Modern Animal Prints
MODERN STYLE
The first decades of the 20th century were a period of artistic upheaval, with modern art movements including Cubism, Surrealism, Futurism and Dadaism questioning centuries of traditional views of what art should be. Using abstraction, experimental forms and interdisciplinary techniques, painters, sculptors, photographers, printmakers and performance artists all pushed the boundaries of creative expression.
Major exhibitions, like the 1913 Armory Show in New York City — also known as the “International Exhibition of Modern Art,” in which works like the radically angular Nude Descending a Staircase by Marcel Duchamp caused a sensation — challenged the perspective of viewers and critics and heralded the arrival of modern art in the United States. But the movement’s revolutionary spirit took shape in the 19th century.
The Industrial Revolution, which ushered in new technology and cultural conditions across the world, transformed art from something mostly commissioned by the wealthy or the church to work that responded to personal experiences. The Impressionist style emerged in 1860s France with artists like Claude Monet, Paul Cézanne and Edgar Degas quickly painting works that captured moments of light and urban life. Around the same time in England, the Pre-Raphaelites, like Edward Burne-Jones and Dante Gabriel Rossetti, borrowed from late medieval and early Renaissance art to imbue their art with symbolism and modern ideas of beauty.
Emerging from this disruption of the artistic status quo, modern art went further in rejecting conventions and embracing innovation. The bold legacy of leading modern artists Georges Braque, Pablo Picasso, Frida Kahlo, Salvador Dalí, Henri Matisse, Joan Miró, Marc Chagall, Piet Mondrian and many others continues to inform visual culture today.
Find a collection of modern paintings, sculptures, prints and other fine art on 1stDibs.
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Style: Modern
Le Chat d'Espagne - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Chat Domestique is an etching realized by Jean Charles Baquoy in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabin...
Category
1770s Modern Animal Prints
Materials
Etching
Ouanderou - Etching by A-J De Fehrt - 1771
Located in Roma, IT
Ouanderou is an etching realized in 1771 by A-J De Fehrt.
Signed in plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Ca...
Category
1770s Modern Animal Prints
Materials
Etching
Composition with Angels - Etching by Louis Legrand - 1771
Located in Roma, IT
Composition with Angels is an etching realized in 1771 by Louis Legrand (1723-1807).
The Artwork is depicted through confident strokes in aa well balanced composition.
Good conditi...
Category
1770s Modern Animal Prints
Materials
Etching
Le Tapir - Etching by Juste Chevillet - 1771
Located in Roma, IT
Le Tapir is an etching realized by Juste Chevillet in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Pa...
Category
1770s Modern Animal Prints
Materials
Etching
Anatomy of Animals - Etching by Juste Chevillet - 1771
Located in Roma, IT
Anatomy of Animals is an etching realized by Juste Chevillet in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet d...
Category
1770s Modern Animal Prints
Materials
Etching
Le Chevreuil - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Chevreuil is an etching realized by Jean Charles Baquoy in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du ...
Category
1770s Modern Animal Prints
Materials
Etching
The Horns - Etching by Juste Chevillet - 1771
Located in Roma, IT
The Horns is an etching realized by Juste Chevillet in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
The Artist's signature is engraved lower right.
Good conditions.
Category
1770s Modern Animal Prints
Materials
Etching
Au Repos
Located in San Francisco, CA
This artwork titled "Au Repos (At Rest)" 1983 is an original color lithograph on paper by noted Bolivian artist Graciela Rodo Boulanger, b.1935. It is hand signed and numbered 157/20...
Category
Late 20th Century Modern Animal Prints
Materials
Lithograph
Astrological Sign of Leo - Screenprint by Sergio Barletta - 1980
Located in Roma, IT
Astrological sign of leo is a screen print on grey paper realized by Sergio Barletta, in 1980s.
Signed on the lower left margin.
68 x 49 cm.
In good conditions except for fairl...
Category
1980s Modern Animal Prints
Materials
Screen
Zebra - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Zebra is an etching realized by Jean Charles Baquoy in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
The Artist's signature is en...
Category
1770s Modern Animal Prints
Materials
Etching
Composition with Angels - Etching by Louis Legrand - 1771
Located in Roma, IT
Composition with Angels is an etching realized in 1771 by Louis Legrand (1723-1807).
