Modern Animal Prints

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985 Hand-Signed Conditions: excellent Edition: 71/100 Support: Arches paper. Dimensions: Pape...

Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...

Vienna Lipizzaner Engraving, 1962 Signed and dated lower right (see photo) Titled and numbered lower left (see photo) This impression is from the second edtition printed c. 1992 1st ...

(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in t...

An original lithograph from the 1956 Derriere le Miroir “Miro-Artigas” folio. Printed by Mourlot, Published by Maeght, Paris. Artist: Joan Miro, After, Spanish (1893 - 1983) Title: Zephyr Bird...

MARGUERITE KIRMSE (American, 1885-1954) " GAEU AWA c. 1940 Etching, signed and titled depicting a Scottie dog on a dock, plate 6-5/8" x 9-5/8" plate. Sheet 11 ½ x 13 ½”.Generally ...

Etching on laid paper Signed in plate lower left: Jean François Raffaëlli. Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aqua...

This is a single color lithograph created by Matthew Roath as part of Tamarind Institute PTP. The Collaborating printer isAndreea Cristina Mateescu....

Includes a Certificate of Authenticity

Lithograph in colors on cream wove paper, 15 1/2 x 20 1/2 inches (394 x 520 mm); sheet 18 x 23 1/4 inches (457 x 590 mm), full margins. Signed and titled in pencil, lower margin. Som...

Original The Owl And The Pussycat, by Edward Lear with all text in Greek. Linen backed and in very good condition. One tiny printing flaw under the foot of the cat. Translation:...

Miguel CONDÉ (1939-) Veterinarian, Animal Lover, 1981 Original etching Signed in pencil Numbered / 80 copies On vellum, 24 x 16.5 cm (c 10 x 6.5 in) Excellent condition

Vincent HADDELSEY (1934-2010) Horse : The Royal Carriage, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Original 1950 “France, Paese dei Castelli” Vintage Poster Artist Jean Picart Le Doux Linen-Backed French Castles Travel Art Rare Mid-Century Collectible Add a touch of French el...

Outlaw Hero Wolf and Rebellion is an original lithographs on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published by ...

Buonaparte's Gull is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 18...

Night Time, Dieppe. 1926-27. Drypoint. Appleby 123. 7 7/8 x 11/ Edition 100. A fine impression printed on cream laid paper with full margins. Signed in penc...

Original “Watch Out .. Point the Muzzle in a SAFE Direction” vintage National Rifle Association of America vintage poster. Printed in 1946 on a thick cardboard stock. Excellent ...

Pablo PICASSO Carmen, The Bull's Horns, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog...

Original VOTEZ PRL: original political, antique, vintage French poster. Artist: Foro. Archival linen backed in fine condition, ready to frame. Over 75 years old lithograph. Or...

Color woodcut on Japan paper. Signed by the artist in ink, lower right. Titled and numbered 22/100 in pencil, lower left. Strong, vibrant colors; a richly-inked impression. Cata...

Marc CHAGALL (1887-1985) Bible : The Lion of Judah and the Tablets of the Law, 1962 Original lithograph (Mourlot workshop) Unsigned On Vellum 32.5 x 24 cm REFERENCE: Mourlot catalo...

(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper reproduction after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawi...

Yves Saint Laurent ( 1936 -2008 ) LOVE 2002. Impression offset en couleurs . 60 x 43cm Non entoilée . Parfait état . " 1970 " naissance des LOVE , Yves Saint Laurent dessine la prem...

Biagio Civale, Italian/American (1936 - ) - Birds (Retouche), Medium: Screenprint, Signed and Numbered in Pencil, Edition: 61/100, Size: 19 in. x 13 in. (48.26 cm x 33.02 cm)

Biagio Civale, Italian/American (1936 - ) - Mexican Scene, Medium: Screenprint, Signed and Numbered in Pencil, Edition: 6/100, Size: 24 x 19.5 in. (60.96 x 49.53 cm)

Etching with aquatint on white wove paper with a deckle edge, 23 1/2 x 17 1/2 inches (598 x 317 mm); sheet 30 x 22 1/2 (762 x 571 mm), full margins. Signed and numbered 20/50 in penc...

Seagulls is an original lithograph realized by Giuseppe Viviani in 1962. Hand-signed on the lower right. Condition of preservation is good except for folding which affects the colo...

Etching and aquatint realized by Henry Alken in 1846. Plate from "The Analysis of the Hunting Field". Very good condition. Henry Alken (1765-1851) was en english painter and engrav...

Cudham, Kent. 1924. Etching. Tassi 15; Cooke 20. 3 1/8 x 4 (sheet 4 3/8 x 6 7/16). Edition of 42, including some artist's proofs. Published by the Twenty-One Gallery in London. Slight paper loss in the top left-hand corner. A rich impression with plate tone, printed by the artist on antique laid paper...

Includes a Certificate of Authenticity

Georges Braque, French (1882 - 1963) - San Lazarro et Ses Amis, Year: 1975, Medium: Lithograph, Edition: 575, Size: 14 in. x 10 in. (35.56 cm x 25.4 cm), Frame Size: 20 x 17 inc...

Includes a Certificate of Authenticity

Original Gene Autry Gold Mine in the Sky linen-backed original vintage movie poster. The poster does show some foxing on the original theatrical fold marks. Republic Pictures. ...

Original 1974 Blazing Saddles Linen-Backed Movie Poster — Mel Brooks. Archival linen backed in Grade A- condition. (Original theater-issued fold marks restored.) BLAZING SADDLES ...

Marc Chagall Fables : The Goats and the Lion, 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 cm (c. 15 x 11 in) With COA of the gal...

