Woodcut Figurative Prints

Signed: Keisai Eisen ga; Seal: Kiwame Series: Contemporary Scenes in the Pleasure Quarters Publisher: Wakasaya Yoichi Note: This is a famous ...

Illustration for Jules de la Medelen's "Lord on the Sand Castle" ("Le Marquis Des Saffras") FRANCISZEK BUNSCH (born in 1926) Franciszek Bunsch was born in Bielsko in 1926. He studie...

Underpass is original xylography realized by an anonymous artist of the XX century, hand-signed, unreadable. The State of preservation is good. The artwork represents the underpass...

Portrait is an woodcut print realized after Giuseppe Viviani (1989-1965). Hand signed with pencil "Erolda Benso Viviani" (the artist's wife) in the lower right corner. Good conditi...

Night Return (Original Italian title "Sera- Ritorno") is an original xylograph on paper, a modern artwork realized by the Italian artist Carlo D'Aloisio da Vasto in the Mid XX Centur...

Image dimensions: 11.5 x 21.5 cm. Charges du Jour is an original color lithograph, realized in 1860 by Honoré Daumier (1808-1879). This was the cover of the print suit "Album des C...

Red Sand by Rod Nelson [2022] Please note that insitu images are purely an indication of how a piece may look Red Sand is a beautifully crafted woodcut prin...

This artwork titled "Ouvidos de Conchas, em Mangas de Jaqueta" 1995 is an original color woodcut on watermarked Fabriano paper by Brazilian artist Francisco Jose Maringelli, b.1959. It is hand signed, titled and numbered 1/15 in pencil by the artist. The image (block mark) size is 10.65 x 7 inches, sheet size is 16.25 x 14 inches. It is in excellent condition, has never been framed. About the artist: Education: Bachelor Fine Arts, ECAUSP (1984-1989) and Architecture FAUUSP (1979-1985). Professor at Centro Universitário Belas Artes de São Paulo Main Exhibitions: 2018 CONTRAGOLPES; obras recentes de Biba Rigo, Cláudio Caropreso e Francisco Maringelli, São Paulo(SP) Graphias quinze anos, São Paulo(SP) 2017 ROSTOS LAVRADOS-XILOGRAVURAS,Museu Casa da Xilogravura, Campos do...

Medium: original woodcut. Signed in pencil by Peter Trumm and printed in Germany in 1922 for the very rare "Die zweite Ganymed-Mappe" portfolio of "Das vierte Jahrbuch der Marees Ges...

This artwork titled "Keukenhof" 2000 is an original color wood block print by noted California artist Arnold A. Grossman, 1923-2016. It is signed, dated, titled and numbered 1/25 in...

House on The River is an original xylograph realized during the first half of 20th Century by an anonymous artist. Monogram of the artist PP printed on the lower left margin, The ...

Image dimensions: 37 x 28 cm. Country is an original black and white woodcut on paper, realized by the German artist Heidy Stangenberg-Merck (Monaco 1922-2014) in 1967. Signed and...

Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The Reconciliation, 1948. Woodcut on yellowish wove paper, 20 cm x 15 cm (image), 45 cm x 30 cm (sheet size), signed “Rud.[olf] Nehmer...

Historia de Garibaldi is an original alleluia, with 48 xylographed vignettes on paper illustrating the eroic deeds of Giuseppe Garibaldi from " A Italia ilena de gloria de garibaldi ...

"Prosit!" is an original artwork realized by Leopold Schmid in 1960. Xilograph on laid blue paper. Hand signed with white pencil on the lower right margin; "Prosit1960!" is written o...

The Torch is an original artwork realized by Gu Yuan in 1981. Original xylograph on paper. Signed and dated on the lower right. Numbered in pencil on the lower left corner: 6/100. Inscribed in pencil on the lower central margin. Mint conditions. Very precious and rare xylograph on the Cultural Chinese Revolution. The work represents several men with traditional Chinese dresses...

