Late 20th Century Figurative Prints

Original limited edition poster for Mozart '91, Salzburg. Published by Marlborough Gallery, New York. Lithograph printed on Arches paper with deckled edges. This original lithograph...

Papillon Gallery, 1981 Serigraph on 100% cotton archival grade heavyweight rag paper Published by Mirage Editions, Santa Monica, signed in plate Total tirage 1275 plus proofs (there ...

This artwork titled "Someday" c.1980 is an original colors offset lithograph on Wove paper by noted American artist Sheldon C. Schoneberg, 1926-2012. It is hand signed, titled and numbered 10/425 in pencil by the artist. The image size is 20 x 25 inches, sheet size is 21.75 x 29.5 inches. It is in excellent condition, it has as a small brown ink spot in the bottom margin under the title. has never been framed. About the artist: Born in Oak Park, Illinois; family moves to Beverly Hills; Attends El Rodeo, Beverly Hills High then Chouinard Art Institute, Los Angeles; University of Southern California, BFA cum laude. MFA, 1951; Academia di Belle Arti, Rome, 3rd Year Certificate; Universidad Michoacana, Morelia, Mexico, 1952, Graduate School - Fresco Printings. TEACHING: Santa Monica College, 1947; Hollywood Art Center School 1948; Pratt University, New York, 1950; Academic Rank of Full Professor of Art - University of New York, New Paltz, 1964 and University of Southern Maine 1967; Master Drawing Classes, Paris-American Academy of Art, Paris, France 1984-1985, Drawing, Painting and Contemporary Art History- University of New England, Biddeford, Maine 1993 - 2002. CYCLES OF WORKS IN ART: • Biblical, American Indian, Rome 1948-62, Oil Paintings • Drawings Wash and Ink, Wood and Ink, Sepia Conte and Ink, Pastels 1940-1968, California, New York, Maine • Archetypal Frescos 1948-55, Mexico, California, Israel • Goyescas, Satiric Ink and Wash Sketches, Spain and Greece 1954-1962 • Tapestries of the Zodiac 1961-1963, Spain • Para-Mandalas, Collages, Mixed-Media, Oil Paintings 1961-1967 • Flower-Children Series and Flag Series, Charcoal Pastel Drawings, California and Maine 1965-2008 • Bas-Relief polyester Resin Sculpture, Bronze Sculpture, 1966-1968 • The Centaurs Garden Suite, Centre Genevois de Grauvure Contemporaine, Geneva, Switzerland, lithographs on stone and etchings 1971 • Oil Paintings,Landscapes, Portraits, Nudes and Still Lifes, Mykonos, Greece, Spain, California, France, Mexico, Maine, British Columbia, Switzerland 1960-2008 • Barbary Coast Drawings, Full Color and Monochromatic 1967-1994 • The Apocalypse Series, Acrylic and Oil Paintings, Drawings 1973-1983 • Charcoal Pastel Drawings, California, Maine, France, Switzerland 1946-2008 • Metamorphous Series, Charcoal Pastel Collage Drawings on Museum Board 1987-2008 • Collage Series Drawings, San Francisco, Limington, New paltz, Los Angeles 1958-2008 • Poster Series, 90+ Charcoal Pastel Drawings on Museum Board 1985-2008 • Fayum Portrait Series, Charcoal-Pastel and Fauve Drawings 1992-2008 • Formal and Informal Portraits - Oil Paintings, Drawings, Models, Commissions, Compositions, Re-Creations 1942-2008 • Murals- Commissiond, Given and Inspired Oil paintings, Drawings, Acrylic Paintings, Collage Drawings 1936-2008 • Maquettes-100+ small original Charcoal Pastel Drawings for commissions 1970-2008 • The Great Masters of Art Series 1998-2008 • Flower Oil Paintings on Canvas ( Sunflowers, Hydrangas,etc) 2000-2008 EXHIBITIONS: INTERNATIONAL: COMBINED TOTAL OF 214, INCLUDING 82 ONE_MAN EXHIBITIONS. A SELECTION FOLLOWS. • Museum of Munich 1948 • Museum of Morelia, Michoacan, Mexico 1952 • Hellenic-American Union, Athens, Greece 1961 • Casa de Cultura, Malaga, Spain 1964 • Exposition Internationale d'Art de Mode, Val de Grace, Paris, France • 20th Anniversaire Paris American Academy 1985 • Gallery International Inc, St Maarten, Netherlands Antilles 1990-93 • National Museum of Mexico,D.F.1970-2008 Genesis Fresco 12'x35' • Galerie du Carlton, La Croisette, Cannes, France 1964-78 • Galerie des Champs-Elysees, Paris, France 1966-78 • Galeria "M" Copenhagan, Denmark 1967 • Galerie del Cisne, Madrid, Spain • Upper Grosvenor Galleries, London England 1966-68 • Kunsthandel Monet, Amsterdam Holland 1960-80 • Harrison Galleries, Vancouver BC Canada 1970-2008 • Guild Gallerie Calgary, Canada 1975-98 SELECTED EXHIBITIONS: USA • University of Southern California 1950 • Palos Verdes Community Galleries, CA 1955 • Cowie Galleries, Los Angeles, CA 1956 • Los Angeles Municipal Galleries, Barnsdall, CA " Art of the Mural" 1959 • Maxwell Galleries, San Francisco, CA 1962-63 • Raymond Burr Galleries Beverly Hills, CA 1961-64 • Gallery 235, Chicago,IL 1967 • Triton Museum of Art, Santa Clara CA (Retrospective 1969-2008) • Lars Laine Art Galleries, Palm Springs, CA 1969-84 • Two Squares Gallery, Denver, CA 1966-70 • Fisk University Art Museum, Nashville TN 1968 • Lewis Galleries, Omaha Nebraska 1973-2008 • Talberts Galleria Tacoma, WA 1978-2008 • Lyon Art Gallery San Francisco CA 1974-1980 • Owl 57 Galleries Woodmere NY 1979-2008 • Walt Kuhn Galleries, Cape Neddick...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

