Late 20th Century Figurative Prints

HER NEW BLUE COAT by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques(not a photo reproduction or digital print) on ...

Sol Lewitt Benefit Concert (Hand signed by Sol Lewitt, Philip Glass and Meredith Monk), 1978 Offset lithograph 19 1/2 × 21 1/2 inches Limited Edition of 75 Hand signed by Sol Lewitt ...

A limited edition silkscreen poster Keith Haring designed for Playboy. This limited edition run of 1000 was published in 1990 by Special Editions Ltd. The signature and date 'K. Hari...

Alexander Calder McGovern for McGovernment (Signed by BOTH Alexander Calder and George McGovern), 1972 Lithograph on wove paper with deckled edges. Hand signed and Numbered by Calder...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme Nue Assise dans l'Herbe". The original painting was completed in 1961. In the 1970's a...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Bacchanale". The original painting was completed circa 1922. In the 1970's after Picasso's d...

Judy Chicago Almost Born, 1983 Lithograph on Rives tan BFK paper (accompanied by original documentation sheet - also hand signed by Judy Chicago) Signed, titled, dated and numbered 6...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Buste de Femme Au Foulard Mauve". The original painting was completed in 1937. In the 1970's ...

Alexander Calder McGovern for McGovernment, 1972 Lithograph on wove paper Pencil signed and numbered 194/200 on the front Frame included In 1972, Alexander Calder was commissioned by...

Ties is a contemporary artwork realized by Jim Dine in 1976. Mixed colored lithograph.  Edition of 66/150.  The artwork is from the portfolio: Bathrobe, Hands, Ties, Saw, Rainbow,...

The City is an artwork realized in the 1980s by Giuseppe Aleandro.  Hand signed and numbered on the lower margin. Mixed colored screen print. Edition of 17/150 prints.

Richard Haas Puck Corner, SOHO, New York, 1971 Etching and Aquatint (affixed to white matting) Hand signed and numbered 10/100 by the artist on the lower front 19 3/5 × 16 1/2 inches Unframed in white matting; ready to be re-framed and hung. Puck Corner refers to the famous Puck building located on the corner of Broome and Broadway in SoHo, Manhattan: "The Puck Building is a historic building located in the Nolita neighborhood of Manhattan, New York City. This New York City Landmark is located at the northwestern corner of Manhattan's NoLIta neighborhood, bordered by SoHo and the NoHo section of Greenwich Village. The building was the longtime home of Puck magazine, which gave the building its name; Founded in St. Louis in 1871, the magazine moved into the building in 1887 and remained there until it ceased publication in 1918. Other famous tenants include Spy Magazine and the Manhattan Center of Pratt Institute. Since 2004, the building has been used by New York University for the Wagner Graduate School of Public Service and the department of sociology. In 2011, REI opened a 35,000-square-foot store...

Vintage, 1975, Leo Castelli New York Gallery exhibition poster; signed, lower right, in felt pen, 'R. Lichtenstein' for Roy Lichtenstein (American, 1923-1997). Roy Lichtenstein firs...

Original Edition Lithograph on wove paper. Edition: 1,500. Inscription: Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe S...

Motif (Abstract) in orange abstract. From the small edition of 10. from 1982. I am not sure if this is a woodcut or woodblock print or a silkscreen screenprint or some combination. Viola Burley Leak, American (1944 - ) Viola Leak was born in Nashville, Tennessee, she received a B.A. in Art from Fisk University, a B.F.A. in Fashion Design from Pratt Institute, Brooklyn, an M.A. from Hunter College, NY and an M.F.A. in Media from Howard University, Washington, DC. Leak was an art consultant for both the New York State Board of Education and the Metropolitan Museum of Art's Print Department, in addition to working for the Experimental Gallery of Art at the Smithsonian Institute. Her mixed media work often references religious motifs and those of her African-American experience and heritage. She is a multimedia artist, her works include printmaking, textile designing, soft sculpture, appliqué tapestries, doll making, and multi-media. Viola has studied with many renowned artists such as Aaron Douglas, Romare Bearden, Robert Blackburn, and Charles White. Her works can be found in the collections of World Federation of United Nations, New York State Office Building, Manufacturers of Hanover Trust Company, Atlanta Life Insurance Company and many more organizations. Viola's exhibition experience is extensive - more than 100 showings over a decade, national and international. Her quilts exude a miraculous and magical presence. They have traveled in two international shows and three national quilt projects in the past three years. A proud moment for her was being featured in the December 20, 2000 of the Smithsonian magazine; the article praised her mural "Afro Dance Scan" as one of the outstanding artworks in the "When the Spirit Moves: African American Dance...

Original Edition Lithograph on wove paper. Signed in the plate and unnumbered, as issued, verso. Excellent Condition; never framed or matted. Notes: From the volume, XXe Siècle, Homa...

Keith Haring Rare Hiroshima Peace Celebration poster (hand signed by Keith Haring), from the Patrick Eddington Collection, 1988 Original offset litho...

Keith Haring Tony Shafrazi Gallery 1982: The much historic early Keith Haring exhibition poster, illustrated by Haring on the occasion of: 'Keith Haring Drawings' Oct. 9 - Nov. 13 - ...

