Square Figurative Prints

Signed and Numbered Limited Edition Silkscreen Print on 300gsm weight Claro Silk Paper Framed: 110 x 110 cm 43 1/4 x 43 1/4 in. Edition of 50 (#22/50) ----------- Deborah Azzopardi...

Medium: Etching Edition of 90 Year: 1977 ImageSize: 4 x 4 inches Signed, titled and numbered etching from the edition of 90. Humorous portrait of the Serpent (from Adam and Eve) on ...

Marilyn I Signed Limited Edition By Blank Barbie pop artwork of the iconic sex symbol and actress Marilyn Monroe. Taken from costume shots for her unfinished film Something's Go...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instagram, the pixelated landscapes of Minecraft and the geometric paintings of Peter Halley. While Halley's paintings refer to philosopher Michel...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

Sheet: 9 7/8 x 11 3/8 inches Plate: 5.75 x 5.88 inches Frame: 14 x 14 inches Etching (A/P) Rozman received his BFA (with honors in 1967) and MFA (1969) from UW-Milwaukee, and would...

Complete title: El Origen del Deseo - Buen Rollo I (The Origin of Desire - Good Vibes I) Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting m...

Color woodcut on 410 gsm somerset white paper. Hand signed lower right by Damien Hirst. Hand numbered 38/55 on verso. From the "40 Woodcut Spots" series published by Paragon Press...

Robert Indiana Love Is God, 2014 Silkscreen on 2 ply Rising Museum Board 32 × 32 inches Hand signed and numbered 33/50 in graphite pencil on ...

ORIGINAL MIXED MEDIA ON ARTBOARD 40 x 40 inches - Original mixed media signed by the artist. Craig Alan is a Pop Surrealist, internationally recognized for his ingenious portraits o...

Cooking the Books a lithograph on paper, 9.25 x 9 inches image size. From the edition of 395, numbered LXXV/C (there were also 275 Arabic and 20 AP), framed in a contemporary, silver...

Contemporary etching print by Polish artist Elzbieta Bocianowska. The print depicts landscape with tree in the on a green tall grass. The artwork is minimalistic. Print is mostly in ...

LIMITED EDITION PRINT 62 x 62 inches - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, int...

ORIGINAL MIXED MEDIA ON ARTBOARD 40 x 40 inches - Original mixed media signed by the artist. Craig Alan is a Pop Surrealist, internationally recognized for his ingenious portraits o...

ANDY WARHOL, Pittsburgh 1928 - New York 1987 Marilyn (Sunday B. Morning), 1967 Color silkscreen (mm. 910x910) Perfect specimen published by the Sunday B. Morning. On the verso stamps...

Contemporary etching print by Polish artist Elzbieta Bocianowska. The print depicts landscape with tree in the foreground and trees in the background. The artwork is minimalistic. Pr...

In Dream is a Contemporary Artwork realized in Italy by Guelfo Bianchini (Ancona, 1937) in 1995 . Colored Etching on paper. Hand-signed and dated in pencil on the lower corner: G...

Letter V is an Etching realized by Luigi Vanvitelli in 18th century. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (ori...

Marilyn Monroe Turquoise Red No. 43 by BATIK Archival pigment pop art print signed & limited edition. paper size 30 x 30" inches / 76 x 76 cm signed and numbered by the artist on ...

Lyonel Feininger, 'Church with Star (Kirche mit Stern)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W265. Annotated 'W 265' (Feininger catalogue number) and inventory no. '2808' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce. Image size 2 3/8 x 2 3/8 inches; sheet size 10 1/16 x 7 1/16 inches. Archivally sleeved, unmatted. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...

Tom Bartek (American/Nebraska, 1932). "Winter Still Life" -1973, screenprint. Pencil signed, titled, dated and numbered 111 of 112, Approx. 30.25" x 30.25" (frame), 25" x 25.5" (sigh...

"Angel Delgado (Cuba, 1965) 'Untitled (La Huella Múltiple)', 2002 engraving on paper 8.1 x 8.1 in. (20.5 x 20.5 cm.) Edition of 300 ID: HUE-215"

ANDY WARHOL, Pittsburgh 1928 - New York 1987 Marilyn (Sunday B. Morning), 1967 Color silkscreen (mm. 910x910) Perfect specimen published by the Sunday B. Morning. On the verso stamps...

