Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Lucien Pissarro
Woman Embroidering (Nini) by Lucien Pissarro - Woodcut

$1,983.78
£1,450
€1,705.95
CA$2,724.43
A$3,049.17
CHF 1,592.15
MX$37,200.11
NOK 20,210.19
SEK 19,178.23
DKK 12,739.26
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Woman Embroidering (Nini) by Lucien Pissarro (1863-1944) Woodcut 15 x 10 cm (5 ⁷/₈ x 4 inches) Stamped with initials lower right Numbered lower left, 18/20 Provenance: Private Collection, London Artist biography: Born on the 20th February 1863, Lucien Pissarro was the eldest son of the Impressionist painter Camille Pissarro. Coached from a young age by his father and in the frequent company of figures such as Cézanne, Gauguin and Monet, it is no surprise that Lucien chose to pursue an artistic career. While he is best known as a landscape painter, Lucien was also a printmaker, wood engraver and printer of fine books, occasionally painting still lifes and portraits of his family. Lucien first visited England in 1870 with his family when fleeing the Franco-Prussian war. It was the beginning of a great love affair with the country. He decided to move permanently to England in 1890, becoming an English citizen in 1916. Until then he had worked as a landscape painter and book illustrator in France. During this period he met and worked with painters such as Paul Signac, Georges Seurat and Vincent van Gogh. Moving simultaneously in Impressionist and Neo-Impressionist circles, Lucien exhibited Pointillist paintings with his father in the last Impressionist exhibition in 1886. In the same year he was one of the first artists to exhibit in the “Salon des Indépendants” as a Neo-Impressionist. Despite his close relationship with his father, as revealed in their correspondence, Lucien showed remarkable independence of mind in his approach to his art. While Lucien was trained by his father, the influence the artists had on one another was reciprocal. Thanks to his relationship with Seurat and Signac, Lucien encouraged Camille to experiment with Pointillism, a characteristic of the Neo-Impressionist group. Lucien’s move to England in 1890 allowed him greater freedom to pursue his interest in book illustration and printing. There Lucien and his wife Esther established the Éragny Press, named after the Normandy village where his family lived since 1884. The Éragny Press was principally notable for creating aesthetically pleasing books and paved the way for the development of European book art. Lucien’s illustrations for these books demonstrate his talent and command of colour. Nevertheless, Lucien always considered painting his primary concern, particularly landscape painting. Continuing the tradition of the Impressionists, Lucien was a plein-air painter who liked to work outdoors and study the subject directly from nature. His landscapes reveal his fascination for the effects of weather and light. The contemporary art critic Frank Rutter described Lucien as a master of colour, writing in 1922: “there is no man living who has a more profound knowledge of the science of colour, or a more discriminating eye for its observation in nature.” Rutter was also struck by Lucien’s respect for his subject, nature itself: “Each canvas is wrought with a quiet perfection that conceals its art and is eloquent of the tender emotion which the loveliness of nature inspires in the artist.” It is clear from Rutter’s praise that Lucien’s contemporaries were impressed by his combination of English and French artistic traditions. Unsurprisingly, he became associated with artistic groups that drew inspiration from the Impressionists, including the New English Art Club, with whom he exhibited in 1904, the Fitzroy Street Group in 1907 and the Camden Town Group in 1911. To his English contemporaries Lucien represented a direct link to the Impressionist Masters. His influence can be recognised in the work of British artists such as Spencer Gore, Harold Gilman and Walter Sickert, who acknowledged Lucien’s influence, writing in 1914: “Mr Pissarro, holding the exceptional position at once of an original talent, and of the pupil of his father, the authoritative depository of a mass of inherited knowledge and experience, has certainly served us as a guide.” Since his first solo exhibition at the Carfax Gallery in May 1913, Lucien Pissarro’s work has been featured in countless exhibitions and galleries. During his lifetime Lucien donated his estate to the Ashmolean museum in Oxford, where a permanent collection of his work is still housed today. His works are featured in every major art museum in England, as well as the Musée d’Orsay in Paris, the National Gallery of Australia and many museums in the USA.
  • Creator:
    Lucien Pissarro (1863 - 1944, French)
  • Dimensions:
    Height: 5.91 in (15 cm)Width: 3.94 in (10 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU261213344442

More From This Seller

View All
Une Femme Assise by Lucien Pissarro - Etching
By Lucien Pissarro
Located in London, GB
Une Femme Assise by Lucien Pissarro (1863-1944) Etching 23 x 13 cm (9 x 5 ¹/₈ inches) Stamped lower right, L.P. and numbered lower left, 10/20 Provenance: John Bensusan Butt Private...
Category

1890s Impressionist Figurative Prints

Materials

Etching

Mère et enfant by Lélia Pissarro - Etching
By Lelia Pissarro
Located in London, GB
Mère et enfant by Lélia Pissarro (b. 1963) Etching 3 x 3 cm (1 ¹/₈ x 1 ¹/₈ inches) Signed lower left, Lélia Pissarro Inscribed lower right: E.A (artis...
Category

