Linocut Figurative Prints

Color linocut on strong wove paper. Image dimension 53.2x39.3; Sheet size 62.5x44.5. One of the "épreuves de passe" remaining with the printer Arnéra in Vallauris, verso with the s...

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed On October 18, 2025, another example of this print sold at public auction for $28,000. In September, 2025, "Kerry James Marshall: The Histories" opened at the Royal Academy of Arts in London. This major exhibition was the largest presentation of Marshall's work in the United Kingdom and Europe, and featured more than 70 works by the the artist, including a large number of paintings and a selection of prints, drawings and sculptures. Highlights of the show include a new series of paintings that explore the transatlantic slave trade, along with Knowledge and Wonder, a mural commissioned in 1995 by the Chicago Public Library that is the largest painting Marshall has produced. The exhibition at the Royal Academy will then travel to the Kunsthaus Zurich and the Musee d'Art Modern in Paris. Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier, which is featured in the Royal Academy Exhibition. In 2013, an original painting, upon which this work is based, sold at Christie's auction. Below is the Christie's Lot Essay for that painting: ..." Set in a revolutionary apartment in the cosmos, Kerry James Marshall's Keeping the Culture optimistically anticipates a future that pays homage to the past. Ushering in a new stage of the artist's output, Keeping the Culture shifts focus from the failed utopia of urban renewal and the commemoration of civil rights era heroes in favor of a more technically refined meditation on the preservation of the traditional and spiritual values that shaped a culture. Placed in an ultramodern environment, two siblings marvel at a projection of the earth--in which Marshall has aptly positioned the African continent toward the viewer-while their affectionate parents dance in the foreground. Overlooking the milky way, Marshall's space-age flat is decorated with earthly relics-wooden tribal sculptures...

signed and numbered lower right edition of 60 Catalogue raisonné 00717 Published by Simmelink Sukimoto Editions Internationally recognized painter and printmaker Alex Katz was born...

Dos Villancicos Sor Juana Inés de la Cruz (text) Artemio Rodríguez (linocut) Printed at Taller Martín Pescador, Mexico Published by El Tercer Milenio / Artes de México Signed and nu...

Linocut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Catalogue raisonné reference: Matis...

James Lesesne Wells, 'Sisters', linocut, edition not stated but small, 1928. Signed, titled, and annotated 'imp' in pencil. A fine impression on off-white wove Japan paper, with wide margins (1 7/8 to 3 3/4 inches), in excellent condition. Printed by the artist. Very scarce. Matted to museum standards, unframed. Image size 8 3/16 x 6 3/4 inches (208 x 171 mm); sheet size 13 1/2 x 10 3/4 inches (343 x 273 mm). Exhibition and Literature: 'Narratives of African American Art and Identity: The David C. Driskell Collection,' The Art Gallery at the University of Maryland, extensive touring exhibition, 1998-2000. Collections: Pennsylvania Academy of the Fine Arts, Smithsonian Institution (Anacostia Community Museum). ABOUT THE ARTIST “Wells is more than an artist with a deep concern for his fellow man. He carries many of his themes a step further into an apocalyptic world, a world of revelation and shifting lights. … He works on large blocks in a bold free style. … His work has a vigor, therefore, that is not often used in the medium today.” —Jacob Kainen (painter, critic, and collector) from Richard J. Powell’s 1986 essay Phoenix Ascending: The Art of James Lesesne Wells. James Lesesne Wells was an American painter, printmaker, educator, and pioneering figure of the Harlem Renaissance, whose work established a vital connection between African heritage, modernist form, and African American cultural identity. Known for his innovative use of linoleum and woodblock printing, Wells played a key role in shaping 20th-century African American art and inspired countless students throughout his lengthy career as a teacher at Howard University. Born in Atlanta, Georgia, Wells' early exposure to the arts came through church and community, where African American cultural traditions were central. He pursued formal artistic training at Lincoln University in Pennsylvania (earning a B.A. in 1924), followed by studies at the Pennsylvania Academy of the Fine Arts and the Barnes Foundation, where he encountered European modernists as well as traditional African sculpture, which profoundly influenced his style. Wells moved to New York in the late 1920s, swiftly immersing himself in the lively artistic and intellectual scene of Harlem. There, he became associated with artists, writers, and thinkers of the Harlem Renaissance, contributing to the growth of Black cultural identity. Considered a mentor to many famed artists of the Harlem Renaissance, Wells served as director of a summer art workshop in Harlem where his assistants included Charles Alston, Jacob Lawrence, and Palmer Hayden...

