Square Figurative Prints

"Aerial 2" Black & White Photography 24" x 24" in Ed. of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

No title (No 36) Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko No title (No 36) by Yevgeniy Repiashenko Year photo was taken: 2017 Limited Edition of 18 Picture size...

"Aerial 2" Black & White Photography 31" x 31" in Edition of 7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube....

Keith Haring Memorial 1990: Original announcement to Keith Haring’s memorial exhibition, ‘Keith Haring Early Works on Paper,’ at Tony Shafrazi Gallery, 1990. The exhibition was held from May 4th to June 2nd, 1990. Printed on heavy stock textured paper; measures 7.25 x 7.25 inches. Very good condition. A classic, vintage Keith Haring collectible. Keith Haring was an American artist and social activist known for his illustrative depictions of figures and symbols. His white chalk drawings could often been found on the blank poster marquees in New York’s public spaces and subways. “I don't think art is propaganda,” he once stated. “It should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.” Born on May 4, 1958 in Reading, PA, he grew up in neighboring Kutztown, where he was inspired to draw from an early age by Walt Disney cartoons and his father who was an amateur cartoonist. After briefly studying commercial art in Pittsburgh, Haring came across a show of the works of Pierre Alechinksy and decided to pursue a career in fine art instead. He moved to New York in the late 1970s to attend the School of Visual Arts, and soon immersed himself in the city’s graffiti culture. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf, and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. Diagnosed with HIV/AIDS in 1988, Haring’s prodigious career was brief, and he died of AIDS-related complications on February 16, 1990 at the age of 31. Before his death, Haring established the Keith Haring Foundation, a non-profit committed to raising awareness of the illness through art programing and community outreach. Throughout his career, Haring made his art widely available through the location of his murals, as well as through the Pop Shop—Haring's own storefront which he used to sell his memorabilia.The artist’s mural Crack is Wack (1986), can still be seen today on a retaining wall along FDR Drive in Manhattan. Haring’s works can be found in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C. Related Categories: Keith Haring snakes. Keith Haring posters. Keith Haring and Tony Shafrazi. Keith Haring pyramid...

"Play with Me" Photography 39" x 39" inch Edition 1/3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. A...

"Men" Black & White Photography 31" x 31" inch Edition 1/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

No title (No 77) Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko No title (No 77) by Yevgeniy Repiashenko Year photo was taken: 2020 Limited Edition of 18 Picture size...

No title (No 16) Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko No title (No 16) by Yevgeniy Repiashenko Year photo was taken: 2017 Limited Edition of 18 Picture size...

"No Time" Black & White Photography 31" x 31" in Edition of 7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

"Double" Black & White Photography 39" x 39" in Edition of 3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube....

"No title (No 29)" Photography Edition of 18 47x47 inch by Yevgeniy Repiashenko Photography Edition of 18 (47" x 47" inch) by Yevgeniy Repiashenko Year photo was taken: 2016 Unfra...

Mel Ramos Cat Woman #1, 2011 Lithograph in colors 23 1/5 × 23 1/5 in 59 × 59 cm Edition of 199: Hand-signed and numbered

Medium: Etching Edition of 90 Year: 1977 ImageSize: 4 x 4 inches Signed, titled and numbered etching from the edition of 90. Humorous portrait of the Serpent (from Adam and Eve) on ...

Oil and silkscreen on canvas Hand signed, numbered, and dated on verso by Robert Indiana. Edition IV/V. Part of a series that Robert Indiana created in support of Barack Obama’s p...

Rocca Luis César Luna llena (Full Moon), 2023 Serigraph in five colors 21.70 x 21.70 in Edition of 30 This serigraph (silkscreen or screen print) is part of a limited edition of 30....

Pedro Friedeberg is an artist and designer from Mexico of Italian origin, known for his surreal work full of lines, colors, and ancient religious symbols. His best-known piece is the...

No title (No 78) Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko No title (No 78) by Yevgeniy Repiashenko Year photo was taken: 2017 Limited Edition of 18 Picture size...

“Permafrost” Photography 24" x 24" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag From "Rite of Spring" series In this melancholy series...

