Face Abstract Prints

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 7...

"The Barefoot Lumberjack" Etching from "Les Ames Mortes" by Marc Chagall Playful etching of a lumberjack by Marc Chagall (Russian, 1887-1985). A stout lumberjack is shown holing his...

Original linen-backed 1974 Spoleto poster. Roman Polanski directed Alban Berg's opera LuLu at the Spoleto Festival, which was conducted by Christopher K...

Yoshitomo Nara Midnight Truth, 2017 Offset lithographic poster Stamped with title, artist's name, copyright and year Unnumbered 20 1/2 × 14 1/4 inches Unframed published by N's Yard,...

Grosse Prostituée, Sorcière à la Chouette et Voyageur en Sabots ( Ref: Bloch 1760) etching on wove paper, Edited in 1968 Limited edition of 50 copies Current copy numbered: 37/50 on...

Wassily Kandinsky, Accent en Rose, 1926/2021 Image size: 26 × 21 cm Framed size: 38 × 32 cm ‘Accent on rose’ was produced by Wassily Kandinsky in 1926 whilst he was working at a r...

Manfred Schwartz (American, b. Poland, 1909-1970), The Ring, Abstract Figural Composition, Lithograph on Paper, mid 20th century, two nude figures in dangling hoop, numbered edition ...

Four color process print on vélin paper. Paper size: 10.75 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, George Condo, Drawing Paintings, 201...

ROMARE BEARDEN 1970-1980 HARBORLIGHTS MUSIC FESTIVAL 1981 OUT CHORUS Music Event Poster reproduced from Bearden's original color monoprint entitled "OUT CHORUS" Music Festival took...

Rammellzee Annina Nosei Gallery, New York, 1983 (Rammellzee Gothic Futurism, Rammellzee Ikonoklast Panzerism): RARE Rammellzee illustrated announcement card published by Annina Nosei...

Keith Haring Exhibition Poster for Tony Shafrazi Gallery, 1988 Offset color print 25 x 34 in. Framed: 29 1/8 x 38 1/4 x 1 in. Signed and dated in plate at bottom A Keith Haring exhi...

This signed and numbered lithograph by Jasper Johns, produced in an edition of 100, is offered by CLAMP in New York City.

"Personaje" (Character) - Abstracted Figurative Serigraph on Paper (#146/175) Abstracted figure with a collage-like appearance by Victor Chab (Argentinian, b. 1930). A figure with f...

Manfred Schwartz (American, b. Poland, 1909-1970), The Ring, Lithograph on Paper, mid 20th century, two figures in loop, signed in pen and with the artist's signature stamped lower r...

"Henry S. Miller" Lithograph in Ink on Paper, #3 of 8 Surrealist lithograph by Stephen Tracy White (American, 1947-2005). A figure in the lower right corner is partially enclosed by a red rectangle. Biomorphic shapes are flowing out of the rectangle, stretching across the composition. The shapes are rendered with intricate linework and soft green shading. Numbered, titled, signed, and dated along the bottom: 3/8 Henry S. Miller S. Tracy White 1969/April Tag on verso from Lee Nordness Galleries, New York Presented in a silver aluminum frame. Shipped without glass. Frame size: 26.5"H x 36.25"W Image size: 23.5"H x 34.25"W Stephen Tracy White (American, 1947-2005) was born in Bronwood, Georgia. They studied at the University of New Mexico, earning a Bachelor of Fine Arts in Art in 1969. They worked at the Tamarind Lithography Workshop, printing pieces by William Crutchfield...

SHEPARD FAIREY Global Warning - Global Warming (Andy Warhol Edition), 2009 Silkscreen on wove paper 24 × 18 inches Pencil signed and numbered 264/450 on the front Unframed Global War...

A very good impression of this color etching with aquatint. Signed and numbered 29/75 in pencil. Printed by Jacques David, Paris. Co-published by Leon Am...

A very good impression of this color drypoint on Japon nacré. Artist's proof, aside from the edition of 270. Signed and inscribed "EA" in pencil. Published by Vision Nouvelle, Paris....

A very good impression of this early lithograph on Arches. Initialed, dated and numbered 5/100 in pen and black ink. Printed and published by Original Press, San Francisco, with the ...

Vintage Saul Steinberg Lithograph c. 1970 from Derrière le miroir: Medium & Dimensions: Lithograph in colors. 15 x 22 inches. Condition: Fold-li...

Gerry Mulligan, Baritone Sax - Rare Signed Figurative Lithograph in Ink on Paper Bold lithograph by Eugene Hawkins (American, b. 1933). Gerry Mulligan sits on a stool holding his ba...

Mark Ryden 2 part invitation forming a 3-D Dodecahedron (hand signed by Mark Ryden), 2016 Offset lithograph invitation Hand signed by Mark Ryden 6 1/2 in diameter Ingeniously desig...