YOUNG DOUGLASS is a hand pulled, original limited edition relief print created using linoleum cut printmaking techniques on white archival Somerset White paper, 100% acid free. Pencil signed by Elizabeth Catlett on the lower margin, embossed with printer's chop mark on lower left, print documentation provided. YOUNG DOUGLASS is an impactful graphic statement by the renowned African-American and Mexican woman sculptor and printmaker, Elizabeth Catlett, created as a tribute to Frederick Douglass, the most distinguished black American human rights leader of the 19th century. Strong impression printed in rich black ink on white wove paper, a powerful portrait of Douglass as a young man, with his distinct facial features, thick coiffured hair, dressed in a formal high collar shirt...

Medium: linocut Year: 2023 Image Size: 18 x 24 inches Edition Size: 10 Undocumented immigrants scaling the wall to enter the United States, against a backdrop of butterflies flying ...

This exquisite linocut by Joan Miro (1893–1983), titled Personnage, Oiseau, Etoile (Figure, Bird, Star), from the album XXe Siecle, Nouvelle serie, XXIe Annee, No. 13, originates fro...

God and the Four Evangelists ("Fool's Concert") - 1943 Linocut on Paper Leopoldo Méndez (Mexico City, Mexico, 1902–1969) "Fool's Concert" (from the portfolio "25 Prints of Leopoldo ...

Mimmo Paladino Atlantico Linocut, 1987, hand signed, dated and numbered 12/27 in pencil. Medium: Collagraph and linoleum cut Sheet measures 82 x 29 1/2" inches Parole Torchon pap...

Mimmo Paladino Atlantico Linocut, 1987, hand signed, dated and numbered 12/27 in pencil. Medium: Collagraph and linoleum cut Sheet measures 82 x 29 1/2" inches Parole Torchon pap...

Linocut on vélin pur fil Johannot a la forme paper. Inscription: signed in pencil and unnumbered, as issued, from the edition of 50. Good condition. Notes: From the folio, Le Poème p...

This exquisite linocut after Pablo Picasso (1881–1973), titled Tete de Femme (Head of a Woman), from the album Pablo Picasso, Grabados al linoleo (Linocuts), originates from the 1962...

Richard Mock, American (1944 - 2006) - Childhood in America, Year: 1999, Medium: Linocut on BFK Rives, signed, titled, numbered and dated in pencil, Edition: 80, Image Size: 17 x...

Deux Femmes is a beautiful contemporary artwork realized after Pablo Picasso (1881-1973). Original color linocut realized in smaller size after a linocut by Pablo Picasso of 1959. ...

The Mexican artist Francisco Mora (1922-2002) studied in Mexico City at La Esmeraida, with Diego Rivera. He joined the Taller de Gráfica Popular, a grap...

Stunning and iconic portrait of Picasso's wife, Jacqueline Roque, signed in pencil by Picasso and numbered in pencil from the limited edition of 50.

THERE IS A WOMAN IN EVERY COLOR is a hand pulled limited edition relief print created using linocut, woodcut, and silkscreen printmaking techniques on white archival printmaking pape...

"History of Detroit" is in the style of a mural by the master muralist from the city of Detroit, Hubert Massey. It renders in dramatic composition the ov...