Orit Fuchs lives and works in Tel Aviv‭, ‬a storyteller with a deep‭, ‬pure, and unquenchable appetite for artistic self-expression‭. ‬Her medium spans the gamut‭ - ‬sculptures‭, ‬pa...

"Everytime I See A Butterfly..." Unique Print 31.5" x 31.5" in by Kii Arens Full name: Everytime I See A Butterfly, I Know It's You Medium: 4-Color Print on Acrylic Framed ABOUT O...

'Viperteen' - Screen Print by Prefab77 Size: 24.25 x 24.25 inches / 61,6 x 61,6 cm Published on 21st of June 2017 Edition of 25 5 color Screen Print on Fabriano 250gsm cotton paper ...

Cleon Peterson (b. 1973) Out Of Darkness (Gold), 2018 Screenprint on Coventry Rag paper 28 x 28 inches (71.1 x 71.1 cm) (sheet) Ed. 131/150 Signed, numbered and dated in pencil along...

Kate Night Blue by BATIK signed limited edition print Paper Type : Archival Pigment print Artwork of the supermodel Kate Moss Made and signed by London based pop artist BATIK. ...

Printed in Switzerland and published by La Guilde du Livre and Clairefontaine, Lausanne in 1972, this third edition (#781) is a beautifully produced volume showcasing the works of Le...

MY HEART BELONGS TO DADDY Edition 2018 Digital printing on aluminum Dimensions: 40 x 40 cm Limited edition of 10 copies, numbered Hand signed by the artist...

Artist: Mihail Chemiakin (Russia/France/US, born 1943) Title: Carnaval De Saint Petersbourg Medium: Color lithograph Edition: Numbered 243/275 i...

Printer's Proof /5 Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. He...

HOME is where our story begins, the magic thing about home is that it feels good to leave, and it feels even better to come back. “Returning home again is clean water to my parched ...

Title: Hopi ca. 1920s Artist: Lon Megargee Medium: Block Print Size: 11 x 11 inches (Sight Measurement) SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & INSURANCE Creator of Stetson's hat logo "Last Drop from his Hat" Image of Lon Megargee not included in purchase. Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...

Frank Martínez (Cuba, 1972) 'Untitled (La Huella Múltiple)', 2002 engraving on paper 8.1 x 8.1 in. (20.5 x 20.5 cm.) Edition of 300 ID: HUE-230 Hand-sig...

Lowell Nesbitt Orchid, 1979 Silkscreen on wove paper Pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front Published by Charles Cardinale Fine Creations, Inc., with blind stamp on the front 25 × 25 inches Unframed This work is pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front. About Lowell Nesbitt. Lowell Nesbitt, who was born in Baltimore on Oct. 4, 1933, was a graduate of the Tyler School of Art at Temple University in Philadelphia and also attended the Royal College of Art in London, where he worked in stained glass & etching. In 1964, the Corcoran Gallery or Art in Washington gave him one of his first museum exhibitions, and by the mid 1970's he had decided to leave the museum a bequest of more than $1 million. But in 1989, he publicly revoked the bequest after the Corcoran canceled a disputed exhibition of photographs by Robert Mapplethorpe, who was an old friend. Mr. Nesbitt named the Phillips Collection as a beneficiary instead. He was frequently grouped with the Photo Realists, but his images were more interpretively distorted, somewhat loosely painted and boldly abbreviated. He had many subjects: studio interiors, articles of clothing, piles of shoes and groupings of fruits and vegetables. He also painted his dog, a Rottweiler named Echo, the Neoclassical facades of SoHo's 19th century cast-iron buildings and several of Manhattan's major bridges. Despite such variety, Lowell Nesbitt was best known for gargantuan images or irises, roses, lilies and other flowers, which he often depicted in close up so that their petals seemed to fill the canvas. Dramatic, implicitly sexual and a little ominous, they earned the artist a popularity with the general public that tended to overshadow his reputation within the art world. In 1980, the United States Postal Service issued four stamps based on Mr. Nesbitt's floral paintings. He also served as the official artist for the space flights of Apollo 9...

