Lithograph Figurative Prints
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Period: 1970s
Medium: Lithograph
French Mid-Century 1970s Fashion Design Vintage Lithograph Print
Located in Melbourne, Victoria
Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971.
32cm by 22cm (sheet)
Category
1970s Post-War Lithograph Figurative Prints
Materials
Lithograph
Claude et Paloma, Cubist Lithograph by Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting “Claude et Paloma”. The original painting was completed in 1950. In the 1970’s after Picasso’s...
Category
1970s Lithograph Figurative Prints
Materials
Lithograph
French Mid-Century 1970s Fashion Design Vintage Lithograph Print
Located in Melbourne, Victoria
Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971.
32cm by 22cm (sheet)
Category
1970s Post-War Lithograph Figurative Prints
Materials
Lithograph
French Mid-Century 1970s Fashion Design Vintage Lithograph Print
Located in Melbourne, Victoria
Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971.
32cm by 22cm (sheet)
Category
1970s Post-War Lithograph Figurative Prints
Materials
Lithograph
Visage - 1974 Original Monoprint Lithograph on Paper
Located in Soquel, CA
Visage - 1974 Original Lithograph on Paper
Original 1974 Lithograph depicting an abstracted mans face by Michael William Eggleston (American, 20th Century). Black ink is used to out...
Category
1970s Abstract Expressionist Lithograph Figurative Prints
Materials
Paper, Ink, Lithograph
Miro, Les Révolutions Scéniques (Mourlot 1078; Cramer 207) (after)
By Joan Miró
Located in Auburn Hills, MI
Original Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: Extracted from the volume, Les...
Category
1970s Surrealist Lithograph Figurative Prints
Materials
Lithograph
Wunderlich, Composition, XXe Siècle (after)
Located in Auburn Hills, MI
Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, XXe Siècle, n°48, 1977. Pu...
Category
1970s Modern Lithograph Figurative Prints
Materials
Lithograph
French Mid-Century 1970s Fashion Design Vintage Lithograph Print
Located in Melbourne, Victoria
Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971.
32cm by 22cm (sheet)
Category
1970s Post-War Lithograph Figurative Prints
Materials
Lithograph
French Mid-Century 1970s Fashion Design Vintage Lithograph Print
Located in Melbourne, Victoria
Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971.
32cm by 22cm (sheet)
Category
1970s Post-War Lithograph Figurative Prints
Materials
Lithograph
Hartung, Composition, XXe Siècle (after)
By Hans Hartung
Located in Auburn Hills, MI
Original Edition Lithograph on wove paper. Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe Siècle, vol. no. 41, 1973. Pub...
Category
1970s Modern Lithograph Figurative Prints
Materials
Lithograph
Picasso, Le Goût du Bonheur 65 (Cramer 148; Bloch 2013) (after)
Located in Auburn Hills, MI
Lithograph and Silkscreen with grease crayon, lithographic tusche, lead pencil, and charcoal on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition;...
Category
1970s Cubist Lithograph Figurative Prints
Materials
Lithograph
1977 Presidential Inauguration, from Inaugural Impressions
Located in Washington, DC
Artist: Robert Rauschenberg
Title: 1977 Presidential Inauguration
Portfolio: Inaugural Impressions
Medium: Lithograph
Date: 1977
Edition: 51/100
Frame Size: 36 1/2" x 26 1/2"
Sheet S...
Category
1970s Pop Art Lithograph Figurative Prints
Materials
Lithograph
French Mid-Century 1970s Fashion Design Vintage Lithograph Print
Located in Melbourne, Victoria
Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971.
32cm by 22cm (sheet)
Category
1970s Post-War Lithograph Figurative Prints
Materials
Lithograph
French Mid-Century 1970s Fashion Design Vintage Lithograph Print
Located in Melbourne, Victoria
Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971.
32cm by 22cm (sheet)
Category
1970s Post-War Lithograph Figurative Prints
Materials
Lithograph
French Mid-Century 1970s Fashion Design Vintage Lithograph Print
Located in Melbourne, Victoria
Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971.