This artwork "horsewoman" c.1960 is an original woodcut by noted Japanese artist, Tomikichiro Tokuriki, 1902-1999. It is hand signed and numbered 47/100 in pencil by the artist. The image (Block mark) size is 15.35 x 20.35 inches, sheet size is 15.35 x 20.5 inches. It is in very good condition, hanging tape remaining on the back. About the artist: Print artist. Tokuriki was born in Kyoto, where he has always worked. The last of a long line of traditional-style painters, he turned early to woodblock prints and became a leader of the Kyoto 'Sosaku Hanga'. He graduated from the Kyoto City School of Fine Arts and Crafts and then from the Kyoto City Specialist School of Painting in 1924. In 1928 he studied 'Nihonga' painting under Tsuchida Bakusen (1887-1936) and Yamamoto Shunkyo (1871-1933) and exhibited with Kokuga Sosaku Kyokai, but about the same time in 1929 he changed to woodblock printing under the influence of Hiratsuka Un'ichi and began to contribute to the early print magazine 'Han'. He was a member of Nihon Hanga Kyokai from 1932, and active in promoting 'Sosaku Hanga' in Kyoto. He was a co-founder of the Kyoto magazine 'Taishu hanga' in 1932, which helped create the sense of a local school of the Creative Print Movement much encouraged by Hiratsuka. He produced many sets of prints before and during the Pacific War based on traditional subjects, such as 'Shin Kyoto fukei' ('New View of Kyoto', 1933-4), which also included designs by Asada Benji (q.v.) and Asano Takeji (b.1900), and 'Tokyo hakkei' ('Eight Views of Tokyo', 1942). Most of these were published by Uchida of Kyoto, but after the war Tokuriki set up his own publishing company called Matsukyu, which also began to teach block-carving to artisans and artists, in later years many of them foreigners. In 1948 he also set up a sub-company called Koryokusha consisting of artists who would produce their prints under the financial umbrella of Matsukyu. Later sets include 'Hanga Kyoto hyakkei' ('One Hundred Print Views of Kyoto', 1975). Tokuriki has continued to be active in teaching and writing, producing a long series of articles on print techniques in 'Hanga geijutsu' magazine during the 1970s. Bibliography Smith, Lawrence, 'Modern Japanese Prints 1912-1989: Woodblocks and Stencils', BMP, London, 1994, p. 36 and no. 50.Statler, Oliver, 'Modern Japanese Prints: An Art Reborn', Turtle, Rutland, Vermont, and Tokyo, 1956, pp. 118-22.Tokuriki, Tomikichiro (trans. Arimatsu, Teruko), 'Woodblock Printing', Arimatsu Color Book Series no. 14, 8th English edn, Hoikusha, Osaka, 1977.Kanagawa Prefectural Museum of Modern Art, 'Kindai Nihon no mokuhanga-ten', exh. cat., 1990.Merritt, Helen, 'Modern Japanese Woodblock...

This artwork titled "Versando Traco E embaraco Sobre O Papel" 1995 is an original color woodcut on Wove paper by Brazilian artist Francisco Jose Maringelli, b.1959. It is hand signed, titled and numbered I/L in pencil by the artist. The image (block mark) size is 9 x 11.75 inches, sheet size is 16.5 x 19.5 inches. It is in excellent condition, it has 4 very small 1/4 inches mark in each corner on the back due to hanging tape removal, not visible from the front About the artist: Education: Bachelor Fine Arts, ECAUSP (1984-1989) and Architecture FAUUSP (1979-1985). Professor at Centro Universitário Belas Artes de São Paulo Main Exhibitions: 2018 CONTRAGOLPES; obras recentes de Biba Rigo, Cláudio Caropreso e Francisco Maringelli, São Paulo(SP) Graphias quinze anos, São Paulo(SP) 2017 ROSTOS LAVRADOS-XILOGRAVURAS,Museu Casa da Xilogravura, Campos do...

Port de la Nouvelle-Orléans s a beautiful black and white xylograph on paper, realized by François Pannemaker, after a drawing from a photograph by E. de Berard, as the caption under the image suggests and the signature under the print on sides " E. de Berard / Pannemaker=Ligny". Realized in 1865, this original print offers us a wonderful and historical view on the lively New Orleans port...

Image dimensions: 18 x 11.5 cm. Bellone is an engraving on wood realized by the French artist Jacques Beltrand. The following inscriptions are present: in the middle, inside the mat...

Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The birds under the sky, 1948. Woodcut on yellowish wove paper, 11 cm x 18 cm (depiction), 43 cm x 30 cm (sheet size), signed “Rud.[ol...

Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The birds under the sky, 1948. Woodcut on yellowish wove paper, 11 cm x 18 cm (depiction), 43 cm x 30 cm (sheet size), signed “Rud.[ol...