The Artwork is depicted through confident strokes in aa well balanced composition.
Good conditi...
Category
1770s Modern Animal Prints
Materials
Etching
The Finger of Creation - Etching by Jakob Van Scley - 1771
Located in Roma, IT
The Finger of Creation is an etching realized by Jakob Van Scley.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Ro...
Category
1770s Modern Animal Prints
Materials
Etching
Modernist Daniel in Lions Den Biblical Judaica Etching Israeli Artist
Located in Surfside, FL
Daniel In Lions Den. Artist proof etching. it depicts a rabbi wrapped in a tallit surrounded by lions. A very well executed work of a famous miracl...
Category
20th Century Modern Animal Prints
Materials
Etching
Le Pigeon - Gravate - Etching by Jacques De sève - 1771
Located in Roma, IT
Le Pigeon - Gravate is an etching realized in 1771 by Jacques De Sève. Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière ...
Category
1770s Modern Animal Prints
Materials
Etching
Andy from the Bronx Zoo
Located in Bayonne, NJ
This is a highly collectible woodcut print by Jacques Hnizdovsky. Plate number 64, as per book by Abe M. Tahir, Jr.
It is in very good condition. Edition of 100 and individual numbe...
Category
Mid-20th Century Modern Animal Prints
Materials
Woodcut
Corralled Horse (Artists Proof), 1940s Framed American Modernist Horse Etching
Located in Denver, CO
"Corralled Horse", is an etching on paper by western artist Ethel Magafan (1916-1993) of a single dark horse standing outside in a wooden fenced corral. Presented in a custom frame, outer dimensions measure 19 x 23 inches. Image size is 10 x 14 inches. This is marked as an Artist Proof
Piece is in very good condition - please contact us for a detailed condition report.
Provenance: Estate of Artist, Ethel Magafan
Expedited and international shipping is available - please contact us for a quote.
About the Artist:
Ethel Magafan
Born 1916
Died 1993
The daughter of a Greek immigrant father and a Polish immigrant mother who met and married in Chicago, Ethel Magafan, her identical twin sister Jenne and their elder sister Sophie grew up in Colorado to which their father relocated the family in 1919. They initially lived in Colorado Springs where he worked as a waiter at the Antlers Hotel before moving to Denver in 1930 to be head waiter at the Albany Hotel. Two years later during the Great Depression Ethel and Jenne experienced at sixteen the tragic loss of their father who had encouraged their artistic aspirations.
He was proud when Ethel, a student at Morey Junior High School, won top prizes in student poster contests sponsored by the Denver Chamber of Commerce and the Denver Post. At East High School in Denver she and Jenne contributed their art talents to the school’s and by their senior year were co-art editors of the Angelus, the 1933 yearbook. At East they studied art with Helen Perry, herself a student of André Lhote in Paris and the Art Institute of Chicago. Her decision to abandon an arts career to teach high school students served as an important example to Ethel and Jenne, who early on had decided to become artists. In a city-wide Denver competition for high school art students Ethel won an eighteenweek art course in 1932-33 to study at the Kirkland School of Art which artist Vance Kirkland had recently established in the Mile High City.
Perry encouraged the Magafan twins’ talent, exposing them to the work of Matisse, Picasso and Cézanne and introducing them to local artists and architects like Frank Mechau and Jacques Benedict whom she invited to speak in her high school art classes. She paid the modest tuition for Ethel and Jenne to study composition, color, mural designing and painting at Mechau’s School of Art in downtown Denver in 1933-34. In the summer of 1934 and for a time in 1936 they apprenticed with him at his studio in Redstone, Colorado.
When they returned to Denver in 1934 with no family breadwinner to support them, their mother insisted that they have real jobs so they worked as fashion artists in a Denver department store. When Jenne won the Carter Memorial Art Scholarship ($90.00) two years later, she shared it with Ethel so that both of them could enroll in the Broadmoor Art Academy (now the Colorado Springs Fine Arts Center) where they studied with Mechau. When the scholarship money ran out after two months, he hired them as his assistants. Along with Edward (Eduardo) Chavez and Polly Duncan, they helped him with his federal government mural commissions. At the Fine Arts Center Ethel also studied with Boardman Robinson and Peppino Mangravite, who hired her and Jenne in 1939 to assist him in his New York studio with two murals commissioned for the post office in Atlantic City, New Jersey. Like their Denver high school art teacher, Robinson also stressed the need to draw from nature in order to "feel" the mountains, which later become the dominant subject matter of Ethel’s mature work after World War II.
