Modern Animal Prints

This is a single color lithograph created by Matthew Roath as part of Tamarind Institute PTP. The Collaborating printer isAndreea Cristina Mateescu....

Georges Braque, French (1882 - 1963) - San Lazarro et Ses Amis, Year: 1975, Medium: Lithograph, Edition: 575, Size: 14 in. x 10 in. (35.56 cm x 25.4 cm), Frame Size: 20 x 17 inc...

Etching with aquatint on white wove paper with a deckle edge, 23 1/2 x 17 1/2 inches (598 x 317 mm); sheet 30 x 22 1/2 inches (762 x 571 mm), full margins. Signed and numbered 23/50 ...

Etching with aquatint in colors on white wove paper with a deckle edge, 18 x 15 inches (457 x 381 mm); sheet 30 x 22 1/2 inches (762 x 571 mm), full margins. Signed and numbered 123/...

Etching with aquatint on white wove paper with a deckle edge, 23 1/2 x 17 1/2 inches (598 x 317 mm); sheet 30 x 22 1/2 inches (762 x 571 mm), full margins. Signed and numbered 38/50 ...

Includes a Certificate of Authenticity

Etching realized in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.

This exquisite lithograph by Constantin Terechkovitch (1902–1978), titled Cavalier tunisien (Tunisian Horseman), originates from the 1972 edition published by Editions A. C. Mazo et ...

Wifredo Lam Bird and Spirit Figure, 1967 Original lithograph Hand signed in pencil Numbered / 300 On Arches vellum 50 x 65 cm (c. 20 x 26 in) REFERENCE : Catalog raisonne Tonneau...

Birds in a Nest - Woodblock Print on Paper #3/6 Black and white woodblock by Janet Wheeler (American, 1922-2001). Four birds are shown in a nest, along with a cracked eggshell. The birds and the nest are depicted in a bold, stylized manner, with clever use of negative space. Numbered "3/6" at bottom center. Signed "Janet P Wheeler...

Pablo PICASSO Carmen, The Bull's Horns, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog...

This exquisite lithograph by Charles Lapicque (1898–1988), titled Le chant des oiseaux (The Song of the Birds), originates from the 1972 edition published by Editions A. C. Mazo et C...

Max Ernst (German, 1891 – 1976) L’Oiseau Mere (The Mother Bird) An etching and aquatint on Japan paper Numbered and signed ‘4/60 Max Ernst’ (under the plate) The plate measurements: ...

Etching on laid paper Signed in plate lower left: Jean François Raffaëlli. Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aqua...

Max Papart, French (1911 - 1994) - Enchanted Dream, Year: 1984, Medium: Etching with Carborundum, Aquatint, and Collage, signed and numbered in pencil, Edition: XIV/XXV, Size: 22...

MILLARD SHEETS (1987 – 1989) HORSE FRIGHTENED BY LIGHTNING, 1939 Lithograph signed in pencil, annotated “TRIAL PROOF”. The published edition is 75. Image, 17 x 22”. Sheet 19 ½” x 2...

Lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published in 1854. Good condition...

Vincent HADDELSEY (1934-2010) Horse : Canadian Rodeo, 1974 Original Lithograph Handsigned in pencil Numbered / 50 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published in 1854. Good condition...

The original Stone Garden vintage psychedelic 1960s poster is in excellent condition. The artist is Wilfred Satty (1939 – 1982). German-born collage artist and graphic designer ...

Vincent HADDELSEY (1934-2010) Horse : Mexican Riders, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in t...

Original 1974 Blazing Saddles Linen-Backed Movie Poster — Mel Brooks. Archival linen backed in Grade A- condition. (Original theater-issued fold marks restored.) BLAZING SADDLES ...

Lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published in 1854. Good condition...

Artist: Marc Chagall (Russian, 1887-1985) Title: The Two Bulls And The Frog Year: 1927 Medium: Original etching Edition: fom the unumbered edition of 200 Pa...

Lithograph on English cartridge paper. Inscription: Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: Published by School Prints Ltd., London; Printe...

This artwork titled "Jaguar Family" 1980 is an original color serigraph on paper by noted American artist Leroy Neiman, 1921-2012. It is hand signed and numbered 157/300 in pencil by...

Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.

Vincent HADDELSEY (1934-2010) Horse : Polo Game, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Vincent HADDELSEY (1934-2010) Horse : Cavalry School, 1974 Original Lithograph Handsigned in pencil Numbered / 50 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Ida Ten Eyck O'Keeffe The Fish, 1935 Signed and dated in pencil lower right Monotype on paper Image 6 x 8 1/2 inches Exhibited Dallas Museum of Art, Ida O'Keeffe: Escaping Georgia's...

