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André DerainErotic Etching from Satyricon
About the Item
This lot is for one etching.
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Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that meeting Vlaminck or Matisse began his efforts to paint, and occasionally went to the countryside with an old friend of Cézanne's, Father Jacomin along with his two sons. In 1898, while studying to be an engineer at the Académie Camillo, he attended painting classes under Eugène Carrière, and there met Matisse. In 1900, he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood, but this was interrupted by military service at Commercy from September 1901 to 1904. Following his release from service, Matisse persuaded Derain's parents to allow him to abandon his engineering career and devote himself solely to painting; subsequently Derain attended the Académie Julian.
At about this time Derain's work began overtly reflecting his study of the Old Masters. The role of color was reduced and forms became austere; the years 1911–1914 are sometimes referred to as his gothic period. In 1914 he was mobilized for military service in World War I and until his release in 1919 he would have little time for painting, although in 1916 he provided a set of illustrations for André Breton's first book, Mont de Piete.
After the war, Derain won new acclaim as a leader of the renewed classicism then ascendant. With the wildness of his Fauve years far behind, he was admired as an upholder of tradition. In 1919 he designed the ballet La Boutique fantasque for Diaghilev, leader of the Ballets Russes. A major success, it would lead to his creating many ballet designs.
The 1920s marked the height of his success, as he was awarded the Carnegie Prize in 1928 for his "Still-life with Dead Game" and began to exhibit extensively abroad—in London, Berlin, Frankfurt, Düsseldorf, New York City and Cincinnati, Ohio.
During the German occupation of France in World War II, Derain lived primarily in Paris and was much courted by the Germans because he represented the prestige of French culture. Derain accepted an invitation to make an official visit to Germany in 1941, and traveled with other French artists to Berlin to attend a Nazi exhibition of an officially endorsed artist, Arno Breker. Derain's presence in Germany was used effectively by Nazi propaganda, and after the Liberation he was branded a collaborator and ostracized by many former supporters.
A year before his death, he contracted an eye infection from which he never fully recovered. He died in Garches, Hauts-de-Seine, Île-de-France, France in 1954 when he was struck by a moving vehicle.
Derain's London paintings were the subject of a major exhibition at the Courtauld Institute from 27 October 2005 to 22 January 2006.
- Creator:André Derain (1880-1954, French)
- Dimensions:Height: 17.5 in (44.45 cm)Width: 13.25 in (33.66 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38210842092
André Derain
André Derain is best known as a leading figure of the avant-garde movement and — alongside Henri Matisse — a cofounder of Fauvism at the turn of the 20th century. Derain’s innovative use of expressive colors and simplified forms in his figurative paintings, landscapes and portraits continue to dazzle collectors and art enthusiasts everywhere.
Born in 1880 in Chatou, France, Derain began his formal art training at age 18 at the Académie Camillo, where he met Matisse and Maurice de Vlaminck. In 1905, Derain, Matisse and de Vlaminck exhibited their works at the Salon d’Automne in Paris, where critic Louis Vauxcelles used the word fauves (wild beasts) to describe the loosely connected collective of artists’ prioritization of audacious, vivid color in their energetic works, eventually leading to wide adoption of the term Fauvism.
In 1905 and 1906, Derain traveled to London, where he produced a series of Fauvist “form through color” paintings. These included The London Bridge, Charing Cross Bridge and A Corner of Hyde Park. After seeing a retrospective of Paul Gauguin’s work, Derain painted The Dance, a nude that is demonstrative of Gauguin’s influence in its bold, flat colors and in Derain’s depiction of primitive dancing figures.
In 1910, Derain destroyed many of his unsold works and began painting landscapes in the Cubist style of Paul Cézanne. He befriended Pablo Picasso and grew interested in African tribal art. After World War I, he focused on figurative and nude drawings and, in the early 1920s, abandoned Fauvism and Cubism altogether in favor of classical art. In 1930, the artist publicly condemned modernism, leading to his ostracization by the avant-garde community.
Derain was later honored with a retrospective of his works at the Kunsthalle in Bern, Switzerland. Additionally, the Exposition des Artistes Independants invited Derain to exhibit in 1937.
Derain’s wide range of styles — from Fauvism and Cubism to classicism and Postimpressionism — influenced many artists throughout his lifetime. Today, Derain’s work is held in the permanent collections of the Museum of Modern Art in New York, the Tate gallery in London, the Musée d’Orsay in Paris and the State Hermitage Museum in St. Petersburg.
On 1stDibs, discover original André Derain prints, drawings and paintings.
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