Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Georg Schmidt
Zweytes Konigliches Lust Haufs - Original Etching After Paul Decker - Early 1700

Early 18th Century

About the Item

Zweytes Konigliches Lust Haufs is a splendid engraving realized in the early XVIII century by the German engraver Georg Schmidt (1712-1775) after an original artwork by the architect Paul Decker. The state of preservation is good. On the left margin of the paper, there are three tears of which a deeper one in the center. Other damages were restored. On the higher right, there is a small hole and brown edge owing to a burn. On the lower center, there is the title and the inscription “P. Decker inv. et fec. / Cum Priv. S. C. Maj”. On the lower right, “Inch. Georg Schmidt Sculps. 31 / Ieremias Wolff excud. Aug. Vind”. The architect Paul Decker, author of the original artwork, was also an important painter, whose artworks embellished many important palaces in Berlin. He wrote an interesting treatise on architecture, published in 1711, and the book Architectura theoricopractica, published in 1720. The engraver Georg Friedrich Schmidt was one of the main representatives of German burin engraving of the XVIII century. He was well-known for making portraits and for illustrating literary works by Federico II of Prussia. With the editor Ieremias Wolff, he published a series of engravings on copper that show Prince Eugenio di Savoia’s deeds of war in Italy, in southern Germany and in the Spanish Netherlands during the Spanish Secession War. The artwork, besides showing a masterful engraving, is interesting as historical testimony of traditions and as example of 17th-century architectural projects. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died requires a licence for export regardless of the work’s market price. The shipping may require additional handling days to require the licence according to the final destination of the artwork.
  • Creator:
    Georg Schmidt (1712 - 1775)
  • Creation Year:
    Early 18th Century
  • Dimensions:
    Height: 14.77 in (37.5 cm)Width: 24.41 in (62 cm)Depth: 0.04 in (1 mm)
  • Medium:
  • Period:
  • Condition:
    Insurance may be requested by customers as additional service, contact us for more information.
  • Gallery Location:
    Roma, IT
  • Reference Number:
    Seller: M-1023461stDibs: LU65034704982

More From This Seller

View All
View of Ostia - Etching by Alexandre Segé - 1860ca.
Located in Roma, IT
Etching realized bu Alexandre Segé (1818-1885) in 1860 ca.  Rare and in good condition except for some foxing.
Category

1860s Modern Figurative Prints

Materials

Etching

Colleggio Nazzareno - Etching by G. Vasi - Late 18th century
By Giuseppe Vasi
Located in Roma, IT
Colleggio Nazzareno is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for margins with som...
Category

Late 18th Century Old Masters Landscape Prints

Materials

Etching

Basilica e Monasterio di S.Paolo Fuori le Mura by G. Vasi - Late 18th century
By Giuseppe Vasi
Located in Roma, IT
Basilica e Monasterio di S.Paolo Fuori le Mura is an etching on paper of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions ...
Category

Late 18th Century Old Masters Landscape Prints

Materials

Etching

Palazzo Colonna di Sciarra - Etching by G. Vasi - Late 18th century
By Giuseppe Vasi
Located in Roma, IT
Palazzo Colonna di Sciarra is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for consumed ...
Category

Late 18th Century Old Masters Landscape Prints

Materials

Etching

Chiesa di S.Carlo ed Ambrogio al Corso - Etching by G. Vasi - 18th century
By Giuseppe Vasi
Located in Roma, IT
Chiesa di S.Carlo ed Ambrogio al Corso is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except f...
Category

Late 18th Century Old Masters Landscape Prints

Materials

Etching

Collegio di Propaganda Fide - Etching by G. Vasi - Late 18th century
By Giuseppe Vasi
Located in Roma, IT
Collegio di Propaganda Fide is an etching on paper of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for consumed margins and Foxings. Giuseppe Vasi (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome...
Category

Late 18th Century Old Masters Landscape Prints

Materials

Etching

You May Also Like

The Punt
By Rosamond Tudor
Located in Middletown, NY
A dynamic football image from the 1920s by a female artist known for her sports scenes. Etching with drypoint on exceptionally fine laid Japon paper with a double watermark, 10 7/8 ...
Category

Early 20th Century Realist Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

A Hong Kong Canal Boat
By John Taylor Arms
Located in Middletown, NY
Aquatint with hand coloring in watercolor on watermarked, laid Arches paper, 8 1/16 x 5 9/16 inches (206 x 142 mm), full margins. Signed, titled, dated, and numbered 22/40 in pencil,...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Watercolor, Aquatint

Vachère au Bord de l'Eau
By Camille Pissarro
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903) VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii) Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper Very...
Category

1890s Impressionist Figurative Prints

Materials

Etching, Drypoint

Fabricius (Ponte Cestio) Bridge : Framed 18th C. Piranesi Architectural Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
This framed 18th century etching by Giovanni Battista Piranesi is entitled "Dimostransi nella Tav. presente la Pianta, ed Elevazione del Ponte, oggi detto Quattro Capi egli è antichissimo, e chiamavasi Fabrizio da L. Fabrizio Presid. delle Strade, che lo fabbrico' nel fine della Repubblica. "(The Plan and Elevation of the Bridge, today called Quattro Capi. The architect is very ancient, and was called Fabrizio da L. Fabrizio Presid. delle Strade, who built it at the end of the Republic). This is plate 18 in volume 4 of Piranesi's "Le antichita romane opera di Giambatista Piranesi architetto veneziano" (Roman antiquities by Giambatista Piranesi Venetian architect). It was published in Rome in 1756-1757. This etching depicts the plan and elevation of the bridge now called the Ponte dei Quattoro Capi or Ponte Cestio (Bridge of the Four Heads), which in antiquity was called the Bridge of Fabricius after L. Fabricius, the Superintendant of the Streets who built it at the end of the Republic, around 62 BC. It was also been known in the Middle Ages as ‘Ponte Giudeo’ (Bridge of the Jews). The bridge crossed from the left bank or northeast side of the Tiber River to Tiber Island...
Category

1750s Old Masters Landscape Prints

Materials

Etching

Abstract Etching (no. 1/5) by David Mar
Located in Soquel, CA
Bold black and white print by David Mar (American, 20th Century). An abstract print of wartime imagery is layered over the poem "Suicide in the Trenches" by Siegfried Sassoon...
Category

1990s Contemporary Figurative Prints

Materials

Paper, Etching, Ink

We're All Here
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1970s Surrealist Figurative Prints

Materials

Rag Paper, Etching

Recently Viewed

View All