32cm by 22cm (sheet)
Category
1970s Post-War Lithograph Figurative Prints
Materials
Lithograph
French Mid-Century 1970s Fashion Design Vintage Lithograph Print
Located in Melbourne, Victoria
Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971.
32cm by 22cm (sheet)
Category
1970s Post-War Lithograph Figurative Prints
Materials
Lithograph
Picasso, Le Goût du Bonheur 71 (Cramer 148; Bloch 2013) (after)
Located in Auburn Hills, MI
Lithograph and Silkscreen with grease crayon, lithographic tusche, lead pencil, and charcoal on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition;...
Category
1970s Cubist Lithograph Figurative Prints
Materials
Lithograph
Lapicque, Composition, XXe Siècle (after)
Located in Auburn Hills, MI
Original Edition Lithograph on wove paper. Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe Siècle, vol. no. 43, 1974. Pub...
Category
1970s Surrealist Lithograph Figurative Prints
Materials
Lithograph
Pierre Tal Coat - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Pierre Tal Coat - Original Lithograph
1976
Dimensions: 32 x 25 cm
Revue XXe Siècle
Edition: Cahiers d'art published under the direction of G. di San ...
Category
1970s Abstract Expressionist Lithograph Figurative Prints
Materials
Lithograph
Untitled, from 1977 Inaugural Impressions
By Jamie Wyeth
Located in Washington, DC
Artist: Jamie Wyeth
Title: Untitled
Portfolio: Inaugural Impressions
Medium: Lithograph in colors
Date: 1977
Edition: 51/100
Sheet Size: 23" x 20"
Image Size: 17" x 14"
Signature: Ha...
Category
1970s Pop Art Lithograph Figurative Prints
Materials
Lithograph
French Mid-Century 1970s Fashion Design Vintage Lithograph Print
Located in Melbourne, Victoria
Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971.
32cm by 22cm (sheet)
Category
1970s Post-War Lithograph Figurative Prints
Materials
Lithograph
Sutherland, Composition, XXe Siècle (after)
Located in Auburn Hills, MI
Original Edition Lithograph on wove paper. Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe Siècle, vol. no. 38, 1972. Pub...
Category
1970s Surrealist Lithograph Figurative Prints
Materials
Lithograph
Hérold, Composition, XXe Siècle (after)
Located in Auburn Hills, MI
Original Edition Lithograph on wove paper. Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe Siècle, vol. no. 43, 1974. Pub...
Category
1970s Surrealist Lithograph Figurative Prints
Materials
Lithograph
original lithograph
By Max Ernst
Located in Henderson, NV
Medium: original lithograph. Catalogue reference Spies/Leppien 202. Published in 1971 by XXe Siecle. Sheet size: 12 1/4 x 9 3/8 inches (310 x 238 mm). Not signed.
Category
1970s Surrealist Lithograph Figurative Prints
Materials
Lithograph
Ernst, Composition for Werner Spies (Spies/Leppien 251) (after)
By Max Ernst
Located in Auburn Hills, MI
Original Edition Lithograph on wove paper. Edition: 2,000. Inscription: Signed in the plate and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: Published b...
Category
1970s Surrealist Lithograph Figurative Prints
Materials
Lithograph
Ties - Lithograph by Jim Dine - 1976
By Jim Dine
Located in Roma, IT
Ties is a contemporary artwork realized by Jim Dine in 1976.
Mixed colored lithograph.
Edition of 66/150.
The artwork is from the portfolio: Bathrobe, Hands, Ties, Saw, Rainbow,...
Category
1970s Contemporary Lithograph Figurative Prints
Materials
Lithograph
Historic lithograph (Hand signed by Sol Lewitt, Philip Glass and Meredith Monk)
By Sol LeWitt
Located in New York, NY
Sol Lewitt
Benefit Concert (Hand signed by Sol Lewitt, Philip Glass and Meredith Monk), 1978
Offset lithograph
19 1/2 × 21 1/2 inches
Limited Edition of 75
Hand signed by Sol Lewitt ...
