Horizontal Prints and Multiples

Medium: original lithograph. Printed in 1920 and published in Germany for GENIUS: Zeitschrift fur Werdende und Alte Kunst. Image size: 7 1/2 x 9 1/4 inches (195 x 235 mm). Signed in ...

Medium: Lithograph on vélin paper Year: 1983 Paper Size: 15 x 22.5 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Henri Mat...

David Hockney Living Room and Terrace, July 1986 Homemade print in colours executed on an office colour copy machine, On two sheets of Arches rag paper Signed, dated and numbered 36/...

Mounts Bay Mood. Limited Edition etching from the well collected studio of Ian Laurie. Signed and numbered 14 of 50. Each one of the 25 is slightly different in tone and color Image...

This original exhibition poster for Romare Bearden's work titled The Woodshed refers to a piece he created in 1967. The Woodshed depicts a scene filled with rich, layered imagery tha...

green- original litograph abstract limited edition painting Original graphic work by CASAMADA. edition P.A. 1/5 Signed and numbered in pencil. framed RÀFOLS CASAMADA, Albert (Barce...

Linocut realized by Escher in March 1950. Released through linoleum cut in black and gray-brown on Japan paper, and printed from two blocks. Hand signed lower left, marked "eigen d...

No 8.69 Ian Fraser Medium - Screen print Edition - 4/12 Signed - Yes Size - 780mm x 585mm Date - 1969 Provenance - From the Andrew Purches collection Condition - Very good. 9...

Polymer gravure etching, 2013, signed in pencil, dated, titled, numbered 44/50, on wove paper. sheet: 19.7 by 29.5cm.; 7¾ by 11⅝in.

The etching "The Game of Transformation. Butterflies" is an artist's play with meanings and associations. In this work, modern girls are presented in the form of glamorous fluttering...

Paper Size: 22.5 x 28.5 inches ( 57.15 x 72.39 cm ) Image Size: 17.25 x 26 inches ( 43.815 x 66.04 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American artists that radically defined abstraction and establish...

This 30 color screen print was created at Brand X Editions to commemorate the terrorist attacks of September 11, 2001 in New York City. This print comes directly from the publisher, Lincoln Center Editions...

First edition double page lithograph on pages 4,5 of Derriere le Miroir (DLM) No.177. Fold down the center as issued. ""All my mysteries have remained intact. Nobody understands t...

Francis Bacon Francis Bacon (hand signed and warmly inscribed by Francis Bacon), 1975 Softcover catalogue with stiff wraps (hand signed and warmly inscribed by Francis Bacon) hand si...

Barefoot In The Park - Original 1967 Lobby Card #1 Vintage 1967 Lobby Card: Paul, a conservative young lawyer, marries the vivacious Corie. Their highly passionate relationship desc...

This artwork titled "The Beginning of the end" c.1990 is a color lithograph by noted American artist Charles Bragg, 1931-2017. It is hand signed and numbered 49/300 in pencil by the ...

Pierre Clerk Plate IV : Blue Yellow - 1973 Print - Serigraph on Somerset paper 32'' x 36'' Edition: signed in pencil and marked 39/100 image size: 28" x 32" inches The images of Pie...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...

My fascination with birds of prey began eight years ago. There have been nesting owls on my family’s land in the United Kingdom as far as I can remember. I have heard them calling to...

'Coral Bank in the Red Sea' Antique English late 19th century chromolithograph. Sheet 18cm by 26cm, image 12cm by 20cm.

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 166, 1967. Published by Aim...

Artist: Andy Warhol Title: Untitled (Plate 18) Portfolio: 1956 In the Bottom of My Garden Medium: Offset lithograph and watercolor on paper Date: 1956 Frame Size: 15 3/4" x 18 3/8" S...

Screenprint in grey and black on BFK Rives wove paper Edition 95 of 100 50.8 x 50.9 cm (20 x 20 in) 64 x 64 x 3 cm, 25.2 x 25.2 1.2 in Signed and numbered on the back Window-mounted ...

This is a site specific artwork of Ettore Spalletti in Pop Art style of Andy Warhol and following Ed Ruscha , especially made for the exhibition at the Triennale of Milano (Italy) in 2013. This "post...

This colorful and detailed 17th century copperplate map by Frederick De Wit was published in Amsterdam between 1666 and 1690. It depicts the Caspian Se...

Abstracted figurative print 12 x 22 inch image on 22 x 30 inch Rives BFK paper, unframed Rives BFK paper is made of cotton, has deckled edges and is acid-free Signed lower right T...

Printed in a rich terra cotta red on pale pink paper, Orgasm depicts a woman’s head in profile with a dark background. Kitaj was fascinated with the female form, often producing edgy...

19" x 25" Unframed Limited Edition Screenprint of 295 Hand Signed by Ronnie Wood 1996

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Verve: Revue Artistique et Li...

