Rotherhithe (Wapping) - Drypoint Etching

View Similar Items

James Abbott McNeill Whistler - Billingsgate

Maxime Lalanne - Une rue de Rouen

Frederick Leo Hunter - Coentes Slip, NY

Donald Shaw MacLaughlan - Steps to the Grand Canal, St. Mark's in the distance, Venice.

David Young Cameron - Ponte della Trinità, Florence

Charles Meryon - Tourelle, Rue de la Tixéranderie démolie en 1851

Sidney Mackenzie Litten - Ruff's Farm

David Robertson - Hillside Town

Paul Albert BESNARD - "Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist

Ralph Ludwig Boyer - Washington Assumes Command - Etching on Paper

Childe Hassam - Bowling on the Green (from the Bicentennial Pageant of George Washington)

James Tissot - Querelle d'amoureux. (Quarreling). 1

Want more images or videos?

Request additional images or videos from the seller

1 of 13

James Abbott McNeill Whistler
Rotherhithe (Wapping) - Drypoint Etching
1860

Name: Rotherhithe (Wapping) - Drypoint Etching
Brand: James Abbott McNeill Whistler
Rating: 5 (352 reviews)

$7,500List Price

About the Item

Etching from James A. M. Whistler's Thames Set ("A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects") originally published in 1871. Masterfully executed and highly detailed etching of two workers at a shipyard in Rotherhithe. Signed and dated in plate ("Whistler 1860") Paper size: 14.82"H x 11.19"W (37.6cm x 28.4cm) Plate size: 10.63"H x 7.69"W (27cm x 19.6cm) Presented in a new white mat with new backing. Title Rotherhithe (aka: Wapping) Artist James Abbott McNeill Whistler 1834 - 1903 Year 1860 Technique etching and drypoint Image Size 6 7/8 x 11 7/8" platemark Signature plate signed "Whistler" lower left image Edition Size 118 known impressions (Glasgow) Annotations dated "1860" in lower left Reference G70; Kennedy 66; M. 66; T.41; W.60 Paper antique-white laid, with KF watermark in center State vi/vi Publisher Published in the "Thames Set" in 1871 by Keppel (Published in this state in the 'Thames Set'. Diagonal drypoint lines augment the shading across the chest and pipe of the man on the left.) Born in Lowell, Massachusetts, James Whistler became one of the most influential late 19th-century American painters and etchers, although he lived primarily in England. He worked in a wide variety of styles that included Impressionism, Symbolism, and Art Nouveau. He was especially influential in the Tonalist movement and was a catalyst for those who wanted to break away from prescribed academic methods, credited with being the first American modernist to influence European art. He also created 179 lithographs, having received a commission in 1879, and from that time, he worked in graphics, pastel, and watercolor, and favorite subjects were subtly delineated cityscapes or ships at docks. He was raised both in New England and in Russia where his father, an engineer, was commissioned by the Czar to build the Moscow-St. Petersburg railroad. In 1847, Whistler went to London for his sister's wedding to Seymour Haden, a key figure in 19th century etching, and association with this man stimulated Whistler's interest in that medium. After the father's death in 1849, the family returned to the United States, and he entered the Military Academy at West Point where he did illustrations for student publications and also worked as surveyor and cartographer in U.S. Coastal and Geodetic Surveys. In 1855, determined to have a fine art career, he sailed for Europe and never returned to the United States. He studied in Paris with Charles Gleyre and became a part of avant-garde circles that included Henri Fantin-Latour, Alphonse Legros, Edouard Manet, Gustave Courbet, and Edgar Degas. In 1859, he settled in England but stayed in close touch with his Parisian friends. His style was independent of realism and of those such as John Ruskin who thought art should have a moral purpose. To many his paintings were a mystery because they seemed dreamy, abstract, and somewhat ghost-like. For some of his works, he chose musical titles to remove them from narrative context. Ruskin accused him of doing paintings that were like "flinging a pot of paint in the public's face," and the two faced each other in court when Whistler sued Ruskin for damages. Whistler won the lawsuit but was awarded only one farthing, which left him financially broke and bitter. However, he gained a lot of attention and positive recognition. "The year 1859 saw the commencement of the subjects executed in London, The Thames Set. Then he attained the culminating point, as it were, of his art, by the perfection of the technique, the lightness and elasticity of his line and the vivacity of the whole. He was able to make later, renewing himself, works in a different style, perfect of their kind, but nevertheless not surpassing these productions of his debut. One of his finest Thames etchings, Rotherhithe, in which we see two sailors' heads in the foreground, and beyond, ships' masts and the waters of the river, is so perfect in craftsmanship that it suggests a work produced in calm and contemplation. Quite the contrary, Whistler graved his copper in a kind of warehouse that was being repaired. At one moment a brick falling from above, almost on top of him, caused him to turn abruptly, and the hand that was working, wandering, placed perpendicularly on the middle of the plate a long line visible in the engraving." — Theodore Duret, p. 19. References Duret, Theodore. Whistler. Trans. Frank Rutter. New York: J. B. Lippincott, 1907; London: Grant Richards, 1907. Pennell, Joseph, and F. Courbin. Concerning the Etchings of Mr. Whistler. 7th ed. New York: Frederick Keppel,