L'attelage is a beautiful original wood print realized by Paul Ledoux (1884 -1960) as the monogram on plate shows on the lower-right corner. This is an original print signed and num...

Untitled is a beautiful black and white xylograph on ivory-colored paper, realized in 1945 by the French artist Simon Martin. Signed, dated and numbered in pencil on the lower margi...

Black Hat, 2012 Alex Katz Woodcut, on Somerset satin white Signed and numbered from the edition of 25 Printed by Collaborative Art Editions, Tampa Published by Lococo Fine Art Publi...

Hand signed and numbered on the lower margin. Edition of 100 prints. In excellent condition. Image Dimensions : 30 x 40 cm

This piece titled "The Undertaker" is an original print by Annalise Gratovich and is made by woodcut on hand-dyed paper. This piece measures 71.5"h x 38.75"w unframed. Annalise Gratovich is a print-centric artist living and working in Austin, Texas. She specializes in large scale woodcuts, etchings, and collage. Annalise’s work investigates her identity as the second generation daughter of a Ukrainian war...

An allegorical, mid-century woodcut print titled, "Queremos Chuva!", or "We want rain!" (trans. from Old Portuguese) by Brazilian artist Isa Aderne (b. 1923). ...

This is an original gallery show poster the Boris Mirsky Gallery, Newbury St. Boston. titled Sculpture Prints Drawings. It is dated 1962. it is in red and black. Leonard Baskin (August 15, 1922 – June 3, 2000) was an American sculptor, illustrator, wood-engraver, printmaker, graphic artist, writer and teacher. Baskin was born in New Brunswick, New Jersey. While he was a student at Yale University, he founded Gehenna Press, a small private press specializing in fine book production. From 1953 until 1974, he taught printmaking and sculpture at Smith College in Northampton, Massachusetts. Subsequently Baskin also taught at Hampshire College in Amherst, Massachusetts. He lived most of his life in the U.S., but spent nine years in Devon at Lurley Manor, Lurley, near Tiverton, close to his friend Ted Hughes, for whom he illustrated Crow. Sylvia Plath dedicated Sculpto to Leonard Baskin in her famous work, The Colossus and Other Poems (1960). The Funeral Contege (1997) bronze, Franklin Delano Roosevelt Memorial, Washington, D.C. His public commissions include a bas relief for the Franklin Delano Roosevelt Memorial and a bronze statue of a seated figure, erected in 1994 for the Holocaust Memorial in Ann Arbor, Michigan. His works are owned by many major museums including the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Museum of Modern Art, the Art Institute of Chicago, the Boca Raton Museum of Art, the British Museum, the Honolulu Museum of Art, the Udinotti Museum of Figurative Art and the Vatican Museums. The archive of his work at the Gehenna Press was acquired by the Bodleian Library at Oxford, England, in 2009. The McMaster Museum of Art in Hamilton, Ontario owns over 200 of his works (some religious and biblical), most of which were donated by his brother Rabbi Bernard Baskin. In 1955, he was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery, they showed many great artists, Chaim Koppelman, for many years, headed the gallery's Print Division; printmakers such as Will Barnet, Leonard Baskin, Robert Conover...

Nicolas Party (Swiss, b. 1980) Portrait with Shells, 2021 Medium: Woodcut on HM-5 Gampi-shi Dimensions: 45.7 x 38.1 cm (18 x 15 inches) Edition of 50: Hand-signed and numbered Condit...

An original woodblock print by artist Mizin Shin. This piece is framed in a simple black wood frame presentation. Each print is signed and dated on the verso. Shin has used these ...

Joyful image of a woodcut print of a Reindeer pulling a Laplander Sami in his Pulk (small toboggan), a traditional scene in Lapland folklore and history by Yuri Mot. Signed indistinc...

Morita Kanya XIII As Genta Kagesue in the play Genta Kando Color woodcut, 1928 Signed and stamped middle right edge Natori stamp lower left image edge Series: Collection of Creative...

Frasconi, Antonio. SIX SOUTH AMERICAN FOLK RHYMES ABOUT LOVE. South Norwalk, CT., 1964. Edition of 2000, of which this is one of 100 numbered and with a signed woodcut frontispiece. ...