Mel Ramos Batman and Robin (Hand signed Postcard), ca. 1991 Offset Lithograph on Card Hand signed by the artist on the lower front Held in original v...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 20.50 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the album,...

Berkley; University Art Museum; original exhibition poster by Richard Lindner. Size: 23.5" x 30" Exhibition year: 1969. Archival linen-backed original serigraph; excellent cond...

This is a true collectible! The regular edition of only 100 is hand signed and numbered by Larry Rivers; but the present work is ALSO hand signed and inscribed by George McGovern- a ...

Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she was awarded the New York State Council for the Arts/New York Foundation for the Arts Fellowship grant for...

Manfred Schwartz (American, b. Poland, 1909-1970), Great Medrano Clown, Lithograph on Paper, circa 1955, numbered edition "11/20" lower left, signed in pencil and with the artist's s...

George McNeil Untitled Figure, 1986 Lithograph on paper. Publisher's and Printer's Blind Stamps Hand-signed, numbered 78/84 and dated by the artist on the front with publisher's and...

Mark Ryden Dodecahedron (Hand Signed by Mark Ryden), 2015 Offset Lithograph poster (hand signed by Mark Ryden) Hand signed by artist on lower right front for the present owner. 20 × 16 inches Unframed This Mark Ryden offset lithograph poster was published on the occasion of his exhibition at the Paul Kasmin...

Öyvind Fahlström One Hundred and Eight Inflated Dollars, from the Collection of Ileana Sonnabend and the Estate of Nina Castelli, 1973 Lithograph on rag paper. Signed. Numbered. in o...

Horst Antes Untitled, from the Swiss Society of Arts Portfolio (Lutze 629), 1975 Lithograph on paper with Deckled Edges. Hand signed and numbered 26/200 by the artist on the front 2...

Karel Appel Miss World First Class Pretty (Deluxe hand signed edition of the 1 Cent Life Portfolio, from the estate of artist Robert Indiana), 1964 Lithograph splayed across two sheets on wove paper (Hand signed by Karel Appel) Pencil signed on the lower right front; numbered 85/100 on the portfolio colophon Frame included Floated and framed in a museum quality wood frame with UV plexiglass., bearing the colophon with the edition number page on the back Measurements: Frame: 20.25 x 27 x 1.25 inches Print: 16 x 23 inches This lithograph was part of the complete portfolio acquired from the estate of Pop Artist Robert Indiana, who also contributed a work to the portfolio. Documented prints from the hand signed edition of 100 rarely appear on the market. This is one of them. The work is pencil signed by Karel Appel on the front and all of the prints are unnumbered, as the complete portfolio is numbered on the colophon page - a copy of which is included for provenance. (There was also an unsigned edition of 2000) Chinese American artist and writer Walasse Ting, in collaboration with Sam Francis, assembled a group of the most significant Pop and Abstract Expressionist artists in America, including Andy Warhol, along with the European COBRA artists to create the definitive artistic portfolio of lithographs with accompanying text by Walasse Ting. The Deluxe edition, which features hand signed prints, was published in a limited edition of only 100. This is one of them. Of the 100, editions numbered 60-100, or 40 portfolios, were reserved exclusively for Artists & Collaborators. This hand signed Karel Appel lithograph...

Red Grooms Nassau Red poster (hand signed in red marker by Red Grooms), 2005 Offset lithograph poster Hand signed by the artist with red marker on the front 32 × 22 inches Unframed T...

Peter Saul Politics, 1985 Color lithograph on wove paper Hand signed, numbered X/X (apart from the regular edition of 25), and dated on the front Frame Included: matted and framed in...

Walter Helbig (1878 Falkenstein - 1968 Ascona), Adoration of the Magi, 1918. Hand-colored linocut, 30 cm x 22.5 cm (depiction), 50 cm x 35 cm (sheet size), signed “W.[alter] Helbig” in pencil lower right, inscribed “Adoration of the Magi” lower left and dated “1918”. Below this a handwritten dedication “with heartfelt Christmas greetings”. - Paper somewhat darkened and with slight creases, thumbtack holes in the corners - The Rider of the Sun - The 'apocalypse' of World War I brought about a return to sacred art. Walter Helbig belonged to the circle of the 'Brücke' and the 'Blauer Reiter'. With his reinterpretation of religious themes in an expressionist formal language, Helbig shaped an avant-garde neo-sacred art. This is symbolically expressed in the silhouette of the rider against the sun-like yellow background. It refers to the awakening initiated by the Blue Riding, which is now linked back to the sacred. The rider and horse "look" at Mary and the Christ Child, who occupy the entire field. Opposite them are the three kings, the eldest of whom kneels before Christ and offers him a gold-filled casket. The expressionist lines give rise to a tower that rises into the "sun", so that the gift has become a Gothic church, expressing the hope that the fallen world will be resurrected in the name of Christ. This dimension of meaning is emphasized by the magical effect of the color scheme. About the artist In 1895, Walter Helbig began studying at the Dresden Academy of Art, where he became friends with the future Brücke artist Otto Müller, with whom he lived in Dresden from 1903 to 1905. While studying in Italy from 1897 to 1899, he met Arnold Böcklin and Adolf von Hildebrand. After completing his studies, he first worked for Otto Gussmann, painting churches. From 1905 to 1909 he worked as a freelance painter in Hamburg. In 1909, through the mediation of Otto Müller, Helbig made the acquaintance of artists from the 'Brücke'. In 1910 he exhibited at the founding exhibition of the Berlin 'Neue Sezession'. In the same year, he moved to Switzerland, where, together with Hans Arp and Oscar Lüthy, he founded the 'Moderne Bund' in Weggis, to which Cuno Amiet and Giovanni Giacometti also belonged. At the second exhibition of the 'Moderne Bund' in Zurich in 1911, Henri Matisse and Robert Delaunay were represented alongside artists from the 'Blauer Reiter'. In 1913, Helbig traveled to Paris with Arp and Lüthy. After the dissolution of the 'Moderne Bund', Helbig was represented at the first Dada exhibition in Zurich in 1914. In 1919, he joined the Berlin 'Novembergruppe'. After the devastation of World War I, Helbig turned increasingly to religious themes in his work. In 1924, like many other artists of his time, he moved to Ascona for financial reasons, where he became a naturalized citizen in 1938. There he founded the artists' association "The Great Bear", to which Marianne von Werefkin...

