15th Century and Earlier Animal Prints
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Period: 15th Century and Earlier
Faile Couture Signed and Numbered Print
By Faile
Located in Draper, UT
'Couture' by Faile, 2022
24 x 26 Inches
Archival pigment print on 280gsm Entrada Cotton Rag fine art paper.
Limited Edition of 300
Hand-signed by the artist duo bottom right.
Artist...
Category
Street Art 15th Century and Earlier Animal Prints
Materials
Lithograph, Screen
"Egrets in the Snow" by Sesshu Toyo
Located in Clinton Township, MI
Lithograph measures 38 x 26 inches.
Good/Fair, slight creasing at bottom of lithograph.
Category
15th Century and Earlier Animal Prints
Materials
Lithograph
FAILE DOG 2018 Red And Gold Edition Gold Metallic Inks Pop Art Street Art Urban
By Faile
Located in Draper, UT
Manufacturer:
Faile
Edition Details
Year: 2018
Class: Art Print
Status: Official
Released: 11/29/18
Technique: Offset Lithograph / Screen Print
Size: 22 X 28
Markings: Signed
Category
Street Art 15th Century and Earlier Animal Prints
Materials
Lithograph, Screen
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Bob (Robert) Stanley (1932-1997) was a painter, photographer and printmaker whose early work was figurative painting about contemporary American life. In the 1960s and early 1970s, he based his paintings on photographs, which he manipulated from black and white or silkscreen colored shapes. In the early 1960's, he began to base his paintings on images clipped from newspapers and magazines, following the example of Pop artists like Andy Warhol and Roy Lichtenstein, who would become his brother-in-law. Enlarged and often simplified to two vibrant saturated colors Stanley's images could be reduced to the abstract or be powerfully explicit. His preferred subjects, including rock stars, athletes and pornography, always seemed to grate against the pretenses of high art. Similar in bold use of color to Malcolm Morley. In the late 1960's Mr. Stanley started using his own photographs, basing paintings on images of tree branches or the ground, and also using pictures of life-drawing models at the School of Visual Arts.
EDUCATION
The Brooklyn Museum of Art School, Brooklyn, NY
Columbia University, New York, NY
The High Museum Art School, Atlanta, GA
Columbia University, New York, NY
Oglethorpe University, Atlanta, GA B.A. 1953
Max Beckmann Scholarship Award for Painting and Sculpture,
The Brooklyn Museum of Art School, Brooklyn, NY
TEACHING
School of Visual Arts, New York, NY, Instructor: Painting and Drawing
The New Arts Program, Kutztown, PA, Visiting Artist
Princeton University, Princeton, NJ, Visiting Artist
School of Visual Arts, New York, NY, Instructor: Painting and Drawing
SELECT INDIVIDUAL EXHIBITIONS
Figureworks, Brooklyn, NY, Celebrating the Erotic Work of Pop-Artist Bob Stanley
The Mayor Gallery, London, England, “Bob Stanley – Works from the Sixties”
Beatrice Conde Gallery, New York, NY, Late Paintings
Mitchell Algus Gallery, New York, NY, Paintings: 1963-1967
Gallerie Georges Lavrov, (Paris), Die International Kunstmesse, Art Basel, Switzerland
Galerie Georges Lavrov, Paris, France, Catalog text by Richard Artschwager
The Paul Bianchini Gallery, New York, NY
Galerie Ricke, Kassel, Germany
Bianchini-Birillo Gallery, New York, NY
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Mitchell Algus Gallery, New York, NY, Exquisite Corpe – Cadavre Exquis
Karolyn Sherwood Gallery, “Up Close and Personal: A Collection of Minimalist and Figurative Drawings”
Steven Vail Gallery, “Paintings and Drawings” 2 person exhibition with Jan Frank
Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, SI, NY, “The Figure: Another Side of Modernism”
Contemporary Arts Center, Cincinnati, OH, travels to 10 other institutions; “It’s Only Rock
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Beatrice Conde Gallery, New York, NY, “Paintings, Drawings, Photographs”
The Painted Bride Art Center, Philadelphia, PA, 2 person exhibition with Patricia McCabe
Centro Cultural La General, Granada, Spain, “Honenaje a Federico García Lorca
White Columns, New York, NY, “Overtalk: Bob Stanley, Öyvind Fahlström, Peter Nagy
Lyman Allyn Museum, New London, CT, “The Pop Decade: The Bianchini Gallery
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Rough-legged Buzzard: 19th C. Hand-colored Lithograph by J. Gould & Edward Lear
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This beautiful framed Gould hand-colored lithograph is presented in a gold-colored wood frame and cream-colored French mat, embellished by a gold-colored fillet. The frame measures 33" high, 25.5" wide and 1.25" thick. It is in excellent condition
There are several other unframed Gould bird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio in the 1stdibs or InCollect search field to be taken to our storefront.
John Gould (1804-1881]) was an English ornithologist and artist. He, like his American contemporary John James Audubon, published a number of books on birds in the mid 19th century, illustrated by hand-colored lithographs. His wife and fellow artist, Elizabeth Gould, and several other artists including Edward Lear and Henry Constantine Richter produced lithographs for his various publications. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. Charles Darwin referenced Gould’s work in his book, "On the Origin of Species" and Gould named a bird after Darwin; "Darwin's finches".
Gould began his career in London as a taxidermist, but in 1827 became the first curator and conservator at the museum of the Zoological Society of London. In this position naturalists brought him collections of birds from all over the world. He began creating drawings and eventually hand-colored lithographs with his wife and Edward Lear, which were the basis for his first publications. Darwin brought him specimens from the Galapagos Islands, including 12 species of finches which had never been described. In 1838, Gould and his wife travelled to Australia and their work led to the seven volume publication of “The Birds of Australia”. Gould had a fascination for hummingbirds and collected specimens of 320 varieties before ever seeing a live hummingbird on a trip to the United States in 1857. He eventually published “A Monograph of the Trochilidae, or Family of Humming-birds". Other large publications include: "The Birds of Europe"," A Monograph of the Ramphastidae, or Family of Toucans”, “A Synopsis of the Birds of Australia, and the Adjacent Islands”, “A Monograph of the Odontophorinae, or Partridges of America”, “The Birds of Asia”, “The Birds of Great Britain” and "The Birds of New Guinea and the Adjacent Papuan Islands, including many new species recently discovered in Australia".
John Gould (1804-1881) was a British ornithologist and illustrator who is best known for his monumental work, "The Birds of Europe," published between 1832 and 1837. Gould was born in Lyme Regis, Dorset, England, and began working as a taxidermist and natural history dealer in London in the 1820s. In 1827, Gould was appointed the first curator and preserver of birds at the Zoological Society of London, where he began to build his collection of specimens and began to study the birds of the world. He published his first monograph, "A Century of Birds from the Himalaya Mountains," in 1831, which included 80 plates of Himalayan birds. Gould continued to publish numerous volumes on the birds of the world throughout his life, including "The Birds of Australia" (1840-1848) and "The Birds of Great Britain" (1862-1873). His works were highly regarded for their accuracy and detail, and he was one of the most prominent ornithologists of his time.
In addition to his work as an ornithologist, Gould was also a successful businessman, and he used his profits to fund expeditions and to support the scientific community. He was elected a Fellow of the Royal Society in 1843, and he was awarded the Royal Medal...
Category
Naturalistic 15th Century and Earlier Animal Prints
Materials
Lithograph
H 33 in W 25.5 in D 1.25 in