Wonderfully evocative abstracted figurative study of three nudes by an unknown artist (American, 20th Century) who used a ground etching technique for added depth and movement. Signe...

"The two flirtatious Dublin barmaids are the 'Sirens' in the eleventh episode of Ulysses. They pull beer for their male clients in the bar of the Ormond Hotel late in the afternoon. ...

Andy Warhol Drawings 1942-1987 - Museum Moyland Castle Offset Lithograph 1998 33 x 23.62 inches (84 x 60 cm) Unsigned as issued COA provided *Condition: Minute creasing along the ed...

"EROTIC DREAM" (1976) by Norbert Matzdorf Woodcut print on paper Limited Edition, numbered (10.3), dated and hand-signed by the artist 27,9 x 38,3 cm Norbert Matzdorf (1951 – 2013) ...

WALASSE TING, Shanghai 1929 - N.York 2010 Femmes, fleurs et perroquets, 1988 Original color lithograph, signed and hand-numbered by the artist. (mm. 360x480) Perfect specimen, imprin...

Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...

Artist: Theo Tobiasse (French/Israeli, 1927-2012) Title: Je Sens monter en moi des chants de plaisir (I Feel Songs of Pleasure Rise in Me) Year: Circa 1980 Medium: Color lithograp...

Camille HILAIRE Circus : The Outfielders Original lithograph Handsigned in pencil On Vellum 74 x 53 cm (c. 30 x 21 in) Excellent condition

Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the [Braniff International Airways] Flying Colors Collection, 1976....

Minimal composition in red with hand-colored abstract markings connoting music and dance. One of 4 prints from the Philadelphia Portfolio prepared by the Print Center in partnership with the City of Philadelphia, 1981. #50/100. Signed, dated, and numbered lower margin. Etching plate measures 18 x 13 in., matted in archival white mat and framed in narrow, contemporary white wood frame to 27 x 22 in. under plexi. An artist and master-printer for more than four decades, John Dowell...

From Poor Richard's Almanac portfolio. Hand signed and numbered by the artist. Lithograph on arches. Sheet size 25.5 x 19.5 inches. Image size approx 16.75 x 13.5 inches. From t...

