Etching Figurative Prints

Palace of the Chancellery is an original etching realized by the italian artist Giovanni Battista Piranesi in 18th century. Signed on the plate on the lower. Very good conditions ...

Sloan, John. ARCH CONSPIRATORS. Morse 183 Etching, 1917.Edition of 100. Signed by Sloan, titled, and inscribed 100 proofs, and also signed "Ernest Roth, imp/(old paper)." With a lebe...

Greenock is an etching realized in 1845 by F. W. Topham. Signed on the plate. Titled on the lower center, from the series of "Ports of Great Britain" Good conditions with slight ...

A Caza de Dientes is a black and White aquatint, drypoint and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886 . 6th Edition...

Jean Sariano, Algerian/American (1943 - ) - Acrobate, Year: 1979, Medium: Intaglio Etching, signed and numbered in pencil, Edition: 300, Size: 23 x 27 in. (58.42 x 68.58 cm)

Jean Sariano, Algerian/American (1943 - ) - Whimskey, Year: circa 1976, Medium: Etching, signed and numbered in pencil, Edition: 300, Size: 27 x 14 in. (68.58 x 35.56 cm)

Artist: Marc Chagall (Russian, 1887-1985) Title: l'Ivrogne et sa Femme Year: 1927 Medium: Original etching Edition: fom the unumbered edition of 200 Paper: Montval Laid paper Image ...

Mireille Kramer, Egyptian/American (1932 - ) - Vive Les Bretons, Year: circa 1970, Medium: Aquatint Etching, Signed in pencil, Edition: AP, Size: 9.5 x 7.5 in. (24.13 x 19.05 c...

Jean Sariano, Algerian/American (1943 - ) - The Flying Dutchman, Year: 1979, Medium: Etching with Intaglio, signed and numbered in pencil, Edition: 300, Size: 26.5 in. x 18 in. (...

Jean Sariano, Algerian/American (1943 - ) - Hello, Year: 1979, Medium: Intaglio Etching and Aquatint, signed and numbered in pencil, Edition: 300, Image Size: 19 x 17 inches, Siz...

Mireille Kramer, Egyptian/American (1932 - ) - Lovers V, Year: Circa 1980, Medium: Etching, Signed, Titled and Numbered in Pencil, Edition: 300, Image Size: 14 x 17 inches, Size:...

Harry McCormick, American (1942 - ) - Young Boy, Year: circa 1980, Medium: Etching and Aquatint on BFK Rives, signed and numbered in pencil, Edition: AP, Image Size: 4 x 5.25 inc...

This reproduction of Leonardo da Vinci’s "Annunciation" is an etching created from the original plate and issued as a restrike by the Louvre Museum collection in Paris. The piece pre...

This artwork titled "Good Memories, Home 1982" 1982 is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed, titled, dated and resigned a second time in pencil by the artist. The plate mark size is 10.25 x 7 inches, framed size is 18 x 14.10 inches. Custom framed in a wood and silver color frame, with green matting and brown filet. It is in excellent condition. About the artist. Josef Eidenberger was born in 1899 in the little town of Goisern, Austria,he began his artistic career as a landscape painter. In 1923 he enrolled in the famed Graphic Academy of Art in Vienna and studied under Professor Alfred Cossman. His recognized talent brought him many commissions from city officials and members of the business communities throughout Europe, especially in Austria and Germany. In 1973 after visiting the United States for the first time he created a series of California etchings...

LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts)...

Otto Kuhler, 'Bedrock', etching, 1928, edition 25, Kennedy 29. Signed and titled in pencil. A superb, richly-inked impression in brown/black ink, with skilfully wiped plate tone; on ...

"Lope de Aguirre" Etching of Spanish Conquistador by Carlos Poveda (Costa Rican b.1940.) This dry point etching by Carlos Poveda depicts the notorious Spanish conquistador Lope de A...

ARTIST: Salvador Dali TITLE: Autumn MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 89/150 The total tirage is 1,150, only 150 of the pieces have color added and signed MEASUREMENTS: 15.75" x 12.25" YEAR: 1970 FRAMED: Yes, museum quality gold frame...

