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Medium: Engraving
Snail in a Bowl (Artist Proof inscribed to Fritz Eichenberg)
Located in New Orleans, LA
Leonard Merchant's mezzotint, "Snail in Cup" is inscribed for fellow artist, Fritz Eichenberg.
While a student at the Central School for Arts and Crafts in London, a young Leonard Marchant found an engraving rocker in a cupboard and proceeded to turn himself into a master of the painstaking art of mezzotinting.
Marchant, who has died in Shrewsbury aged 70, grew up in Simonstown, the Royal Navy's enclave in South Africa. Though his first job was as a parliamentary messenger, he taught himself to paint and, aged 19, was given a one-man show in Cape Town. Fired by this success, he left for England to study painting and, he claimed, to escape the stifling home atmosphere created by his Catholic mother and aunts. (His father was killed in the second world war.) Without contacts in London, he phoned Jacob Epstein, whose recommendation resulted in a grant to study briefly at the Central School. It was later, when studying full-time at the Central, that he saw the mezzotints of the Japanese master, Yozo Hamaguchi, in a London gallery. He was hooked.
Creating a mezzotint is tedious in the extreme. The copper plate must first be prepared with a "rocker" which roughens the surface. A plate may be "rocked" 30 or 40 times. The rough texture is then reduced with a burnisher and a scraper, allowing the print a range of tones from velvety black through the greys to white. Marchant's plates could be months in the making. But the technical demands were the least of his worries. In its 18th- and 19th-century heyday, mezzotint was solely a reproductive medium, for copying masters such as Reynolds and Turner. The development of photography rendered it unfashionable, and by the 1960s the technique, known as la manière anglaise, was a bygone medium.
Marchant, by now a teacher in printmaking at the Central, began to create original mezzotints with a colleague, Radavan Kraguly. A perfectionist, he seemed to revel in the straitjacket procedure. Perhaps it was the metaphor of bringing darkness out of light that appealed to this straight-talking, sometimes sombre, man, who would suddenly relax and light up like a gleaming hue on one of his prints. His work was of squares and triangles with the occasional cat, black and ominous, and carefully arranged still lifes, featuring plants, a seed pod, a pot he might have bought at auction to celebrate the sale of a print.
There were one-man shows, notably at the Bankside Gallery. He sold well at the Royal Academy summer exhibition, was a Florence Biennale prizewinner, spent a fellowship year at the British School in Rome, and was elected a Fellow of the Royal Society of Painter-Printmakers.
But making mezzotints was not a paying job. Marchant and his South African wife...
Category
1980s Modern Engraving Animal Prints
Materials
Mezzotint
$100 Sale Price
45% Off
Mizuhiki
Located in New Orleans, LA
"Mizuhiki" is an exclusive publication by Stone + Press in an edition of 100.
Katsunori Hamanishi was born in 1949 on Hokkaido island - Japan's second largest island. In 1973 he fi...
Category
1990s Contemporary Engraving Animal Prints
Materials
Mezzotint
American Wild Turkey and Curassows, English antique bird engraving print, 1879
Located in Melbourne, Victoria
American Wild Turkey and Curassows
Wood-engraving with original colouring. 1879.
160mm by 245mm (sheet).
Key below the image. From Oliver Goldsmith's 'A History of the Earth and...
Category
Late 19th Century Victorian Engraving Animal Prints
Materials
Engraving
Tigre couché à l'entrée de son antre (Tiger Lying at the Entrance to its Lair)
Located in Middletown, NY
Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...
Category
Early 19th Century Realist Engraving Animal Prints
Materials
Laid Paper, Drypoint, Etching
Her Majesty's Stag Hounds on Ascot, A Colored 19th Century British Hunting Scene
Located in Alamo, CA
"The Meeting of Her Majesty's Stag Hounds on Ascot Heath" is a large colorful mezzotint engraving of an extensive British hunting scene. It was created by Sir Francis Grant...
Category
1830s Engraving Animal Prints
Materials
Engraving, Mezzotint
Antique Birds - 17th Century Hand Watercolor Engraving
Located in Soquel, CA
Antique Birds - 17th Century Hand Watercolored Etching
Antique Birds, from a collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational History of the Di...