Albert Potter, 'Modern Music' also Twilight Melodies', linocut, c. 1935, from the posthumous edition of 20, printed in 1977, authorized by the artist’s widow. Estate authenticated in...

This exquisite linocut after Pablo Picasso (1881–1973), titled Femme au Collier (Woman with Necklace), from the album Pablo Picasso, Grabados al linoleo (Linocuts), originates from t...

Linocut realized by Escher in March 1950. Released through linoleum cut in black and gray-brown on Japan paper, and printed from two blocks. Hand signed lower left, marked "eigen d...

Catching the Light is a limited edition seascape print by Ian Phillips. The light colours palette and bold style of this work makes it a delight to look at. ADDITIONAL INFORMATION:...

This exquisite linocut after Pablo Picasso (1881–1973), titled Bacchanale (Bacchanal), from the album Pablo Picasso, Grabados al linoleo (Linocuts), originates from the 1962 edition published by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris, and printed by Verlag Gerd Hatje, Stuttgart, 1962. This dynamic composition captures Picassos mastery of form, color, and reduction—distilling complex imagery into pure rhythmic structure through the bold immediacy of linocut. Executed as a linocut on velin paper, this work measures 12.5 x 14.5 inches overall, with an image size of 10.5 x 12.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of Verlag Gerd Hatje, Stuttgart. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Bacchanale (Bacchanal), from the album Pablo Picasso, Grabados al linoleo (Linocuts) Medium: Linocut on velin paper Dimensions: 12.5 x 14.5 inches overall; 10.5 x 12.75 inches image size (31.75 x 36.83 cm overall; 26.67 x 32.39 cm image size) Inscription: Unsigned and unnumbered as issued Date: 1962 Publisher: Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris Printer: Verlag Gerd Hatje, Stuttgart Catalogue Raisonne References: Orozco, M. (2018). Picasso. 70 Years of Book Illustration Catalogue Raisonne. Picasso. 70 Years of Book Illustration, Illustration 214. Condition: Well preserved, consistent with age and medium Provenance: From the album Pablo Picasso, Grabados al linoleo (Linocuts), published by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris; printed by Verlag Gerd Hatje, Stuttgart, 1962 Notes: Excerpted from the album (translated from Spanish), This limited edition of the album "Pablo Picasso, engraved in linocut", appeared for release in February 1963, consists of DXX numbered examples from I to DXX. The publisher thanks the Galerie Louise Leiris, of Paris, for the transfer of the originals for printing. (c) 1962 by Verlag Hatje, Stuttgart. Reproduction rights reserved by S.P.A.D.E.M., Paris, and Cosmopress Geneva. No. Registration B. 885. - 1962; Legal deposit B. 29.632. - 1962. Typography printed by the Sociedad Alianza de Artes Graficas (S.A.D.A.G.), Rosellon, 298-300, Barcelona. About the Publication: Grabados al linoleo (Linocuts), published in 1962 by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris, stands as one of the most celebrated printed albums devoted to Picassos linoleum engravings. Supervised and printed by Verlag Gerd Hatje, Stuttgart, the album documents Picassos innovative mastery of the linocut technique—an approach he developed in the late 1950s and early 1960s while working closely with the printer Hidalgo Arnera in Vallauris. These works, created between 1958 and 1961, demonstrate Picassos ability to synthesize color, form, and movement within a single, reductive process that demanded precision and intuition. The album was issued in a limited numbered edition of DXX examples, accompanied by the publisher’s acknowledgment of Galerie Louise Leiris for facilitating access to the original blocks. As a historical publication, Grabados al linoleo reflects Picassos late-career vitality and his relentless experimentation with materials and printmaking methods, offering collectors and scholars an enduring testament to his inventive genius in graphic art. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picassos career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picassos enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Bacchanale...

This exquisite linocut by Henri Matisse (1869–1954), titled Teeny, from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazzaro, Sommaire du no. 4,...