21st Century and Contemporary Impressionist Figurative Prints

Materials

Etching

Two Women by a River by Paulémile Pissarro - Wood Engraving
Located in London, GB
SOLD UNFRAMED Two Women by a River by Paulémile Pissarro (1884 - 1972) Wood engraving 12.5 x 17.3 cm (4 ⅞ x 6 ¾ inches) Signed lower left, Paulémile - Pissarro and numbered lower r...
Category

20th Century Impressionist Landscape Prints

Materials

Wood, Engraving

Lavandières by Lélia Pissarro - Figurative etching
By Lelia Pissarro
Located in London, GB
Lavandières by Lélia Pissarro (b. 1963) Etching 12 x 15.5 cm (4 ³/₄ x 6 ¹/₈ inches) Signed lower left, Lélia Pissarro. Numbered lower right, 14/15 Artist biography: Born in Paris i...
Category

1990s Figurative Prints

Materials

Etching

Paysage à Asquins by Paulémile Pissarro - Wood Engraving Print
Located in London, GB
SOLD UNFRAMED Paysage à Asquins by Paulémile Pissarro (1884 - 1972) Wood engraving 9.7 x 15.5 cm (3 ⁷/₈ x 6 ¹/₈ inches) Signed lower right, Paulémile-Pissarro, titled and numbered ...
Category

20th Century Landscape Prints

Materials

Wood, Engraving

Charlotte and Amalia by Lélia Pissarro - Etching
By Lelia Pissarro
Located in London, GB
Charlotte and Amalia by Lélia Pissarro (b. 1963) Etching 22.7 x 27.5 cm (9 x 10 ⁷/₈ inches) Signed lower left, Lélia Pissarro Numbered lower right, 2/15 Artist biography: Born in P...
Category

1990s Post-Impressionist Figurative Prints

Materials

Etching

You May Also Like

20th century lithograph realism figurative female print female subject signed
By Maximilien Luce
Located in Milwaukee, WI
"Woman Manicuring Her Nails" is an original lithograph by Maximilien Luce. The artist signed the piece lower right and it is numbered (#7). It features a woman seated in an interior taking care of her nails. 8 1/4" x 5 3/4" image 14 1/8" x 10 3/4" paper 19 1/4" x 16 1/2" frame Maximilien Luce (1858 – 1941) was a prolific French Neo-impressionist artist, known for his paintings, illustrations, engravings, and graphic art, and also for his anarchist activism. Starting as an engraver, he then concentrated on painting, first as an Impressionist, then as a Pointillist, and finally returning to Impressionism. Gausson and Cavallo-Péduzzi introduced Luce in about 1884 to the Divisionist technique developed by Georges Seurat. This influenced Luce to begin painting in the Pointillist style. In contrast to Seurat's detached manner, Luce's paintings were passionate portrayals of contemporary subjects, depicting the "violent effects of light". In addition to Pissarro and Signac, he met many of the other Neo-impressionists, including Seurat, Henri-Edmond Cross, Charles Angrand, Armand Guillaumin, Hippolyte Petitjean, Albert Dubois...
Category

Early 1900s Victorian Figurative Prints

Materials

Lithograph

Women at Needlework - Original Woodcut - 20th Century
Located in Roma, IT
Women at Needlework is an original woodcut on paper realized by the German Anonymous Artist of the XX century. In very good condition except for some diffused foxing. Image Dimensi...
Category

20th Century Modern Figurative Prints

Materials

Woodcut

Vintage portrait of a woman sewing by french artist Leon Garraud
Located in AIGNAN, FR
A quiet moment captured by the artist, Leon Garraud of a woman sewing. It's an oil on board framed under glass in beautiful tones of browns and greys highlighed by the light shining...
Category

1930s French School Portrait Paintings

Materials

Oil

Grand'mère - Portrait de la femme de l'artiste - Lithograph 1895
By Camille Pissarro
Located in Roma, IT
Hand Signed in pencil lower right, titled lower left, inscribed “N°2”. On Chine Appliqué paper, one of only 10 known impressions Catalogue Prouté 1973 n.179. Prov. Paul Prouté, Paris...
Category

1890s Post-Impressionist Figurative Prints

Materials

Lithograph

19th Century French Impressionist Oil Lady Sewing in Sunlit Garden Landscape
Located in Cirencester, Gloucestershire
Lady Sewing French Impressionist, late 19th century indistinctly signed lower front corner oil on canvas, unframed canvas : 29 x 36 inches Provenance: private collection, Northern F...
Category

Late 19th Century Impressionist Portrait Paintings

Materials

Oil, Canvas

Brittany Woman Kniting in Traditional Costume - Original lithograph, 1897
By Jacques Wely
Located in Paris, IDF
Jacques WELY (1873 - 1910) Brittany Woman Kniting in Traditional Costume, 1897 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 ...
Category

1890s Art Nouveau Figurative Prints

Materials

Lithograph