Artist: Peter Max (1937) Title: [Jimi] Hendrix Year: 1972 Medium: Silkscreen on Arches paper Edition: 41/45, plus proofs Size: 22.25 x 28.5 inches Condition: Good Inscription: Signed...

Peynet (1908-199 Lithograph + original drawings Le Marché aux Oiseaux” (The Bird Market) 1985 Number 30/350 Signed in pencil 76 x 56 cms

Tracey Emin Every Bodies Been There (signed twice), 1998 Lithograph on paper Underneath that existing plate signature, Tracey Emin has, exceptionally hand signed and dated the work f...

Medium: Lithograph on vélin paper Year: 1972 Paper Size: 20.5 X 26.4 inches Catalogue raisonné reference: Cramer, illustration 155 Inscription: Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Pablo Picasso, La Chute D'Icare, Décoration du Foyer des Délégués Palais de l'UNESCO à Paris, Suite d'études préparatoires en noir et en couleurs réalisées du 6 décembre 1957 au 29 janvier 1958, 1972. Published by Albert Skira, Éditeur, Genève; printed by Roto-Sadag S.A. Genève, December 20, 1972. Excerpted from the folio (translated from French), This album contains the series of preparatory tests in black and VII color studies, reproduced, made by Pablo Picasso for the decoration of the home of the delegates at the Palais de l'UNESCO in Paris, was completed to print on December 20, 1972 on the presses of Imprimeries Roto-Sadag S.A. and Atar S.A. in Genève. The edition of this album is as follows: CXXV examples numbered from I to CXXV, XXV examples, out of commerce, numbered H.C. I to XXV, reserved for the artist and the publisher. Each of these albums contains an etching by Pablo Picasso, signed and numbered...

Vito Acconci Thou Shalt Not Commit Adultery (The Seventh Commandment), 1987 3 Color Lithograph with Collage with Rives paper Hand signed and numbered AP 2/15 on the front Also bears ...

Landscape is an Original Lithograph realized by Michel Estèbe. Hand signed on the lower right margin. Good conditions. Michel Estèbe is a french artist born in Talence. He studied ...

Original. SNCF Snowman Ski travel by French Railways poster. Archival linen backed and ready to frame. Je prefere le train SNCF For my snow vacations, I prefer the train, SNCF. T...

Joan Miró La Mélodie Acide - 8 Color lithograph Year: 1980 Edition: 1500 Artist Dry Stamp lower right, Annotated "H.C" (hors commerce) in pencil lower left Size: 8.2 × 6.6 on 12.9 ...

Artist: Peter Max (1937) Title: Angel, Heart on Red Year: 1996 Edition: 229/300 Medium: Silkscreen on Essex paper Size: 39.25 x 27 inches Condition: Excellent Inscription: Signed and...

Héliogravure on Papeterie de Mandeure vélin paper. Paper Size: 16.93 x 11.22 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Dalí, ...

Héliogravure on Papeterie de Mandeure vélin paper. Paper Size: 16.93 x 11.22 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Dalí, ...

Comprised of shapes with lines and sharp angles, this composition depicting the running of the bulls is hectic and energized. Rendered in gradiated rainbow colors, the animals in thi...

Joan Miró La Mélodie Acide - 11 Color lithograph Year: 1980 Edition: 1500 Artist Dry Stamp lower right, Annotated "H.C" (hors commerce) in pencil lower left Size: 8.2 × 6.6 on 12.9...

Les Amériques en Bal Original Poster by Razzia – Linen-Backed, Excellent Condition. Archival linen-backed and ready to frame. This poster is hand-signed in the lower right corner by...

SHIPPING FEES INCLUDE SHIPPING CHARGE, PACKAGING & **INSURANCE** Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimnez, pp. 1, 3, 6Biography: Luis Jimnez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimnez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autnoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimnez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimnez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimnez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimnezs works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimnez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimnez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

Uncle of the Corn Dancers, Hopi, kachina, lithography Dan Namingha hand pulled limited edition lithograph signed and numbered by the artists

This artwork titled "Gondolas in the Front of St. Georges at Night" c.1980, is an original colors lithograph on Arches paper by noted French artist Marcel Mouly, 1918-2008. It is han...

