Square Figurative Prints

Agent X Besties Digital Print on Archival Paper Year: 2021 Edition: 125 Size: 30 x 30 in - 78 x 78 cm Signed COA provided (gallery issued) Ref.: 924802-398 -------------------------...

Hand signed and numbered by the artist. Edition of 200. From the Myths Portfolio. Screenprint With Diamond Dust on Lenox Museum Board. Published by Ronald Feldman Fine Arts, Inc.,...

James Barnor (Ghanian, b. 1929) The Roadmaker, 2021 Medium: Pigment print and artist book Print dimensions: 22 x 22 cm Book dimensions: 27.5 x 30 cm Editi...

Engraving printed in black ink on hand-made, thin-laid paper, 3 5/8 x 3 5/8 inches (84 x 84 mm), 3/4 inch margins. In excellent condition, printed 19th century.

Pedro Friedeberg is an artist and designer from Mexico of Italian origin, known for his surreal work full of lines, colors, and ancient religious symbols. His best-known piece is the...

Deep in the forest, amidst the mists of dawn, a red deer stag appears… Guy Allen’s etchings inspired by the fauna of Norfolk have a remarkable level of detail. His etchings captur...

The artwork is print on silk and it is limited edition. A stunning exploration of memory, legacy, and hidden worlds, "Comode" is a surrealist masterpiece blending fine art illustrat...

Different worlds are melted together in the remarkable etches of Dutch artist Gea Karhof. Ancient cultures go hand in hand with 20th century icons. It is po...

Different worlds are melted together in the remarkable etches of Dutch artist Gea Karhof. Ancient cultures go hand in hand with 20th century icons. It is po...

"Stone" Black & White Photography 31" x 31" in Edition 2/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

The artwork is print on silk and it is limited edition. Our theater of culinary extravaganza and everyday vaudeville. The worst thing is when you don’t know what's funniest to you t...

'Unalloyed' - Screen Print by Prefab77 Size 24.25 x 24.25 inches / / 61,6 x 61,6 cm Published on 21st of June 2017 Edition of 25 5 Color Screen Print on Fabriano 250gsm cotton paper...

"Aerial 2" Black & White Photography 39" x 39" in Edition of 3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube....

Bats in the Belfry is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 135/275 (there were also 100 Roman and 20 A...

Artist: Keith Haring Title: Apocalypse 8 Size: 38 × 38 in 96.5 × 96.5 cm Medium: Screenprint in colors on Lenox Museum Board Edition: of 90 Year: 1988 Notes: Hand-signed by artis...

Rock and Roll II is a lithograph on paper, 9 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 232/275 (there were also 100 Roman and 20 AP). F...

"Venus Goes Swimming" Photography 18" x 18" inch Edition 1/15 by Brendan North Available sizes: Edition of 15: 18" x 18" inch Edition of 7: 30" x 30" inch Edition of 3: 40" x 40" i...

The artwork will be sent unframed Linocut „Dawn” 2023 Linocut print technique Art print from 7 matrices Limited edition, print unique number 2/8 Paper Fabriano Rosaspina 220 g Prin...

