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André Masson
"Judith, " Color Lithograph signed by André Masson

1971

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'Mad Dash' original lithograph signed by Joseph Rozman
By Joseph Rozman
Located in Milwaukee, WI
'Mad Dash' is a print that exemplifies the work of Joseph Rozman during the 1970s, moving beyond the playful pictographs of the previous decade and morphing into an increasingly surr...
Category

1970s Surrealist Figurative Prints

Materials

Lithograph

"Satan" from "Je Reve" portfolio, Surrealist Lithograph, Signed
By André Masson
Located in Milwaukee, WI
"Satan" is an original color lithograph by Andre Masson. This piece is from the "Je Reve" (I Dream) portfolio of 1975. The edition number, written lower left, is H.C. XXV/XXV. The ar...
Category

1970s Surrealist Figurative Prints

Materials

Lithograph, Paper

"Bacchanale from Je Reve (I Dream) Portfolio, " Original Color Lithograph
By André Masson
Located in Milwaukee, WI
"Bacchanale" is an original color lithograph by Andre Masson. This piece is from the Je Reve (I Dream) portfolio and is edition number H.C. XVV/XVV. Masson signed the piece in pencil...
Category

1970s Surrealist Figurative Prints

Materials

Lithograph

"Le Prince Iris, " Surrealist Lithograph From "Je Reve" Portfolio
By André Masson
Located in Milwaukee, WI
"Le Prince Iris" is an original color lithograph by Andre Masson. The artist signed the piece lower right in pencil and wrote the edition number, H.C. XXV/X...
Category

1970s Surrealist Figurative Prints

Materials

Lithograph

"Le Bouquet tout fait (The Ready-made Bouquet), " Lithograph after Rene Magritte
By René Magritte
Located in Milwaukee, WI
"Le Bouquet tout fait (The Ready-made Bouquet)" is a color lithograph after a 1954 original painting by Rene Magritte. A bourgeois "little man" faces away from the viewer looking towards a fall forest. Flora, the goddess of flowers and season of spring, from Sandro Botticelli's "Primavera" is painted on the back of the man. This juxtaposes fall and spring. Art: 12 x 9.75 in Frame: 22.38 x 20.38 in René-François-Ghislain Magritte was born November 21, 1898, in Lessines, Belgium and died on August 15, 1967 in Brussels. He is one of the most important surrealist artists. Through his art, Magritte creates humor and mystery with juxtapositions and shocking irregularities. Some of his hallmark motifs include the bourgeois “little man,” bowler hats, apples, hidden faces, and contradictory texts. René Magritte’s father was a tailor and his mother was a miller. Tragedy struck Magritte’s life when his mother committed suicide when he was only fourteen. Magritte and his two brothers were thereafter raised by their grandmother. Magritte studied at the Brussels Academy of Fine Arts from 1916 to 1918. After graduating he worked as a wallpaper designer and in advertisement. It was during this period that he married Georgette Berger, whom he had known since they were teenagers. In 1926, René Magritte signed a contract with the Brussels Art Gallery, which allowed him to quit his other jobs and focus completely on creating art. A year later he had his first solo show at the Galerie la Centaurie in Brussels. At this show Magritte exhibited what is today thought of as his first surrealist piece, The Lost Jockey, painted in 1926. In this work a jockey and his steed run across a theater stage, curtains parted on either side. Throughout the scene, there are trees with trunks shaped somewhat like chess pawns with musical scores running vertically up their sides and branches sticking out from all angles. Critics did not enjoy this style of art; it was new, different, and took critical thought to understand, but The Lost Jockey was only the first of many surrealist artworks Magritte would paint. Because of the bad press in Brussels, René and Georgette moved to Paris in 1927, with the hope that this center of avant-garde art would bring him success and recognition. In Paris, he was able to become friends with many other surrealists, including André Breton and Paul Éluard. They were able to learn from and inspire one another, pushing the Surrealist movement further forward. It was also in Paris that Magritte decided to add text to some of his pieces, which was one of the elements that made his artwork stand out. In 1929, he painted one of his most famous oil works: The Treachery of Images. This is the eye-catching piece centered on a pipe. Below the pipe is written “Ceci n’est pas un pipe,” which translates to “This is not a pipe.” This simple sentence upset many critics of the time, for of course it was a pipe. Magritte replied that it was not a pipe, but a representation of a pipe. One could not use this oil on canvas as a pipe, to fill it with tobacco and smoke it. Thus, it was not a pipe. In 1930, Magritte and Georgette moved back to Brussels. Though they would travel to his exhibitions elsewhere, their home going forward would always be in Brussels. Magritte had his first American exhibition at the Julien Levy Gallery in New York City in 1936 and his first show in England two years later in 1938 at The London...
Category

2010s Surrealist Figurative Prints

Materials

Lithograph

"La Grande Guerre (The Great War), " Color Lithograph after Rene Magritte
By René Magritte
Located in Milwaukee, WI
"La Grande Guerre (The Great War)" is a color lithograph after the 1964 painting by Rene Magritte. A Victorian lady stands in white facing the viewer. A bouq...
Category

2010s Surrealist Figurative Prints

Materials

Lithograph

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