Mechau trained her and her sister in the complex process of mural painting while they studied at the Colorado Springs Fine Arts Center, teaching them the compositional techniques of the European Renaissance masters. This also involved library research for historical accuracy, small scale drawing, and Page 2 of 4 the hand-making of paints and other supplies. Ethel recalled that their teacher "was a lovely man but he was a hard worker. He drove us. There was no fooling around."
Her apprenticeship with Mechau prepared her to win four national government competitions, beginning at age twenty-two, for large murals in U.S. post offices: Threshing – Auburn, Nebraska (1938), Cotton Pickers – Wynne, Arkansas (1940), Prairie Fire – Madill, Oklahoma (1940), and The Horse Corral – South Denver, Colorado (1942). In preparation for their commissions Ethel and her sister made trips around the country to pending mural locations, driving their beat-up station wagon, dressed in jeans and cowboy boots with art supplies and dogs in tow. She and Jenne combined their talents in the mural, Mountains in Snow, for the Department of Health and Human Services Building in Washington, DC (1942). A year later Ethel executed her own mural, Andrew Jackson at the Battle of New Orleans, January 8, 1814, for the Recorder of Deeds Building, also in Washington, DC. Her first mural commission, Indian Dance, done in 1937 under the Treasury Department Art Project for the Senate Chamber in the United States Capitol, has since disappeared.
Ethel and her sister lived and worked in Colorado Springs until 1941 when their residence became determined by the wartime military postings of Jenne’s husband, Edward Chavez. They moved briefly to Los Angeles (1941-42) and then to Cheyenne, Wyoming, while he was stationed at Fort Warren, and then back to Los Angeles for two years in 1943. While in California, Ethel and Jenne executed a floral mural for the Sun Room of the Beverly Hills Hotel and also painted scenes of the ocean which they exhibited at the Raymond and Raymond Galleries in Beverly Hills. While in Los Angeles they met novelist Irving Stone, author of Lust for Life, who told them about Woodstock, as did artists Arnold Blanch and Doris Lee (both of whom previously taught at the Colorado Springs Fine Arts Center school. In summer of 1945 Ethel, her sister and brother-in-law drove their station wagon across the country to Woodstock which became their permanent home.
A year later Ethel married artist and musician, Bruce Currie, whom she met in Woodstock. In 1948 with the help of the GI Bill they purchased an old barn there that also housed their individual studios located at opposite ends of the house. The spatial arrangement mirrors the advice she gave her daughter, Jenne, also an artist: "Make sure you end up with a man who respects your work…The worst thing for an artist is to be in competition with her husband."
In 1951 Ethel won a Fulbright Scholarship to Greece where she and her husband spent 1951-52. In addition to extensively traveling, sketching and painting the local landscape, she reconnected with her late father’s family in the area of Messinia on the Peloponnese peninsula in southern Greece. At the same time, her sister Jenne accompanied Chavez on his Fulbright Scholarship to Italy where they spent a productive year painting and visiting museums. Shortly after returning home, Jenne’s career was cut tragically short when she died of a cerebral hemorrhage at age thirty-six. It deeply affected Ethel whose own work took on a somber quality for several years conveyed by a darkish palette, as seen in her tempera painting, Aftermath (circa 1952).
In the 1940s Ethel and her sister successfully made the important transition from government patronage to careers as independent artists. Ethel became distinguished for her modernist landscapes. Even though Ethel became a permanent Woodstock resident after World War II, from her childhood in Colorado she retained her love of the Rocky Mountains, her "earliest source of my lifelong passion for mountain landscape." She and her husband began returning to Colorado for annual summer camping trips on which they later were joined by their daughter, Jenne.