Dan Flavin Rare invitation poster for 1970 ACE Gallery exhibition, 1970 Letterpress and stencil on colored paper Not signed Frame included Floated in the original ACE gallery vintage wood frame. Measurements: Framed: 17.75" x 17.75" x 1.6 inches Poster: 16 inches x 16 inches Extremely uncommon letterpress and stencil poster designed by Dan Flavin on the occasion of his 1970 exhibition “Two Cornered Installations in Colored Fluorescent Light from Dan Flavin” at the legendary Ace Gallery in Los Angeles. The poster, like most exhibition invitations of that era (including those from the Leo Castelli gallery in New York) was undated, as these works were so much of the moment. This work was acquired directly from the collection of the ACE Gallery. Other than the present work, we've never seen another example of this collectors item anywhere in the world, on or off the market (If anyone is aware of others, we'd love to see!) More about the legendary ACE gallery, and the sale of some of its art collection from the bankruptcy estate, from where the present work was acquired: ACE Gallery founder Douglas Chrismas opened his own frame shop and gallery in Vancouver at the age of 17. His gallery became known as a venue where Vancouver artists could show alongside major New Yorkers, and get the feeling of belonging to a bigger scene. In the 60s and early 70s he brought artists such as Robert Rauschenberg, Carl Andre, Sol LeWitt, Bruce Nauman, and Donald Judd to Vancouver, Canada. The gallery expanded to Los Angeles in 1967 at the former Virginia Dwan Gallery space in Westwood, and then further expanded to New York in 1994. The galleries were noted for doing museum-level exhibitions by up and coming and internationally renowned artists. While in New York the gallery’s presence was amplified by doing exhibitions in conjunction with cultural institutions such as the Guggenheim Museum and the Cartier Foundation (Paris). Under Chrismas' directorship, ACE Gallery has had either offices or galleries in art centers outside of the United States, such as Mexico City, Paris, Berlin. and Beijing. In 1972, Chrismas mounted Robert Irwin’s installation Room Angle Light Volume at the first ACE/Venice, which opened at 72 Market Street in 1971. In 1977, ACE mounted exhibitions of work by Frank Stella and Robert Motherwell, along with Michael Heizer’s Displaced/Replaced Mass. Installed at ACE/Venice, the Heizer piece required that huge chunks be gouged out of the gallery floor to create recessed areas able to accommodate boulders. In April 2016, ACE Gallery emerged from a three-year bankruptcy proceeding under the leadership of Sam S. Leslie. In May 2016, founder Douglas Chrismas was terminated from all roles at the gallery. In July 2021, Douglas Chrismas was arrested by the FBI and charged with embezzlement. In May 2022, Douglas Chrismas was ordered to repay 14.2 million in ACE art sale profits, which were diverted to personal accounts. Chrismas is awaiting criminal trial in January, 2023. He faces up to 15 years in prison if convicted. Controversies In a 1983 lawsuit in Los Angeles federal court, Rauschenberg sought $500,000 from Chrismas' Flow ACE Gallery; the artist won a $140,000 judgment in the suit in 1984. Eventually the two reconciled their differences and in 1997 Robert Rauschenberg insisted that ACE Gallery New York (in conjunction with the Guggenheim Museum) host his Retrospective. In 1986, Chrismas pleaded no contest after Canadian real estate developer C. Frederick Stimpson alleged that he had improperly sold work belonging to the collector, among them pieces by Andy Warhol and Rauschenberg. Under the terms of the settlement, Chrismas agreed to pay Stimpson $650,000 over a period of five years. He continues to work with the Stimpson family in handling their art interests. In 1989, ACE Gallery wanted to borrow a work by Judd along with Carl Andre's 1968 Fall, both owned by Count Giuseppe Panza, for an exhibition devoted to minimal art called The Innovators Entering into the Sculpture. Rather than shipping the two large scale works from Italy, Panza authorized ACE Gallery to refabricate the pieces in Los Angeles. In Panza's collection archives, there is a series of signed certificates signed by Judd that granted Panza broad authority over the works by Judd in his collection. These certificates "authorized Panza and followers to reconstruct work for a variety of reasons," as long as instructions and documentation provided by Judd were followed and either he or his estate was notified. This even included the right to make "temporary exhibition copies, as long as the temporary copy was destroyed after the exhibition; and the right to recreate the work to save expense and difficulty in transportation as long as the original was then destroyed." Miwon Kwon, in her account of site specificity: "One Place After Another," presents the account of ACE Gallery recreating artworks by Donald Judd and Carl Andre without the artist's permission. Andre and Judd both publicly denounced these recreations as "a gross falsification" and a "forgery," in letters to Art in America, however, the fabrication of the pieces were permitted by Panza Collection in Italy, the owner of the works. Despite the confusion surrounding the Panza refabrications, both Carl Andre and Donald Judd maintained a professional relationship with Douglas Chrismas and ACE Gallery. Andre showcased works at ACE Gallery in 1997, 2002, 2007, 2011 and present day. In 2007, Carl Andre's show entitled "Zinc" was exhibited at ACE Gallery in Beverly Hills. Donald Judd paid a visit to The Innovators Entering into the Sculpture exhibition at ACE Gallery and agreed to keep his sculpture in the exhibition. After the exhibition was over, Chrismas planned to sell the metal used for the re-fabrication of Judd's work for scrap metal but Judd wanted to own the re-fabrication for himself. ACE Gallery then sold the re-fabrication of Donald Judd's work to Donald Judd. After having consigned more than $4 million worth of art to ACE Gallery to sell in 1997 and 1998, the sculptor Jannis Kounellis filed a lawsuit in Los Angeles Superior Court in 2006, accusing Chrismas of keeping most of the profits of artworks and refusing to return the pieces that did not sell. According to the lawsuit, the primary agreement between Kounellis and Chrismas was oral. Chrismas returned all of Kouenllis' artwork, and did a full accounting of the proceeds from Kounellis' work—minus the expense of exhibiting it. The matter was resolved between the two of them and ACE Gallery still sells and exhibits Kounellis' work today. By 2006, Chrismas had filed for Chapter 11 bankruptcy protection at least six times since 1982, barring most of his creditors from collecting the money immediately owed to them. Chrismas filed for Chapter 11 bankruptcy to protect the gallery's extensive real estate holdings from the problematic landlord. The landlord of the Wilshire Boulevard space, Wilshire Dunsmuir Company, claimed that ACE owed back rent and penalties however, the claim was disputed by Douglas Chrismas. In court papers, Chrismas Fine Art claimed that it would cure "the pre-petition" debt by Feb. 1, 2000, and was asking the court to protect its right to remain in the property. A declaration filed by Douglas Chrismas characterized this leasehold as the business' primary asset. -Courtesy Wikipedia About Dan Flavin Dan Flavin (1933–1996) was a pioneer of Minimal Art. He rose to fame in the 1960s with his work with industrially manufactured fluorescent tubes, inventing a new art form and securing his place in art history. The exhibition at the Kunstmuseum Basel focuses on his works that are dedicated to other artists or make reference to certain events. Back in 1963 Dan Flavin mounted a single, industrial fluorescent light tube at a 45-degree angle to the wall of his studio declaring it art; the act was radical, and it still is. Indeed, it was owing to this action that standard commercial products would be introduced into art: The nascent Minimal Art of the era emphasised seriality, reduction and matter-of-factness. Somewhat ironically, while the autodidact Flavin never himself sought membership to this movement in art, he would, and quite literally, go on to become one of its most illustrious exponents. Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called ‘situations’, he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated color from the two-dimensionality of painting. The prevalent perception of his light works has, to date, largely centred on their minimalist, industrial aspect, and thus on the inherent simplicity of their beauty. The exhibition at Kunstmuseum Basel, by contrast, places emphasis on looking at Flavin’s oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists—as in the work untitled (in memory of Urs Graf...

