Late 20th Century Figurative Prints

SALVADOR DALI Le Cerf se voyant dans l'eau from Le Bestiaire de la Fontaine 1974 Hand signed by Dali Edition: /250 The dimensions of the image are 22.8 x 15.7 inches on 31 x 23.2 in...

A sparrow perches at the center of a swath of pale pink, around which wraps hand-written lines from Ron Padgett’s poem “Ode to Clemens Laurrell”: “So I lean back against the willows ...

Etching and aquatint realized by Edolo Masci. Hand signed and numbered in pencil. Edition of 90. Excellent condition.

Apache Hunter, limited edition lithograph by Allan Houser, horseback hunter hand-pulled black and white lithograph printed in Santa Fe, New Mexico unframed edition of 75 Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green   The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

Black and white iithograph realized by Franco Marzilli. Hand signed in pencil. Edition of 100. Not numbered.

Lithograph on paper realized by Alessandro Kokocinski. Edition of 50 in roman numbers. Hand signed and numbered in pencil. Excellent condition.

Carlos Uribazo (Cuba, 1951) 'Untitled (from Porfolio Grabados Cubanos)', 1978 silkscreen on paper Canson 320 g. 23.6 x 17.6 in. (59.8 x 44.6 cm.) Edition of 200 ID: URI-301 Hand-sign...

John DePol, 'Reflections', chiaroscuro wood engraving, 1979, edition 160 in 1983. Signed, dated and titled in pencil. Signed in the block, lower right. A superb impression, on cream ...

lithograph 20" high x 15" wide unframed signed and numbered...

Whimsical and vivacious limited editions screen-print on paper depicting a smiling nude figure lounging on a beach next to a fantastical orange and purple striped iguana, with volcanos erupting in the distance and several airplanes flying through the night sky by Phoebe Cole...

Françoise GILOT (1921) Maternity, 1951 Original lithograph On Marais vellum 28 x 22.5 cm (c. 11 x 9 inches) REFERENCES : Catalog raisonne "Stone Echoes, Original Prints by Francois...

Screen print realized by Nicola Simbari in 1976. Edition of 90. Hand signed in pencil. Very good condition.

Vintage poster realized by Galleria Rondanini in 1978. Offset print. Excellent condition.

This artwork titled "Olympic Robe" From "Game of the XXIVth Olympic, Seoul" is an original colors lithograph on Wove paper by renown artist Jim Dine, b.1935. It is hand signed and nu...

You Can Have a Body Like Mine! Red Grooms, American (1937) Date: 1978 Screenprint, signed and numbered in pencil Edition of 85/150 Image Size: 24 x 17.75 inches Size: 31 x 25 in. (78...

FRANÇOIS AND A FEW FRIENDS by the woman artist Robin Morris, is an original limited edition lithograph(not a photo reproduction or digital print) printed using hand lithography techn...

This exquisite lithograph by Paul Delvaux (1897–1994), titled Confidences, originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collaboration with Leo...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

Nude is an original lithograph on cardboard, realized by Roger Chapelain-Midy in 1980s. The state of preservation is very good. Hand-signed and dated on the lower right Numbered, ...

Artist: Salvador Dali (Spanish surrealist, 1904-1989) Title: Le Cracking Du Petrole Year: 1975 Medium: Engraving with etching and stencil hand coloring Edition: Numbered 171/450 in p...

Title: Blushing Beauty II Year: 1999 Medium: Offset lithograph in colors on gloss archival paper Size: 24 x 36 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as ...

Abstract Composition is a Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981) in the 1970s. The state of preservation of the artw...

Willibrord Haas (*1936 Schramberg), Access, 1979. etching, 40 cm x 30 cm (plate size), 54 cm x 37.5 cm (sheet size). Signed “Willibrord Haas” in pencil by the artist, dated “1979”, t...

LAND OF THE PHAROAHS by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Coventry Rag paper, 100% acid f...

Howard Kanovitz American, 1929–2009 1980 Visible Difference Lithograph Paper Size 33 × 24 in (82.6 × 61 cm) Marked pp Printers Proof Howard Kanovitz was a pioneering painter in the...

Arabian Face  is an etching realized in 1974 by the Italian artist  Giacomo Porzano (1925-2006). Hand-signed in the lower right in pencil and numbered in the lower left. Edition of...

Yvonne CHEFFER DELOUIS Orange Interior Original lithograph Signed in pencil Numbered / 275 copies On vellum 58 x 75 cm (c. 22.8 x 29.5 in) Excellent condition

This artwork "Untitled II" is an original color lithograph with embossing by noted Spanish artist Alvar Sunol Munoz Ramos, b.1935. It is hand signed and numbered 101/260 in pencil by...

Lithograph on paper realized by Alessandro Kokocinski. Hand signed in pencil. Excellent condition.

Jean COULOT (1928 - 2010) Man at the Beach Original screen print Handsigned in pencil Numbered / 60 ex On vellum 22 x 20 cm (c. 9 x 8 in) Excellent condition

Lithograph realized by Mario Bardi in 1979. Edition of 99. Hand signed and dated in pencil. Excellent condition.