Artist: Jose Luis Cuevas, Mexican (1934 - ) Title: Macbeth Year: 1987 Medium: Lithograph with Collage on Arches, signed and numbered in pencil Edition: 110 Size: 24 x 33.5 in. (60.9...

Hand signed and numbered by the artist. Serigraph on paper. Sheet size 40 x 31.5 inches. Image size 35.25 x 27.5 inches. Edition of 275. Artwork is in excellent condition. Cert...

Magda Bolumar (Spain, 1936) "Primavera" (Spring), from "Serie 4 Seasons", 1995 Screenprint on Guarro paper 250 g. image: 19.5 x 14 in. (49.7 x 35.5 cm.) sheet: 27.75 x 20 in. (70.5 x...

Richard Lindner, German/American (1901 - 1978) - Rear Window, Year: circa 1975, Medium: Lithograph, Image Size: 18.5 x 21 inches, Size: 22 x 30 in. (55.88 x 76.2 cm)

Bold abstract aquatint by Johnny Friedlaender (Polish-French, 1912-1992). Comprised of two main sections, this piece is full of detail and texture. The upper layer is a reddish tan, whereas the bottom layer is a rich brown. Geometrical shapes are arranged such that they almost form mirror images of each other, but vary enough to create interest and a sense of movement. Signed in the lower right corner. Numbered 56/350 in the lower left corner. Includes original certificate of authenticity. Presented in a new cream mat with foamcore backing. Mat size: 42"H x 32"W Paper size: 33.75"H x 24.5"W Johnny Friedlaender was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard Friedlaender was born in Pless (Silesia) and his early studies were in Breslau under Otto Mueller. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L 'Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947, he produced the work Reves Cosmiques, and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Stael and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951, and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968, Friedlaender was travelling to Puerto Rico, New York and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain, Rene Carcan...

Magda Bolumar (Spain, 1936) 'Aire (Carpeta ""Los cuatro elementos"")', 1996 etching, aquatint on paper Rives BFK 300 g. 19.7 x 27.6 in. (50 x 70 cm.) Edi...

Eduardo Chillida (Spain, 1924-2002) Clearing (Bilbao). Soccer World Cup. Spain '82, 1982 Original poster from 1982 lithograph on paper 37.5 x 23.7 in....

Hand Signed and Numbered by the artist.. Custom framed as pictured. Image size approx 23 x 23 inches. Sheet size 28 x 28 inches. Certificate of Authenticity Included. Artwork in E...

ARTIST: Salvador Dali TITLE: La Quete du Graal The Pass og Gadalore MEDIUM: Etching EDITION NUMBER: XV/XXV SIGNED: Hand Signed by Salvador Dali PUBLISHER: Pamela Verlog MEASUR...

Gretchen Troibner (American, Born 1953) Beach Talk, 1997 Silkscreen on paper Signed and dated lower right, numbered 1/10 lower left 10 x 12.5 inches 20 x 22.5 inches, framed Gretche...

Magda Bolumar (Spain, 1936) "Otoño" (Autumn), from "Serie 4 Seasons", 1995 Screenprint on Guarro paper 250 g. image: 19.5 x 14 in. (49.7 x 35.5 cm.) sheet: 27.75 x 20 in. (70.5 x 51 ...

Jim Dine self portrait in which the artist has tulip flowers on either side. This is one of four states: for each successive print he worked int...

Lithograph in colors on vélin Exhibition Fine Art Cartridge paper. Paper Size: 12.75 x 9.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Hockney's ...

Artist: MGM Studios Title: Pink Panther, Supporting Characters Year: 1993-1995 Medium: Original, hand-painted production animation cel with laser color background, plus pencil drawin...

Hand embellished giclee on canvas. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 295. Stretched...

Signed lower right, 'Pla Domenech' for Jordi Pla Domenech (Spanish, 1917-1992) and created circa 1975. Paper dimensions: 19 x 13.5 inches Jordi Pla...

