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Andy Warhol
Mao 90 (Feldman/Schellmann II.90), Andy Warhol

1972

$96,000
$120,00020% Off
£72,738.21
£90,922.7620% Off
€83,461.33
€104,326.6620% Off
CA$135,087.49
CA$168,859.3720% Off
A$148,498.32
A$185,622.9020% Off
CHF 78,043.90
CHF 97,554.8820% Off
MX$1,803,310.49
MX$2,254,138.1120% Off
NOK 973,578.12
NOK 1,216,972.6520% Off
SEK 922,396.80
SEK 1,152,99620% Off
DKK 622,893.01
DKK 778,616.2720% Off

About the Item

Artist: Andy Warhol (1928-1987) Title: Mao 90 Year: 1972 Medium: Silkscreen in colors on Lenox Museum Board Size: 36 x 36 inches Condition: Excellent Inscription: signed in ball-point pen on the reverse, stamp-numbered 40/250. Notes: Published by Castelli Graphics, New York, in collaboration with Multiples, Inc., New York; printed by Styria Studio, Inc., New York. Additional notes: Andy Warhol’s Mao 90, 1972 distorts the image of the Chinese leader. Mao’s skin is printed in a deep blue. The blue mutes his features, making his facial features difficult to make out. His lips, unlike the rest of his face, match the gray-purple of his shirt, contrasting the forest green background he is in front of. Hand-drawn on either side of Mao’s head are graffiti-like scribbles, which deviate from the rest of the work’s mechanized process. Warhol’s Mao 90 adds an element of irony to an otherwise serious portrait, prompting the viewer to question the persona the portrait portrays. Andy Warhol’s Mao screenprint portfolio appropriates the official portrait of Mao Zedong, the former Chairman of the Communist Party of China. Warhol was inspired by the portrait’s similarity to silkscreen and its ubiquity—Mao’s portrait was known to every Chinese person and could be seen throughout China in both public and private spaces. The Mao portfolio, made up of ten different versions of Mao’s portrait, evokes the propagandistic use of the image in China. Interestingly, Warhol treats Mao’s image in the same manner that he treats his portraits of Western celebrities. Mao’s cult of personality mirrored the cult-like followings of Western celebrities, and Warhol’s decision to treat Mao’s portrait in the same manner as icons such as Marilyn Monroe frames the Chinese leader as a pop icon. Warhol exposes the similarity between Western and Eastern adoration of individuals and the mass dissemination of their images, and his use of outrageous coloring examines fame in its multiple forms. This screenprint is part of a portfolio of works Warhol created in 1972 titled Mao. Other works in the Mao Portfolio include Mao 90 1972, Mao 91 1972, Mao 92 1972, Mao 93 1972, Mao 94 1972, Mao 95 1972, Mao 96 1972, Mao 97 1972, Mao 98 1972, Mao 99 1972. ANDY WARHOL (1928-1987) Clearly the most important and influential artist of the past quarter century, Andy Warhol, the master of Pop Art, maintained a level of creativity which is legendary. Warhol adapted the commercial process of silk-screening to the world of fine art, creating masterpieces such as Marilyn Monroe, Ads and Myths, which became some of his most famous images. Throughout his life Warhol was regarded as the art-world's greatest celebrity.
  • Creator:
    Andy Warhol (1928 - 1987, American)
  • Creation Year:
    1972
  • Dimensions:
    Height: 36 in (91.44 cm)Width: 36 in (91.44 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Fairfield, CT
  • Reference Number:
    1stDibs: LU1342116744762

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