Op Art Abstract Prints

Artist: Victor Vasarely, Hungarian (1908 - 1997) Title: Vega Linear Blue Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: FV 63/70 Image Size: 12 x 12 inches Fr...

Abstract composition in purple in an original screenprint realized by Victor Debach in 1970s. 50x70 cm. Numbered edition. Handsigned in pencil on the right lower margin. Excelle...

Moon Rays Graphic Construction (three sheets layered in a shadow box presentation), 1967 Signed lower right. Editioned lower left. (see photos) Edition: 60 from the second printing c...

Negative-Positive is an original screen print realized by Bruno Munari in 1991. Hand-signed and numbered with pencil by the artist on the lower margin. Good condition. Bruno Muna...

Abstract Pink Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower mar...

This artwork titled "Laudis End" 1981 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 90/99 in pencil...

Genre: Kinetic Subject: Abstract Medium: Print Surface: Paper Image Dimensions: 14 x 16 Overall Dimensions: 26 3/4" x 26 3/4" This artwork epitomizes Yaacov Agam's kinetic style. Hi...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 7/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

Serigraph on paper. Hand signed and numbered by the artist. Image size 39.75 x 25.75 inches. Frame size approx 50 x 35 inches. From the main edition of 250. Additional images avai...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Julio Le Parc (1928) "Genesis Americana #2" 1982, Pochoir on Fabriano "Murillo" paper of 360 grams25.6 x 19.7 in (65 x 50 cm). Ed 69/92.

Abstract composition in purple in a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 16/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract Yellow Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower m...

Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...

Inward Eye 9 Richard Anuszkiewicz, American (1930–2020) Date: 1970 Screenprint, signed and numbered in pencil Edition of 34/100 Size: 25.5 x 19.75 in. (64.77 x 50.17 cm) Printer: Dom...

A limited edition serigraph from the Inward Eye portfolio. The work bears the publishers stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, American ...

Abstract composition in purple in an original screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 18/100 Handsigned in pencil on the right lower margin. Excell...

Julian Stanczak Blue Op Art Screen Print screenprint Pencil signed (lower right) edition numbered 20/165, measures 28" x 28". Julian Stanczak American/Polish, 1928-2017. Julian Stanczak explores the visual, psychological, and emotional resonance of color in his Op art paintings, through which he aims to induce a “color meltdown,” as he describes: “I want to fuse many colorants and their gradations into a single color experience.” Influenced by Josef Albers and Russian Suprematism...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 19/100. Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 11/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Hommage a Bach I. Original etching and aquatint, cca. 1980. Edition of 200 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. ...

Triptych for Munari is an print realized by Bruno Munari in 1991. Mixed colored screen print on Fabriano Rosaspina paper. Hand-signed and numbered in pencil on the lower margin. E...

Artist: Yaacov Agam, Israeli (1928 - ) Title: I from Double Metamorphosis Series Year: 1980 Medium: Screenprint on Arches, signed and numbered in pencil Edition: 180 Image Size: 27.5...

Signed and numbered lithograph by Julio Le Parc. This edition has been done in 2018. Item is new, sold by the publisher. Available without frame. Ask for more detail. Technic : Lit...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 22/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 21/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Victor Vasarely (French-Hungarian, 1906-1997) Untitled, 1974 Hand-signed in pencil Screenprint 27 3/8 x 26 3/8 in 69.5 x 67.0 cm Ed. 250

A limited-edition serigraph from the Inward Eye portfolio. The work bears the publisher's stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, American...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. Edition 20/100. Handsigned in pencil on the right lower margin. Excellent conditions.

Edition on hand is HC 2/3. Printed at Graphicstudio in Florida, this combination print by Richard Anuszkiewicz was printed with a set of two other editions in 1991. This work is comp...

Victor Vasarely (French-Hungarian, 1906-1997) Untitled, 1974 Hand-signed in pencil Screenprint 27 3/8 x 26 3/8 in 69.5 x 67.0 cm Ed. 250

Hommage a Bach II. Original etching and aquatint, cca. 1980. Victor Vasarely was a French painter of Hungarian origin. Influenced by Bauhaus design principles, Kandinsky's and Malev...

Victor Vasarely (1906-1997) Composition Screenprint in color Pencil signed lower right Edition 234/275 Image Size: 26"h x 26"w, Sheet (unframed): 31"h x 30"w Victor Vasarely...

Optical green composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. ...

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

Abstract Green Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower ma...

Yaacov Agam Israeli (b. 1928) Hommage aux Prix Nobel (1974) Serigraph signed lower right, numbered 85/100 sheet: 22 x 29 3/4 inches frame dimensions: 28 x 35 1/2 x 1 inches, wood fra...

Serigraph in colors on wove paper. Hand signed and numbered by Victor Vasarely. From the edition of 250. Image size 23.25 x 30.25 inches. Sheet size 31 x 37.25 inches. Frame size approx 36 x 42 inches. Additional images available upon request. Certificate of authenticity included. Artwork in excellent condition. All reasonable offers will be considered. About the Artist: Victor Vasarely ((French/Hungarian, 1906–1997) was credited as the grandfather and leader of the Op Art movement. Utilizing geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. Born Győző Vásárhelyi on April 9, 1906 in Pécs, Hungary, he briefly studied medicine, but after two years he dedicated himself to learn academic painting. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard paintings...

Tecoma is a wonderful colored lithograph with a black, blue, pink abstract composition realized by Victor Vasarely in 1972. The plate is from the portfolio Octal edited by Bruckmann...

Untitled. Original color silkscreen, cca. 1980. Edition of 250 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced b...

Frieze, 2000 Bridget Riley Screenprint in colours, on wove paper Signed, dated, titled and numbered from the edition of 200 (plus 20 artist's proof) Printed by Sally Gimson Artizan ...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

Untitled [La Lune en Rodage - Carlo Belloli], 1965 Bridget Riley Screenprint, on wove paper Signed, dated and numbered from the edition of 200 (plus 10 artist's proofs) Printed by K...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Optical green composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. ...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

Untitled. Original color silkscreen, cca. 1980. Edition of 250 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced b...

Kandahar is a contemporary artwork realized by Victor Vasarely in 1955. Screen print on wove paper after a painting of 1951. Hand signed and numbered on the lower margin. Edition ...

Carnival, 2000 Bridget Riley Sscreenprint in colours, on wove paper Signed, dated, titled and numbered from the edition of 75 (plus 10 artist's proof) Printed and published by Artiz...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Hommage a Bach III. Original etching and aquatint, cca. 1980. Edition H.C. (horse commerce/exhibition copy). Victor Vasarely was a French painter of Hungarian origin. Influenced by B...

Abstract Green Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Hand-signed. Limited edition of 100 copies numbered and signed by the artist with pencil o...

Purple Composition is a contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower rig...

TECHNICAL INFORMATION: Victor Vasarely Kris-Bille, from Ion Album 1989 Screenprint 14 x 11 in. Epreuve D'Artist (E.A.) Pencil signed and numbered Accompanied with COA by Gregg Shie...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

The Agamograph is Yaacov Agam’s unique contribution to the OP Art movement. The object is a print behind a lenticular surface that fools the eye to show movement and three-dimensional depth. The “Yellow Abstraction” is hand-signed and numbered in marker by the artist. Yellow Abstraction Yaacov Agam, Israeli (1928) Date: circa 1980 Agamograph, signed and numbered in marker Edition of 39...