This Medium Sized print measures 16x20 and is a one-off print, editi...

Laredo Jackson, American, Texas, b. 1987. Abstract Expression #496, 2023. Signed. This Medium Sized print measures 16x20 and is a one-off print, editi...

Laredo Jackson, American, Texas, b. 1987. Abstract Expression #492, 2023. Signed. This Medium Sized print measures 16x20 and is a one-off print, editi...

Laredo Jackson, American, Texas, b. 1987. Abstract Expression #419, 2021. Signed. This Medium Sized print measures 16x20 and is a one-off print, editi...

Laredo Jackson, American, Texas, b. 1987. Abstract Expression #367, 2020. Signed. This Medium Sized print measures 16x20 and is a one-off print, editi...

Artist: Louise Nevelson, Russian/American (1899 - 1988) Title: untitled Year: 1984 Medium: Silkscreen, signed and numbered in pencil Edition: AP X Image Size: 34 x 24 inches Size: 3...

"Shapes of Noyo" Woodblock Print on Paper (Artist's Proof) Bold woodblock print by notable artist Emmy Lou Packard (American, 1914-1998). Large dark grey shapes are placed over a lighter grey background. Both of them have strong woodgrain texture. There are this white shapes floating around the composition, with a large block of blue in the upper right corner and a smaller block in the lower left. Titled, numbered, and signed along the bottom edge: Shapes of Noyo Proof Packard Presented in a dark wood frame with a grey mat. Frame size: 18.75"H x 26.75"W Image size: 11.5"H x 19.5"W Emmy Lou Packard was born on April 15, 1914, near El Centro, California. In 1927, the Packard family traveled to Mexico. Emmy, then 13 years old, was already painting and drawing. Her mother introduced her to artists Diego Rivera and Frida Kahlo, marking the beginning of a long friendship and mentorship. In 1934, she eloped to Nevada with the architect Burton Cairns, a recent graduate of the University of California, Berkeley. In 1936 Packard graduated from the University of California, Berkeley with her bachelor's degree and later studied sculpture, mural and fresco painting at the San Francisco Art Institute. In 1939, her husband died in a car accident. After his death, she traveled to Mexico to live with Rivera and Kahlo, working as their studio assistant. During the time she stayed with Rivera and Kahlo, she took a number of photographs of the couple. When Diego Rivera came to San Francisco in 1940 for the Golden Gate International Exposition (GGIE), he asked Emmy to be the chief assistant for painting the Pan American Unity mural. Between 1944 and 1945, she briefly worked as an illustrator of a labor newspaper for the San Francisco Bay Area shipyards. Packard designed and executed the mural on the exterior of the dining commons at the University of California, Berkeley in the Lower Sproul student union center. She also designed the terrace parapet which is embellished with an 85-foot long, 5-foot high, bas-relief, Modernist mural depicting California landscape features, including coastal bluffs, cultivated fields, mountains, and rivers located in the central façade of Chávez Student Center at the University of California, Berkeley in the Lower Sproul. On May 29, 1959, she married artist Byron T. Randall; they divorced in 1972. Packard was an active community member in the Mission District of San Francisco and San Francisco's community mural movement. In 1974 she served as a mural technical adviser for the Bank of America building mural located at Mission Street and 23rd Street; the local artists that painted this mural are Jesús “Chuy” Campusano, Luis Cortázar and Michael Rios...

Black and white figurative abstract lithograph of two naked, crouching figures by California artist "Rico Lebrun," titled "Crouching Figures" and dated 1961. Additional writing on th...

Luis Feito red original engraving limited edition painting. framed In this abstract expressionist, engraving, Luis Feito's palette has been simplified to black, red and purple. The dynamic red brushstrokes are reminiscent of oriental art, where an image is reduced to its core. Born in 1929, in Madrid, Luis Feito trained at the Escuela superior de bellas artes de San Fernando, Madrid, in 1950. His early figurative style was followed by an experimentation in Cubism which eventually evolved to abstract expressionism .In 1955, he relocated to Paris to study the avant-garde movement. He remained in close contact with his Spanish contemporaries and was a founding member of the group El Paso in Madrid (1957–60) with artists Rafael Canogar, Juana Francés, Manolo Millares, Manuel Rivera, Antonio Suárez, Antonio Saura, Pablo Serrano, Martín Chirino and Manuel Viola...

