Etching Animal Prints

What’s That? by Helen Fay [2012] Limited Edition Etching , hand printed on Hanemulle etching paper Edition number edition size 75 Image size: H:21 cm x W:18 cm Complete Size of Unframed Work: H:45 cm x W:30 cm x D:.15cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Original Print, hand made and hand printed by the artist. A gentoo penguin, standing wings out, her attention just grabbed by something. The light is just catching her soft chest feathers. The etching captures the tactile softness of the feathers. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon Spilliaert...

Artist: Richard Bosman, American (1944 - ) Title: Revenge of the Cat Year: 1983 Medium: Sugarlift Etching with white ground, signed and numbered in pencil Edition: 33/40 Image: 24 x...

Tim Southall Deer in Winter Limited Edition Etching Edition of 75 Image Size: H 20cm x W 30cm Sheet Size: H 35cm x W 42cm x D 0.1cm Sold Unframed (Please note that in situ images are...

Chicano artist Viramontes is known for both political subject matter, prints related to family history, and the humor found in this series of dog portraits. In the 1970's, Viramonte...

Les Moutons de Claudine is a black and White etching realized by Jules Herau in the Late 19th Century.  Titled in the lower Image Size: 23x31 Very good impression. Realized by Ca...

L'Inconnu is a black and White etching realized by Bracquemond in the 1860s.  Titled in the lower Image Size: 18x32 Very good impression. Realized by Cadart for the "Société des ...

Guy Allen Equine Gold Etching, Aquatint and Hand Finished Gold Leaf Edition Size: 75 Year Completed: 2019 Image Size: H 60cm x W 60cm Approximate Size When Framed: H80cm xW 80cm Sold...

I Believe it is a Narcotic... Abstract Expression Les Levine, Irish/American (1935) Date: circa 1980 Photo-Etching, signed and numbered in pencil Edition of 100 Image Size: 23 x 15 i...

Artist: Menashe Kadishman, Israeli (1932 - 2015) Title: Sheep Portfolio Year: 1981 Medium: Portfolio of 7 Serigraphs with Etching, each signed in pencil Edition: 65, AP 5 Size of Each: 33.5 x 31 in. (85.09 x 78.74 cm) Printed by Jerusalem Print...

The ladybird, locally known in Norfolk as a bishy barnabee… Guy Allen’s etchings inspired by the fauna of Norfolk have a remarkable level of detail. His...

Artist: Malcolm Morley, British (1931 - 2018) Title: Melba by Malcolm Year: circa 1980 Medium: Etching, signed and numbered in pencil Edition: 100 Image Size: 18 x 24 inches Size: 22...

Tony Fitzpatrick is an American artist born in 1958 and based in Chicago. He graduated from Montini Catholic High School in Lombard, Illinois in 1977. In the early 1980s, Fitzpatric...

Printed on Dark Paper a magnificent piece. this is an etching with embossing on black wove, J Barcham Green paper Publisher Styria Studio, chopmark lower left Adja Yunkers b. 1900, Riga, Russia; d. 1983, New York Adja Yunkers was born Adolf Junkers on July 15, 1900, in Riga, Russia (now Latvia). He studied art in Petrograd (now Saint Petersburg), but from 1917 to 1919 his schooling was interrupted by military service in the Russian army. Yunkers soon left Russia for Europe and traveled extensively for the next two decades, settling for long periods in Cuba, France, and Germany. During much of his early career, Yunkers was active in political as well as artistic movements. At times his political investments even outweighed his commitment to his art, and in 1936 he moved to Spain to fight in its civil war. When the war ended in 1939, he moved to Stockholm and began to focus on art making again. He became associated with the Swedish Surrealists and published three journals devoted to art and politics. These handcrafted publications signaled a strong interest in printmaking, and in the 1940s he made many woodblock prints depicting distorted objects and figural compositions that demonstrate the influence of German Expressionism on his work. In 1947, Yunkers moved to New York and began to teach at the New School for Social Research. After four tumultuous marriages, he married one of his former students from the New School, Dore Ashton, in 1952. Ashton became an art critic for the New York Times in 1955, and through her, Yunkers was introduced to the artists who would become known as the Abstract Expressionists. He began drawing with pastel directly on canvas, resulting in large-scale works that recall Color Field painting in their emphasis on the materiality of color. Expanding on this impulse, Yunkers's later work made extensive use of negative space, collage, and monochrome. The influence of Minimalism in this more reduced aesthetic is clear, and his canvases became more object-like. Both printmaking and bookmaking were central to Yunkers's oeuvre. He founded the Rio Grande Workshop in New Mexico (where he also taught) in 1949, publishing an entirely handmade art magazine called Prints in the Desert. In 1969 he illustrated a limited-edition book by the poet Octavio Paz, a collaboration that sparked both a friendship and a number of additional illustrated books in the years to come. Yunkers also produced two large public works on commission: A Human Condition (1966), a mural for Syracuse University, and a tapestry produced for Stony Brook University (1968), both in New York. Yunkers had his first solo exhibition in 1921 at the Maria Kunde Galerie, Hamburg, Germany. Later that same year, he was part of a group show featuring Eastern European and Russian artists, including Alexander Archipenko, Marc Chagall, and Vasily Kandinsky, held in Hannover, Germany. He was included in an exhibition organized by the Print Council of America entitled American Prints Today. A snapshot of the state of American printmaking at the time of the exhibition. Among the many featured artists were Josef Albers, Leonard Baskin, Ralston Crawford, Adolf Dehn, Fritz Glarner, Grace Hartigan, Jasper Johns, Ynez Johnston, John Paul Jones, Misch Kohn...