Category
17th Century French School Engraving Animal Prints
Materials
Paper, Watercolor, Engraving
Tree with moth, caterpillar..., Plate 39, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 39; Unidentified tree with moth, caterpillar and pupa.
The Netherlands: 1705....
Category
Early 18th Century Naturalistic Engraving Animal Prints
Materials
Watercolor, Engraving
'Star', A running horse belonging to His Grace the Duke of Bridgewater
Located in Stoke, Hampshire
James Seymour (1702-1752)
'Star', A running horse belonging to His Grace the Duke of Bridgewater
Mezzotint by R. Houston
Image size 10 x 14 in
Framed size 13 x 17 in
James Seymour w...
Category
18th Century Old Masters Engraving Animal Prints
Materials
Mezzotint
Black Guillemot: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a black guillemot bird entitled "Le Guillemot" by Francois Nicolas Martinet, plate 903 from 'Histoire Naturelle des Oiseaux' in association with G...
Category
1760s Naturalistic Engraving Animal Prints
Materials
Engraving
Leading Out a Hunter
Located in Stoke, Hampshire
James Seymour (1702-1752)
Leading Out a Hunter
Mezzotint by Thomas Burford
Image size 10 x 14 in
Framed size 13 x 17 in
James Seymour was an English artist renowned for his equestri...
Category
18th Century Old Masters Engraving Animal Prints
Materials
Mezzotint
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
Located in Soquel, CA
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...
Category
1790s Northern Renaissance Engraving Animal Prints
Materials
Engraving, Etching, Aquatint, Laid Paper
A Standing Leap at a Gate
Located in Stoke, Hampshire
James Seymour (1702-1752)
A Standing Leap at a Gate
Mezzotint with hand colouring
Image size 10 x 14 in
Framed size 16 1/2 x 20 in
James Seymour was an English artist renowned for h...
Category
18th Century Old Masters Engraving Animal Prints
Materials
Mezzotint
A Fierce Bull
By James McBey
Located in Storrs, CT
A Fierce Bull. 1911. Drypoint. Hardie 108. 5 3/8 x 8 (sheet 8 5/16 x 11 7/8). Edition 8. An exceptional impression with rich drypoint burr printed on antique laid paper. A proof of t...
Category
1910s Modern Engraving Animal Prints
Materials
Drypoint, Etching
$1,500 Sale Price
40% Off
Echidna and Platypus, Australian animal monotreme antique engraving print
Located in Melbourne, Victoria
'Kloakentiere'
(Monotremes - echidna and platypus))
German wood-engraving, circa 1895.
240mm by 155mm (sheet)
Category
Late 19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Thistle and Moths, plate no. 6, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 6; Thistle and Moths. The Netherlands: 1705. Engraving with hand coloring in w...
Category
Early 18th Century Naturalistic Engraving Animal Prints
Materials
Watercolor, Engraving
Elephant Equilibriste, Signed Surrealist Mezzotint by Mario Avati
By Mario Avati
Located in Long Island City, NY
Artist: Mario Avati, French (1921 - 2009)
Title: Elephant Equilibriste
Year: 1969
Medium: Mezzotint, signed and numbered in pencil
Edition: 35/50
Image Size: 17.5 x 24 inches
Size: 2...
Category
1960s Modern Engraving Animal Prints
Materials
Mezzotint
Swainson's Warbler: A Framed Original Hand-colored Audubon Folio Bird Engraving
Located in Alamo, CA
This is an original John James Audubon hand-colored folio sized lithograph entitled "Swainson's Warbler, Male, Sylvicola Swainsonia, Tree: Vulgo, White Oak", No. 10, Plate 50, from A...
Category
Mid-19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Hermit Crabs, German animal antique underwater crustacean engraving print
Located in Melbourne, Victoria
'Einsiedlerkrebse'
(Hermit crabs)
German wood-engraving, circa 1895.