No title (No 15) Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko No title (No 15) by Yevgeniy Repiashenko Year photo was taken: 2016 Limited Edition of 18 Picture size...

No Title (No 62) Photography Edition of 38 20 x 20 inch by Yevgeniy Repiashenko Photography Year photo was taken: 2021 Unframed - ships in a tube This picture is a part of Spir...

"Radio and Bowlers in the Cloud" is a work by David Barnett inspired by the surrealist works of René Magritte in conjunction with the David Barnett Gallery's 2020 exhibition of Magritte lithographs. In this artwork, Barnett references this past master, but also contemporary technology by making bowler hats dance across the cloud-filled sky above an antique GE...

"Men" Black & White Photography 24" x 24" inch Edition 2/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

"The Circus" Black & White Photography 24" x 24" in Ed. 2/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

Sailing boat at Morston Creek by Joanna Padfield [2022] limited_edition Linocut Edition number 50 Image size: H:30.8 cm x W:30.8 cm Complete Size of Unframed Work: H:38 cm x W:38 cm...

During the pandemic, the artist stayed for 4 months in Oaxaca on a beach called San Aguistinillo, where he developed the Sana Distancia (safe distance) collection, he created each da...

"Lotus" Photography 47" x 47" inch Edition of 18 by Yevgeniy Repiashenko "Lotus" by Yevgeniy Repiashenko Year photo was taken: 2019 Limited Edition of 18 Picture size: Height: 47" ...

"Veris" Photography 47" x 47" inch Edition of 18 by Yevgeniy Repiashenko "Veris" by Yevgeniy Repiashenko Year photo was taken: 2021 Limited Edition of 18 Picture size: Height: 47" ...

"Play with Me" (FRAMED) Photography 24" x 24" in Edition of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Framed Available sizes: ...

An original drypoint monotype by American female artist Kathleen Sherin.

"Butterfly 5" Photography 24" x 24" in Edition 1/24 by Giuliano Bekor Title: Butterfly B12 Year: 2018 Print size: 24" x 24" Inch Edition: 1/24 Artist proof: 2 Medium: Archival fi...

Screen print in colors on paper. Hand signed and numbered lower front by Romero Britto. Edition of 125. Frame size approx 37 x 37 inches. Image size 24.75 x 24.75 inches. Certifi...

"Two Protea" (2024) by Kate Breakey is a limited-edition archival pigment print that is hand colored using pencil and pastel. About the artist: Kate Breakey is internationally know...

"Butterfly 6" Photography 24" x 24" in Edition 1/24 by Giuliano Bekor Title: Butterfly B12 Year: 2018 Print size: 24" x 24" Inch Edition: 1/24 Artist proof: 2 Medium: Archival fi...

Archival Pigment print on Hahnemuhle museum etching paper edition 11 of 250 printed signature on archival label on verso 30.48 x 30.48 cm Published by Exhibtion A and comes with pub...

No Title (No 44) Photography Edition of 18 47x47 inch by Yevgeniy Repiashenko Photography Year photo was taken: 2019 Unframed - ships in a tube This picture is a part of Spirit...

Title: Hopi ca. 1920s Artist: Lon Megargee Medium: Block Print Size: 11 x 11 inches (Sight Measurement) Creator of Stetson's hat logo "Last Drop from his Hat" Image of Lon Megargee not included in purchase. Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...

"Flame" Photography Edition of 18 47" x 47" inch by Yevgeniy Repiashenko Photography Year photo was taken: 2018 Unframed - ships in a tube This picture is a part of Spirit seri...

"Butterfly 14" Photography 24" x 24" in Edition 1/24 by Giuliano Bekor Title: Butterfly B12 Year: 2018 Print size: 24" x 24" Inch Edition: 1/24 Artist proof: 2 Medium: Archival f...

No Title (No 75) Photography Edition 2/28 36 x 36 inch by Yevgeniy Repiashenko Photography Year photo was taken: 2022 Unframed - ships in a tube This picture is a part of Spiri...

Artist: Andy Warhol Title: Flash - November 22, 1963 Medium: Screenprint on paper Date: 1968 Edition: 200 Sheet Size: 21" x 21" Signature: Hand signed in pencil, verso Reference: Fel...