Robert Natkin Untitled, ca. 1979 Monotype with heart drawing Hand signed twice; inscribed to Dorothy and Arthur with text and heart Unique Original vintage frame included Measurement...

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition. Notes: From Derrière le miroir, N° 110, published by Derrière le miroir, Paris; print...

ANTONI TAPIES was the maximum representative of Spanish abstract art of the 20th century. His works are represented in museums and foundations around the world. TAPIES Antoni Tapies...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 14 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 70 Image Size: 31 x 36 inches Size: 32 x 37.5 ...

Lithograph by artist Tony Khawam, high quality archival ink on bond paper 11”x14” bevel cut matte mounted on white matte board with options to choose between white or black frame 16x...

Frank Stella Attica Defense Fund print, 1974 Offset lithograph print on high quality lithographic paper 29 1/2 × 29 1/2 in 74.9 × 74.9 cm Limited Edition of 3000 Published by Attica...

Mario Yrisarry Stern - 1967 Print 29½" x 23½" inches Edition: signed and numbered in pencil 3/100 Biography Birth place: Manila, Philippines Addresses: NYC Profession: Painter ...

Artist: Alexander Calder Title: Derriere Le Miroir No. 201, Untitled Single Lithograph from the Derriere le Miroir No. 201 publication. Unsigned and unnumbered from an edition of p...

Printed on heavy Strathmore paper. Paul Levy (American, b. 1944) An established designer and illustrator, Paul M. Levy was born in Brooklyn, New York, in 1944. He received his B.S. i...

JAMES COIGNARD (1925-2008) Untitled, Carborundum color etching and collage with / string embroidery, signed and numbered 69/75, about 20x26 inches. Excellent condition.

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition. Notes: From Derrière le miroir, N° 149, published by Derrière le miroir, Paris; print...

Artist: Keith Boyle – American (1930 - 2023) Title: “Untitled” from the suite: 10 West Coast Artists, Collector’s Press, 1967 Year: 1967 Medium: Lithograph on ivory wove paper Image size: 18.5 x 18.5 inches Sheet size: 23.25 x 22.25 inches. Publisher: Collector’s Press, San Francisco Edition: 75. Signature: Signed lower right in pencil Numbered: 39/75 lower right in pencil Condition: Good This lithograph is from the notable portfolio “10 West Coast Artists” containing ten prints, title page and colophon page, published by Collector’s Press in San Francisco in 1967. Prints by Keith Boyle, Bruce Conner, Richard Diebenkorn, Roy de Forest, Sidney Gordin, Frank Lobdell, James Melchert...

Larry Zox Two Screen Prints Edition: Signed in pencil and marked XXII/XXX Scissors Jack I Scissors Jack II 39'' x 29.5'' inches Larry Zox is one of the principal representatives...

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition. Notes: From Derrière le miroir, N° 110, published by Derrière le miroir, Paris; print...

This abstracted print of a dog by artist Russell Miyaki features a light, colorful palette and loose, expressive, and playful elements to create an energetic composition of a dog wit...

This abstracted print of a dog by artist Russell Miyaki features a light, colorful palette and loose, expressive, and playful elements to create an energetic composition of a dog wit...

Artist: Sidney Gordin – American (1918 - 1996) Title: “Untitled” from the suite: 10 West Coast Artists, Collector’s Press, 1967 Year: 1967 Medium: Lithograph on Arches paper Size: 22.5 x 30 inches. Publisher: Collector’s Press, San Francisco Printed by: Ernest de Soto, Michael Knigin, and Gordon Kluge Edition: 75. Signature: Signed lower left in pencil Embossed publisher’s chop lower left of the Collector’s Press, San Francisco; Numbered : 39/75 lower left in pencil Condition: Excellent This lithograph is from the notable portfolio “10 West Coast Artists” containing ten prints, title page and colophon page, published by Collector’s Press in San Francisco in 1967. Prints by Keith Boyle, Bruce Conner, Richard Diebenkorn, Roy de Forest, Sidney Gordin, Frank Lobdell, James Melchert...

Frank Stella at Leo Castelli (Hand Signed and Dated), 1969 Offset Lithograph Invitation Boldly signed and dated 2014 in black marker; Stella signed this f...

Artist: Jim Melchert – American (1930 - 2023) Title: “Untitled” from the suite: 10 West Coast Artists, Collector’s Press, 1967 Year: 1967 Medium: Lithogra...