240mm by 155mm (sheet)
Category
Late 19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Portraits of the Famous Horses 'Old Partner' & 'White Nose'
Located in Stoke, Hampshire
James Seymour (1702-1752)
The Portraiture of the Famous Horse 'Old Partner'
The Portraiture of 'White Nose'
Engraved by Richard Houston
Image size 14 x 16 in
Framed size 16 x 18 in
...
Category
18th Century Old Masters Engraving Animal Prints
Materials
Mezzotint
Vultures, English antique bird engraving print, 1879
Located in Melbourne, Victoria
Vultures
Wood-engraving with original colouring. 1879.
160mm by 245mm (sheet).
Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category
Late 19th Century Victorian Engraving Animal Prints
Materials
Engraving
La Brebis, antique French 1760s sheep engraving
Located in Melbourne, Victoria
'La Brebis'
Copper-line engraving, circa 1765
From Buffon's "Histoire Naturelle, Generale et Particuliere Avec la Description du Cabinet du Roi" which was published in Paris.
24c...
Category
Late 19th Century Victorian Engraving Animal Prints
Materials
Engraving
Canadian Geese in Flight
Located in Fairlawn, OH
Canadian Geese in Flight
Drypoint printed with plate tone in the sky
c. 1940's
Signed in pencil lower right
Condition: Excellent
Image/Plate size: 8 3/8 x 10 1/4 inches
Provenanc...
Category
1940s American Realist Engraving Animal Prints
Materials
Drypoint
Gravure Panthere 2
By Paul Jouve
Located in Saint Ouen, FR
Engraving after Paul Jouve
From the work of Terrasse in 1948
490 copies
Size etching: 23 x 18 cm
Frame: 45 x 49 cm
Category
2010s Engraving Animal Prints
Materials
Engraving
Game Birds, English antique bird engraving print, 1879
Located in Melbourne, Victoria
Game Birds
Wood-engraving with original colouring. 1879.
160mm by 245mm (sheet).
Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category
Late 19th Century Victorian Engraving Animal Prints
Materials
Engraving
White-throated Capuchin Monkey: Framed Audebert 18th C. Hand-colored Engraving
Located in Alamo, CA
This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Sai a gorge blanche. Variete A. Buff. Simia capucina. v.a.", which was drawn and engraved by Jean Baptiste Audebert...
Category
Late 18th Century Engraving Animal Prints
Materials
Engraving
Tropic Bird /// Ornithology John James Audubon Shorebird Ocean Beach Seascape
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Tropic Bird" (Plate CCLXII - 262; part No. 53)
Portfolio: The Birds of America, Havell Edition
Year: 1835
Medium: Original Hand-Colored Engraving with Aquatint on double-elephant folio, J. Whatman paper
Limited edition: approx. 180
Printer: Robert Havell Jr., London, England
Publisher: John James Audubon, London, England
Framing: Not framed, but matted in a handmade custom French matting
Matted size: 30" x 38.75"
Sheet size: 25.5" x 36"
Platemark size: 20.75" x 30.25"
Image size: 18.5" x 27.75"
Condition: A few tiny foxmarks. In excellent condition with clean paper and strong colors
Rare
Notes:
Provenance: private collection - New York, NY. Engraved, printed, and hand-colored by English artist Robert Havell Jr. (1793-1878). Comes from Audubon's monumental book volume "The Birds of America", (Havell Edition, 1827-1838), which consists of 435 hand-colored, life-size prints, made from engraved plates, with each sheet originally measuring around 39" x 26". "J. Whatman 1835" watermark upper right.
Based on a composition painted between 1832 and 1835. Audubon sailed the entire length of Florida, around the Keys and as far as the Dry Tortugas, from which, on another occasion, "The specimens - in the plate were taken - by my kind friend Robert Day, Esq. of the United States Revenue Cutter...
Category
Early 1800s Victorian Engraving Animal Prints
Materials
Watercolor, Engraving, Aquatint, Intaglio
'Ironsides' a famous Hunter belonging to the Earl of Halifax
Located in Stoke, Hampshire
James Seymour (1702-1752)
'Ironsides' a famous Hunter belonging to the Earl of Halifax
Mezzotint by R. Houston
Image size 9 1/4 x 13 1/4 in
Framed size 12 x 16 in
James Seymour was ...