Creator:
James Abbott McNeill Whistler (1834-1903, American)
Creation Year:
1860
Dimensions:
Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)Depth: 0.25 in (6.35 mm)
Medium:
Ink,Laid Paper,Drypoint
Movement & Style:
Impressionist
Period:
Late 19th Century
Condition:
Paper has been professionally clean amd PH balanced restored to remove most age discoloration. a few repairs to small tears in margins.
Gallery Location:
Soquel, CA
Reference Number:
Seller: DBH75471stDibs: LU5429554992

More From This Seller

View All

"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist

By Paul Albert BESNARD

Located in Soquel, CA

"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist "Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist A Drypoint etching on Wove...

Category

Early 1900s Impressionist Figurative Prints

Materials

Handmade Paper, Drypoint, Etching

Paul Albert BESNARD
"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist, 1900

$1,550

Washington Assumes Command - Etching on Paper

Located in Soquel, CA

Washington Assumes Command - Etching in Ink on Paper Historical engraving by Ralph Ludwig Boyer (American, 1879-1952). George Washington is shown holding a sword, with an army stand...

Category

1930s Impressionist Figurative Prints

Materials

Paper, Drypoint, Lithograph

Ralph Ludwig Boyer
Washington Assumes Command - Etching on Paper, 1932

$575

Bowling on the Green (from the Bicentennial Pageant of George Washington)

By Childe Hassam

Located in Soquel, CA

Bowling on the Green (from the Bicentennial Pageant of George Washington) 'Bowling on the Green', by printmaker Frederick Childe Hassam, depicts George Washington and friends lawn b...

Category

1930s American Impressionist Figurative Prints

Materials

Ink, Etching, Laid Paper

Childe Hassam
Bowling on the Green (from the Bicentennial Pageant of George Washington), 1931

$1,680

Two Figures on the Shore - Minimalist Landscape Drypoint Etching in Ink on Paper

By Doris Warner

Located in Soquel, CA

Two Figures on the Shore - Minimalist Landscape Drypoint Etching in Ink on Paper Minimalist landscape with two figures walking along the shore by Doris Ann Warner (American, 1925-201...

Category

1980s Minimalist Landscape Prints

Materials

Paper, Ink, Drypoint

Two Figures on the Shore - Minimalist Landscape Drypoint Etching in Ink on Paper, 1980s

$460 Sale Price

20% Off

"End of Day" Original Limited Edition Etching

Located in Soquel, CA

"End of Day" Original Limited Edition Etching by John McGrath (Irish/American b.1884 d.1942). This etching depicts a man with a tool slung over his shoulder walking along a path th...

