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Manuel RobbeMarins et Femmes de Pecheurs Bretons sur les Quaisc.1930
c.1930
$2,200
£1,686.03
€1,937.80
CA$3,090.01
A$3,458.29
CHF 1,810.29
MX$42,011.94
NOK 22,986.09
SEK 21,691.31
DKK 14,459.39
About the Item
Artist: Manuel Robbe (French, 1872-1936)
Title: Marins et Femmes de Pecheurs Bretons sur les Quais
Year: c.1930
Medium: Etching with aquatint
Paper: B.F.K Rives
Image (plate mark) size: 17.5 x 24.5 inches
Signature: Signed in pencil by the artist
Edition: Numbered 34/350 in pencil
Condition: Excellent
Framed: Framed in a custom wooden rustic rubbed black and gold frame, with gold color spacer
About the artist:
He was born in Paris to French parents, refugees from the Franco-Prussion War, from Berthune in northern France. Robbe attended the Académie Julian and the Ecole des Beaux Arts and was mentored in his etching and aquatint methods by Eugene Delâtre. By 1898, he was exhibiting at the Salon of the Société Nationale des Beaux-Arts, having changed his commitment from the Societé des Artistes Français. Along with Jacques Villon, Robbe was promoted by Edmond Sagot, Parisian publisher who was one of the most prominent print publishers in western culture at the turn of the century. Manuel Robbe was noted for his experimental approach to printmaking, and during his career created more than 200 aquatints and drypoints. He was a great technician, "inventing a technique known as "sugar-life" which gave his prints real life.
Before 1914, Robbe completed a large number of aquatints in color as well as in black and white, and for his excellence received a Gold Medal at the 1900 Universal Exhibition. During World War I, he was a pilot.
The work of Manuel Robbe is held in major collections and museums worldwide.
- Creator:Manuel Robbe (1872 - 1936, French)
- Creation Year:c.1930
- Dimensions:Height: 30.75 in (78.11 cm)Width: 37 in (93.98 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:Seller: man/rob/mar/011stDibs: LU66636379972
Manuel Robbe
Manuel Robbe lived in Paris all his life, creating images that echoed the polished splendor of the Belle Epoque. He exhibited often at the Salons, first at the Société des Artistes Français (winning a gold medal at the Exposition Universelle of 1900) and after 1905 at the Société Nationale des Beaux-Arts. As the turn of the century, critic Gabriel Moury noted, Robbe's favorite subject was the "modern woman," her costumes, and activities and the visual elegance of her world. Absorbing the influence of Impressionism, particularly Renoir, Robbe applied a sensitive painterly touch to techniques that fit with the new paradigm of mass production. He designed and printed posters for corsets and bicycles, seeing, like Toulouse-Lautrec, the artistic potential of the new commercial era. Robbe also created illustrations for humorous magazines and made colored etchings of the works of contemporary artists. He was a favorite artist of the celebrated Parisian print publisher Edmond Sagot, who promoted his work. Robbe was a pioneer of the à la poupée process, enabling an artist to print multiple colors from a single plate. He invented his engraving technique known as “sugar-life,” using a mixture of sugar, India ink and gum Arabic on Zinc plates. The plates were heated, intricately worked and color was applied with brushes made of rags; Robbe then used his fingers to perfect the tones. Such technical mastery allowed Robbe to make each image unique, imbued with a lushness and immediacy befitting of the era in which he lived.
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