Two Color Offset Lithograph on Wove Paper by photo realist star Robert Cottingham Pencil signed, titled and numbered from the edition of 150 on the front This hand signed, titled and...

Artist Reproduction plate. Edition 1401A Reihe "Gustav Klimt – Phantastische Meisterwerke" mit einem diagonalen Durchmesser von 22 cm und einer Goldumrandung an. Es handelt sich dabei um die Ausgabe "...." aus dem Jahr 1990, Teller-Nr. ?, die als Reproduktion im Auftrag des Hauses Lilien Porzellan...

Artist: Yvaral, Jean-Pierre Vasarely (1934-2002) Title: Double-Six Year: 1972 Medium: Silkscreen on museum board Edition: 10/200, plus proofs Size: 26 x 26 inches Condition: Good Ins...

Shan Fannin's (US based) "1971 Mercedes AMG 300 SEL (a.k.a. "Red Pig")" is an limited edition giclée print that depicts a 1971 Mercedes AMG 300 SEL. Born 1969...

José Miguel Díaz Pérez (Mayimbe) (Cuba, 1974) 'Untitled (La Huella Múltiple)', 2002 engraving on paper 8.1 x 8.1 in. (20.5 x 20.5 cm.) Edition of 300 ID: HUE-231 Hand-signed by author

Amelia - Figurative Painting by Marc Zimmerman This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. ABOUT THE ARTIST Marc Zimmerman is a visionary artist whose creati...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

The artwork will be sent unframed Linocut print „Murmurations 4/2” 2021 Linocut colorful print technique Linocut from 2 matrices Limited edition, print unique number 2/12 Paper Fabri...

Antiquities of Herculaneum - Letter of the Alphabet L, from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Mignani in the 18th century. Good ...

ABOUT THIS PIECE: My artistic journey on Burano Island has been a captivating exploration of its vibrant character. While initially drawn to its clotheslines and colourful walls in search of inspiration for my next clothesline animal, I soon discovered that each whimsical house possessed its own unique personality. My work seeks to highlight and amplify these distinctive features, celebrating the island's charm beyond its iconic laundry, embracing the quirks and individuality of every little dwelling. ABOUT THIS ARTIST: Helga Stentzel...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

'Unalloyed' - Screen Print by Prefab77 Size 24.25 x 24.25 inches / / 61,6 x 61,6 cm Published on 21st of June 2017 Edition of 25 5 Color Screen Print on Fabriano 250gsm cotton paper...

Screenprint on lenox museum board. Hand Signed, Numbered, And Dated in Pencil. Edition 297/300. Printed By Brand X Editions. Published by Donald J. Christal, Los Angeles, CA. Ver...

James Barnor (Ghanian, b. 1929) The Roadmaker, 2021 Medium: Pigment print and artist book Print dimensions: 22 x 22 cm Book dimensions: 27.5 x 30 cm Editi...

Screenprint in colors on paper. Hand signed and numbered by the artist. Artwork size 36 x 36 inches. Custom framed as pictured. Frame size approx 42 x 42 inches. From the edition...

Homage to Francis Bacon (Study for Head of Isabel Rawsthorne, moiré) is an offset lithograph, signed and numbered 121/300 lower right, framed in a contemporary, white moulding. Rega...

"SCREAM" DOT DOT DOT 6 layer screen print 350gsm Arches 88 Edition of 150 65 x 65 cm Signed and numbered by the artist DOT DOT DOT is a visual artist f...

Edition 5 JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British sense of humour, 
he ...

Kate Night Blue by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex and...

Letter of the Alphabet C from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belongs...

This piece titled "Weed Wreath (edition 5/6)" is an original artwork made from hand colored cut-plate intaglio on Somerset by Katie VanVliet. This piece is the fifth in an edition of...

GREIG, T. Watson. Lady Mary Mordaunt's black silk shoe. Edinburgh, David Douglas, 1885-1889. Plate from Ladies’ Old-Fashioned Shoes by Greig, T. Watson. An important illustrated m...

Landscape is a lithograph attributed to Nicholas Verrall (1945) in the Late 20th Century. Hand-signed on the right corner. Numbered, Edition, 8/99, on the left margin. On the back ...