Marie LaurencinLe Bal - Etching by Marie Laurencin - 19271927
1927
About the Item
- Creator:Marie Laurencin (1883-1956, French)
- Creation Year:1927
- Dimensions:Height: 9.38 in (23.8 cm)Width: 10.6 in (26.9 cm)Depth: 0.04 in (1 mm)
- Medium:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
Marie Laurencin
Artist Marie Laurencin is best known for her enchanting portraits of women and young girls. The Parisian artist was linked to the avant-garde Cubist movement, but she endeavored to disassociate herself from the style as she instead drew on the Impressionist style of Pierre-Auguste Renoir in her paintings and prints, and created poetic, overtly sensual images of women in Fauvism’s subdued pastels at a time when the leagues of male artists around her became famous for making still lifes.
Just as Renoir and other painters began their careers painting pottery in Limoges, Laurencin trained in porcelain painting in the southwestern suburbs of Paris before she studied oil painting at Académie Humbert alongside influential Cubist painter Georges Braque and French designer and painter Francis Picabia. Her circle consisted of widely known and reputable artists including Braque and Pablo Picasso, with whom she exhibited. Her romantic partners were both male and female over the years, and she repeatedly refused marriage proposals from the most famous art dealer at the time, Sir Joseph Duveen, Baronet. Laurencin had a romantic relationship with French poet Guillaume Apollinaire that lasted six years.
Laurencin produced most of her best known work throughout the 1920s. During this era, she worked with art dealer Paul Rosenberg although she frequently ignored his business advice. Known to only paint children she liked, Laurencin also charged men twice that of women, as well as brunettes more than blondes, and offered discounts for works she enjoyed doing and steeper prices for those she cared less for.
Laurencin’s work increasingly attracted attention over time — she had more than ten solo exhibitions in 1939 alone and was commissioned for portraits by the likes of Jean Cocteau and Coco Chanel. (Revered fashion designer Karl Lagerfeld — who consistently displayed a knack for synthesizing old and new, high and low — drew on the work of Laurencin in his Spring/Summer 2011 collection for Chanel.)
Laurencin’s six illustrations of "Alice" in a 1930 edition of Lewis Carroll's Alice in Wonderland comprise a small sample of the art she made that is held in the public collection of the Museum of Modern Art. Her works are also held in the collections of the Metropolitan Museum of Art, the Musée d’Orsay and the National Museum of Women in the Arts. In 1983, a museum opened in her honor — the Musée Marie Laurencin in Nagano, Japan. At the time, it was the only museum in the world to focus solely on a female painter.
Find original Marie Laurencin paintings and prints on 1stDibs.
- ShippingRetrieving quote...Ships From: Rome, Italy
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Ancient Map - Zeilan - Etching by Johannes Janssonius - 1650sBy Johannes JanssoniusLocated in Roma, ITAncient Map - Zeilan is an ancient map realized in 1650 by Johannes Janssonius (1588-1664). The Map is Hand-colored etching, with coeval watercoloring. ...Category
1650s Modern Figurative Prints
MaterialsEtching
- Orbis Terrarum - Etching by Johannes Janssonius - 1650sBy Johannes JanssoniusLocated in Roma, ITAntique Map - Orbis Terrarum is an antique map realized in 1650 by Johannes Janssonius (1588-1664). The Map is Hand-colored etching, with coeval watercoloring. Good conditions with...Category
1650s Modern Figurative Prints
MaterialsEtching
- Cathedral - Etching and Aquatint by Franco Gentilini - 1970sBy Franco GentiliniLocated in Roma, ITEtching and Aquatint. Edition 70/120. 65x45 cm. Excellent condition.Category
1970s Contemporary Figurative Prints
MaterialsAquatint, Etching
- Antique Map - Mare Pacificum - Etching by Johannes Janssonius - 1650sBy Johannes JanssoniusLocated in Roma, ITMare Pacificum is an antique map realized in 1650 by Johannes Janssonius (1588-1664). The Map is Hand-colored etching, with coeval watercolorang. Good conditions with slight foxing...Category
1650s Modern Figurative Prints
