Abstract Abstract Prints

Charles LAPICQUE (1898-1988) View on Marseille, 1965 Original lithograph (Mourlot workshop) Printed signature in the plate On vellum 30 x 24 cm (c. 11.8 x 9.4 in) INFORMATION : Li...

Artist: Stanley William Hayter (1901-1988 ) Title: Calculus Date: 1971 Medium: Etching and soft-ground etching Image Size: 23.5 x 19 inches Sheet size: 30 x 22 inches – BFK Rives paper Signature: signed, dated lower right Publisher: La Tortue Gallery, Santa Monica, CA Printer: Hector Saunier Catalogue Raisonne: B&M 353 Edition: 100 plus 5 artist’s proofs. This one: 57/100 This exceptional color viscosity etching is an excellent example of Stanley William Hayter’s iconic printmaking. He is the founder of Atelier 17, and as such, one of the most influential printmakers of the 20th century. Viscosity printing is a multi-color printmaking technique that incorporates principles of relief printing and intaglio printing. It was pioneered by Stanley William Hayter. This is an absolutely beautiful print; it is an exceptional composition with rich, saturated colors. The print is titled “Calculus”. It was published in 1971, and is B&M 353 in the catalog raisonne. The print has full margins and is in very good condition, never framed. There is a bit of slight rippling on the upper and lower edges, barely visible. Please see photographs. Stanley William Hayter CBE (27 December 1901 – 4 May 1988) was an English painter and printmaker associated in the 1930s with surrealism and from 1940 onward with abstract expressionism. Regarded as one of the most significant printmakers of the 20th century, in 1927 Hayter founded the legendary Atelier 17 studio in Paris. Since his death in 1988, it has been known as Atelier Contrepoint. Among the artists who frequented the atelier were Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, Marc Chagall, Nemesio Antúnez...

Artist: Alexander Calder Title: Derriere Le Miroir No. 201, Untitled Single Lithograph from the Derriere le Miroir No. 201 publication. Unsigned and unnumbered from an edition of p...

Unique monotype with oil pastel, signed and numbered 1/1. Artist Robert Roach lived in Santa Fe, New Mexico. His one-of-a-kind, abstract monoprints were inspired by the landscape, ...

PAUL LANDACRE (1893 – 1963) DECORATION (Design for Green Mansions) 1932-3 (Wien 125), Wood engraving. RARE. Only four titled and signed impressions, ...

Antoni Tapies, Spanish (1923 - 2012) - Hommage a Joan Miro, Portfolio: L'Emerveille Marveilleux, Hommage a Joan Miro, Year: 1973, Medium: Lithograph on Japon, signed and numbered ...

Victor Rosado, Puerto Rican (1938 - ) - Abstract Composition, Year: circa 1975, Medium: Screenprint, signed and numbered in pencil, Edition: 94/400, Image Size: 18.25 x 14.5 inch...

ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012). "Als mestres de Catalunya", 1974. Litografía, ejemplar P/A. Firmada y justificada a lápiz. Medidas: 90 x 65 cm. Tàpies se inicia en el a...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 9...

Lithograph, 1980 Handsigned by the artist in pencil and numbered 7/20 Publisher : Au Pont des Arts - Galerie Lucie Weill (Paris) Printer : La Poligrafa S.A. (Barcelone) Catalog : Mae...

Gustave SINGIER Abstract composition in Orange, 1959 Original lithograph Handsigned in pencil Numbered / 200 On vellum 32 x 25 cm (c. 13 x 10 inch) Excellent condition

Red Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and ...

Pink Dark Sun is an abstract limited edition fine art color print by photographer and graphic artist Susan Daboll. This minimal square print is framed in a thin black wood frame and ...

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

"Orange Row", Abstract Geometric Minimalist Composition w Ovals, Limited Edition Delicate and perfect ovals in orange, yellow, red, and blue are purposefully arranged on lined paper...

Frank Stella Centennial Medal for the Metropolitan Museum of Art, 1970 17 Color enamel on rhodium plated bronze plaque (incised signature an...

Red Abstract Composition is a contemporary artwork realized by Salvatore Provino in 1991. Mixed media on paper. Hand signed and numbered on the lower margin. Edition of 77/100. G...

Alexander Calder - Poster Exhibition is a contemporary artwork realized in 1971 Mixed colored offset print This print was realized on the occasion of the exhibition dedicated to th...

David Hockney inspired fluorescence figurative blue figurative Portrait . Born and raised in Silicon Valley, Matthew Tierney studied UCLA’s School of Theater, Film, and Television, ...

The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix culture—as digital interventions onto works that contain the colonial gaze. These interventions participate in the growing discourse of decolonization, acting as “tags” to challenging the colonial fantasy of terra nullius and confronting the dominant colonial culture’s continued portrayal of Indigenous peoples as a vanishing race...

Agustin Cardenas (1927-2003) Untitled from El Circulo de Piedra, 1971 One of fifteen original lithographs, signed and numbered by the artist, commissioned t...

Etching and aquatint, 1975 Handsigned by the artist in pencil and annoted "EA" Edition : 30 ex. sur papier Japon Publisher : Editions Georges Visat (Paris) 54.50 cm. x 41.50 cm. 21....

Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...

Signed and numbered by the artist. Artwork was previously framed and shows signs of aging in the margins from light exposure. Certificate of authenticity included. Edition of 350. ...

Over the past 20 years, Michelle Oppenheimer has become well known for composing paintings that capture the imaginative and organic possibilities of abstract watercolor and acrylic. ...

Rainbow shades shine in this abstract, color field print. Vibrant red, yellow, orange, purple, and green lines take on the organic quality of handmade paper, resulting in this subtle...

interStella / Quad 1 pt3 is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper. The work can be supplied unframed, or framed and ready to hang. I ...

Susan Gorelick ( American, 1924-2000) "Growth 1" A/P, Abstract Etching signed, titled and numbered in Pencil 15.25 x 11.50, Late 20th Century Colors: Gold, Black Shirley Gorelick (...

BASF Luren on aluminum 37 5/8 x 37 5/8 in. Signed lower right The Kantra Series Edition 8 of 8 Publisherd by Editions Pyra AG, Zürich, Switzerland Vasarely Catalogue Raisonné No. 17...

Sylvia Wald (October 30, 1915 – March 24, 2011) Monnlight, 1954. Screen print on paper, image measuring 14 x 25 inches. Framed measurement: 21 x 32 inch...

Myril Adler "Jerusalem" c.1960s Collagraph ink on paper 2.75"x2.75 ash wood gallery frame 9.5"x9.5" Titled in pencil, estate stamp Myril Adler, was born on September 22, 1920 in Vi...

Unframed pigment ink print on Museo cotton rag paper. Image size: 36 x 30 inches Paper size: 44 x 35 inches Edition: 50 Signed and numbered Dirk De Bruycker is originally from B...

Joan Miro Gravures pour une exposition, 1973 Original etching (aquatint) Hand signed in pencil (monogramme) Numbered /75 copies On Arches vellum size 63 x 91 cm (c. 25 x 36 in) Good condition : fresh colors but a light traces of a previous framing at margins REFERENCE : catalog raisonné Dupin 609 INFORMATIONS : This etching comes from the serie of 4 etchings "Gravures pour une exposition". They were executed in 1973 on the occasion of the exhibition "Miro paintings...

Round Dance is an original etching contemporary artwork realized by Marino Marini in the 1960s. Good conditions, not signed as issued. Edition of 100 copies. The artwork is depict...

Artist: Charles Arnoldi (American, born 1931) Title: Untitled Year: 2001 Medium: Off set lithograph Edition: Numbered XXVIII 65/115 in pencil Image size: 17 x 17 inches Sign...

The painting is being offered with a work and authenticity certificate

Alexander Calder (United States, 1898-1976) 'Sala Gaspar (avant la lettre)', 1973 lithograph on heavy-weight paper 25.8 x 19.9 in. (65.4 x 50.5 cm.) Unframed Ref: CAL2001-P001 Condit...

Artist: Alexander Calder Medium: Original lithograph Title: Damier Portfolio: Derriere le Miroir #156 Year: 1966 Edition: Unnumbered Framed Size: 21 1/4" x 17 1/4" Sheet Size: 15" x...

Over the past 20 years, Michelle Oppenheimer has become well known for composing paintings that capture the imaginative and organic possibilities of abstract watercolor and acrylic. ...

In Signs of Twilight color, line, shape, and texture collide on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illuminates a poetic interior landscape. Light te...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Over the past 20 years, Michelle Oppenheimer has become well known for composing paintings that capture the imaginative and organic possibilities of abstract watercolor and acrylic. ...

LEONARD EDMONDSON (1906 – 2001) GARDEN OF EDEN c. 1960 Color intaglio (carborundum?) Signed and titled in pencil. Small edition, these larger prints...

This rare and beautifully presented portfolio by internationally acclaimed artist Yinka Shonibare was published in 2008 by James Cohan Gallery. The set includes a first-printing, mix...

Composition is an original lithograph realized by Antoni Tapies for the Art Magazine "Derrière Le Mioir" no.175 in 1968. Printed by Ateliers de Maeght, Paris, 1968. Good conditions...

Ellen Tiberino (1937-1992). Head of Woman, ca. 1980. edition 450. Offset print on paper, image measuring 15.5 x 21 inches. 21.5 x 27 inches in matting. Hand signed and numbered i...

Artist Commentary: After a long, dark and cold Vermont winter, the longing for summer is strong. We dream of the first bloom of the bleeding hearts and the scent of peonies. Sometim...

Artist: Elba Alvarez, Venezuelan (1944 - ) Title: Prima I Year: circa 1975 Medium: Triptych of Screenprints on Panel, Signed, Titled, and Numbered in pencil Edition: 10/25 Image Size...