Les Vendagnes is an artwork realized by Charles François Daubigny in the 1870s. Etching. Image size:20x33 Good conditions. Realized for the "Société des Aquafortistes. Born on ...

LEVON WEST (1900 – 1968) CHANGING FLIES c. 1930 Etching and drypoint, signed in pencil and no. 28. Image, 13 1/8 x 8 3/8 inches, sheet 17 1/4 x 11 5/8 full margins with deckle edge...

Aaron Fink (American, b. 1955) Etching on paper titled "Untitled (Colored Pipe)," Depicting an abstracted pipe with bright pink smoke floating from the bowl. Hand signed in pencil...

This Map of Anverpia is an original etching hand colored realized by George Braun and Franz Hogenberg as part of the famous Atlas "Civitates Orbis Ter...

Ernesto Garcia Peña (Cuban, 1949) '¡Y ya! ' (And that's it!), 2007 etching, engraving on paper 28.5 x 21.2in. Edition of P.A (Prueba de Artista) Ref: GAE-103

This artwork "Under the Rain" 1992 is an original etching by French/Canadian artist Pierre Roland Renoir b.1958 (Grand son of the famous impressionist artist Pierre Auguste Renoir) I...

Joueurs de boules is a beautiful etching and aquatint on paper, realized by the French artist Maurice Flament (1884-1968). Titled, numered and signed in pencil on the lower margin. ...

Portico d'Ottavia , Tempio di Giove, Tempio di Giunione, Rome is an artwork realized in Mid 19th Century . Black and white etching. Good conditions.

Rigoberto Mena (Cuba, 1961) 'El Jueves puede ser un gran día' (Thusday could be a great day), 2010 engraving, mixed media, chine colle on paper Guarro Super Alpha 250g. 15.8 x 15.8 i...

Etching on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Published by Éditions Marcel Seheur, Paris; printed by Atelier d'art Paul Haasen, Paris, Septembe...

Shore is an artwork realized by Philippe Francois in the Mid-20th Century. Etching. Hand signed. Artist's Proof.

Luis Enrique Camejo (Cuba, 1957) 'Estudio de olas', 2022 aquatint, direct acid on paper Canson 320 g. 18.4 x 29.2 in. (46.5 x 74 cm.) ID: CAQ-102 Unframed

Esto si que es léer is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching on paper. The etching is pa...

Un Forgeron is an artwork realized by Eugène Delacroix in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

Letter P is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

Sergio Hernández (Mexico, 1957) 'Corral V, 2011 silkscreen on paper Velin Arches 300 g. 29.6 x 41.4 in. (75 x 105 cm.) Edition of 10 Unframed

Nude Woman is an original etching realized by Bertrand PY (1895-1973) during the 20th century. The original work is contained in a cream colored cardboard...

Etching in colors on Somerset vélin paper. Paper Size: 20 x 23 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Music, Deep Rivers in My Soul, 2003. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengili, Hinsdale, 2003. Excerpted from the folio, This edition of Music, Deep Rivers in my Soul consists of CD examples printed on Somerset paper. Dan Carr and Julia Ferrari designed the typography. Cast the Spectrum and Romulus type in metal, handset the type and printed the text at Golgonooza Letter Foundry and Press in Ashuelot, New Hampshire. The color etchings were printed by hand on Somerset paper by Peter Pettengili at Wingate Studio in Hinsdale, New Hampshire. DEAN MITCHELL...

Kcho (Alexis Leiva Machado), (Cuba, 1970) 'Bote con espinas', 2003 engraving, sugarlift on paper 28.8 x 41.3 in. (73 x 104.8 cm.) Ref: KCH-109

The Last Dance is an original etching on paper realized by Aldo Borgonzoni (1913-2004). Hand-signed and numbered, edition of 5/100 prints. The state o...

Image dimensions 45x65.6. Veduta del Ponte Lugano su l'Anione is a superb black and white etching on laid paper realized by Giovan Battista Piranesi....