Linoleum cut printed in colors on wove paper. Duthuit-Matisse 702. Hand signed and numbered 7/25 by the artist. Image size 7.5 x 6.75 inches. Sheet size 16 x 11.75 inches. Custo...

LEOPOLDO MENDEZ (1902 – 1969) THE MAKING OF TORTILLAS 1954 Linocut. Edition unknown. This example signed in pencil and dated 1957. 14” x 47 3/8” ...

Andre Derain, After, French (1880 - 1954) - L'Enfant, Year: Printed circa 1968, Medium: Linocut, stamp signed, Image Size: 11 x 9 inches, Size: 19 in. x 15 in. (48.26 cm x 38.1 c...

The artwork will be sent unframed Linocut print „ Morning dawn” 2023 Reduction linocut print technique Limited edition, print unique number 8/8 Paper Fabriano Rosaspina Bianco 220g ...

Linocut on Arches wove paper. Hand signed and numbered by the artist in pencil. Image size 25 x 20.75 inches. Sheet size 29.6 x 24.5 inches. Frame size approx 34.5 x 29.5 inches. Pri...

PABLO PICASSO (1881-1973) Grand Tête (Portrait de Jacqueline aux Cheveux lisses) linocut in colors, on Arches paper, 1962, signed in pencil, numbered ##/50, with full margins, pale ...

Artist: Henri Matisse Title: Teeny Portfolio: Other Portfolios Medium: Linocut Date: 1938 Edition: Unnumbered Frame Size: 19" x 16 1/4" Sheet Size: 12 1/4” x 9 1/2” Image Size: 11 7/...

This exquisite linocut after Pablo Picasso (1881–1973), titled Femme Regardant par Fenetre (Woman Looking Through Window), from the album Pablo Picasso, Grabados al linoleo (Linocuts...

This exquisite linocut after Pablo Picasso (1881–1973), titled Portrait de Jeune Fille (Portrait of a Young Girl), from the album Pablo Picasso, Grabados al linoleo (Linocuts), origi...

BESSIE MAE is a hand drawn, limited edition lithograph/linocut by the African American artist JONATHAN GREEN printed in 10 colors using hand lithography techniques and linoleum cut o...

The artwork will be sent unframed, with passpartou Linocut „Light” 2023 Linocut print technique Art print from 5 matrices Limited edition, print unique number 2/8 Paper Fabriano Ro...

This artwork "chrysanthemum" is an original linocut print on paper by American botanical artist Henry Evans, 1918-1990. It is hand signed, titled, dated and numbered 213/320 in penc...

Femme endormie [Dormeuse] By Pablo Picasso Pablo Picasso, a pioneering Spanish artist, co-founded the Cubist movement and played a pivotal role in the development of modern art dur...

Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...

Signed and titled in pencil, edition of 20. Last print in the edition. Juan R. Fuentes's print, "Bracero Brothers," reflects the Chicano Art Movement of the 1970s that he helped t...