H.C. Westermann, Thomas Kapsalis Rare artist designed early poster: Westermann and Kapsalis Sculpture at Four Fourteen Art Center and Gallery Chicago, 1957 Historic offset lithograph poster designed by both artists Not signed 17 × 22 inches Unframed This extremely rare poster on handmade paper was published for the Tom Kapsalis/H.C. Westermann sculpture exhibition at 414 Art Workshop and Gallery, Chicago Momentum, 1020 Art Center, Chicago in December 1957. The poster was hand designed by both artists, with each one designing his respective half for a cohesive whole, for an exhibition at a small, now defunct regional art center in the late fifties -- so it's not unreasonable to believe that there just aren't too many of these out there anymore. A must have for anyone seriously involved in the careers and legacies of each or both of these sculptors. About H.C. Westermann: American artist Horace Clifford Westermann (Los Angeles, 1922 – Danbury, 1981) assembled a distinctive and singular body of sculptures. His works were predominantly made from wood through his masterly command of carpentry and cabinetmaking, yet he also used other techniques and materials such as metal, glass and enamelling with incredible precision. Without adhering to one particular style, Westermann was a maker of objects, of separate pieces: his sculptures, laden with meaning, often irony, result from the processing of experience, coalescing to yield specific fragments of reality. It is the course of these fragments that the retrospective presented by the Museo Reina Sofía follows. A concern with going back to shelter would soon emerge, be it in the home or the body —and blighted by the threat of confinement and death. Also, stubborn or helpless figures would recur through Westermann’s oeuvre. The motif of the “death ship” runs right through the breadth of his production as well, pointing, on one side, to continued wandering and latent abandonment and, on the other, to a determined pursue of refuge which seems to hold firm across his work. At the turning point of the 1960s, Westermann’s sculptures drew from mass culture, and made part of several exhibitions of the new realisms, when the “cold” tag of Pop art had not yet fully taken shape. The exhibition presents this output and the “specificity” of Westermann’s objects, which interested Donald Judd in 1963. In later pieces his work increasingly deals with the absurd, either through playfulness with language, in the confusion between work and instrument, or with references to the impermanent Besides the sculptures, the show displays Westermann’s paintings, letter-drawings —in his correspondence with other artists, critics and friends— and series of prints, in which he applied vibrant colours to address themes such as an escapist, while critical depiction of the American scene; catastrophe, and fragility. A graduate from the School of the Art Institute of Chicago in 1954, Horace Clifford Westermann produced most of his work from a small town in Connecticut, where he settled in 1961. He regularly exhibited his work in New York, and occasionally in Chicago and on the West Coast. Courtesy of Venus Over Manhattan About Tom Kapsalis: One of Chicago’s great abstractionists, painter Thomas H. Kapsalis (born 1922) has been an important artist and educator since the late ’40s, when he graduated from the School of the Art Institute. A prisoner of war in Germany, captured during the Battle of the Bulge, Kapsalis returned to continue his pursuit of art-making, eventually returning to Germany in the early ’50s on a Fullbright-Hays Fellowship to study with Willi Baumeister. He has taught at the School of the Art Institute since 1954, and his work has been exhibited in numerous group and solo shows. Among the honors bestowed upon Kapsalis are Huntington Harford Foundation Grants (1956, 1959); Robert Rice Jenkins Prize, Chicago & Vicinity Exhibition, Art Institute of Chicago (1956); Pauline Palmer Prize, Chicago & Vicinity Exhibition, AIC (1960); Mr. & Mrs. Julie F. Brower Prize, Chicago & Vicinity Exhibition, AIC (1969). Courtesy of Corbett vs...

Edition of 60, Set of 5 74.9 x 56.5 cms (29.5 x 22.25 ins)

Jorge Machold (1940 Chemnitz - 2015 Berlin), Untitled, 1973. Color etching, 41.5 x 29.2 cm (plate size), 49.5 cm x 39.5 cm (sheet size), signed lower right in lead “J.[orge] Machold”...

Lynda Benglis Untitled, 1995 Letterpress on Somerset Paper Edition 91/100 Pencil signed and numbered from the edition of 100, top recto. Framed Measurements: Sheet: 6 inches by 6 inc...

Pierre Alechinsky Galactic Flying Object - 1977 Print - Lithograph on Arches Archival Paper 19'' x 27 ½ " inches Edition: Signed in pencil and marked 8/100 After completing his stud...

Relief print from letterpress plate on Italian mould-made Revere paper Edition 16 of 40 38 x 50.8 cm (15 x 20 in) Signed and numbered on the front Artwork in excellent condition....

Captivating lithograph of Fingerprint scan with facial elements by artist Joe Testa-Secca (American, b. 1945), C. 1990. #155/175. Signed lower right. Presented in metal frame and mat...

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

Over the past 20 years, Michelle Oppenheimer has become well known for composing paintings that capture the imaginative and organic possibilities of abstract watercolor and acrylic. ...

Image dimensions 50 x 50 cm. Untitled is an elegant giclée print realized by the contemporary artist Dadodu in 2015. This original artwork is divided into regular shapes from darke...

Aquatint and lift-ground etching on Georges Duchêne Hawthorne of Larroque handmade paper, Edition of 70 1983 90.2 x 46.4 cms (35 1/2 x 18 1/4 ins)

Umbracle is an original artwork realized by Joan Mirò,1973. Lithograph. Poster for the film 'Umbracle,' 1973. Inscribed "H.C" (hors de commerce) in pencil in the lower left margi...