Ethel did many sketches and drawings of places she found which had special meaning for her. They enabled her to recall their vital qualities which she later painted in her Woodstock studio, conveying her feeling about places remembered. She also produced a number of watercolors and prints of the Colorado landscape that constituted a departure from the American Scene style of her earlier paintings. Her postwar creative output collectively belongs to the category of landscape abstractionists as described by author Sheldon Cheney, although to a greater or lesser degree her work references Colorado’s mountainous terrain. She introduced a palette of stronger pastels in her paintings such as two temperas, Evening Mountains from the 1950s and Springtime in the Mountains from the early 1960s.
In 1968 she was elected an Academician by the National Academy of Design in New York. Two years later, based on results of her many summer trips to Colorado, the U.S. Department of the Interior invited her to make on-the-spot sketches of the western United States, helping to document the water resources development and conservation efforts by the Department of the Interior. Her sketches were exhibited at the National Gallery in Washington, DC, and then sent on a national tour by the Smithsonian Institution. Similarly, her previous work as a muralist earned her a final commission at age sixty-three for a 12 by 20 foot Civil War image, Grant in the Wilderness, installed in 1979 in the Chancellorsville Visitors Center at the Fredericksburg National Military Park in Virginia. In the 1970s, too, she taught as Artist-in-Residence at Syracuse University and at the University of Georgia in Athens.
Her many awards include, among others, the Stacey Scholarship (1947); Tiffany Fellowship (1949); Fulbright Grant (1951-52, in Greece with her husband); Tiffany Fellowship (1949); Benjamin Altman Landscape Prize, National Academy of Design (1955); Medal of Honor, Audubon, Artists (1962); Henry Ward Granger Fund Purchase Award, National Academy of Design (1964); Childe Hassam Fund Purchase Award, American Academy of Arts and Letters (1970); Silver Medal, Audubon Artists (1983); Champion International Corporation Award, Silvermine Guild, New Canaan, Connecticut (1984); John Taylor Award, Woodstock Artists Association, Woodstock, New York (1985); Harrison Cady...
Category
1940s Modern Animal Prints
Materials
Etching, Paper
Mangabey - Etching by Claude Jardinier - 1771
Located in Roma, IT
Mangabey is an etching realized by Claude Jardinier in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". P...
Category
1770s Modern Animal Prints
Materials
Etching
Animal's Anatomy - Etching by Claude Jardinier - 1771
Located in Roma, IT
Animal's Anatomy is an etching realized by Claude Jardinier in 1771.
Titled and Signed on the plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière...
Category
1770s Modern Animal Prints
Materials
Etching
Porcupine - Etching by Jacques Baron - 1771
Located in Roma, IT
Porcupine is an etching realized by Jacques Baron in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
The Artist's signature is engraved lower right.
Good conditions
Category
1770s Modern Animal Prints
Materials
Etching
Le Pigeon- Paon - Etching by Jacques Menil - 1771
Located in Roma, IT
Le Pigeon- Paon is an etching realized by Jacques Menil in 1771.Signed in plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description d...
Category
1770s Modern Animal Prints
Materials
Etching
L'Axis Femelle - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
L'Axis Femelle is an etching realized by Jean Charles Baquoy in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet d...
Category
1770s Modern Animal Prints
Materials
Etching
Skeleton - Etching by Jean Moitte - 1771
Located in Roma, IT
Skeleton is an etching realized by Jean Gullaume Moitte in 1771.
It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi".
Artis...
Category
1770s Modern Animal Prints
Materials
Etching
La Pie-Grieche Grise - Etching by Jacques Baron - 1771
Located in Roma, IT
La Pie-Grieche Grise is an etching realized by Jaqcuse Baron in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du...
Category
1770s Modern Animal Prints
Materials
Etching
Animal's Anatomy - Etching by Juste Chevillet - 1771
Located in Roma, IT
Animal's Anatomy is an etching realized by Juste Chevillet in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du...
Category
1770s Modern Animal Prints
Materials
Etching
Anatomy - Etching by Ferdinand Gaillard - 1771
Located in Roma, IT
Anatomy is an etching realized by Gaillard in 1771.
Category
1770s Modern Animal Prints
Materials
Etching
Le Mangabey - Etching by Claude Jardinier - 1771
Located in Roma, IT
Le Mangabey is an etching realized by Claude Jardinier in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi"...