Two screenprints by architect and designer Michael Graves. Graves designed several buildings for the Walt Disney Company and these two pieces were likely designed for the interior of...

Medium: original lithograph. Printed in 1979 and published in Barcelona by La Poligrafa in an edition of 1000. Size: 10 x 7 1/2 inches (255 x 188 mm). Not signed.

Artist: Kevin Red Star, American (1942 - ) Title: Crow Husband and Wife Year: Circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 150, AP Size: 31 in. x 22 in. (78.7...

Jean Jansem (1920-2013) La balance romaine, 1986 Lithographie sur papier Japon Signée en bas à droite et justifiée Hors Commerce 50 x 65 cm / 54 x 76 cm Très rare exemplaire D'un...

This artwork titled "Familia Indigena III" 1983 is an original colors lithograph on Wove paper by renown Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated and numbered 67/100 in pencil by the artist. The artwork size is 22 x 29.85 inches, framed size is 28.5 x 36.5 inches. Published and printed by La Poligrafa, Barcelona, Spain. Referenced and pictured in the artist's catalogue raisonne "Zuniga The Complete Graphics, 1972-1984, by Jerry Brewster, plate #93. Beautifully framed in a custom acrylic display box, with brown fabric backing. It is in excellent condition. About the artist: Internationally acclaimed sculptor and printmaker Francisco Zuñiga was born in Costa Rica. He studied drawing, stone sculpture, and engraving at the School of Fine Arts in San Jose. Later, in 1936, he studied stone carving at La Esmeralda in Mexico City. He was appointed to the faculty of La Esmeralda where he remained until his retirement in 1970. Zuniga's art reflects a love and respect for Central American people and traditions. In 1972, he created his first lithograph. As a complement to his emotionally powerful sculpture, Zuniga's prints articulate the sensitivity and sensuality of the human figure. He has been the recipient of numerous international prizes and awards. His work is exhibited frequently in prominent galleries throughout the world and may be found in the permanent collections of twenty-nine museums, including the Metropolitan Museum of Art in New York, the Los Angeles County Museum, the Mexican Museum in San Francisco, and the Phoenix Art Museum. In 1936, Francisco Zuniga left San Jose, Costa Rica, where he had studied drawing at the School of Fine Arts and worked as an assistant in his father's studio, a workshop which produced religious sculpture for the churches and convents in and around the city. His destination was Mexico City. It was from there that he would begin an illustrious career as a sculptor and draftsman. Zuñiga's exploration into the nuances of volume, in line and space, are demonstrated in this, the most complete exhibition of his work to be shown in more than a decade. Mexico City in 1936 was, even then, one of the major art centers of the Americas. As such it witnessed and participated in many of the frenzied and controversial art movements which reflected the political and intellectual climate of the first three decades of the twentieth century. Muralism, the graphic arts, the incorporation of in-ternational movements had produced an artistic climate, which would eventually attract to Mexico international artists and intellectuals such as Sergei Eisenstein...

This gorgeous offset lithograph poster was created on the occasion of the Eva Arnold exhibition, Marilyn Monroe: An Appreciation, at the famed Leo Castelli Gallery in 1987 - Castelli...

Yves SAINT-LAURENT Love Story of La Vilaine Lulu, 1985 Lithograph On heavy paper 50 x 65 cm (c. 20 x 26 inch) Limited to 300 copies INFORMATION : Edited in 1985 and limited to 300 ...

Medium: Lithograph on vélin d'Arches paper Year: 1971 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Dufresne, VI, Colle...

Hand signed and numbered by the artist. Published by AMX Art Ltd., NY and printed by IZMO Productions, NY.. Artwork is in excellent condition. Edition of 175. All reasonable offer...

Serigraph in colors on paper. From the Menorah series. Hand signed and numbered by the artist. Edition of 200. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Shime, by Ruth Frerichs, Navajo, women, child, lithograph, limited edition Black and white lithograph by Ruth Frerichs Ruth Concord Frerichs was born in White Plains, New York, ear...

Corneille Woman with Rose and Bird, 1985 Original lithograph Handsigned Justified EA On vellum 56 x 76 cm (c. 22 x 30 inch) Excellent condition