Lady Washington's Levee - 1932 Etching on Paper 1932 black and white etching titled "Lady Washington's Levee" (from the portfolio "The Bicentennial Pageant of George Washington"), 1...

ARTIST: Salvador Dali TITLE: Our Historical Heritage Jeremiah MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 175/400 MEASUREMENTS: 26" x 19.87" YEAR: 1975...

Etching and drypoint realized by Chadwick in 1915. Hand signed in pencil lower right. There is a nice red ink stamp depicting a duck placed on the bottom margin of one sheet. Very...

Souvenir is a black and white etching realized by Adolphe Appian (1818–1898) in 1870s. Titled in the lower. Image size: 23.5cmx13cm. Very Good condition. Realized by Cadart for t...

Ex Libris - Gino Sabattini is an Etching print created by Michel Fingesten. Hand signed on the lower margin. Good conditions except some foxings that doesn't affect the immage. M...

20th century figurative etching print by Polish artist Leszek Rozga. This piece is signed by the artist. LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska pri...

Etching on paper, edited in 1967 Limited edition of 35, numbered 5/35
 Signed in pencil by artist in lower right corner 
Paper size: 41.2 x 51.4 cm Plate size: 24.8 x 31.4 cm Very go...

Image dimensions: 24.5 x 31.7 cm. La strada d’Ancona ("The Road to Ancona") is an original artwork realized by Luigi Bartolini in 1931. Original etching applied. Plate dimensions:...

Les Anatomes, Plate F is a contemporary artwork realized by Man Ray in 1970 Mixed colored etching Hand signed and numbered in pencil. Edition 26/100 Ref. Anselmino 70F Includes ...

This exquisite etching by Marie Laurencin (1883–1956), titled Jeune femme et son fils (Young Woman and Her Son), from the album Antares, eaux-fortes originales de Marie Laurencin (An...

Artist: Etienne Ret (French, 1900-1996) Title: La pianiste (Epuise) Year : Circa 1970 Medium: Color etching with aquatint Image (plate mark) size: 19...

The Holy Family after Leonardo da Vinci is a print realized by Pierre-Auguste Lamy in the late 19th Century. Etching on paper. Stamped on the plate on the lower. Good condition wi...

A finely detailed etching by Italian artist A. Montrone, depicting the tranquil gardens of the Villa Medici in Rome, with a panoramic view of the Eternal City and the iconic dome of ...

Portrait of After Raphael is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Know...

Map Traiectvm ad Mosam is original etching realized by Georg Braun and Franz Hogengerg between the end of the 16th and the first years of the 17th Century. Dimension: 40 x 54 The ...

Moses Parts the Red Sea & Receives the Ten Commandments - Leaflet from the 1497 'Pirate' Nuremberg Chronicles The Nuremberg Chronicles were first published in 1493 by Anton Koberg...