"The Who's Tommy" Broadway Musical New York Times Published Cast Signed Pete Townsend Al Hirschfeld (1993) The Who's Tommy Lithograph on heavy paper Sight: 19 x 25 1/4 inches Number...

Etching realized by Giuseppe Malandrino in the early 1970s. Hand-signed by the artist in pencil on the lower right corner. Edition of 199 Excellent condition.  This artwork repre...

This exquisite silkscreen by Jacob Lawrence (1917–2000), titled Playground, from the album Hiroshima, originates from the 1983 edition published by The Limited Editions Club, New Yor...

Maroon Carborundum Robe (C. 47), 1991 Published by Pace Editions, New York Jim Dine (American, b. 1935) Woodcut Print Hand Signed, Dated, and Numbered Lower Left Edition 1/12 Lower L...

Artist: Alex Katz, American (1927 - ) Title: Night: William Dunas Dance II Year: 1983 Medium: Lithograph, signed and numbered in pencil Edition: 106/125 and there were also 17 artist...

Hand-colored print of the engraving by Antoine Alexandre Joseph Cardon of the original painting by Gabriele Ricciardelli. Edizioni Pontevecchio. Lily logo and a brush with the words...

LA NOVIA by the South American artist Jorge Dumas, is an original hand drawn lithograph hand proofed and printed using traditional lithography techniques on archival printmaking pape...

Lithograph hand colored realized by Enrico Benaglia. Edition of 100. Hand signed and numbered in pencil.

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

The Horse that Wanted Revenge on the Stag is an artwork realized bySalvador Dalì, 1974. Etching and drypoint with stencil. Printed by Atelier Rigal. Edition XIV/CXX on Auvergne pa...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), or...

Jim Dine Limited Edition Williams College Museum print, 1976 Offset lithograph poster on off white wove lithographic paper Limited edition of 300 Published by Pace Editions, with co...

Pan with Flutes - Original Bay Area Woodblock Print Bold and dynamic print of the mythological figure Pan playing double flutes by John S. Cheatham (American.) Pan stands...

Original American Sephardi Federation New York Convention 1993, hand-signed, linen-backed vintage poster. Grade A- condition. Today, this poster is more challenging to locate beca...

Hand Signed. Edition of 100 pieces. Very good conditions.

Vintage Cinematheque Musee de l’Affiche et de la Publicite vintage Franch poster. Archival linen backed in A-condition, ready to frame. There are a couple of spots on the right si...

Janick LEDERLE Trimaran, Fantastic Regatta Original lithograph (Mourlot) Handsigned in pencil Numbered on /275 copies On vellum 54 x 75 cm (c. 21.2 x 29.5 in) Excellent condition

Vespri is an artwork realized  in 1970s  by the italian Contemporary artist  Leo Guida  (1992 - 2017). Etching on paper. Hand-signed and numbered. Edition of 50. Excellent condit...

Artist: Guillaume Cornelis van Beverloo, Corneille (1922-2010) Title: Iveresse Year: 1981 Edition: 176/200, plus proofs Medium: Lithograph on wove paper Size: 25.5 x 19.5 inches Insc...

Osmosis refers to the assimilation of ideas Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa) in 1962, he comple...

Jean Jansem (1920-2013) Les deux petites filles, 1977 Lithographie sur papier Arches, justifiée et numérotée EA Signée en bas à droite 30 x 24 cm / 42 x 33,5 cm Bibliographie: Cat...

Robert Llimós (Spain, 1943) 'Manhatttttan - 1', 1977 lithograph on paper 30 x 22.1 in. (76 x 56 cm.) Unframed ID: LLI1343-001-000 Hand-signed by author

'Balinese Boy', original signed lithograph, by Arie Smit (circa 1980s). Young Balinese men feature heavily in the oeuvre of the artist. In this case, it appe...

Title: Sunrise Year: 1999 Medium: Offset lithograph in colors on gloss archival paper Size: 36 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as issued Note...

Vespri is an artwork realized  in 1970s  by the italian Contemporary artist  Leo Guida  (1992 - 2017). Etching on paper. Hand-signed and numbered. Edition of 50. Excellent condit...

Etching and aquatint, 1998, on Somerset Satin White paper, signed and dated in pencil, numbered 69th from the edition of 100 (there were also 15 artist’s proofs), printed by Maurice ...

Robert Indiana An Honest Man Has Been President: Homage to Jimmy Carter (Sheehan, 112), 1980 Color silkscreen on off white wove paper 23 1/2 × 19 3/5 inches Pencil signed and numbere...

Lowell Nesbitt Red Rose, 1985 Silkscreen on wove paper Signed, dated, and numbered AP 9/25 by Lowell Nesbitt on the front 24 × 24 inches Unframed Hand signed, dated, and numbered AP ...

Hommage a Christian Dior By René Gruau René Gruau was one of the most influential fashion illustrators of the 20th century, celebrated for his elegant, expressive, and instantly re...