Artist: Stephen Ellis, American (1951 - ) Title: Untitled Year: 1993 Medium: Silkscreen, signed and numbered in pencil Edition: 12/20 Paper Size: 34 x 26 inches

Artist: Felix Ruvolo – American (1912 - 1992) Title: “Samson and Delila” aka “Untitled” from the suite: 10 West Coast Artists, Collector’s Press, 1967 Year: 1967 Medium: Lithograph on Arches paper Size: 30 x 22.5 inches. Publisher: Collector’s Press, San Francisco Edition: 75. Signature: Signed lower right in pencil Embossed publisher’s chop lower left of the Collector’s Press, San Francisco; Embossed printer’s chop lower left of Ernest De Soto Numbered: 39/75 lower right in pencil Condition: Excellent This lithograph is from the notable portfolio “10 West Coast Artists” containing ten prints, title page and colophon page, published by Collector’s Press in San Francisco in 1967. Prints by Keith Boyle, Bruce Conner, Richard Diebenkorn, Roy de Forest, Sidney Gordin, Frank Lobdell, James Melchert, Manuel Neri, Frank Ruvolo, Peter Voulkos are in the portfolio. The print has no margins – it is full bleed. The print is in excellent condition. Felix Ruvolo was born in New York City in 1912, but raised in the home of his grandparents in Sicily where he first studied with an Italian artist. At age 12, he returned to the home of his parents, who soon moved to Chicago. They were aware of his intense interest in art and had him continue studies with a local artist and then at the Chicago Art Institute. By 1938 he was exhibiting regularly and was accorded his first invitation to participate in an American Federation of Arts traveling exhibition. Invitations to exhibitions at other major institutions followed--the Whitney Museum of American Art, the Metropolitan Museum of Art, the Brooklyn Museum, the Corcoran Gallery of Art, the Carnegie Institute, the Phillips Gallery Museum, the Pennsylvania Academy, the Walker Art Center, the “Contemporary American Painting” surveys at the Krannert Museum from 1948 to 1961, the Sao Paulo Biennials in Brazil, the Galerie Creuse in Paris. He was represented in the ground-breaking exhibition at the Museum of Modern Art in New York in 1951, “Abstract Painting and Sculpture in America.” His many one-man shows included those at the Durand Ruel Gallery, the Catherine Viviano Gallery, the Grand Central, the Poindexter Gallery in New York and the University of Southern California. His works entered public and private collections such as the Chicago Art Institute, the Krannert Museum, the Walker Art Center, the Oakland Museum of Art, and the Aukland City Museum in New Zealand. His work was reproduced in national magazines and in anthologies published by the Museum of Modern Art, the Whitney Museum, and Albright Museum in New York, the Los Angeles County Museum, the American Encyclopedia, the Dictionaire de la Peinture Abstraite, and Il Giornale D'Italia. His teaching career began at the Art Institute of Chicago in 1945 and continued until 1948 when he moved with his wife Mardi to New York. Mills College in Oakland had established a program of bringing distinguished artists, such as Fernand Leger, to the campus as guest instructors. Felix was invited for the summer session of 1948; during that sojourn, he had solo exhibitions in the Mills College Art Gallery and at the De Young Museum in San Francisco. At that time, he met many Bay Area artists who were to become life-long friends of the Ruvolos. His national reputation had been firmly established, when in 1949 Felix was extended the invitation for appointment to the faculty on the Berkeley campus. His earlier works were referential, often on fantasy themes. These new paintings were non-objective in idiom, rich in color, line and texture. They were marvelous, they were beautiful, they bespoke his creative genius. Critics came, collectors came, colleagues came, students came, friends from the East came. Artists were invited to serve as visiting faculty. George McNeil, then Director of the Pratt Institute, said that he accepted an invitation to come to Berkeley because Felix was there. Among his students who have achieved distinction in the profession are: Wayne Anderson, Walter de Maria, Mark di Suvero, William Brown, Mary Snowden...

Untitled (SF129s) dating to c.1974-1976 is a mixed media, silkscreen monotype on handmade paper, 30 x 22.5 inches sheet size and estate-stamped verso (copy of Francis estate certific...

Artist: After Helen Frankenthaler (1928-2011) Title: Solar Imp (Lincoln Center Salute’s the New York City Ballet) Year: 2001 Medium: Silkscreen poster on extra thick Somerset paper E...