Pierre LISSAC (1878-1955) Jockey Before the Horse Race, 1926 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of th...

Vincent HADDELSEY (1934-2010) Horse : Cavalry School at Saumur, 1974 Original Lithograph Handsigned in pencil Numbered / 50 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent co...

Vincent HADDELSEY (1934-2010) Horse : Towpath, 1974 Original Lithograph Handsigned in pencil Numbered / 50 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Original Jeva de la tête aux pieds vintage French fashion poster. Jeva would dress you from your head to your feet, and this cat implies in this poster de...

(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in t...

Includes a Certificate of Authenticity

This artwork titled "Animals Board the Ark" c.1990 is a color lithograph with embossing by noted Israeli artist Amram Edgi b. 1939. It is hand signed, titled and numbered 852/950 in pencil by the artist. It is custom framed in a gold metal frame. It is in very good condition. About the artist: Amram Ebgi was born in Morocco in 1939. He has been considered a visionary whose imagination combines the warmth of sensitive feelings with light and the complexities of life with subtle structure. Devoting his life to art and spending more than 30 years in his Art Studio. Master Printmaker and Sculptor AMRAM EBGI has been creating beautiful Art for decades, bringing the deeply symbolic and beloved images of his rich Jewish Heritage. His intricately detailed masterpieces are bursting with the Colors of Life. EBGI is truly an Ambassador of the Arts, with his exquisite work commissioned by UNICEF; permanently displayed in the Museum Collections of Yale, Princeton and UCLA exhibited by museums and collected worldwide. One Man Shows 1998 (MAY) Ohev Shalom Congregation, Orlando 1998 (MAR) UJA Federation, Miami, FL 1997 (JUN) Turnberry Jewish Center, Aventura, FL 1997 (JAN) International Ketubah Expo, Museum of Florida 1996 (NOV) Schaarai Zedek, St. Petersburg, FL 1996 (FEB) Jerusalem 3000 Celebration, Jerusalem 1994 (SEPT) Fine Arts Gallery, Ardmore, PA 1994 (JUN) Carter Art Exhibition, Paris, France 1993 (JUN) Lucien Krief Gallery, Jerusalem 1992 (NOV) Nuance Art Gallery, Tampa, FL 1991 (JAN) J.C.C. of San Antonio, TX 1990 (MAR) Temple Beth Am, Miami, FL 1989 (DEC) J.C.C. of Houston, TX 1989 (DEC) Gallery Nicole, Sherman Oaks, CA 1989 (MAY) J.C.C. of Central Florida, Maitland, FL 1989 (MAY) Riverdale YM-YWHA, New York 1989 (JAN) J.C.C. of Rockville, MD 1988 (OCT) Memphis J.C.C., Memphis, TN 1988 (AUG) J.C.C. of Central Florida, Maitland, FL Museums Beit Ha-Shoah-Museum of Tolerance, Los Angeles Florida Gulf Coast Art...

A collage lithograph from her series Various Flying Creatures by Kiki Smith titled: "bee." Smith has used one of her animal/insect iconic figures for this glassine paper and wove pap...

This artwork titled "Elephant Family" 1983 is an original large color serigraph on paper by noted American artist Leroy Neiman, 1921-2012. It is hand signed and numbered 63/300 in pe...

Original Harley-Davidson Daytona Poster - Iconic Motorcycle Brand Artwork for Enthusiasts. Archival linen backed and ready to frame. The poster from the 1980s was created by the ...

Andre Francois, Hungarian (1915 - 2005) - Cheval Noir, Year: circa 1960, Medium: Etching and Aquatint on Arches, signed and numbered in pencil, Edition: 6/50, Image Size: 15.5 x ...

Andre Francois, Hungarian (1915 - 2005) - Cheval Bleu, Year: circa 1960, Medium: Etching and Aquatint on Arches, signed and numbered in pencil, Edition: 7/50, Image Size: 15.5 x ...

Henri AMEDEE-WETTER (1869-1929) Shepherdess and her Sheep, 1920 Original woodcut Handsigned in pencil Numbered /105 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of...

Etching on fine art paper, E.A. 1/1 from the cycle " Botanical Dream Nr. 11", presented in the Danubiana Meulenstein Art Museum in Bratislava/2021..

The Wolf is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published ...

Max ERNST Birds Original lithograph, 1963 on vellum 33 x 25 cm REFERENCES : Catalogue raisonné Leppien/Spies # 88 Excellent condition

Sommets d'Auvergnelaure is a black and white etching realized by Jules Laurens (1825–1901) in 1870s. Titled in the lower. Image size: 23cmx30.5cm. Very Good condition. Signed in ...

Castore is a black and white artwork realized by Giorgio De Chirico in the half of 20th Century. Rare specimen on light blue paper. Black and white lithograph. Hand signed by artis...

Wifredo Lam Bird and Spirit Figure, 1967 Original lithograph Hand signed in pencil Numbered / 300 On Arches vellum 50 x 65 cm (c. 20 x 26 in) REFERENCE : Catalog raisonne Tonneau...

Lithograph on vélin d'Arches paper. Paper Size: 12.81 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Souvenirs et Portraits d'Artistes, 1972. ...

Lois Ward's "Red Damsel" is a color mezzotint created in 1994 in a very small edition of just 10. This impression is #2 of 10. A young human figure in green gazes down on a Tinker B...

Les Cigognes is an artwork realized by Félix Bracquemond in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publi...

Robert BONFILS The lover's interlacing, 1920 Original woodcut Handsigned in pencil Numbered /105 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the editor 'Imagie...

Bluebreast is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Na...