"Asphodel" Photography Edition 8/28 36 x 36 inch by Yevgeniy Repiashenko Photography Year photo was taken: 2020 Unframed - ships in a tube This picture is a part of Spirit seri...

No Title (No 11) Photography Edition of 28 36 x 36 inch by Yevgeniy Repiashenko Photography Year photo was taken: 2017 Unframed - ships in a tube This picture is a part of Spir...

This is an extraordinary collection of Linoleum Cuts by master printmaker Tom Huck. The Suite of 13 linocuts is encased in a homemade glory hole cover and also include a protective centerfold cover. This artwork could be framed to hang in a grouping. Contact gallery for details. Tom Huck, also spelled Hück, (born 1971), is an American printmaker best known for his large-scale satirical woodcuts. He lives and works in St. Louis, Missouri, where he runs his own press, Evil Prints. He is a regular contributor to BLAB! of Fantagraphics Books. His work is influenced by Albrecht Dürer, José Guadalupe Posada, R. Crumb, and Honoré Daumier. Huck’s illustrations have appeared in publications such as The Village Voice, The Riverfront Times, and the Minneapolis City Pages. Huck's woodcut prints are included in numerous public and private collections, including the Whitney Museum of American Art, Library of Congress, Spencer Museum of Art, Nelson Atkins Museum of Art, Saint Louis Art Museum, Milwaukee Art Museum, Minneapolis Institute of Art, Art Institute of Chicago, Fogg Art Museum, Michael C. Carlos Museum, and New York Public Library. Huck has been represented by David Krut Art Projects in New York, Sherry Leedy Contemporary Art in Kansas City, Missouri, Duane Reed Gallery in St. Louis, Missouri, Gallery Victor Armendariz, Chicago and Eli Ridgway Gallery in San Francisco. Beginning in October 2017 Huck’s gallery representation is C. G. Boerner in New York. In September 2011 Huck was awarded a Pollock-Krasner Foundation grant. Huck is best known for creating large-scale woodcuts acting as both satirical narratives and social criticism.[1] He says in his artist statement: "My work deals with personal observations about the experiences of living in a small town in southeast Missouri. The often Strange and Humorous occurrences, places, and people in these towns offer a never-ending source of inspiration for my prints. I call this work 'rural satire'".[2] From 1995 to 2005, Huck created two woodcut folios: 2 Weeks in August: 14 Rural Absurdities and The Bloody Bucket. 2 Weeks in August: 14 Rural Absurdities, a thematically unified suite of 14 large woodcut prints, depicted 14 bizarre folk tales that allegedly occurred in Huck's hometown of Potosi, Missouri. The suite was produced in three years from 1995 to 1998. His second body of work, The Bloody Bucket, was based on violent legends surrounding a bar of that name in or around his hometown of Potosi. It comprises 10 large-scale woodcuts, executed between 1999 and 2005. In December 1999, Huck's work represented the United States in an exhibition entitled From Kandinsky To Corneille: Linoleum in the Art of the 20th Century held at the Cobra Museum in Amstelveen, Holland. Featured in the exhibition was a large scale linoleum cut by Huck entitled "Attack of the 50ft. Yard Ornament". The piece was commissioned specifically for the exhibition by the linoleum company Forbo-Krommenie in Amsterdam. The Whitney Museum of American Art in September 2003 featured two works by Huck in an exhibition entitled To Be Human. Both the works featured were woodcuts from the series 2 Weeks in August. Huck is currently working on a 14-triptych cycle of woodcut prints entitled Booger Stew. The first installment of the series, a triptych entitled "The Transformation of Brandy Baghead Pts. 1, 2, & 3", was completed in March 2009. An exhibition entitled Tom Huck and the Rebellious Tradition of Printmaking opened on August 28, 2009 at the Saint Louis Art Museum. Prints by Albrecht Dürer, William Hogarth, Jose Guadalupe Posada, and Max Beckmann were featured alongside Huck's "The Transformation of Brandy Baghead Pts. 1, 2, & 3". Electric Baloneyland On December 19, 2011, Huck announced the April 1, 2012, release of The Hillbilly Kama Sutra. This new suite of 15 linoleum cut prints is Huck's first portfolio of prints since 1998's 2 Weeks in August: 14 Rural Absurdities. On April 12, 2012, a selection of prints from the new series were released in the St. Louis weekly publication The Riverfront Times. On May 4, 2012, Sherry Leedy Contemporary Art in Kansas City, Missouri, hosted the debut exhibition of The Hillbilly Kama Sutra. In February 2013, Huck illustrated a cover story entitled "The 10 Weirdest Members of Congress" written by Caleb Hannan. The feature article appeared in The Riverfront Times and four other Voice Media Group publications: the Houston Press, Dallas Observer, Broward-Palm Beach New Times, and Minneapolis City Pages. All five had a cover caricature of Michele Bachmann's head on a snake, referencing the "Don't Tread On Me" motif. The story featured 9 politicians in caricature. In early spring of 2014 Huck completed work on his second major woodcut triptych from "Booger Stew" entitled "The Tommy Peeperz". "The Tommy Peeperz" debuted in a show of The Outlaw Printmakers entitled "The Dirty Dozen...

