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Harold Altman
"Shallots, Garlic and Parsley" Market Scene Edition 125 of 200

1980

$1,900List Price

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Rothenberg
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Gunner Riding - Original Etching by Giovanni Fattori - 1900 ca.
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Located in Roma, IT
Image dimensions: 16.5x10 cm Signed on plate by the artist. Bibliography: A.Baboni, L’Ottocento: le incisioni di Giovanni Fattori, Museo Civico “Giovanni Fattori”, Livorno 2001, p. 7...
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Le Repos - Original Etching and Aquatint by Marcel Roux - Late 19th Century
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Le Repos Etching and Aquatint on vélin de Rive paper. Image Dim: cm 20 x 24, Sheet Dim: cm 29 x 44, Passepartout Dim: cm 34 x 49. Signed on plate “J. F. Millet” right-lower. Wonderful artwork by the French engraver Marcel Roux...
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La Meuse - Etching by R.P. Grouillet - 1911
Located in Roma, IT
Original etching by Robert Pierre Grouiller after a painting by Johan Barthold Jongkind. Signed and dated on plate by Jongkind. Edition of 600 prints. Etching and aquatint print on v...
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Boats - Original Etching by Giovanni Fattori - 1895 ca.
By Giovanni Fattori
Located in Roma, IT
Etching on a zinc plate. Very Good conditions. Ref. - A. Baboni, L'Ottocento: le incisioni di Giovanni Fattori, Pacini Editore, 2001. p. 128, n.106 Giovanni Fattori was an Italian ...
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Vue du Port au Chemin de Fer à Honfleur - Original Etching by J.B. Jongkind
By Johan Barthold Jongkind
Located in Roma, IT
Signed on Plate. Published by Delatre, Paris. Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by...
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The Milking Girl - Original Etching by Filippo Palizzi - 1889
By Filippo Palizzi
Located in Roma, IT
The Milking Girl is an original modern artwork realized in 1889 by Filippo Palizzi. Original Etching. Signed and dated on plate on the lower right c...
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The Old Horse - Etching by Giovanni Fattori - 1900-1908 ca.
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Image dimensions: 20.2 x 15.3 cm. The Old Horse is a superb original etching (on copper matrix) on paper, signed on plate by the Italian Macchiaioli master...
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Horse Team - Etching by F. Jacque - Late 19th Century
By Frédéric Jacque
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Horse Team is a black and white etching realized by Frederic Jacque in the late 19th Century. The artwork represents a farmer and horses struggling with rural jobs Good condition e...
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Visage de Femme - Etching by I.J. de Caussin - Early 19th Century
By Ignace Joseph de Claussin
Located in Roma, IT
Visage de Femme is a modern artwork realized by Ignace Joseph de Claussin in the early 19th century. Original etching portraying the face of an old woman. Collection: Dikeos. Dime...
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Portrait Etching of English Victorian Poet Elizabeth Barrett Browning
By William Harry Warren Bicknell
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Etching of a woman dressed in turn of the century attire looking out at the viewer. The work is signed in pencil by the artist. The etching is not framed. Artist Biography: William...
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"Under the Street Lamp" Imp. Etching
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Copperplate etching by Martin Lewis titled "Under the Street Lamp." Edition of 100. Printed on laid paper with watermark and 83 recorded impressions. McCarron catalogue raisonne #70. Signed in pencil with "imp" next to the signature. In the bottom right corner is a penciled 75 and in the top right corner is a 50. The etching is framed and was taken out of the frame for condition report and photographs. The gallery label is on the back of the matte inside the frame. Dimensions without Frame: H 15 in x W 9.5 in. Artist Biography: Martin Lewis (1881-1962) was born in Castlemaine, Victoria, Australia on 7 June 1881. He was the second of eight children and had a passion for drawing. At the age of 15, he left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton, an English-born Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations...
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"A Harlot's Progress" Plate 3 Etching
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Etching from the series titled "A Harlots Progress" by William Hogarth. The series consists of six paintings and engravings. The story is about a woman named M. Hackabout who arrived in London and started working as a prostitute. The third plate is of her getting arrest for her choice in profession. The series is a satirical story that emphasizes the dangers of being a prostitute and the health risks that come from it. In 18th century engraving, the detail of the black mole on women and men's face is a symbol of the deadly venereal disease, syphilis. In this plate, Hackabout has already contracted the disease and that is why the black dot is visible on her forehead as well as her madam's. In 1828, William Innell Clement published Harlot's Progress in columns on a single page of his newspaper Bell's Life in London #330. The detail with the cross seen in earlier reproductions of the engraving. Dimensions without Frame: H 14.5 in x W 16.5 in. Artist Biography: William Hogarth ( 10 November 1697 – 26 October 1764) was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. His work ranged from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", perhaps best known to be his moral series A Harlot's Progress, A Rake's Progress and Marriage A...
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