This exquisite linocut after Pablo Picasso (1881–1973), titled Faunes et Chevre (Fauns and Goat), from the album Pablo Picasso, Grabados al linoleo (Linocuts), originates from the 1962 edition published by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris, and printed by Verlag Gerd Hatje, Stuttgart, 1962. This dynamic composition captures Picassos mastery of form, color, and reduction—distilling complex imagery into pure rhythmic structure through the bold immediacy of linocut. Executed as a linocut on velin paper, this work measures 12.5 x 14.5 inches overall, with an image size of 10.5 x 12.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of Verlag Gerd Hatje, Stuttgart. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Faunes et Chevre (Fauns and Goat), from the album Pablo Picasso, Grabados al linoleo (Linocuts) Medium: Linocut on velin paper Dimensions: 12.5 x 14.5 inches overall; 10.5 x 12.75 inches image size (31.75 x 36.83 cm overall; 26.67 x 32.39 cm image size) Inscription: Unsigned and unnumbered as issued Date: 1962 Publisher: Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris Printer: Verlag Gerd Hatje, Stuttgart Catalogue Raisonne References: Orozco, M. (2018). Picasso. 70 Years of Book Illustration Catalogue Raisonne. Picasso. 70 Years of Book Illustration, Illustration 214. Condition: Well preserved, consistent with age and medium Provenance: From the album Pablo Picasso, Grabados al linoleo (Linocuts), published by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris; printed by Verlag Gerd Hatje, Stuttgart, 1962 Notes: Excerpted from the album (translated from Spanish), This limited edition of the album "Pablo Picasso, engraved in linocut", appeared for release in February 1963, consists of DXX numbered examples from I to DXX. The publisher thanks the Galerie Louise Leiris, of Paris, for the transfer of the originals for printing. (c) 1962 by Verlag Hatje, Stuttgart. Reproduction rights reserved by S.P.A.D.E.M., Paris, and Cosmopress Geneva. No. Registration B. 885. - 1962; Legal deposit B. 29.632. - 1962. Typography printed by the Sociedad Alianza de Artes Graficas (S.A.D.A.G.), Rosellon, 298-300, Barcelona. About the Publication: Grabados al linoleo (Linocuts), published in 1962 by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris, stands as one of the most celebrated printed albums devoted to Picassos linoleum engravings. Supervised and printed by Verlag Gerd Hatje, Stuttgart, the album documents Picassos innovative mastery of the linocut technique—an approach he developed in the late 1950s and early 1960s while working closely with the printer Hidalgo Arnera in Vallauris. These works, created between 1958 and 1961, demonstrate Picassos ability to synthesize color, form, and movement within a single, reductive process that demanded precision and intuition. The album was issued in a limited numbered edition of DXX examples, accompanied by the publisher’s acknowledgment of Galerie Louise Leiris for facilitating access to the original blocks. As a historical publication, Grabados al linoleo reflects Picassos late-career vitality and his relentless experimentation with materials and printmaking methods, offering collectors and scholars an enduring testament to his inventive genius in graphic art. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picassos career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picassos enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Faunes...

Femme au Collier is a linocut reproduction realized in smaller size after a linocut by Pablo Picasso of 1959. Good conditions, except for very minor foxing on edges. Not signed. A ...

Richard Mock, American (1944 - 2006) - UN Aid to Global Hot Spots, Year: 1996, Medium: Linocut on BFK Rives, signed, titled, numbered and dated in pencil, Edition: 80, Image Size:...

Black and white contemporary figurative linocut by Polish artist Luiza Kasprzyk. Artwork comes from limited edition of 50. Print depicts bodies permeating each other. LUIZA KASPRZY...

Sphinx is an original Linocut Print realized by Mino Maccari in 1951. Very Good condition. No Signature. Mino Maccari (1898-1989) was an Ita...

Robert Cottingham Don't Walk, 1985 Three color Linoleum Cut on Paper Pencil signed, inscribed to Bryan and annotated TP Published by Chip Elwell Fine Prints Trial Proof (unique) This is a Trial Proof that Robert Cottingham inscribed, annotated and gifted to Bryan Konefsky, his longtime studio assistant in both Newtown, CT and Santa Fe New Mexico. Only one other example - a variant - of this early print, exists and is in the collection of the Smithsonian. Due to the untimely death of printer Chip Elwell in October of 1986, only two proofs in the woodcut medium were pulled: the present work, which Cottingham gifted to his longtime studio assistant, and the one at the Smithsonian. Furthermore and in another interesting turn of events, Elwell's studio was burglarized shortly after his death and among the items stolen were the original wood blocks for DON'T WALK. This is an historic work; and the only one available on the market. Measurements: Framed: 15 inches x 13.5 inches x .3 inches Artwork 12 inches x 10.5 inches Robert Cottingham Biography Robert Cottingham (b.1935, Brooklyn, NY) is recognised for his Photorealist paintings of American urban landscapes, particularly his depictions of painted and neon shop signs...