Edition of 50 The Françoise Nielly limited editions are available as pigment prints on aluminium: durable and colourfast hi-definition images with a ...

Agent X Title : Desiree Calderon Year: 2019 Medium: Digital Print Signed Edition: 125 70 x 70 inches Agent X, cultural explorer and agent of the unknown, is an emerging artist who c...

Man in the Mouth of the Cave, 2019 Archival print on heavy matt stock 30.5 x 30.5 cm Edition of 200 signed and numbered by the artist Billy Childish is a prolific British artist, mu...

Kate II - Oversize limited edition - Kate Moss Beautiful archival pigment print of the supermodel and fashion icon by the London based contemporary pop art image creator and artist...

Atomic Yellow - Oversize Signed limited edition - Pop Art - Brigitte Bardot by the London based contemporary pop art image creator and artist, BATIK. Me...

**90 DAYS ANNUAL SUPER SALE UNTIL APRIL 30TH** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* **IMPORTANT** This is limited edition of only 30 print...

Lyonel Feininger, 'Church with Star (Kirche mit Stern)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W265. Annotated 'W 265' (Feininger catalogue number) and inventory no. '2808' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce. Image size 2 3/8 x 2 3/8 inches; sheet size 10 1/16 x 7 1/16 inches. Archivally sleeved, unmatted. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...

Louise Marler Keys To Success C-print on metallic white stock mounted on wood 2022 Size: 7x7x0.5in Edition: 25 Signed and numbered by hand Stamped Ready to hang COA provided Ref.: 924802-1413 Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art culture, as well as Joshua Tree, California, where I created the first Type Inn.” Louise Marler’s work is featured in the documentary film, “The Typewriter in the 21st Century,” and TV shows including “Two and a Half Men,” “Curb Your Enthusiasm,” “The Mentalist,” “Criminal Minds,” “Jane the Virgin,” “Dear White People,” “Lucifer,” “Arrested Development,” “Love Victor, and “A Black Lady Sketch.” typewriter queen, la marler, typewriter art, typewriter artist, Typewriter, Typewriters midcentury, modern art, typewriter life, typewriter community, typewriter collection...

Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity to...

Pedro Friedeberg is an artist and designer from Mexico of Italian origin, known for his surreal work full of lines, colors, and ancient religious symbols. His best-known piece is the...

This piece titled "Weed Wreath" is an original artwork made from hand colored cut-plate intaglio on Somerset by Katie VanVliet. This piece is shipped in the pictured white frame and ...

Howdy Doody By Andy Warhol Andy Warhol, a leading figure in the Pop Art movement, revolutionized the art world with his iconic works that celebrated consumer culture and celebrity...

In this 1979 lithograph, Deborah Garber creates an unexpected scene where dinosaurs engage in a chess game, blending the animal kingdom's wildness with the chessboard's strict rules....

THE EMPRESSES - WU ZETIAN Date of creation: 2022 Medium: Laminated giclée print on aluminium composite and screen printed with glitter. Edition number: 2.853 (1.284 physical + 1.569 ...