Artist: Derrick Adams Title: Untitled (Sheet 9) Portfolio: How I Spent My Summer 2021 Medium: Screenprint with collage Year: 2021 Edition: BAT (the good-to-print proofs, aside from t...

Pedro Friedeberg is an artist and designer from Mexico of Italian origin, known for his surreal work full of lines, colors, and ancient religious symbols. His best-known piece is the...

Artist: Derrick Adams Title: Untitled (Sheet 1) Portfolio: How I Spent My Summer 2021 Medium: Screenprint with collage Year: 2021 Edition: BAT (the good-to-print proofs, aside from t...

16 x 16 - Edition 5 of 7 with 2 APs framing is an additional $265. Shot in 2013 in Amsterdam Inspired by Metsys’ Moneylenders, 1514 Photography and acting are kindred spirits in t...

Knots ok Fire: Monotype on archival paper Size: 20 x 20 by South American/Venezuelan artist Luisa Duarte is an example of geometric abstract art . Luisa Duarte works out of her stu...

Sarah Morris (American, born 1967) Color Referents (Miami), 2003 Medium: Portfolio of 9 digital pigment prints, on photo rag paper Dimensions: 68 x 68 cm (26¾ x 26¾ in) each Edition ...

Shooting Stars is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered LXXV/C (there were also 275 Arabic and 20 AP). ...

Robert Indiana LOVE Brooch, Limited Edition for the Yorkshire Sculpture Park, 2022 Sterling silver in black gift box with silver foil detail Accompanied by fold out information card ...

This is an original Murakami print. Sold unframed. Brand new. Handsigned and numbered out of 300 editions. Buyer protection by both 1stdibs and gallery. LAST ONE - one of the iconic...

Screen print, hand-finished with stencil and spray paint on hand torn archival art paper. Hand signed and numbered on front, thumb print on verso by the artist. Edition 42/50. Fra...

Artist: Jiang Tie-Feng (1938) Title: White Mermaid Year: 1988 Medium: Silkscreen on Vellum Rag paper Edition: LXX/LXXV, 293 Arabic Numerals, 75 Roman Numerals, plus proofs Size: 36 x...

„Pride“ (3D) (2021) by Insane51 9-Color Screen Print with Spot Varnish on 310gsm Tub Sized Somerset Satin Size: 60 cm x 60 cm Edition of 125 (#104/125) Signed and numbered by the art...

Edition of 15 Signed, titled, dated and print type Platinum Palladium print Paper size: 14 x 11 3/4 in., Image size: 10 x 10 in. While integrating photography and his passion for g...

David Hockney Hand made Fine Bone China Jewelry/Trinket Box for The Rake's Progress Drop Curtain, 2019 Fine bone china finished with platinum gilding in presentation gift box David H...

The artwork is print on silk and it is limited edition. Shall we wander through realms surreal? Where Shakespeare's tales in moonlight reel. Midsummer's night, where fairies prance,...