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

Tim Engelland (American, 1950-2012) Untitled, 1996 Woodcut 7 1/2 x 8 1/2 in. Signed and dated lower right: T. Engelland, 1996 Numbered lower left: 102/200 A lifelong artist, Engelland specialized in oil portraits and landscapes, and also worked extensively in woodcuts and linocuts. He was born on Jan. 5, 1950, in Ames, Iowa, the son of Charles Wilbur “Will” Engelland and Patricia Fairman Engelland.. Tim grew up in Terre Haute, IN, attending Fairbanks Elementary School and Indiana State University’s Laboratory School. He knew he wanted to be an artist from an early age, and was mentored by Lab School’s John Laska, graduating in 1968. He received a BFA from Temple University’s Tyler School of Art; was a Norfolk Fellow at Yale University; and received his MFA from Cornell University, teaching there for two years after graduation. He spent the majority of his career, from 1976-2004, at Deerfield Academy, a prestigious preparatory school in Deerfield, Mass. There he taught art and photography, coached basketball and lacrosse, and served as faculty resident. When the school began accepting female students, Tim designed The Deerfield Girl, a bronze statue to accompany The Deerfield Boy statue...

A Fierce Battle at Seoul by Kokunimasa ( also known as Ryukel ) is a woodblock tryptich from 1904 in good condition. Utagawa Kokunimasa (1874-1944) was a woodblock artist fro...

From a series of wood engravings by Eric Gill. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Eric Gill (1882-1940) Border for The Canterbury Tales...

Jean-Emile Laboureur, Anzacs, woodcut, 1918-22, signed and numbered (7/45), the second state (of 2). Reference: Sylvain Laboureur 713. In good condition, with remains of old hinges ...

Figurative abstract woodcut print titled "Copula Negra" circa 1990, by Cecelia Sánchez Duarte. Pencil signed with "P/A" (Artist Proof), title, and signature bottom margin. Image, 31....

Campendonk, Heinrich. DER HIRT MIT DER GROSSEN ZIEGE (THE SHEPHERD WITH THE LARGE GOAT). WV47(b). Woodcut printed in colors, 1920. 12 5/8 x 9 7/8 inches; 321 x 250 mm. Signed in penc...

The Quilter Color woodcut printed on cream color wove paper c. 1990 Signed in pencil lower right (see photo) Signed with the artist's stamp lower right in the pencil signature (see p...

Dufy, Raoul. LA PECHE (FISHING). Woodcut, c. 1925. From "The Pleasures of Peace." Edition of 220 stamped with the estate stamp "Atelier Raoul Dufy." 12 1/2 x 15 1/2 inches (image) 1...

David is a woodcut on paper from Marc Chagall's Poèmes portfolio, published in 1968. The image size is 13 x 10 inches and the art is framed in an ornate, gold-tone frame. Unsigned as...

Tim Engelland (American, 1950-2012) Yes Sir, 1994 Woodcut 11 3/4 x 8 3/4 in. Titled, dated, and numbered bottom: Yes Sir... 60/100, 1994 Signed top: T. ...

Tim Engelland (American, 1950-2012) Untitled, 1999 Woodcut 8 1/2 x 11 in. Signed and dated lower right: T. Engelland, 1999 Numbered lower left: 46/150 A lifelong artist, Engelland specialized in oil portraits and landscapes, and also worked extensively in woodcuts and linocuts. He was born on Jan. 5, 1950, in Ames, Iowa, the son of Charles Wilbur “Will” Engelland and Patricia Fairman Engelland.. Tim grew up in Terre Haute, IN, attending Fairbanks Elementary School and Indiana State University’s Laboratory School. He knew he wanted to be an artist from an early age, and was mentored by Lab School’s John Laska, graduating in 1968. He received a BFA from Temple University’s Tyler School of Art; was a Norfolk Fellow at Yale University; and received his MFA from Cornell University, teaching there for two years after graduation. He spent the majority of his career, from 1976-2004, at Deerfield Academy...

Tim Engelland (American, 1950-2012) Untitled, 1994 Woodcut 10 x 5 7/8 in. Dated top right: 1994 Signed and numbered left: 83/180, T. Engelland A lifelong artist, Engelland specialized in oil portraits and landscapes, and also worked extensively in woodcuts and linocuts. He was born on Jan. 5, 1950, in Ames, Iowa, the son of Charles Wilbur “Will” Engelland and Patricia Fairman Engelland.. Tim grew up in Terre Haute, IN, attending Fairbanks Elementary School and Indiana State University’s Laboratory School. He knew he wanted to be an artist from an early age, and was mentored by Lab School’s John Laska, graduating in 1968. He received a BFA from Temple University’s Tyler School of Art; was a Norfolk Fellow at Yale University; and received his MFA from Cornell University, teaching there for two years after graduation. He spent the majority of his career, from 1976-2004, at Deerfield Academy...

