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Keith HaringUntitled, No. 14, from The Blueprint Drawings1990
1990
$67,324.69
£50,000
€58,960.81
CA$93,269.27
A$104,607.69
CHF 54,781.43
MX$1,271,085.41
NOK 695,632.34
SEK 659,508.47
DKK 440,111.59
About the Item
A screen print on arches paper. Produced in 1990. Edition of 33 + 5 Artist Proofs. This being number 27/33. Littmann P.182. Signed and numbered in pencil by the artist.
This work was printed and published by Durham Press, Durham, Pennsylvania.
“These 17 drawings were created over a period of a few weeks between December 1980 and January 1981. The original drawings were executed on vellum with Sumi ink because I intended to make blueprint copies of each of the drawings. Periodically I would take my drawings to the local blueprinters, where I had much enjoyment trying to explain the content of these works to the men who operated the blueprint machines. After a few weeks, everyone in the shop was familiar with my drawings. This was also the time I began drawing in the NYC subways.
The drawings were exhibited in a small gallery space at Westbeth Painter’s Space in February 1981. It was my first one-man exhibition in New York City. The exhibition lasted for one week, during which time I sold several blueprint copies of the drawings, but no original drawings. Since then many of the drawings have been sold and I don’t know their whereabouts. However, before I sold any of them I made photostats of each of the drawings. These prints were made from those stats. They form a perfect time capsule of my beginning in New York City.”
Keith Haring
New York City
4 January 1990
- Creator:Keith Haring (1958-1990, American)
- Creation Year:1990
- Dimensions:Height: 42.52 in (108 cm)Width: 48.43 in (123 cm)
- More Editions & Sizes:Edition of 33Price: $39,722
- Medium:
- Movement & Style:
- Period:
- Condition:Mint condition, no issues.
- Gallery Location:London, GB
- Reference Number:1stDibs: LU1861210988232
Keith Haring
Keith Haring began experimenting with his bold, graphic lines and cartoon-inspired figures on the walls of New York City subway stations in the early 1980s. He called them his “laboratory,” places to develop a radical new aesthetic based on an ideology of creating truly democratic public art.
Haring’s paintings, prints and murals address the universal themes of death, love and sex, as well as contemporary issues he experienced personally, like the crack-cocaine and AIDS epidemics. They derive much of their impact from the powerful contrast between these serious subjects and the joyful, vibrant pictographic language he uses to express them, full of dancing figures, babies, barking dogs, hearts and rhythmic lines, as well as references to pop culture.
To make his art even more accessible, in 1986, Haring opened the Pop Shop in Soho. In a foreshadowing of today’s intermingling of art and fashion, the shop sold merchandise and novelty items featuring imagery by Haring and contemporaries like Kenny Scharf and Jean-Michel Basquiat. While his works sometimes included text, for the most part, he chose to communicate through drawing.
“Drawing is still basically the same as it has been since prehistoric times,” Haring once declared. “It lives through magic.”
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Keith Haring (American, 1958–1990), a Neo-Pop and Graffiti artist, had a short but prolific career centered on a vision to unite “high art,” urban aesthetics, and public spaces using humorous, irreverent, and poignant works. Born in Pennsylvania, Haring attended the Ivy School of Art in Pittsburgh for two years, planning to become a commercial artist. He found this path unsatisfying, and instead chose to study at the School of Visual Arts in New York, where he met fellow artists Jean Michel Basquiat and Kenny Scharf. Haring immersed himself in the culture of the city’s streets and clubs, and, in 1980, began covering the blank billboards on subway station walls with his Subway drawings in chalk.
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