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Pablo PicassoPABLO PICASSO 'ARC EN CIEL (COLOMBE VOLANT) - 1952, SIGNED & NUMBERED LITHOGRAPH1952
1952
$17,990
£13,839.11
€16,063.27
CA$25,370.19
A$28,418.89
CHF 14,926.63
MX$345,564.52
NOK 189,019.82
SEK 179,430.64
DKK 119,886.38
About the Item
Pablo Picasso (1881-1973)
"Le colombe volant (à l'Arc-en-ciel), 1952" (Bloch 712; Mourlot 214)
Lithograph in colors on Arches paper, with full margins
sheet 550 x 760mm (29 7/8 x 21 5/8in)
Numbered E.A (Artist Proof) aside from an edition of 200)
Signed and numbered in pencil along lower edge
Published by: Combat Pour La Paix, Paris
Printed by Mourlot
LITERATURE: Bloch, 712; Mourlot, 214; Reuße, 598.
CERTIFICATE OF AUTHENTICITY INCLUDED
ARTWORK IS IN EXCELLENT CONDITION
LITERATURE: Bloch, 712; Mourlot, 214; Reuße, 598.
After shattering representational tradition through cubism, which he developed with Georges Braque, Picasso became the artistic visionary against whom most others measured their creativity throughout the twentieth century.
Born in Malaga in 1881, the son of an artist, Picasso attended art schools in his native Spain and in his late teens aligned his sensibilities with bohemian writers and artists in Barcelona and Madrid who opposed Spain’s stalled social hierarchies and conservative culture.
After early work inspired by international models—the anguished, attenuated figures of El Greco, the dark, moody outlines of symbolism, and the sinuous curvatures of Art nouveau to name a few—Picasso began to find his own vision. The art he made in the decade between 1905 - 1915 unleashed a torrent of originality—Rose and Blue Period pieces that probe the emotional depths of his personal experiences and identity; mask-like portraits and heavily faceted nudes that translate classical and primal aspects of ancient, Iberian, and African cultures, culminating in Les Demoiselles d’Avignon of 1907; and the cubist and collage works which, in their fragmentation of illusionism, delivered Picasso’s breakthrough.
Over a long lifetime Picasso was famously productive. In the decades following 1915, he incorporated decorativeness into cubism and explored wide-ranging concepts—especially the erotic abandon espoused by the surrealists—in an astounding array of mediums: costume and theatre design, sculpture, ceramics, prints, watercolors, paintings, and public commissions. In his works on paper Picasso created a trove of prints and drawings in which mythology and the sexy beast Minotaur (his alter ego) figure prominently. He also worked on suites of images exploring the elements of creative practice: the artist’s studio and the relationship of artist and model.
In his last decades Picasso took on the great masters—pitting his print, watercolor, and painted works against signature images by Poussin, Le Nain, Velázquez, Rembrandt, Manet, and others—just as artists who followed Picasso would test themselves against his example. Pablo Ruiz Picasso died in 1972 at age ninety-one.
- Creator:Pablo Picasso (1881-1973, Spanish)
- Creation Year:1952
- Dimensions:Height: 22 in (55.88 cm)Width: 30 in (76.2 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Pembroke Pines, FL
- Reference Number:1stDibs: LU2382216180452
Pablo Picasso
One of the most prolific and revolutionary artists the world has ever seen, Pablo Picasso had a tremendous impact on the development of 20th-century modern art. Although he is best known for his association with the Cubist movement, which he founded with Georges Braque, Picasso’s influence extends to Surrealism, neoclassicism and Expressionism.
“Every act of creation is, first of all, an act of destruction,” the Spanish artist proclaimed. In Picasso's Cubist paintings, he emphasizes the two-dimensionality of the canvas, breaking with conventions regarding perspective, foreshortening and proportion. Picasso was inspired by Iberian and African tribal art. One of his most famous pre-Cubist works is Les Demoiselles d’Avignon (1907), a painting considered immoral and shocking at the time for its depiction of nude women whose faces resemble Iberian tribal masks.
Picasso made many portraits in this style, most often of the women in his life, their expressively colored faces composed of geometric shards of surface planes. In Woman in a Hat (Olga), 1935, he painted his first wife as an assemblage of abstract forms, leaving the viewer to decipher the subject through the contrasting colors and shapes. Picasso was a tireless artist, creating more than 20,000 paintings, drawings, prints, ceramics and sculptures. Tracing his life’s work reveals the progression of modern art, on which he had an unparalleled influence.
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