MaterialsEtching
- Old Woman with Stick - Etching by Eugène Burnand - Late 19th centuryLocated in Roma, ITOld Woman with Stick is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized thro...Category
Late 19th Century Modern Figurative Prints
MaterialsEtching, Engraving
- Map of Mar Del Nort - Etching by Johannes Janssonius - 1650sBy Johannes JanssoniusLocated in Roma, ITAntique Map -Mar Del Nort is an antique map realized in 1650 by Johannes Janssonius (1588-1664). The Map is Hand-colored etching, with coeval watercolorang. Good conditions with sl...Category
1650s Modern Figurative Prints
MaterialsEtching
- Narcissist Seeks Similar (Large)By Harland MillerLocated in Bristol, GBEtching with relief printing Edition of 45/50 Signed on the front, numbered on the back Mint Published by Manifold Editions, 2021 Our mission is to connect art collectors to opportu...Category
21st Century and Contemporary Contemporary Figurative Prints
MaterialsEtching
- Nadia au regard attentifBy Henri MatisseLocated in London, GBAquatint on Marais wove paper Edition of 25 Signed and numbered 25/25 in pencil lower right Duthuit 794Category
Mid-20th Century Modern Prints and Multiples
MaterialsAquatint
- Tatoo-Shave-HaircutBy Reginald MarshLocated in New York, NYReginald Marsh (1898-1934), Tattoo-Shave-Haircut, etching, 1932. Signed, titled (“Tattoo-Haircut-Shave”), dedicated (“for Arnold Newman”), and annotated (“Fourth State. First of Two Prints”). Reference: Sasowsky 140. On cream wove paper. In very good condition, with small margins (as trimmed, slightly irregularly, by the artist) (slight foxing in margins), remains of prior hinging verso; 9 7/8 x 9 3/4, the sheet 10 15/16 x 10 5/8 inches; archival matting. A very fine rich black impression; we have not seen impressions of comparable quality on the market. Provenance: Estate of Arnold Newman. Arnold Newman (1918-2006) was one of the great 20th Century masters of photography, and a friend of many leading artists; it is appears that Marsh took special care in printing this impression for Newman. Sasowsky calls for 10 states of Tattoo-Shave, based largely on Marsh’s notes. But the states are not clearly delineated (e.g., his States 3 and 4, one proof each, are characterized by Marsh as “Engraving added”; no information is given for State 5). The design for the print was complete in the first state, and subsequent state changes were not, apparently, major. This impression does not appear to differ in etching lines from the final state impression shown in Sasowsky. Its inscription (as a Fourth State, by Marsh), as well as its rich inking and quality, attest to its being a proof before the edition (of about 34 impressions), but the state of this print (and, presumably of many of the other several proof impressions) cannot at this time be stated with confidence. Marsh printed this impression personally (we recall his famous answer to a question about the size of his editions: “Since I do practically all my own printing, I do not limit the edition. The buyer limits the edition – he rarely buys, I rarely print”). Tattoo-Shave-Haircut depicts a scene in the Bowery, a section of New York’s Lower East Side, during the Great Depression. The building and train structures in the top half of the print recall Piranesi’s Carceri...Category
1930s American Realist Figurative Prints
MaterialsEtching
- One Can't Tell Why - Proof from the Disasters of WarBy Francisco GoyaLocated in New York, NYFrancisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...Category
1810s Old Masters Figurative Prints
MaterialsDrypoint, Etching, Aquatint
- COUPLE DE PAYSANSBy Camille PissarroLocated in Portland, MEPissarro, Camille. COUPLE DE PAYSANS. D.125. Etching and aquatint on laid paper. Unsigned. From the posthumous edition of 10 printed in 1923. 4 3/4 x 3 1/8 inches, 118 x 78 mm. (plat...Category
1920s Figurative Prints
MaterialsAquatint, Etching
- Fumeur à la Cigarette BlancheBy Pablo PicassoLocated in London, GBEtching and aquatint in colours, 1964, on Richard de Bas wove paper, signed in pencil and numbered 41/50 from the edition of 50, printed by Pennequin for Atelier Crommelynck, publish...Category
1960s Modern Figurative Prints
MaterialsEtching