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: Abstract Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

Signed: Harunobu ga Series: Series: Eight Fashionable Parlor Views (Furyu zashiki hakkei)? Format Japanese: chuban Provenance: Private Collection, Philadelphia Collection of McCleaf ...

Beyond The Obsession Lies The Connection - Surfing Art - Woodcut Print By Marc Limited Edition 01/04 This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Immerse your...

UMETARO AZECHI Title: Mountain Man and Bird Medium: Woodblock Print Measurements: 5 x 7 inches Framing: Framed (12 x 13.44 inches)

From a series of wood engravings by Eric Gill. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Eric Gill (1882-1940) Border for The Canterbury Tales (1929) with Two Naked Women ii Woodblock Print Published Hague & Gill 1934 23x21cm Following Chichester Technical and Art School, Gill moved to London in 1900 to train with the ecclesiastical architects W D Caroe. Finding architecture somewhat pedestrian he took stonemasonry lessons at Westminster Technical Institute and calligraphy lessons at the Central School of Arts and Crafts, coming under the influence of Edward Johnson...

SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & **INSURANCE** Bronc by Lon Megargee, Woodblock Print ca. 1920s Handmade Saguaro Rib Frame, double linen mat, museum archival materials Bronc Woodblock Print, signed in print Image: 8 3/4 x 9 7/8 inches Frame: 21 x 20 inches SHIPPING CHARGES INCLUDES, SHIPPING, PACKAGING & INSURANCE FINE ART ESTATE OF LON MEGARGEE Megargee Custom Handmade Saguaro Frame We offer signed in print and original signature block prints. Custom, hand carved, signature frames, with archival standards and a speciality in hand dyed mats and french matting are provided for a beautiful and timeless presentation. Free shipping Continental US Biography Megargee explored different mediums; printmaking captivated him in particular. The contrast of the black and white block print method captured perfectly his interpretation of a bold American West. The first print was produced around 1921 and culminated with the creation of “The Cowboy Builds a Loop” in 1933 with 28 images and poetry by his friend, Roy George. Megargee continued producing prints throughout the 1940s and early 50s. Creator of the iconic logo for the Stetson Hat Company, " Last Drop From his Stetson", still in use today. Fine Art Estate of Lon Megargee At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar Ranch . . . and, after a few years, was offered a job by Billy Cook...

Umetaro Azechi (Japanese, 1902-1999), "Yama No Michi" [Mountain Path], Woodblock on Paper, 1969, numbered edition "138/185" and dated lower left, signed in pencil lower right, titled...

Philip Sutton St. Ives - 1967 Print - Woodcut 34'' x 27'' Edition: signed and numbered in pencil 25/25 Image Size; 18"x 18" Condition Note; Handling Creases. Philip Sutton studied ...

Ave Maria-Nanban Music Color woodcut with mica sprinkles, 1925 Signed Hide in image, Signed Kawanishi Hide on printed mount From: Dojin zasshi, Hanga Magazine, Volume 5, No. 4 Condi...

Biography: Sandro Chia was born in Florence in 1946. He has studied at the Istituto d’Arte and then at the Accademia di Belle Arti in Florence where he graduated in 1969. After gradu...

Title: The Heroine Umekawa in "Meido no Kiyaku" Medium: Color woodcut with mica background, silver metallic pigment, and "gofun" for the snow effect Date Of Execution: 1923 Dimension...

Hand signed in pencil, colored woodcut. Jacob Steinhardt 1887-1968 Steinhardt, Jakob, Painter and Woodcut Artist. b. 1887, Yaacov Steinhardt was born in the then remote, largely Polish town of Zerkow in the Posen District of Germany. (poland/german) Immigrated 1933. Studies: 1906 School of Art, 1906 Studied in Berlin Arts and Crafts School. Berlin; 1907 painting...

Signed proof copy from edition of unknown size. Most of Wolff's prints were done in very small numbers, and each was often unique. Born in 1922 in San Francisco, William F. Wolff ...