Category
1970s Abstract Lithograph Figurative Prints
Materials
Offset, Pencil, Lithograph
McGovern for McGovernment (Signed by BOTH Alexander Calder and George McGovern)
Located in New York, NY
Alexander Calder
McGovern for McGovernment (Signed by BOTH Alexander Calder and George McGovern), 1972
Lithograph on wove paper with deckled edges. Hand signed and Numbered by Calder...
Category
1970s Pop Art Lithograph Figurative Prints
Materials
Lithograph, Pencil
Lovers - Lithograph by Dipas - 1970s
Located in Roma, IT
Lovers is a contemporary artwork realized by the artist Dipas in the 1970s.
Mixed colored lithograph.
Hand signed on the lower right margin.
Numbered on the lower left margin.
Ed...
Category
1970s Modern Lithograph Figurative Prints
Materials
Lithograph
McGovern for McGovernment pencil signed & numbered 194/200 political lithograph
Located in New York, NY
Alexander Calder
McGovern for McGovernment, 1972
Lithograph on wove paper
Pencil signed and numbered 194/200 on the front
Frame included
In 1972, Alexander Calder was commissioned by...
Category
1970s Abstract Lithograph Figurative Prints
Materials
Lithograph, Pencil
Ernst, Deux Oiseaux (Spies/Leppien 438) (after)
By Max Ernst
Located in Auburn Hills, MI
Original Edition Lithograph on wove paper. Edition: 1,500. Inscription: Signed in the plate and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: Published a...
Category
1970s Surrealist Lithograph Figurative Prints
Materials
Lithograph
original lithograph
By Wifredo Lam
Located in Henderson, NV
Medium: original lithograph. Printed in 1979 and published in Barcelona by La Poligrafa in an edition of 1000. Size: 10 x 7 1/2 inches (255 x 188 mm). Not signed.
Category
1970s Surrealist Lithograph Figurative Prints
Materials
Lithograph
original lithograph
By André Masson
Located in Henderson, NV
Medium: original lithograph. Printed in 1972 for the art revue XXe Siecle (issue No. 38). Size: 12 1/4 x 9 1/4 inches (310 x 237 mm). Not signed.
Category
1970s Surrealist Lithograph Figurative Prints
Materials
Lithograph
Rolling Stone poster, hand signed by Andy Warhol and Bella Abzug LGBTQ pioneer
By Andy Warhol
Located in New York, NY
Andy Warhol
BELLA poster, hand signed by both Andy Warhol and Bella Abzug and inscribed, ca. 1977
Offset Color Lithograph Poster. Hand Signed by Abzug and Warhol & uniquely inscribed...
Category
1970s Pop Art Lithograph Figurative Prints
Materials
Permanent Marker, Lithograph, Offset
Ernst, Composition (Spies/Leppien 202D), XXe Siècle (after)
By Max Ernst
Located in Auburn Hills, MI
Original Edition Lithograph on wove paper. Signed in the plate and unnumbered, as issued, verso. Excellent Condition; never framed or matted. Notes: From the volume, XXe Siècle, Homa...
Category
1970s Surrealist Lithograph Figurative Prints
Materials
Lithograph
Psuedo sonnet
By Leonor Fini
Located in Columbia, MO
Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....
Category
1970s Surrealist Lithograph Figurative Prints
Materials
Lithograph
Picasso, Le Goût du Bonheur 31 (Cramer 148; Bloch 2013) (after)
Located in Auburn Hills, MI
Lithograph and Silkscreen with grease crayon, lithographic tusche, lead pencil, and charcoal on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition;...
Category
1970s Cubist Lithograph Figurative Prints
Materials
Lithograph
Picasso, Le Goût du Bonheur 38 (Cramer 148; Bloch 2013) (after)
Located in Auburn Hills, MI
Lithograph and Silkscreen with grease crayon, lithographic tusche, lead pencil, and charcoal on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition;...
Category
1970s Cubist Lithograph Figurative Prints
Materials
Lithograph
1970s Modernist Swiss Colorful Surrealism Signed Dada Lithograph Andre Thomkins
Located in Surfside, FL
This one is titled "Walk in a Broken Lake" and depicts a surreal figure of a robed woman walking in an abstract landscape in yellow, green, red and blue with a Salvador Dali esque quality about it.