Category
1770s Modern Animal Prints
Materials
Etching
La Cresserelle - Etching by Juste Madeline Rousselet - 1771
Located in Roma, IT
La Cresserelle is an etching realized by Juste Madeline Rousselet in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabi...
Category
1770s Modern Animal Prints
Materials
Etching
Anatomy of Animals - Etching by Juste Chevillet - 1771
Located in Roma, IT
Anatomy of Animals is an etching realized by Juste Chevillet in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet d...
Category
1770s Modern Animal Prints
Materials
Etching
Le Hibou ou Moyen Duc - Etching by F. Hubert - 1771
Located in Roma, IT
Le Hibou ou Moyen Duc is an etching realized by F. Hubert in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du R...
Category
1770s Modern Animal Prints
Materials
Etching
"Lion Tamer" framed signed lithograph by Alexander Calder. Edition EA of 100.
Located in Boca Raton, FL
"Lion Tamer" lithograph by Alexander Calder. Hand-lettered EA in lower left front corner. Hand-signed Calder in lower right front corner. From an ed...
Category
1970s Modern Animal Prints
Materials
Lithograph
Original "Fly to South America" Pan American - Panagra vintage travel poster
By Jean Carlu
Located in Spokane, WA
Original Fly to South America Pan American – Panagra vintage travel poster. Linen backed in excellent condition. Artists were both Jean Carlu and Fred Dubois. 1952 full lithogr...
Category
1950s Modern Animal Prints
Materials
Lithograph
Jean Cocteau - The Elegant Toreador - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean Cocteau
Title: The Elegant Toreador
1961
Dimensions: 28 x 38 cm
Lithograph made for the portfolio "Gitans et Corridas" published by Société de D...
Category
1960s Modern Animal Prints
Materials
Lithograph
Le Sanglier - Etching by Pierre Francois Tardieu - 1771
Located in Roma, IT
Le Sanglier is an etching realized by P.F. Tardieu in 1771.
It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi".
Artist's s...
Category
1770s Modern Animal Prints
Materials
Etching
Le Chat Sauvage - Etching by Louis Legrand - 1771
Located in Roma, IT
Le Chat Sauvage is an etching realized in 1771 by Louis Legrand (1723-1807).
The Artwork is depicted through confident strokes in aa well balanced composition.
Good conditions.
Category
1770s Modern Animal Prints
Materials
Etching
Horns - Etching by Jacques De Sève - 1771
Located in Roma, IT
Horns is an etching realized in 1771 by de Sève.
Titled and Signed on the plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description ...
Category
1770s Modern Animal Prints
Materials
Etching
Le Cerf - Etching by Claude Jardinier - 1771
Located in Roma, IT
Le Cerf is an etching realized in 1771 by Claude Jardinier.
Titled and Signed on the plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la d...
Category
1770s Modern Animal Prints
Materials
Etching
Le Chat d'Angora - Etching by Louis Legrand - 1771
Located in Roma, IT
Le Chat d'Angora is an etching realized in 1771 by ` (1723-1807).
It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi".
Arti...
Category
1770s Modern Animal Prints
Materials
Etching
'Leaving the Nest', Japanese, United Nations, Unesco, Tree of Peace
By Keiko Minami
Located in Santa Cruz, CA
Signed lower right, 'Keiko Minami' (Japanese, 1911-2004) and inscribed, lower left, with number and limitation, '26/50'.
Japanese painter and printmaker, Keiko Minami became well kn...
Category
1950s Modern Animal Prints
Materials
Paper, Woodcut
The Skeleton - Etching by Pierre Francois Tardieu - 1771
Located in Roma, IT
The Skeleton is an etching realized by P.F. Tardieu in 1771.
It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi".
Artist's ...
Category
1770s Modern Animal Prints
Materials
Etching
Le Chat d'Espagne - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Chat d'Espagne is an etching realized by Jean Charles Baquoy in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabine...
Category
1770s Modern Animal Prints
Materials
Etching
Le Leopard - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Leopard is an etching realized by Jean Charles Baquoy in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Ro...
Category
1770s Modern Animal Prints
Materials
Etching
Le Porc - Etching by Jacques Baron - 1771
Located in Roma, IT
Le Porc is an etching realized by Jacques Baron in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
The Artist's signature is engraved lower right.