The New Cable British Modern Mid 20th Century Vorticist European Vorticism Woman Sybil Andrews CPE (British/Canadian, 1898-1992) "The New Cable," 1931 12 x 16 1/2 inches Color linocut Signed, titled, inscribed 'Second State', and numbered 13/60 in pencil Framed: 19 x 24 inches Literature: Coppel Sa17 Illustrated on page 10 of the catalog The proposed edition of the first state of the Giant Cable was 50, but only 30 impressions were pulled. Andrews removed the blue background for the second state, which was published under the title The New Cable in an edition of 60. BIO Sybil Andrews was a printmaker, painter, graphic artist and educator who was born in Bury St. Edmonds, Suffolk, England. She moved to London (England) in 1922. In 1947, she emigrated to Campbell River (Vancouver Island) British Columbia, Canada, where she worked, taught and lived for the rest of her life. She died at a hospital in Victoria (B.C.) Her mediums were the colour linocut (1) (most famous), etching, posters, pastels, ink, watercolour, monoprint and oil. Her subjects were human activity (at work, sports, travel, etc.), figures, animals, genre, allegory, architecture and landscape. Her style was Art Deco (see AskART styles), Futurism, Cubism and Vorticism (2). Her work is identified by a simple format, clean lines, distortion, vivid colours, drama and rhythm. Quote: "The colour linocut was just the medium for me, being interested in dynamics and ideas and patterns... It is impossible to be fussy with lines, you have to simplify, you are forced to simplify your idea to its fundamentals." Andrews produced 76 linocuts in her life, of which 43 were made from 1929 to 1939, which is considered to be her best period. John Hassall's art correspondence course (1918) was the beginning of her formal art education. She went from there to Heatherley's School of Fine Art (London/1922) where she studied under Henry Massey (see AskART) and met artistic partner Cyril Power (see AskART). At the same time, she studied independently with sculptor Henri Glicenstein (see AskART) who taught her drypoint etching and to draw from life. She also attended the Grosvenor School of Modern Art (1925). Iain McNab (1890-1967) was Principal and Claude Flight (3) (see AskART) an instructor who had a great influence on her choice of linocut as a primary medium. Some of his other students and her associates were Edith Lawrence (1890-1973), Lill Tschudi (1911-2001), Eileen Mayo (see AskART) and William Greengrass (1896-1970). After emigrating to Canada she taught art continuously until a month before her death. She was elected a member of the Canadian Painters - Etchers Society (after 1976 the Print and Drawing Council of Canada) in 1951. She began exhibiting her work in 1921.In 1929 she was included in "The First Exhibition of British Linocuts...

The artwork will be sent unframed Linocut print „Towards the sun” 2023 Reduction linocut print technique Limited edition, print unique number 2/13 Paper Fabriano Rosaspina Bianco 220...

This exquisite linocut after Pablo Picasso (1881–1973), titled Portrait de Jacqueline (Portrait of Jacqueline), from the album Pablo Picasso, Grabados al linoleo (Linocuts), originat...

This exquisite linocut by Henri Laurens (1885–1954), titled Sirenes (Sirens), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazzaro, Sommair...

Richard Mock, American (1944 - 2006) - Mexico Needs Special Help, Year: 1986, Medium: Linocut, signed and numbered in pencil, Edition: 14/40, Image Size: 12.25 x 20 inches, Size:...

We are all crying out for peace, But none is crying out for justice. Not just all about peace, But equal rights and justice. It’s a must-have. Slavery then, advanced colonization no...