Spokes (1977) and Spokes: 2 State (1978). Each hand signed, dated, numbered and titled by the artist. Both prints have matching editions. Etching and aquatint on Pescia Italia paper....

A faithful architectural rendering of the earliest Ashkenazi synagogue constructed in London; built about 1690, and subsequently destroyed in the Blitz, 1941. London: Rudolph Ackerm...

Subject : Ancient Greek vase-painting depicting dionysiac groups. Technique : Copper-line engraving with original hand-colouring Background information : From the scarce Florence...

Artist: Peter Max (1937) Title: Vase with Tree II Year: 2000 Edition: 466/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 7.5 x 8.25 i...

"Composición", (in Yellow) Year: 1977 Color etching Signed, dated, numbered in pencil Edition of 75 Size: 14.6 × 24.6 on 22.0 × 30.0 inches COA provided Joan Hernández Pijuan’s lif...

This abstract landscape limited edition print by Elwood Howell features the artist's signature high horizon line. Lush, green abstracted land extends the width of the composition, wi...

This cheeky, pastel pink print depicts a range of intimate styles, a tongue-in-cheek recollection of the gridded haircuts displayed outside barber shops. It is from the Oo La La portfolio of 15 lithographs printed offset from zinc plates, drawn by both artists. Produced in collaboration with Ron Padgett...

This reproduction features a powerful advertisement by Oliverio Toscani for United Colors of Benetton, depicting two young girls—one Caucasian and one of African descent—embracing ea...

Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: Published by The Collector's Guild Ltd., New York in association with Th...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edi...

Tomás Sánchez is a Cuban painter. Best known for his detailed and idealized nature scenes, his work is characterized by its contemporary interpretation of landscape painting. Sánchez...

Artist: Nicola Simbari – Italian (1927-2012) Title: Marco Year: 1978 Medium: Screen Print Image size: 28.5 x 31.75 inches. Sheet size: 35 x 37.5 inches. Signature: Signed lower ri...

Radiant Prince Genji is an original modern artwork realized by Utagawa Kunisada in 1850s. Woodcut print Oban yokoe format. From the series "Sono sugata yukari no utsushie" (Faithfu...

Lithograph on vélin d’Arches paper. Inscription: hand signed and numbered, 144/175, as issued. Good condition. Notes: From the Jazz Series, 1979. Published by London Arts Group, Detr...

This print considers how we view the contemporary sublime landscape and how easy it can be to experience when we take the time to look. We often don’t have to travel far: parks in ci...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de André Lhote, 1960. P...

HENRI MATISSE (French 1869-1954) LE REPOSE du MODELE 1922 . (Duthuit 416) Original lithograph, FIRST STATE, on Chine volant paper BEFORE image was reduced at the left edge. An uns...

Medium: Lithograph on grand vélin d'Arches spécial paper Year: 1961 Paper Size: 14.8 x 22 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: Fr...

Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...

RED HORSE on HOT PINK THREE GEISHAS is an original lithograph on archival Somerset printmaking paper, 100% acid free by the renowned Chinese born artist Walasse Ting (DING XIONGQUAN,...

Lithograph on vélin d’Arches paper. Signed in pencil and unnumbered, as issued. Good condition. Notes: From the folio, Jacques Villon, Huit Lithographies Originales, 1962. Published ...

Composition is an original artwork realized by an artist of the late 20th century. Lithograph on ivory paper. Good conditions. Illegible signature in pencil on the lower right mar...

Haarlem: c1700. Mezzotint on watermarked laid paper, 11 1/2 x 18 1/4 inches (290 x 462 mm), thread margins. In good condition with expert repairs at the right corners, and upper-lef...

Medium: original lithograph. Catalogue reference: Mourlot 153. Printed by Mourlot Frères in an edition of 2000 for the Dix Ans d'Edition issue of Derrière le Miroir in 1956, publishe...

"Dive In" Photography 30" x 42" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 25" x 35" inch Edition of 7: 30" x 4...

"Medinet Abou, Thebes" is a 19th century folio sized hand-colored lithograph from the Egypt and Nubia volume of David Roberts’ large folio edition, published in London by F. G. Moon ...

PABLO PICASSO (1881-1973) Pichet Anse Pris (A. R. 186) Terre de faïence pitcher, 1953, numbered 126/200, inscribed 'Edition Picasso', painted, with the Edition Picasso and Madoura ...

Dealer, street photography from Richard Heeps series, The Streets of Hong Kong. Richard's aim for his City series is to represent the fingerprint of a place, in this the street store...

Type II Pink, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Ri...

Lillian Shao, Taiwanese/American - Violet Temple, Year: 1986, Medium: Screenprint, signed and numbered in pencil, Size: 27.5 x 30.25 in. (69.85 x 76.84 cm), Frame Size: 32.25 x 4...