Category

Early 20th Century American Realist Landscape Prints

Materials

Paper, Ink, Drypoint, Etching

John McGrath
"End of Day" Original Limited Edition Etching, c. 1900s

$800

"Snug Harbor" Etching of a Romantic Harbor Scene 1928

By Armin Hansen

Located in Soquel, CA

"Snug Harbor" Etching of a Romantic Harbor Scene 1928 Tall ships in a "Snug Harbor" by Armin Carl Hansen (American, 1886-1957. On wove paper. Image, 6"H x 8"W Sheet, 9.75"H x 12"W ...

Category

1920s American Impressionist Landscape Prints

Materials

Laid Paper, Etching

Armin Hansen
"Snug Harbor" Etching of a Romantic Harbor Scene 1928, 1928

$2,380

Mid-19th Century Impressionist Landscape Prints

Materials

Laid Paper, Drypoint, Etching

James Abbott McNeill Whistler
Billingsgate, 1859

$4,500

Une rue de Rouen

By Maxime Lalanne

Located in Middletown, NY

Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8 inches (280 x 204 mm), full margins. Toning and some discoloration along the left mar...

Category

Late 19th Century French School Landscape Prints

Materials

Laid Paper, Etching, Drypoint

Maxime Lalanne
Une rue de Rouen, 1884

$300

Coentes Slip, NY

By Frederick Leo Hunter

Located in Middletown, NY

Etching with drypoint on hand made laid Japan paper with a deckle edge, 8 9/16 x 11 5/8 inches (220 x 296 mm), full margins. Signed, dated and titled in pencil in the margin, recto. ...

Category

Late 19th Century Victorian Landscape Prints

Materials

Laid Paper, Handmade Paper, Drypoint, Etching

Frederick Leo Hunter
Coentes Slip, NY, 1878

$450

Steps to the Grand Canal, St. Mark's in the distance, Venice.

By Donald Shaw MacLaughlan

Located in Middletown, NY

A lovely view of Venice from the water. Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...

Category

Early 20th Century American Modern Landscape Prints

Materials

Laid Paper, Drypoint, Etching

Donald Shaw MacLaughlan
Steps to the Grand Canal, St. Mark's in the distance, Venice., 1922

$350

Ponte della Trinità, Florence

By David Young Cameron

Located in Middletown, NY

Etching and drypoint on tissue-thin cream laid paper, 6 5/8 x 8 1/8 inches (167 x 205 mm), full margins. Signed in pencil in the lower right margin, and inscribed "Ponte Trinità, Florence" in pencil the lower left margin. Non-archival paper tape tabs at the top right and left corners on the verso, with minor associated discoloration which presents on the recto. Minor, light mat tone, and some very small losses at the extreme corners, well outside of image area. The numerals "325" written in pencil in the lower right margin, in reference to the Rinder catalog number. A beautiful, silvery, early-state impression. Rinder 325 [Rinder 325 iii/vii]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...

Category

Early 20th Century Modern Landscape Prints

Materials

Laid Paper, Drypoint, Etching

David Young Cameron
Ponte della Trinità, Florence, 1902

$650

Tourelle, Rue de la Tixéranderie démolie en 1851

By Charles Meryon

Located in Middletown, NY

Etching and drypoint on watermarked Hudelist laid paper, 9 5/8 x 5 inches (245 x 129mm) full margins. Second state (of five) after lettering. A superb condition with a pencil inscrip...

Category

Mid-19th Century French School Landscape Prints

Materials

Laid Paper, Etching, Drypoint

Charles Meryon
Tourelle, Rue de la Tixéranderie démolie en 1851, 1852

$4,000

More Ways To Browse

Graver Antiques

Charles H Grant

Antique Sailors Chest

Rotherhithe (Wapping) - Drypoint Etching

View Similar Items

James Abbott McNeill Whistler
Rotherhithe (Wapping) - Drypoint Etching
1860

About the Item