Tim Southall A Hole in the Ice Limited Edition Print Size: H 10cm x W 15cm Sold Unframed (Please note that in situ images are purley an indication of how a piece may look). ‘A Hole ...

This piece is an original etching, aquatint and roulette by Henry Moore, created in 1981. It is from Moore's album of 15 original etchings, entitled "Animals in the Zoo". Henry Moore...

Donald Baechler, Starfish, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aqu...

Artist: Anna Maria Bartolini, Italian (1934 - 2013) Title: Nel Mare del Non Dormito Sonno Year: 1986 Medium: Portfolio with 2 Etchings, signed and numbered and Poem by Mario Luzi, si...

Sea Gulls and Soldiers, Dover by Anthony Gross, 1940 Additional information: Medium: etching 29 x 41 cm 11 3/8 x 16 1/8 in signed, titled and dated in pencil English painter and pr...

One of 9 humorous portraits of birds engaged in conversation by Franco-Iranian artist Marjan Seyedin. In her works, birds and animals provide an allegorical representation for mankin...

La Daine is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et particulièr...

La Chevre is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et particuliè...

Animal Anatomy is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et parti...

Animal Anatomy is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et parti...

Animal Anatomy is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et parti...

La Chevrette is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et particu...

Animal Anatomy is an artwork realized by Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et particu...

Animal Anatomy is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoir...

Animal Anatomy is an artwork realized by Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire ...

Animal Anatomy is an artwork realized by Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire ...

Animal Anatomy is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoir...

Animal Anatomy is an artwork realize by Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire n...

Artist: Saint Clair Cemin, Brazilian (1951 - ) Title: The Warrior Year: 1980 Medium: Aquatint Etching, Signed and Dated in Pencil Edition: 75 (TP) Image Size: 9 x 12 inche...

Le Belier is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et particuliè...

La Chevre Dangora is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et pa...

Contemporary figurative etching print by Polish artist Marian Bocianowski. The print depicts a dog laying on the ground with wings. There are flowers on the ground and a button in th...

Tony Fitzpatrick is an American artist born in 1958 and based in Chicago. He graduated from Montini Catholic High School in Lombard, Illinois in 1977. In the early 1980s, Fitzpatr...

Anatomy veterinary is an artwork realized  in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et particulière avec la de...

Anatomy veterinary is an artwork realized  in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et particulière avec la de...

Anatomy of Animals is an etching realized by Antoine Defehrt in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...

Anatomy of Animals is an etching realized by Jacques Baron in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du ...

Anatomy of Animals  is an artwork realized  in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et particulière avec la d...

Anatomy of Animals is an etching realized by Antoine Defehrt in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...

Animal's Anatomy is an etching realized in 1771 by Claude Jardinier. Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière ...

Anatomy of Animals is an etching realized by Antoine Defehrt in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...

Anatomy of Animals is an etching realized by Jean Gullaume Moitte in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabi...

Clark, Roland. EVENING FLIGHT. Derrydale 11. Etching and drypoint, 1929. Edition of 75. Signed in pencil. 12 x 15 inches. In excellent condition.

Deer Horns is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard. ...

Animal Anatomy is an artwork realized by Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard...

Anatomy veterinary is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardbo...

Bat bats  anatomy  is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on car...

Anatomy veterinary is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on car...

Skeleton Quadrupedes is an artwork realized by Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on car...

The Buffalo is an artwork realized by Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard. T...

Rabbit Skeleton is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardbo...

Rabbit Anatomy is an artwork realized  by Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboar...

Deer Skeleton is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboar...

Sheep Skeleton is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboa...

Mouflon Wild Sheep  is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on ca...