Good conditions wi...
Category
1770s Modern Animal Prints
Materials
Etching
Le Hocco - Etching by Jacques Baron - 1771
Located in Roma, IT
Le Hocco is an etching realized by Jacques Baron in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
The Artist's signature is engraved lower right.
Good conditions w...
Category
1770s Modern Animal Prints
Materials
Etching
L'Axis Male - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
L'Axis Male is an etching realized by Jean Charles Baquoy in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du R...
Category
1770s Modern Animal Prints
Materials
Etching
Le Chats Des Chartreux - Etching by Louis-Simon Lempereur - 1771
Located in Roma, IT
Le Chats Des Chartreux is an etching realized by Louis-Simon Lempereur in 1771.
It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet ...
Category
1770s Modern Animal Prints
Materials
Etching
Composition with Angels - Etching by Louis Legrand - 1771
Located in Roma, IT
Composition with Animals is an etching realized in 1771 by Louis Legrand (1723-1807).
The Artwork is depicted through confident strokes in aa well balanced composition.
Good condit...
Category
1770s Modern Animal Prints
Materials
Etching
Anatomy of Animals - Etching by René Gaillard - 1771
Located in Roma, IT
Anatomy of Animals is an etching realized in 1771 by René Gaillard.
It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi".
Ar...
Category
1770s Modern Animal Prints
Materials
Etching
Anatomy of Animals - Etching by François Basan - 1771
Located in Roma, IT
Anatomy of Animals is an etching realized in 1771 by François Basan.
It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi".
...
Category
1770s Modern Animal Prints
Materials
Etching
Papion - Etching by Louis Legrand - 1771
Located in Roma, IT
Papion is an etching realized in 1771 by Louis Legrand (1723-1807).
Titled and Signed on the plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière a...
Category
1770s Modern Animal Prints
Materials
Etching
Le Dindon - Etching by Carl Guttenberg - 1771
Located in Roma, IT
Le Dindon is an etching realized by Carl Guttenberg in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". P...
Category
1770s Modern Animal Prints
Materials
Etching
Animal's Anatomy - Etching by Juste Chevillet - 1771
Located in Roma, IT
Animal's Anatomy is an etching realized by Juste Chevillet in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du...
Category
1770s Modern Animal Prints
Materials
Etching
Anatomy of Animals - Etching by René Gaillard - 1771
Located in Roma, IT
Anatomy of Animals is an etching realized in 1771 by René Gaillard.
It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi".
Ar...
Category
1770s Modern Animal Prints
Materials
Etching
Skeleton - Etching by Jean Moitte - 1771
Located in Roma, IT
Skeleton is an etching realized by Jean Gullaume Moitte in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi...
Category
1770s Modern Animal Prints
Materials
Etching
Spanish Modernist 'Paloma' Colorful Lithograph of a Bird
Located in Surfside, FL
Juan García Ripollés (Castellon) was born in Alzira (Valencia, Spain) in 1932. His mother died during childbirth and not long after, he moved to Castellon, known as Castellon La Plan...
Category
1960s Modern Animal Prints
Materials
Lithograph
Composition with Angels - Etching by Louis Legrand - 1771
Located in Roma, IT
Composition with Angels is an etching realized in 1771 by Louis Legrand (1723-1807).
The Artwork is depicted through confident strokes in aa well balanced composition.
Good conditi...
Category
1770s Modern Animal Prints
Materials
Etching
Anatomy of Animals - Etching by François Basan - 1771
Located in Roma, IT
Anatomy of Animals is an etching realized in 1771 by François Basan.
It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi".
A...
Category
1770s Modern Animal Prints
Materials
Etching
Animal's Anatomy - Etching by Claude Jardinier - 1771
Located in Roma, IT
Animal's Anatomy is an etching realized in 1771 by Claude Jardinier.
Titled and Signed on the plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière ...
Category
1770s Modern Animal Prints
Materials
Etching
Anatomy of Animals - Etching by Antoine Defehrt - 1771
Located in Roma, IT
Anatomy of Animals is an etching realized by Antoine Defehrt in 1771.
It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi".
...
Category
1770s Modern Animal Prints
Materials
Etching
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