Category
18th Century Old Masters Engraving Animal Prints
Materials
Mezzotint
TAUREAU AILE CONTEMPLE PAR QUATRE ENFANTS (BLOCH 229)
Located in Aventura, FL
Plate 13 from La Suite Vollard. Bloch 229. Baer 444. Etching on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 with larger margins). Printe...
Category
1930s Cubist Engraving Animal Prints
Materials
Paper, Engraving
$31,600 Sale Price
29% Off
Cocoa plant, caterpillar, ..., Plate 26, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 26; Cocoa plant, caterpillar, pupa, and butterflies. The Netherlands: 1705. En...
Category
Early 18th Century Naturalistic Engraving Animal Prints
Materials
Watercolor, Engraving
Paul Jouve - Eagle - Original Engraving
By Paul Jouve
Located in Collonge Bellerive, Geneve, CH
Paul Jouve - Eagle - Original Engraving
Editions Rombaldi, Paris, 1950.
Copy on velin creme de Rives
Artwork by Paul Jouve.
Original copper engraving heightened with pochoir.
Paul...
Category
1950s Modern Engraving Animal Prints
Materials
Engraving
The Matador.
By James McBey
Located in Storrs, CT
The Matador. 1911. Drypoint. Hardie 109. 6 7/8 x 10 7/8 (sheet 7 7/8 x 12). Edition 15. A few scattered foxing marks and slight mat line; otherwise fine o...
Category
1910s Modern Engraving Animal Prints
Materials
Drypoint, Etching
$1,200 Sale Price
27% Off
"Esquimaux Curlew": A Framed Original Audubon Hand-colored Folio Engraving
Located in Alamo, CA
This is an original hand-colored folio edition John James Audubon engraving entitled "Esquimaux Curlew", Folio, Pl. CCVIII", No. 42, Plate 208, from Audubon's "Birds of America". It was engraved, printed and colored in London by Robert Havell, Jr. in 1834. It depicts a male and a female Esquimaux Curlew birds...
Category
Mid-19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Fish, English antique fish angling engraving print, 1879
Located in Melbourne, Victoria
Fish
Wood-engraving with original colouring. 1879.
160mm by 245mm (sheet).
Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category
Late 19th Century Victorian Engraving Animal Prints
Materials
Engraving
White Stork "Storch Ciconia": An 18th Century Hand-colored Frisch Engraving
Located in Alamo, CA
This is a rare 18th Century hand-colored copperplate engraving entitled "Der Storch Ciconia" (White Stork) by Johann Leonhard Frisch is plate 19...
Category
1730s Naturalistic Engraving Animal Prints
Materials
Engraving
Hooked Salmon, angling fish etching by George Marples, circa 1920
Located in Melbourne, Victoria
Marples was a painter, etcher, writer on ornithology, and principal of Huddersfield, Hull and Liverpool School of Art. He specialized in etchings of fish...
Category
1920s Other Art Style Engraving Animal Prints
Materials
Etching, Drypoint
Goldfinch etc, English antique bird engraving print, 1879
Located in Melbourne, Victoria
Goldfinch etc
Wood-engraving with original colouring. 1879.
160mm by 245mm (sheet).
Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category
Late 19th Century Victorian Engraving Animal Prints
Materials
Engraving
Cream-coloured Plover, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Moths in Their Natural Landscape: Antique Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored engraving depicting the natural history of Pinkunderwing Moths, Cream Spotted Tyger Moths in their natural botanical environment, which is plate 4 from Moses H...
Category
Mid-19th Century Realist Engraving Animal Prints
Materials
Engraving
Cattle, English antique animal engraving print, 1879
Located in Melbourne, Victoria
Cattle
Wood-engraving with original colouring. 1879.
160mm by 245mm (sheet).
Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category
Late 19th Century Victorian Engraving Animal Prints
Materials
Engraving
Moths and a Lady Bug in a Landscape: A Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored engraving depicting the natural history of moths and a lady bug, which is plate 22 from Moses Harris' publication "The Aurelian: or Natural History of English Insects; Namely Moths & Butterflies", first published in London in 1766 and this from an 1840 edition. The engraving depicts the natural history developmental stages of the Burnished Brass Moth, the Dark Gothic...
Category
Mid-19th Century Realist Engraving Animal Prints
Materials
Engraving
Ostend Horse
Located in Storrs, CT
Ostend Horse. 1926-27. Drypoint. Appleby 125. 7 x 815/16 (sheet 9 1/8x 12 1/5). Proof B, apart from the edition 100. A rich impression with tonal wiping and drypoint burr, printed on...
Category
1920s Modern Engraving Animal Prints
Materials
Drypoint, Etching
Salvador Dali "Untitled III (Le Tricorne)"
Located in Boston, MA
Artist: Dali, Salvador
Title: Untitled III (Le Tricorne)
Series: Le Tricorne (The Three-Pointed Hat)
Date: 1959
Medium: Wood engraving
Unframed Dimensions: 12.6" x 8.8"
Framed...
Category
1950s Surrealist Engraving Animal Prints
Materials
Engraving
Lion Défendant sa Proie (Lion Defending Its Prey) — Atelier 17
By Joseph Hecht
Located in Myrtle Beach, SC
Joseph Hecht, 'Lion Défendant sa Proie (Lion Defending Its Prey)', engraving, 1931, edition 50, Tonneau-Ryckelynck & Plumart 215. Signed and numbered '18/50' in pencil. A fine impres...
Category
1930s Modern Engraving Animal Prints
Materials
Engraving
Le Mouton de Barbarie, antique French 1760s sheep engraving
Located in Melbourne, Victoria
'Le Mouton de Barbarie'
Copper-line engraving, circa 1765
From Buffon's "Histoire Naturelle, Generale et Particuliere Avec la Description du Cabinet du Roi" which was published in Paris.
Jacques E. De Seve...
Category
Late 19th Century Victorian Engraving Animal Prints
Materials
Engraving
18th Century Catesby Hand-colored Bird & Plant Engraving "The Crested Titmous"
By Mark Catesby
Located in Alamo, CA
A hand-colored copperplate engraving of a bird and plants by Mark Catesby (1683-1749) entitled "The Crested Titmous" from "The Natural History of Carolina, Georgia, Florida and the Bahama Islands", published in 1731. It depicts a small Crested Titmous bird, facing left, perched on the stem of a plant with clusters of mauve colored star-like flowers.
This original Catesby hand-colored engraving, on laid paper with a large central Fleur-de-Lys watermark, is presented in a cream color French mat. The mat measures 20" x 15.5" and the sheet measures 18.75" x 14.75".
Mark Catesby was born in England to a prosperous family, but he traveled to America, first to visit his sister and her husband in 1712. From 1712 to 1719 he explored America observing its birds and plants, taking notes, creating drawings and collecting specimens. He returned to England with this material and created more detailed drawings. His next visit to America 1722-1726 allowed for more detailed research. Upon his return to England he created his monumental and beautiful work "The Natural History of Carolina, Florida, and Bahama Islands", which was published in London in two folio volumes of 11 parts each consisting of 20 plates...
Category
Mid-18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
The Porculine Opossum (Bandicoot), Australia, engraving, 1795
Located in Melbourne, Victoria
'The Porculine Opossum' (Bandicoot)
Copper-line engraving with original hand-colouring. Circa 1795, by Richard Polydore Nodder (fl.1770 – 1800).
155mm by 125mm (platemark)
225mm by...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
The Picador Incites the Bull.
By James McBey
Located in Storrs, CT
The Picador Incites the Bull. 1911. Drypoint. Hardie 104. 6 1/4 x 9 7/8 (sheet 8 1/4 x 11 7/8). Edition 30, #5. Slight mat line, 1 hinge stain in the lower margin, well outside the i...
Category
1910s Modern Engraving Animal Prints
Materials
Drypoint
$1,200 Sale Price
27% Off
Barnacle Geese Affrighted
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...