This exquisite linocut after Pablo Picasso (1881–1973), titled Pique (Picador), from the album Pablo Picasso, Grabados al linoleo (Linocuts), originates from the 1962 edition published by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris, and printed by Verlag Gerd Hatje, Stuttgart, 1962. This powerful composition embodies Picassos fascination with the bullfight—a recurring motif throughout his career—expressed here through the bold, reductive language of linocut that transforms motion, strength, and drama into pure visual rhythm. Executed as a linocut on velin paper, this work measures 12.5 x 14.5 inches overall, with an image size of 10.5 x 13 inches. Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of Verlag Gerd Hatje, Stuttgart. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Pique (Picador), from the album Pablo Picasso, Grabados al linoleo (Linocuts) Medium: Linocut on velin paper Dimensions: 12.5 x 14.5 inches overall; 10.5 x 13 inches image size (31.75 x 36.83 cm overall; 26.67 x 33.02 cm image size) Inscription: Unsigned and unnumbered as issued Date: 1962 Publisher: Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris Printer: Verlag Gerd Hatje, Stuttgart Catalogue Raisonne References: Orozco, M. (2018). Picasso. 70 Years of Book Illustration Catalogue Raisonne. Picasso. 70 Years of Book Illustration, Illustration 214. Condition: Well preserved, consistent with age and medium Provenance: From the album Pablo Picasso, Grabados al linoleo (Linocuts), published by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris; printed by Verlag Gerd Hatje, Stuttgart, 1962 Notes: Excerpted from the album (translated from Spanish), This limited edition of the album "Pablo Picasso, engraved in linocut", appeared for release in February 1963, consists of DXX numbered examples from I to DXX. The publisher thanks the Galerie Louise Leiris, of Paris, for the transfer of the originals for printing. (c) 1962 by Verlag Hatje, Stuttgart. Reproduction rights reserved by S.P.A.D.E.M., Paris, and Cosmopress Geneva. No. Registration B. 885. - 1962; Legal deposit B. 29.632. - 1962. Typography printed by the Sociedad Alianza de Artes Graficas (S.A.D.A.G.), Rosellon, 298-300, Barcelona. About the Publication: Grabados al linoleo (Linocuts), published in 1962 by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris, stands as one of the most celebrated printed albums devoted to Picassos linoleum engravings. Supervised and printed by Verlag Gerd Hatje, Stuttgart, the album documents Picassos innovative mastery of the linocut technique—an approach he developed in the late 1950s and early 1960s while working closely with the printer Hidalgo Arnera in Vallauris. These works, created between 1958 and 1961, demonstrate Picassos ability to synthesize color, form, and movement within a single, reductive process that demanded precision and intuition. The album was issued in a limited numbered edition of DXX examples, accompanied by the publisher’s acknowledgment of Galerie Louise Leiris for facilitating access to the original blocks. As a historical publication, Grabados al linoleo reflects Picassos late-career vitality and his relentless experimentation with materials and printmaking methods, offering collectors and scholars an enduring testament to his inventive genius in graphic art. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picassos career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picassos enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Pique...

This exquisite linocut after Pablo Picasso (1881–1973), titled Plante aux Toritos (Plant with Little Bulls), from the album Pablo Picasso, Grabados al linoleo (Linocuts), originates ...

Richard Mock, American (1944 - 2006) - Democrats, Year: 1996, Medium: Linocut on BFK Rives, signed, titled, dated and numbered in pencil, Edition: 80, Image Size: 16.25 x 19 inch...

This exquisite linocut after Pablo Picasso (1881–1973), titled Tete de Femme (Head of a Woman), from the album Pablo Picasso, Grabados al linoleo (Linocuts), originates from the 1962...

This exquisite linocut after Pablo Picasso (1881–1973), titled Le Vase de Fleurs (The Vase of Flowers), from the album Pablo Picasso, Grabados al linoleo (Linocuts), originates from ...

Antonio Diaz Cortes (Mexico, 1935) 'Encuentro' (meeting), 2006 woodcut on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) P/A (Artist Proof), unique piece Unframed ID: DIA-10...

This exquisite linocut after Pablo Picasso (1881–1973), titled Les Banderilles (The Banderillas), from the album Pablo Picasso, Grabados al linoleo (Linocuts), originates from the 19...