Gianfrancesco Pivati

Funeral Procession among the Indigenouses - by G. Pivati - 1746-1751

1746-1751

Funeral Procession Accompanying of a Mandarin in China. Etching, Hand-Watercoloured. Vol. VIII, Plate XXXIX Image Dim: cm 25.5 x 18; Sheet Dim: cm...

Image dimensions: 25.5 x 18 cm. Funeral Ceremonies among the Mexicans and Venezuelans is a fine etching, hand-watercolored, realized by the engraver Gianfrancesco Pivati. This orig...

Funeral Ceremonies of natives of Guiana- Funeral Ceremonies of Brasilian indigenouses Etchings, Hand-Watercoloured. Vol. VIII, Plate LXXV Image Dim: cm 25.5 x 18; Sheet Dim: cm 37.5 x 23.8; Passepartout Dim: cm 49 x 34 Very Interesting Etchings ( two pictures in the same matrix), Hand-watercoloured, showing typical Funeral Cerimonies of American natives...

Japanese Funeral Procession Etchings, Hand-Watercoloured. Vol. VIII, Plate XLVIII Image Dim: cm 25.5 x 18; Sheet Dim: cm 37.5 x 23.8; Passepartout...

Antique print titled 'Procession des Flagellans'. Antique print of the procession of the Flagellants, a radical movement within the medieval Catholic Church. Artists and Engravers...

Title: Funeral Rites and Burial of Inca Nobles – Rare 1734 Engraving of Peruvian Customs Description: This detailed 1734 copperplate engraving presents two dramatic scenes depicting...

Chinese Funeral Procession with Palanquin – Engraving after Sonnerat, 1806 This detailed engraving titled Convoi Chinois (Chinese Procession) captures a solemn and structured funeral convoy in Qing Dynasty China. At the center of the composition, a decorated palanquin—likely a funerary sedan—rests on the shoulders of uniformed bearers as they proceed through a mountainous landscape. The structure is ornate and domed, possibly symbolizing the status or wealth of the deceased. Surrounding the palanquin is a carefully choreographed group of attendants, officials, musicians, and mourners. To the right, ceremonial banners with trailing tassels are carried high above the procession, and numerous figures wear traditional Chinese robes and conical hats. Some appear to carry gongs or drums, indicating a ritual function. In the foreground, a man places circular offerings or markers along the path, which may be part of the ritual to guide or honor the spirit of the departed. In the background, a rugged terrain of cliffs and hills is visible, dotted with baskets, onlookers, and structures. The left side of the image shows mourners, including a veiled woman and child, standing respectfully aside. The scene presents a harmonious blend of human order and natural setting, reinforcing the gravity of the moment and the cultural significance of funerary rites in Chinese society. This engraving is based on sketches by French explorer Pierre Sonnerat (1745–1814), who traveled through Asia in the late 18th century. It was engraved by Jean-Baptiste-Marie Poisson (1747–1820) and published in the 1806 edition of *Voyage aux Indes Orientales et à la Chine*, a key French visual record of East Asian life and customs. The print offers rare insight into Chinese funerary...

Religious Ceremony of the Inhabitants of the Island of Hispaniola, 1734 Description: This vividly hand-colored copperplate engraving, issued in 1734 in Bernard Picart’s monumental w...