Les Senteurs II by Pierre Marie Brisson, French (1955) Date: 2002 Mixed Media Print on Handmade Paper, signed and numbered in pencil Edition of 30/30 Image Size: 30.5 x 30.5 inches S...

Pedro Friedeberg is an artist and designer from Mexico of Italian origin, known for his surreal work full of lines, colors, and ancient religious symbols. His best-known piece is the...

Keith Haring (1958-1990, American) Silence Equals Death (Littmann 152) 1989 Screenprint 39 x 39 in. Edition of 200 Pencil signed and numbered Keith Haring's Silence Equals Death, cr...

Richard Haas The Rookery Courtyard, Chicago, 1974 Etching on etching rag paper Signed, titled and numbered 11/50 in graphite pencil on the front Frame included Etching on etching ra...

Bear with Predella (from Rubber Stamp Portfolio), 1976 Rubber Stamp Print on Arches Satine with Envelope 8 × 8 inches Edition of 1000 Unframed -...

An eye for detail. Homage to the iconic Ray-Ban style glasses. This unique, one-of-a-kind giclèe print is printed on archival, acid-free, cold press paper. Giclèe prints are high qua...

Serigraph in colors on gesso board. Hand signed and numbered lower front by Romero Britto. From the edition of 48. Frame size approx 49.5 x 49.5 inches. Artwork size 32 x 32 inche...

Shan Fannin's (US based) "1967 Volkswagen Samba/Kombi Bus" is an limited edition giclée print that depicts a front view of a blue and white Volkswagen bus...

"Geometry 1" Photography 39" x 39" inch Edition of 3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Availab...

Letter A is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

Grevy's Zebra, from Endangered Species. Screen print in colors on Lennox Museum Board. Hand signed and numbered by Andy Warhol. Edition 61/150 (there were also 30 AP's, 5 PP's, 5 EP's, 3 HC's, 10 numbered in Roman numerals, 1 BAT, and 30 TP's). Printed By Rupert Jansen Smith, Ny. Published By Ronald Feldman Fine Art Inc., NY. Artwork is in excellent condition. Certificate of authenticity issued by Gallery Art included. All reasonable offers will be considered. From the Endangered Species portfolio, which premiered in 1983. Warhol was commissioned by environmentalists and gallerists Ronald and Frayda Feldman to depict 10 endangered animals, bringing attention to their fragility. The US federal government had passed the Endangered Species Act (ESA) in 1973, making clear criteria for assigning the status of “endangered” to animals that had seen massive attrition of their populations. This designation has been adopted internationally and Warhol’s Endangered...

Agent X Eminem (Black & White) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm Hahnemühl...

Letter Q is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

Antiquities of Herculaneum  - Letter of the Alphabet B,  from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Mignani in the 18th centur...

Letter B is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

Letter C is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

Letter C is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

Hugh Turvey is a British artist and photographer who uses x-ray technology to create what he calls Xograms, a fusion of visible light and x-ray imagery. H...

The Paint Horse: Magritte is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 241/275 (there were also 100 Roman a...

Deep in the forest, amidst the mists of dawn, a red deer stag appears… Guy Allen’s etchings inspired by the fauna of Norfolk have a remarkable level of detail. His etchings captur...

Bold print of "Brotherhood" by Kathe Kollwitz (German, 1867-1945). This piece is one of the Lithographic reproductions of the original lithographs, plate 3 from a series of 10, print...

"Goethe" is a silkscreen in colors made by Andy Warhol in 1982. The work is signed and editioned in graphite, lower left, "70/100 Andy Warhol". The artwork size is 38 x 38 inches. Th...

Screen print on waxed paper plate. Unsigned from an unknown edition. Published by Bert Stern, New York. Plate size 10 x 10 inches. Frame size approx 17 x 17 inches. Stamped "Roy Lichtenstein On First Inc, 1969" on plate verso. Excellent condition. All reasonable offers will be considered. Lichtenstein made the paper plate for the well-known fashion and advertising photographer Bert Stern, who had set up an uber-chic New York boutique called “On First Store”. Located in Manhattan, Stern’s idea was to commission stylish yet affordable objects for the home and wardrobe from notable fashion designers and artists. Unfortunately, the shop did not last long and most of the plates were left undistributed. About the Artist: Roy Lichtenstein (American, 1923–1997) was an artist known for his paintings and prints which referenced commercial art and popular culture icons like Mickey Mouse. Composed using Ben...

Limited Edition Print of Brooklyn Bridge New York City NYC Skyline United States of America. This painting captures the New York Skyline with ...

Raymond Pettibon Black Flag 1984: Rare early 1980's Black Flag promotional poster illustrated by Raymond Pettibon for the seminal Black Flag record: My War. A striking, historic 1980s Raymond Pettibon Black Flag poster sure to standout in any setting. Offset printed punk poster...