A very good impression of this Iris print. Signed and numbered 23/50 on verso by Ruff.

Manfred Schwartz (American, b. Poland, 1909-1970), The Ring in Plum, Abstract Figural Composition, Lithograph on Paper, mid 20th century, two nude figures in dangling hoop on purple ...

Untitled (Portrait in Window) features a gelatin silver print by Lee Friedlander and a diptych of etchings by Jim Dine. The photograph depicts a framed portrait of a young black girl...

Manfred Schwartz (American, b. Poland, 1909-1970), Medrano Clown with Clarinet, Lithograph on Paper, circa 1955, numbered edition "15/50" lower left, signed in pencil and with the ar...

#396, 2016 Silver Gelatin Luminogram Print, Framed (classic museum style white book mount board and black frame) Image size: 40.6 x 30.5 cm Framed: 58 x 49 cm Unique Series: The Self Representation of Light Signed and dated in pen on verso © Michael Jackson The Luminograms are made from the most simple of procedures - directing light onto silver gelatin photo paper. However, it is that simplicity that allows Jackson to adapt his own way of thinking into the making of the finished piece. As he says, it's as close as he can get in photography to painting. After moving to Wales in 2007, Michael Jackson spent the next eight years creating an extensive study of a single local beach - Poppit Sands. After years of examining the beach, he realised that in effect he was studying himself and his reaction to the beach - rather than the physical landscape. He then started looking at the beach as simply a way of dividing up the camera frame - the lines and curves and focal points. It was during the long period of producing Poppit Sands prints in the darkroom that he discovered how to start making luminograms. "I feel strongly that the luminograms represent a form of moulded light. You use your process to direct and mould the light and the paper receives it in its own magical way and translates that into a form that seems fantastical but also it has one foot in reality. The piece itself so often seems like a photograph of a sculpture, when it fact it is neither. I imagine that I am taking something that you cannot feel and I am making it appear in a seemingly three dimensional form that is balanced and controlled. Just like sculpting clay." Michael G Jackson...

Manfred Schwartz (American, b. Poland, 1909-1970), Medrano Clown with Flower, Lithograph on Paper, circa 1955, marked "artist's proof" lower left, signed in pencil and with the artis...

Manfred Schwartz (American, b. Poland, 1909-1970), Medrano Clown with Flower, Lithograph on Paper, circa 1955, numbered edition "17/50" lower left, signed in pencil and with the arti...

Justin Pollmann "Between Two Chairs" 2021 Inkjet Transfer Collage, Monotype 36" x 33.5" Inches The inkjet transfer images are made by collaging transfers of inkjet prints to the p...

Rocca Luis César Rita, 2023 Serigraph in six colors 21.70 x 21.70 in Edition of 30 This serigraph (silkscreen or screen print) is part of a limited e...

Pablo Ruiz Picasso (Spain, 1881-1973) 'Pintura - Dibujo. Sala Gaspar', 1971 lithograph on paper 39.6 x 20.4 in. (100.5 x 51.7 cm.) Unframed Ref: PIC2001-P003 Conservation: Not previo...

Luis Rey Polo (Spain, 1924-2000) 'Rehén', N/A silkscreen on paper 17.8 x 17.4 in. (45 x 44 cm.) Edition of 300 ID: POL1362-001-300 Unframed Hand-signed by author

Nelson Dominguez (Cuba, 1947) 'Personajes del circo', 2001 engraving on paper Deponte 300 g. 29.2 x 22.1 in. (74 x 56 cm.) Edition of 40 ID: DOM-103 Unframed