Published by Edition Hansjörg Mayer, Stuttgart They published concrete poetry and art books by Mark Boyle, Richard Hamilton, Dorothy Iannone, John Latham, Tom Phillips, Dieter Roth, André Thompkins and Emmett Williams, to name just a few.
André Thomkins (1930 - 1985) was a Swiss painter, illustrator, and poet. He attended art-school, taught by Max von Moos, 1947 – 1949 and the Académie de la Grande Chaumière, Paris, France, 1950. From 1952, he lived in Germany and taught at the Kunstakademie Düsseldorf between 1971 and 1973.
Thomkins painted and drew ironic and fantastic pictures influenced by surrealism and dadaism. Together with Dieter Roth and Daniel Spoerri he prepared works of Eat Art. He also was a writer of palindromes. His friends and collaborators included Daniel Spoerri, Dieter Roth, George Brecht, Richard Hamilton and Karl Gerstner, Thomkins gained a reputation as an ‘artist’s artist’, and is considered one of the most important Swiss artists of the second half of the twentieth century.He died in 1985.
His work is currently represented by Hauser & Wirth Zurich, Switzerland.
Select group exhibitions:
2018
Kunsthalle Krems, 'Pablo Picasso. Arshile Gorky, Andy Warhol. Sculptures and Works on Paper. Hubert Looser Collection', Krems, Austria
2017
Kunsthandel Wolfgang Werner, 'Martin Barré, Karl Otto Götz, Ernst Wilhelm Nay, André Thomkins',
Berlin, Germany
2013
Fabian & Claude Walter Galerie, 'Schweizer Avantgarde Kunst nach 1940', Zurich, Switzerland
2009
The Modern Institute, 'Thomas Houseago, Dieter Roth, Andre Thomkins', Glasgow, England
Museum of Modern Art, 'Compass in Hand: Selections from the Judith Rothschild Collection', NYC
2004
Kunsthandel Wolfgang Werner, 'Arman, Baumeister, Götz, Graubner, Tàpies, Thomkins', Berlin,
Germany
1994
Kunstmuseum Solothurn, 'Eine Schenkung. Grafik von Eduardo Chillida, Antoni Tàpies, Alexander Calder, Jean Dubuffet, Ben Nicholson, Giacometti, Tinguely, Thomkins', Solothurn, Switzerland
1992
Galerie Littmann, Tinguely zu Ehren. A Tribute to Jean Tinguely. Hommage à Tinguely, Basel,
1988
Museum Ludwig, 'Uebrigens sterben immer die anderen. Marcel Duchamp und die Avantgarde seit
1950', Cologne, Germany
1987
Aargauer Kunsthaus, 'Otto Grimm. Marc-Antoine Fehr. Christoph Gredinger', Aarau, Switzerland
Cercle Municipal, 'Art contemporain suisse. Collection de la Banque du Gothard', Luxembourg,
1985
Centre national d'art et de culture Georges Pompidou, 'Livres d'artistes', Paris, France
Rathaus, 'Claude Sandoz – Hans Schärer...
Category
1970s Surrealist Lithograph Figurative Prints
Materials
Lithograph, Offset
Soeur de la Gazelle - from the suite "Pleni Luna"-Lithograph by Wifredo Lam-1974
By Wifredo Lam
Located in Roma, IT
Soeur de la Gazelle - from the suite "Pleni Luna" is a contemporary artwork realized by Wifredo Lam
Mixed colored lithograph.
Hand signed and numbered on the lower margin.
Editio...
Category
1970s Surrealist Lithograph Figurative Prints
Materials
Lithograph
Moore, Composition (Cramer 182), XXe Siècle (after)
By Henry Moore
Located in Auburn Hills, MI
Original Edition Lithograph on wove paper. Edition: 1,500. Inscription: Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe S...
Category
1970s Modern Lithograph Figurative Prints
Materials
Lithograph
Liquid Tornado Bath Tub (Michler/Löpsinger 823; Field 75-11B), Salvador Dali
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Liquid Tornado Bath Tub (Michler/Löpsinger 823; Field 75-11B), Imagination & Objects of the Future Portfolio
Year: 1975
Medium: Lithograph, d...