Joan Miro Spanish, 1893-1983 Affiche pour l'Exposition Miro-Artigas, 1963 Lithograph on Rives paper 33" x 22 1/4" W/frame 33 ¾ by 23 in. Pencil signed lower right from an edition o...

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition. Notes: From Derrière le miroir, N° 110, published by Derrière le miroir, Paris; print...

This abstracted print of a dog by artist Russell Miyaki features a light, colorful palette and loose, expressive, and playful elements to create an energetic composition of a dog lic...

Artist: Joan Miro Title: Plate 20 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4” x 17 1/4” Sheet Size: 15” x 11” Image Size: 1...

From the estate of Jerry and Ruth Opper Untitled 1950s Stone Lithograph on paper 13 1/4"x19 1/4" unframed Unsigned This piece is unsigned and came from a collection of Jerry and Rut...

Original hand-signed and numbered silkscreen on Arches paper by American Abstract Expressionist Sam Francis. King Corpse Sam Francis, American (1923–1994) Date: 1986 Screenprint on...

Blue- original litograph abstract limited edition painting Original graphic work by CASAMADA. Limited edition engraving. 50 copies Signed and numbered in pencil. framed RÀFOLS CASAM...

La melodie acide. signed on the stone and numbered 384/1500 Edition of 1500 prints on Arches paper. and with the Artist´s signature on each of the plates Edited by Poligrafa in Barce...

Artist: Arthur Boden, American Title: Seasons 3 Year: 1974 Medium: Serigraph, signed and numbered in pencil Edition: 75 Size: 25 in. x 24 in. (63.5 cm x 60.96 cm)

Artist: Dale Chihuly (1941) Title: Basket Series Year: 2015 Medium: Mixed Media—Intaglio Lithography & Acrylic on Waterford paper Edition: 43/175, plus proofs Size: 37 x 25 inches Co...

Striking abstract expressionist lithograph by I. Colon (20th Century). An open hand with a baby in the palm is the focal point with objects, including a spaceship, an eye and doodles...

This abstracted print of a dog by artist Russell Miyaki features a light, colorful palette and loose, expressive, and playful elements to create an energetic composition of a dog wit...

Pierre Soulages is considered a major figure of post-war European abstraction, alongside Hans Hartung, Georges Mathieu, Serge Poliakoff, and Jean-Paul Riopelle. He’s particularly ren...

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition. Notes: From Derrière le miroir, N° 149, published by Derrière le miroir, Paris; print...

Judy Rifka "Thou Shalt Not Bear False Witness Against Thy Neighbor" (The Ninth Commandment), 1987 6 Color Lithograph on Dieu Donne Handmade Paper 24 × 18 inches Edition Artist's Proo...

John Kato's print, titled "Still Thinking of Her: Orange Breakfast," captures a poignant yet cheery scene. The composition centers on a cut-up orange placed artfully on a plate, acco...

This abstracted print of a dog by artist Russell Miyaki features a light, colorful palette and loose, expressive, and playful elements to create an energetic composition of a dog wit...

This artwork titled "Curvy Brushstrokes" 1997 is a colors etching with sugar lift aquatint on Somerset textured white paper by renown artist Sol (Solomon) LeWitt, 1928-2007. It is hand signed and numbered 1/15 in pencil by the artist. The image size is 29.90 x 39.90 inches, paper sheet size is 40.5 x 49.80 inches, framed size is 43.75 x 53 inches. Published by Crown Point Press, San Francisco, printed by Dana Sywulak, assisted by Dena Schneleit, Mary Andrews and Case Hudson at Crown Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne, plate #1997.07. Custom framed in a wooden black frame, floated on white backing, with white spacer. It is in excellent condition, the frame has minor very small restorations, practically invisible. About the artist: Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality. Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman) Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman) Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art. LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...

Antoni Tapies (Spain, 1923-2012) 'Nocturn Matinal', 1970 lithograph on paper Manually intervened with pencil by Antoni Tápies in the central part. 24.1 x 42.6 in. (61 x 108 cm.) Edit...

A green and gray composition that features a more dimensional rendition of Albers’ famous “Homage to the Square” series. The exterior ring of dark green flanks a window of gray befor...

A very good impression of this color lithograph with Chine applique. One of ten Roman numeral artist's proofs, aside from the edition of 50. Signed and numbered IX/X in pencil by Mot...

This abstracted print of a dog by artist Russell Miyaki features a light, colorful palette and loose, expressive, and playful elements to create an energetic composition of a dog wit...