Category
Mid-20th Century Modern Engraving Animal Prints
Materials
Handmade Paper, Drypoint, Etching
Tortoise-shell Butterfly, Hawk Moth: Antique Hand-colored Engraving by M. Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the Tortoise-shell Butterfly and Privet Hawk Moth, which is plate 2 from Moses Harris' publication "The Aure...
Category
Mid-19th Century Realist Engraving Animal Prints
Materials
Engraving
Admirable Butterflies, Magpie Moths: A Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the Admirable Butterfly and the Small Magpie Moth, which is plate 6 from Moses Harris' publication "The Aure...
Category
Mid-19th Century Realist Engraving Animal Prints
Materials
Engraving
Chinese Diver, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Asie (Asia) from the series Atlas — Atelier 17
By Joseph Hecht
Located in Myrtle Beach, SC
Joseph Hecht, 'Asie (Asia) from the series Atlas', engraving, 1928, edition c. 50, Tonneau-Ryckelynck & Plumart 162. Signed and annotated 'epreuve definitive' (final proof) in pencil...
Category
1930s Modern Engraving Animal Prints
Materials
Engraving
Icecream Bean plant..., plate no. 58, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 58; Ice Cream Bean Plant, Cloudless Sulphur Butterfly and Caterpillar with Mot...
Category
Early 18th Century Naturalistic Engraving Animal Prints
Materials
Watercolor, Engraving
Landscape with Horses.
Located in Storrs, CT
Kennedy catalog 36 state ii; Glasgow 45 state ii. Image: 4 7/8 x 7 3/4 (sheet 6 7/8 x 9 5/8).The Glasgow catalog records 32 known impressions. A scarce early etching -- there was no ...
Category
Mid-19th Century American Impressionist Engraving Animal Prints
Materials
Drypoint, Etching
$3,000 Sale Price
36% Off
Giant Petrel, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Peacock Butterfly, Moth & Botanical: An 18th C. Hand-colored M. Harris Engraving
By Moses Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving of Peacock Butterflies and Water Betony Moths depicted in their natural botanical environment, which is plate 8 from Mos...
Category
Mid-18th Century Engraving Animal Prints
Materials
Engraving
Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea'
Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837.
210mm by 130mm (sheet)
Category
Mid-19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Crustaceans - Coconut and hermit crabs, natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea'
Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837.
210mm by 130mm (sheet)
Category
Mid-19th Century Naturalistic Engraving Animal Prints
Materials
Engraving
Le Mangabey Monkey: Framed Audebert 18th C. Hand-colored Engraving
Located in Alamo, CA
This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Mangabey, Buff, Simia Aethiops, Linne", which was drawn and engraved by Jean Baptiste Audebert...
Category
Late 18th Century Engraving Animal Prints
Materials
Engraving
Spoonbill "Platalea leucorodia": An 18th Century Hand-colored Nozeman Engraving
Located in Alamo, CA
This a rare 18th century hand-colored large folio-sized copperplate engraving entitled "Platalea leucorodia" (Spoonbill) by Cornelius Nozeman in volume II of his publication 'Nederlandsche Vogelen', engraved by Christiaan Sepp or his son Jan Christiaan Sepp, published in Amsterdam in 1770. This engraving depicts a Platalea leucorodia Spoonbill, a large bird that lives mainly in Europe, Asia and Africa. It commonly migrates long distances on thermal air currents from the colder Northern European climates to Sub-Saharan Africa in the winter, sometimes as far long as Finland to South Africa. The Asian black stork...
Category
1780s Naturalistic Engraving Animal Prints
Materials
Engraving
Engraving animal prints for sale on 1stDibs.
Find a wide variety of authentic Engraving animal prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 18th Century is especially popular. If you’re looking to add animal prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Salvador Dalí, Pablo Picasso, Edmund Blampied, and Francois Nicolas Martinet. Not every interior allows for large Engraving animal prints, so small editions measuring 8 inches across are also available Prices for animal prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $350 and tops out at $460, while the average work can sell for $380.
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