Category
1970s Surrealist Lithograph Figurative Prints
Materials
Mixed Media, Lithograph, Drypoint
original lithograph
Located in Henderson, NV
Medium: original lithograph. Printed in 1974 for the art revue XXe Siecle (issue No. 43) and published in Paris by San Lazzaro. Size: 12 1/4 x 9 1/2 inches (310 x 239 mm). Not signed.
Category
1970s Surrealist Lithograph Figurative Prints
Materials
Lithograph
Lillian Russell
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Lillian Russell"
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: ...
Category
1970s Pop Art Lithograph Figurative Prints
Materials
Lithograph
Gertrude S.
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Gertrude S."
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Lithograph Figurative Prints
Materials
Lithograph
Anne
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Anne"
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp in 1973, which became very popular. Since then there have been a number of other American stamps with the word love on them, but Indiana's was the first. In addition to the stamp, the image was reproduced countless times during the 70s, as poster, candles, t-shirts and many other items.
Indiana continues to work as an artist and recently (2000) released a print with the image 2000 on it arranged in a pattern similar to that of the LOVE design.
The work of Robert Indians...
Category
1970s Pop Art Lithograph Figurative Prints
Materials
Lithograph
Femme au Tablier Rayer Vert, Cubist Lithograph by Pablo Picasso
Located in Long Island City, NY
Wearing a green apron, the woman in this Pablo Picasso print is rendered entirely of angular shapes outlined in white and black lines. A lithograph from the Marina Picasso Estate Col...
Category
1970s Lithograph Figurative Prints
Materials
Lithograph
Indiana Elliot
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Indiana Eliott"
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Lithograph Figurative Prints
Materials
Lithograph
Jo the Loiterer
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Jo the Loiterer"
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Lithograph Figurative Prints
Materials
Lithograph
Vintage Muhammad Ali, Joe Frazier Boxing poster: Celestino Piatti 'The Fight'
Located in NEW YORK, NY
'The Fight' by Celestino Piatti
The 30 x 45 inch poster was created by Swiss artist Celestino Piatti in 1971 to advertise the exclusive viewing in Harlem of the first Ali/Frazier fig...
Category
1970s Pop Art Lithograph Figurative Prints
Materials
Lithograph
Red Sphere on Yellow Ground, mid-century modern abstract lithograph
Located in Beachwood, OH
Alexander Calder (American, 1898-1976)
Red Sphere on Yellow Ground, c. 1970
Lithograph in colors
Edition: 74/150
22 x 30 inches
37.5 x 29.5 inches, framed
...
Category
1970s Modern Lithograph Figurative Prints
Materials
Lithograph
Angel More
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: Angel More
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x ...
Category
1970s Pop Art Lithograph Figurative Prints
Materials
Lithograph
Chagall, Couverture (Mourlot 729; Cramer 94) (after)
By Marc Chagall
Located in Auburn Hills, MI
Original Edition Lithograph on wove paper. Paper Size: 12.5 x 9.5 inches. Inscription: unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From ...
Category
1970s Expressionist Lithograph Figurative Prints
Materials
Lithograph
Constance Fletcher
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Constance Fletcher"
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Lithograph Figurative Prints
Materials
Lithograph
General U.S. Grant
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: General U.S. Grant
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Lithograph Figurative Prints
Materials
Lithograph
Anthony Comstock
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Anthony Comstock"
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Lithograph Figurative Prints
Materials
Lithograph
Jenny Reefer
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Jenny Reefer"
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Lithograph Figurative Prints
Materials
Lithograph
Susan B.
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "ISusan B."
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Lithograph Figurative Prints
Materials
Lithograph
Lithograph figurative prints for sale on 1stDibs.
Find a wide variety of authentic Lithograph figurative prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add figurative prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, yellow, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Peter Max, Paul Gavarni, Marc Chagall, and Antonio Zezon. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Lithograph figurative prints, so small editions measuring 0.04 inches across are also available
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