This exquisite etching after Alberto Giacometti (1901–1966), titled Annette de Face (Annette, Frontal View), from the folio Derriere le miroir, 10 Ans d'Edition 1946-1956, No. 92-93, originates from the 1956 edition published by Maeght Editeur, Paris, and printed by Atelier Crommelynck, Paris, 1956. This work exemplifies Giacometti’s mastery of line and existential sensitivity, capturing the haunting stillness and psychological intensity of his wife and muse, Annette. Executed as an etching, cuivre rayé apres tirage on velin paper, this work measures 15 x 11 inches overall; 8.07 x 2.28 inches image size. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Atelier Crommelynck, Paris. Artwork Details: Artist: After Alberto Giacometti (1901–1966) Title: Annette de Face (Annette, Frontal View), from the folio Derriere le miroir, 10 Ans d'Edition 1946-1956, No. 92-93 Medium: Etching, cuivre rayé apres tirage on velin paper Dimensions: 15 x 11 inches, overall; 8.07 x 2.28 inches, image size (38.1 x 27.94 cm; 20.5 x 5.8 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Maeght Editeur, Paris Printer: Atelier Crommelynck, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, 10 Ans d'Edition 1946-1956, No. 92-93, published by Maeght Editeur, Paris; printed by Atelier Crommelynck, Paris, 1956 Notes: Excerpted from the folio (translated from French), This catalogue, forming a special issue of Derriere le miroir, was completed in October 1956 on the presses of Draeger Freres on behalf of Aime Maeght, Editeur. The original lithographs of Miro, Chagall and Bazaine were shot by Mourlot Freres. The eaux-fortes rayees of Miro and Giacometti were shot by Crommelynck. Raoul Ubac composed and pulled the engraved wood from the cover. The photographs of Braque's reproduced works are by Mr. Routhier. Those of the other artists of Y. Hervochon. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght's belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Alberto Giacometti (1901–1966) was a Swiss sculptor, painter, and draughtsman whose hauntingly elongated figures and existential vision redefined modern art and made him one of the most influential artists of the 20th century. Born in Borgonovo, Switzerland, into an artistic family—his father, Giovanni Giacometti, was a noted Post-Impressionist—he was immersed in art from an early age before studying in Geneva and moving to Paris in 1922, where he became part of the city’s avant-garde alongside Pablo Picasso, Alexander Calder, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which reflected the influence of Dali, Duchamp, and Man Ray. By the 1940s, he abandoned Surrealism to pursue a deeply personal exploration of the human condition, developing his iconic attenuated figures that embodied both fragility and resilience. His signature sculptures—L’Homme qui marche I (Walking Man I), Femme debout, and Le Chariot—expressed the isolation, endurance, and vulnerability of modern existence, echoing the existential philosophy of Jean-Paul Sartre and Simone de Beauvoir. Giacometti’s figures, stripped of mass yet monumental in spirit, symbolized humanity’s search for meaning in a postwar world, while his paintings and drawings—portraits of his brother Diego, his wife Annette, and his friends—captured the psychological depth of perception with trembling, repetitive lines that blurred the boundary between body and soul. His friendships with Picasso, Calder, Miro, and Kandinsky shaped his understanding of form, motion, and space, while his philosophical engagement with Duchamp and Man Ray deepened his inquiry into the nature of reality and perception. Working obsessively in his modest Montparnasse studio, Giacometti pursued art as an existential act—destroying and rebuilding his figures in an endless search for truth. His influence on postwar art was immense, shaping the work of Henry Moore, Francis Bacon, Louise Bourgeois, Lucian Freud, and later contemporary sculptors such as Antony Gormley and Anselm Kiefer. His aesthetic also resonated beyond sculpture, influencing fashion, photography, and architecture through his vision of form, isolation, and proportion. Giacometti’s work is represented in major museum collections including MoMA, the Tate Modern, and the Centre Pompidou, and continues to inspire artists, collectors, and thinkers worldwide. Standing alongside Pablo Picasso, Alexander Calder, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Giacometti remains a towering figure in modern art—a sculptor-philosopher who transformed the human form into a universal symbol of resilience and reflection. His highest auction record was achieved by L’Homme qui marche I (Walking Man I), which sold for 141.3 million USD at Sotheby’s, London, on February 3, 2010, reaffirming Alberto Giacometti’s enduring legacy as one of the most visionary, profound, and collectible artists in the history of modern art. After Alberto Giacometti Annette...

ARISTIDE MAILLOL (1861-1944) FEMME ASSISE / (WOMAN SEATED IN PROFILE, RIGHT, ONE LEG BENT. ONE LEG RAISED), 1926 (Gueirn 321) Etching signed with “M” monogram in pencil. Image 9 x 9...

Woiy ook Lavendelbloom is an artwork, realized by Christoph Suhr in 1808. Etching hand colored. Titled on the lower margin. The artwork belongs to the Series "Der Ausruf in Hamburg...

Neue Lieder is an artwork, realized by Christoph Suhr in 1808. Etching hand colored. Titled on the lower margin. The artwork belongs to the Series "Der Ausruf in Hamburg vorgestell...