(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's) these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph. James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor” Clive Gray wrote ”A visit to the studio of Alexander Calder led to the chance discovery of some hundred masterful circus drawings completed over thirty years ago. We publish, for the first time, a choice of sixteen from that group.” With signed introduction by Miro. These whimsical drawings, done in the style of wire sculpture, include acrobats, clowns, jugglers, trapeeze artists, an elephant, dog and lion. they are great. Alexander Calder is widely considered to be one of the most important American sculptors of the 20th century. He is best known for his colorful, whimsical abstract public sculptures and his innovative mobiles, kinetic sculptures powered by motors or air currents, which embraced chance in their aesthetic. Born into a family of accomplished artists, Calder's work first gained attention in Paris in the 1930s and was soon championed by the Museum of Modern Art in New York, resulting in a retrospective exhibition in 1943. Major retrospectives were also held at the Solomon R. Guggenheim Museum (1964) and the Museum of Contemporary Art, Chicago (1974). Calder’s work is in many permanent collections, most notably in the Whitney Museum of American Art, but also the Guggenheim Museum; the Museum of Modern Art; the National Gallery of Art, Washington, D.C.; and the Centre Georges Pompidou. He produced many large public works, including .125 (at JFK Airport, 1957), Pittsburgh (Carnegie International prize winner 1958, Pittsburgh International Airport) Spirale (UNESCO in Paris, 1958), Flamingo and Universe (both in Chicago, 1974), and Mountains and Clouds (Hart Senate Office Building, Washington, D.C., 1976). Although primarily known for his sculpture, Calder was a prodigious artist with a restless creative spirit, whose diverse practice included painting and printmaking, miniatures (such as his famous Cirque Calder), children’s book illustrations, theater set design, jewelry design, tapestry and rug works, and political posters. Calder was honored by the US Postal Service with a set of five 32-cent stamps in 1998, and received the Presidential Medal of Freedom, posthumously in 1977, after refusing to receive it from Gerald Ford one year earlier in protest of the Vietnam War. Calder moved to New York and enrolled at the Art Students League, studying briefly with Thomas Hart Benton, George Luks, Kenneth Hayes Miller, and John Sloan. While a student, he worked for the National Police Gazette where, in 1925, one of his assignments was sketching the Ringling Bros. and Barnum & Bailey Circus. Calder became fascinated with the action of the circus, a theme that would reappear in his later work. In 1926, Calder moved to Paris, enrolled in the Académie de la Grande Chaumière, and established a studio at 22 rue Daguerre in the Montparnasse Quarter. In June 1929, while traveling by boat from Paris to New York, Calder met his future wife, Louisa James (1905-1996), grandniece of author Henry James and philosopher William James. They married in 1931. While in Paris, Calder met and became friends with a number of avant-garde artists, including Fernand Léger, Jean Arp, and Marcel Duchamp. Cirque Calder (on view at the Whitney Museum of American Art at present) became popular with the Parisian avant-garde. He also invented wire sculpture, or "drawing in space," and in 1929 he had his first solo show of these sculptures in Paris at Galerie Billiet. Hi! (Two Acrobats) in the collection of the Honolulu Museum of Art is an early example of the artist's wire sculpture. The painter Jules Pascin, a friend of Calder's from the cafes of Montparnasse, wrote the preface to the catalog. A visit to Piet Mondrian's studio in 1930, where he was impressed by the environment-as-installation, "shocked" him into fully embracing abstract art, toward which he had already been tending. Dating from 1931, Calder’s sculptures of discrete movable parts powered by motors were christened “mobiles” by Marcel Duchamp, a French pun meaning both "motion" and "motive." At the same time, Calder was also experimenting with self-supporting, static, abstract sculptures, dubbed "stabiles" by Jean Arp in 1932 to differentiate them from mobiles. Public commissions increasingly came his way in the 1960s. Notable examples are .125 for JFK Airport in 1957, Spirale for UNESCO in Paris 1958 and Trois disques, commissioned for Expo 67 in Montreal, Quebec, Canada. Calder's largest sculpture at 25.7 meters high was El Sol Rojo, constructed outside the Aztec Stadium for the 1968 Summer Olympics "Cultural Olympiad" events in Mexico City. Many of his public works were commissioned by renowned architects; I.M. Pei commissioned his La Grande Voile (1966), a 25-ton, 40-foot high stabile for the Massachusetts Institute of Technology. Part of Calder's repertoire includes pivotal stage sets for more than a dozen theatrical productions, including Nucléa, Horizon, and most notably, Martha Graham’s Panorama (1935), a production of the Erik Satie symphonic drama Socrate (1936), and later, Works in Progress (1968). In addition to sculptures, Calder painted throughout his career, beginning in the early 1920s. He picked up his study of printmaking in 1925, and continued to produce illustrations for books and journals.As Calder’s professional reputation expanded in the late 1940s and 1950s, so did his production of prints. Masses of lithographs based on his gouache paintings hit the market, and deluxe editions of plays, poems, and short stories illustrated with fine art prints by Calder became available for sale. One of Calder's most celebrated and unconventional undertakings was a commission from Dallas-based Braniff International Airways to paint a full-size Douglas DC-8-62 four-engined jet as a "flying canvas." Calder created over 2,000 pieces of jewelry over the course of his career, many of them as gifts for friends and relatives. For his lifelong friend Joan Miró, he set a shard of a broken porcelain vessel in a brass ring. Peggy Guggenheim received enormous silver mobile earrings and later commissioned a hammered silver headboard...

