
Marble relief of a trireme from the Temple of Fortuna, Praeneste, from Vasi
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Giovanni Battista PiranesiMarble relief of a trireme from the Temple of Fortuna, Praeneste, from Vasi1778-1780
1778-1780
$1,500List Price
About the Item
- Creator:Giovanni Battista Piranesi (1720-1778, Italian)
- Creation Year:1778-1780
- Dimensions:Height: 14.93 in (37.93 cm)Width: 20.5 in (52.07 cm)
- Medium:
- Movement & Style:
- Period:1770-1779
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA123851stDibs: LU14012064532
Giovanni Battista Piranesi
Piranesi was born in Venice in 1720 and died in Rome in 1778. He was the son of a stone mason and was trained as an architect. After a slow start he eventually achieved great success as an architect, archaeologist, artist, designer, collector, and antiquities dealer. His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include figures in mysterious activities, who are dwarfed by the magnitude of their monumental surroundings. Piranesi's style greatly influenced the neoclassical art movement of the late 18th century. His dramatic scenes inspired generations of set designers, as well as artists, architects and writers. His prints have continued to increase in value to institutions and collectors.
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By Giovanni Battista Piranesi
Located in Fairlawn, OH
Marble relief of a trireme from the Temple of Fortuna, Praeneste, from Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Ba...
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Etching, 1618
From: Varie Figure (16 plates)
Condition: very good, aging
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Les deux tures coifffes d’un turban avec une aigrette (The turban with crest)
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(The two headdresses of a turban with a crest)
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etching & aquatint, 1799
Unsigned (as are all Goya etchings)
From: Los Caprichos, Plate 54
From the First Edition, printed 1799, on laid paper
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1790s Old Masters Figurative Prints
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By Giovanni Andrea Podestà
Located in Fairlawn, OH
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Etching, 1649
Inscribed in the square left: "Magnificentis/simo Principi/Paolo lorda/no. II Bracci/ani Duci/Aud. P.DDD/1640; Inscribed on right: Rome apud Franciscsum Saluucium
Condition: Usual centerfolds from paper manufacture
Plate: 10 3/8 x 15 1/2"
Sheet: 11 1/2 x 16 1/2";
References:
Bartsch XX.4
Sopher Plate 145
An impression of this image is in the collections of the Philadelphia Museum of Art and the National Gallery of Art, Washington
An exceptionally rich impression in excellent condition.
From Wikipedia, the free encyclopedia
Putti as Allegory of Music
Giovanni Andrea Podestà or Giovanni Andrea Podesta (1608 - c. 1674) was an Italian painter and engraver who was principally active in Rome. His principal subject matter is children playing in landscapes with classical objects. His works show the influence of Poussin's Arcadian landscapes and bacchanals, which were ultimately derived from Titian's bacchanals.
Life
Giovanni Andrea Podestà was born in Genoa. He was formed in Genoa with Giovanni Andrea de Ferrari and Domenico Fiasella according to the information provided by the contemporary Genoese biographer Raffaele Soprani. He is also recorded as an apprentice of Giovanni Battista Paggi in 1627.
His presence is documented from in 1634 in Rome where he made drawings after the statues and ancient reliefs at the famous Giustiniani collection. These were subsequently engraved for publication in the 'Galleria Giustiniani'. The artist's career ran a course similar to that of the young Domenico Fiasella. In Rome his art evolved in contact with the works of Poussin, Andrea di Leone, Pietro Testa...
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Signed in the plate lower left
Inscribed lower left: 'In villa ab Academo attributa sua[m]...
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