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Andy Warhol
Dracula

1981

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Till Death Do Us Part (Heavenly Peppermint Green, Silver Gloss, Racing Green)
By Damien Hirst
Located in Boston, MA
Artist: Hirst, Damien Title: Till Death Do Us Part (Heavenly Peppermint Green, Silver Gloss, Racing Green) Series: Skulls Date: 2012 Medium: Screenprint in colors with foilblock...
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2010s Young British Artists (YBA) Portrait Prints

Materials

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Rembrandt “Portrait du Peintre par Lui-Meme”
By Salvador Dalí­
Located in Boston, MA
Artist: Dali, Salvador Title: Rembrandt “Portrait du Peintre par Lui-Meme” Series: Changes in Great Masterpieces Date: 1974 Medium: ...
Category

1970s Surrealist Prints and Multiples

Materials

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Benjamin
By Salvador Dalí­
Located in Boston, MA
Artist: Dali, Salvador Title: Benjamin Series: Twelve Tribes of Israel Date: 1972 Medium: drypoint with stenciled color Framed Dimensions: 33" x 27.25" Signature: Pencil...
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1970s Surrealist Prints and Multiples

Materials

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Cream and Red Robe on a Stone
By Jim Dine
Located in Boston, MA
Artist: Dine, Jim Title: Cream and Red Robe on a Stone Date: 2010 Medium: Lithograph Unframed Dimensions: 53" x 39" Framed Dimensions: 60.5" x 46.75" Si...
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2010s Contemporary Prints and Multiples

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Dylan Thomas, Kim Novak and James Joyce in New York
By Peter Blake
Located in Boston, MA
Artist: Blake, Peter Title: Dylan Thomas, Kim Novak and James Joyce in New York Date: 2013 Medium: 3D Print on Polymer Unframed Dimensions: 26.750" ...
Category

21st Century and Contemporary Prints and Multiples

Materials

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Untitled 08
By Marc Quinn
Located in Boston, MA
Artist: Quinn, Marc Title: Untitled 08 Series: Eye of History Date: 2013 Medium: Color Etching on 350gsm paper Unframed Dimensions: 35.9375" x 35.5625" Signature: Signed by...
Category

2010s Young British Artists (YBA) Prints and Multiples

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Andre Emmerich Gallery print: New Work With A Camera (Signed by David Hockney)
By David Hockney
Located in New York, NY
David Hockney New Work With A Camera (Hand Signed by David Hockney), 1983 Offset Lithograph Poster Hand signed by David Hockney lower right front 39 × 24 1/2 inches Unframed Accompa...
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The Scholar - Green, 1969 (M.547)
By Joan Miró
Located in Greenwich, CT
A continuation of the 'Horse Ride' series, The Scholar - Green (M.547), also known as The Literate Man, is a lithograph on cloth, backed with chiffon de Mandeure, with an image size ...
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Untitled, 1961 (Album 19, M.250)
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And Then Red is a screenprint on paper from the edition of 50, 15.75 x 15.75" image size, signed and dated 'Takashi '99' and numbered 45/50 in pencil verso. Framed in a custom, gold-...
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Skulls, 1976 (FS.II.159)
By Andy Warhol
Located in Greenwich, CT
Skulls (FS.II.159) is a screenprint on paper with an image size of 30 x 40 inches, signed 'Andy Warhol' and annotated lower left. From the edition of 60, numbered 50/50 (there were also 10 APs), and framed in a custom, closed-corner, gold-leaf frame. Catalogue - Feldman Schellmann, #159 (II.159 Skulls 1976) Andy Warhol’s Skulls from 1976 are part of the transition he began initially in 1972 with the Mao series – incorporating hand-drawn lines into the image – and with Ladies and Gentlemen and Mick Jagger in 1975 where he began the print process with his own photographs rather than appropriated ones. Additionally, in the 1975 prints, he began using collaged elements – torn paper, photographic elements, etc. Donna de Salvo writes about the Skulls series, “Skulls (II.157 – 160) lies somewhere between the genres of still life and portraiture and is based on a photograph of a skull taken by Warhol’s studio assistant, Ronnie Cutrone. The theme of skulls became a major preoccupation for Warhol, and he produced numerous versions of it in paintings. In this image, Warhol combined all three pictorial forms...
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Skulls, 1976 (#157)
By Andy Warhol
Located in Greenwich, CT
Skulls (FS.II.157) is a screenprint on paper with an image size of 30 x 40 inches, signed 'Andy Warhol' and annotated lower left. From the edition of 60, numbered 36/50 (there were also 10 APs), and framed in a custom, closed-corner, gold-leaf frame. Catalogue - Feldman Schellmann, #157 (II.157 Skulls 1976) Andy Warhol’s Skulls from 1976 are part of the transition he began initially in 1972 with the Mao series – incorporating hand-drawn lines into the image – and with Ladies and Gentlemen and Mick Jagger in 1975 where he began the print process with his own photographs rather than appropriated ones. Additionally, in the 1975 prints, he began using collaged elements – torn paper, photographic elements, etc. Donna de Salvo writes about the Skulls series, “Skulls (II.157 – 160) lies somewhere between the genres of still life and portraiture and is based on a photograph of a skull taken by Warhol’s studio assistant, Ronnie Cutrone. The theme of skulls became a major preoccupation for Warhol, and he produced numerous versions of it in paintings. In this image, Warhol combined all three pictorial forms...
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