Original Harley-Davidson Daytona Poster - Iconic Motorcycle Brand Artwork for Enthusiasts. Archival linen backed and ready to frame. The poster from the 1980s was created by the ...

Vincent HADDELSEY (1934-2010) Horse : Bullfighting In Camargue, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent c...

The horse "Lampo" is a modern artwork realized by Giorgio De Chirico in 1971. Mixed colored lithograph. Hand signed, titled and numbered on the lower margin. Edition of 30/48 inc...

Includes a Certificate of Authenticity

Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.

Original excellent condition, linen backed United Airlines: Seattle, the 1968 airplane airline aviation travel poster promoting travel to Seattle, Washington aboard United Airlines and featuring art of a Native American Indian totem pole...

Lithograph, 1998. Signed by the artist and dated in pencil, lower right. Numbered 99/200 in pencil, lower left. Full margins. Overall sheet dimension is 15.25 x20 inches.

Vincent HADDELSEY (1934-2010) Horse : The Heel, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Vincent HADDELSEY (1934-2010) Horse : Moroccan Riders, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Claude LE BOUL The Cyclist Original lithograph Signed in pencil Numbered / 100 copies On vellum 75.5 x 57 cm (c. 29.5 x 22.4 in) Excellent condition

this impression is #46 from edition of 50 Mezzotint artist Mikio Watanabe was born in 1954 in Japan and currently lives in France. He is most known for his elegant, evocative black ...

Good Night Mr. Wolf - Animal Fable is an original lithographs on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published...

Joseph Hecht, 'Asie (Asia) from the series Atlas', engraving, 1928, edition c. 50, Tonneau-Ryckelynck & Plumart 162. Signed and annotated 'epreuve definitive' (final proof) in pencil...

Original VOTEZ PRL: original political, antique, vintage French poster. Artist: Foro. Archival linen backed in fine condition, ready to frame. Over 75 years old lithograph. Or...

Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.

Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.

Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.

Etching realized in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.

Lithograph hand colored realized by Enrico Benaglia. Edition of 100. Hand signed and numbered in pencil.

(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper reproduction after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawi...

Hand signed. Edition of 121 copies printed by Igino Alessandrini. From the series “Cavalli”, published in Rome by Carlo Bestetti Editore for “La Collezione dell’Obelisco”. One of on...

Pierre-Yves TREMOIS Oppian : Snake and Toad, 1955 Original etching Printed signature in the plate On vellum 76 x 56 cm (c.30 x 22 inch) Excellent condition

Horses 1963 is an original contemporary artwork realized by Marino Marini. Color etching and aquatint. Edition of 100 copies. On the back oh the artwork there is an inscription in ...

Original circus poster: Clyde Beatty Cole Bros. Combined Circus. Professional linen backed, ready to frame. Artist: Roland Butler. The Lion Tamer is ...

Original “The Greatest Show on Earth” vintage US 1 sheet movie poster. Cecil B DeMille’s 1951 movie. Archival linen backed in very good condition, ready to frame. Original theater-issued fold marks restored during linen backing. Over 70 years old, 1st printing. Welcome to the circus. The Greatest Show on Earth starring Betty Hutton, Cornel Wilde, Charlton Heston, James Stewart (Jimmy Stewart...

An original lithograph from the 1956 Derriere le Miroir “Miro-Artigas” folio. Printed by Mourlot, Published by Maeght, Paris. Artist: Joan Miro, After, Spanish (1893 - 1983) Title: Zephyr Bird...

Genevieve Hamel Pig Digital Print after Colored Pencil on Wood Panel Year: 2021 Image Size: 7x5in Size: 14x11in Edition: 25 Signed, inscribed and numbe...

Lithograph on wove paper. Signed and date in the plate. Image dimension: 19.5x28 cm. A fine and atmospheric lithograph by Auguste Raffet, the celebrated French lithographer and pa...