Wyeth, New Leaves, The Four Seasons (after)

1962

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Art in America, New York in an edition of CDVII/D. From the folio, The Four Se...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Art in America, New York in an edition of CDVII/D. From the folio, The Four Se...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Art in America, New York in an edition of CDVII/D. From the folio, The Four Se...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Art in America, New York in an edition of CDVII/D. From the folio, The Four Se...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees. This charcoal drawing entitled “Memory of Leaves” beautifully illustrates the branching form of a mature birch tree. Loosely drawn with informal, sketch-like linework, the tree is shown in the middle of winter, bare of leaves and white with frost. Surdo’s skillful placement of shadow illustrates the forking branches with incredible texture and effortless realism. The intricate play of light and dark is accentuated by the stark white background, a negative space that isolates the tree in space and time. Restricting the composition to only a portion of the tree trunk, Surdo accentuates the tree’s abstract form, lingering on areas of unusual shape or texture. Seeking to convey the strong emotional response elicited by his initial encounter with the tree, Surdo focuses on the tree’s sculptural form, contrasting the strong trunk...

I am keen to capture the sense of calm we all feel when we are in nature, looking up through leaves into the sunlight. My consistent focus for several years has been to explore the b...

A watercolor by Gregory Sumida. "Branches" is a watercolor on paper executed in browns, greens, yellows and blue and depicting a tree trunk with bare branches set against a landscape...

Summer Leaves is Mixed Media on Yupo Paper 20″ x 26″ Image Framed it is 28 1/2″ x 34 1/2″.Art is floated in a white or neutral 1” depth gallery frame with plexi glazing. Look for free shipping at checkout. Grateful that Summer Leaves 1 painting was juried into the Salon des Refuses’ Exhibition. This is a national juried art competition that is on exhibit from September 2, 2023 – January 2, 2024. This contemporary art exhibit will be on display in the Ancient Sculpture Museum. The Earth’s diverse surface is fascinating. The vegetative environments invite viewers to visit a place. Local light and atmosphere affect the plant life that thrives, the colors we see and experience of mood and energy. These botanical paintings explore memory and landscape with complex spatial environments that hover between painterly realism and abstract passages. Throughout the long tradition of landscape painting, there exists a connection between the artist and the natural world. A painter can evoke this relationship through the use of color, value and line whether the painting is representational or abstracted. These elements combine and intertwine to create rhythms of perspective and dimension, illuminating this personal vision on canvas. Yupo paper is waterproof, and stands up to the rigors of the elements and demanding environments. Ultra-smooth and bright white, it's a paper alternative that stands out. Bio Julie...