A limited edition silkscreen poster Keith Haring designed for Playboy. This limited edition run of 1000 was published in 1990 by Special Editions Ltd. The signature and date is in th...

Andy Warhol BELLA poster, hand signed by both Andy Warhol and Bella Abzug and inscribed, ca. 1977 Offset Color Lithograph Poster. Hand Signed by Abzug and Warhol & uniquely inscribed...

Original Edition Lithograph on wove paper. Edition: 1,500. Inscription: Signed in the plate and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: Published a...

Lovers is a contemporary artwork realized by the artist Dipas in the 1970s. Mixed colored lithograph. Hand signed on the lower right margin. Numbered on the lower left margin. Ed...

Keith Haring, Tony Shafrazi 1983: This set of five promotional cards, accompanied by the original Shafrazi invitation card and envelope, was published to promote Keith Haring's soon-to-be-released portfolio of 5 screen-prints, “The Fertility Suite." Medium: Offset Lithographs on wove card stock. 1983. 5.5 in. x 4.75 in. (applies to each individual) Published by Tony Shafrazi Gallery, New York, 1983. All elements are in very good overall vintage condition. Unsigned from an edition of unknown. Looks fantastic framed as a set. Keith Haring rose to prominence in 1980s New York within the East Village art scene alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer. He bridged the gap between the art world and the street, graffiting city subways and sidewalks before committing to a studio practice. Haring united the appeal of cartoons with the raw energy of Art Brut artists such as Jean DuBuffet as he developed a distinct pop-graffiti aesthetic that comprised energetic, boldly outlined figures against solid or patterned backdrops. His major themes included exploitation, subjugation, drug abuse, and the threat of nuclear holocaust; Haring boldly engaged with social issues, especially after receiving an AIDS diagnosis in 1987. Today, his work sells for seven figures at auction and has been the subject of solo shows at the Brooklyn Museum, the San Francisco Museum of Modern Art, and the Albertina Museum in Vienna, among other institutions. Related Categories Andy Warhol. Jean-Michel Basquiat. Keith Haring prints. Keith Haring fertility...

Medium: original lithograph. Printed in 1972 for the art revue XXe Siecle (issue No. 38). Size: 12 1/4 x 9 1/4 inches (310 x 237 mm). Not signed.

Alekos FASSIANOS King and Andromaque Original lithograph Handsigned in pencil Numbered / 99 ex On vellum 23 x 17 cm (c. 9 x 7 inch) Excellent condition

Judy Pfaff Squash, 1985 Woodcut on wove paper Signed, numbered 78/85, dated and titled on the front with artist's and publisher's blind stamps. 21 3/4 × 29 3/4 inches Publisher Cente...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Artist: Salvador Dali (1904-1989) Suite: Göttliche Komödie (The Divine Comedy) Year: 1974 Medium: Wood engraving in colors on BFK Rives wove paper tipped to Arches paper mounts Inscr...

Howard Kanovitz The People, 1971 3-5 Mixed Media Silkscreen on Plexiglas and aluminum base Signed: Artist's Signature etched on the work and annotated A.P., Edition of 1 (an Artists Proof, aside from the regular edition of 75) 15 × 16 × 1 1/2 inches Signatured etched on the work and annotated A.P. , aside from the limited edition of 75. This excellent 1971 3-D photo realist work "The People" is a multiple based upon a larger work the artist did of people beholding a work of art. Here, we see them only from behind, because they are busy looking at art - a clever photorealist work - art about art - catching people in the process of looking at art. Howard Kanovitz Biography Howard Kanovitz was a leader of Photo Realism: a documenter of style and fashion, depicting members of the art scene at openings, or superimposing known critics and curators onto images of board room meetings. In his particular style, he explored the intersections of painting, photography, fiction, and fact. Kanovitz studied at the Rhode Island School of Design and The Art Studenst League in Woodstock where he worked with Yasuo Kyniyoshi before moving to New York an apprenticing with Franz Kline. As a member of New York’s downtown art scene, Kanovitz painted abstract paintings, which he exhibited at Tenth Street Galleries early in his career. Following his father’s death in 1963, Kanovitz went through family photos, an experience which prompted him to interrogate the relationship between images and perception. At this time, Kanovitz abandoned abstraction in favor of a figurative style and worked arduously in this new direction. These efforts culminated in a 1966 solo exhibition at the Jewish Museum, securing his place as a leader of Photo Realism among artists such as Larry Rivers, Alex Katz, and Chuck Close. His photo based, representational paintings exhibited at the Jewish Museum show were the first to be called “photo-realist” and shocked many in the art community prompting a symposium which was held at the New York Studio School for “downtown artists” to weigh in on this perennial “hot topic”, newly addressed by one of their own. Kanovitz first began using airbrush in 1967, giving his paintings a feeling of photographic perfection. Cut out figures created using this precisionist technique were placed in the viewers space, often in front of Kanovitz’s painted canvas depicting the luminaries of the art world of the time. This type of installation was the centerpiece in the first of several Waddell Gallery shows. Kanovitz has been the subject of many solo museum shows internationally and his work is collected by institutions such as the Whitney Museum of American Art, Metropolitan Museum of Art, Tate Britain, London, and Museum Moderner Kunst, Vienna. -Courtesy Eric Firestone...

This artwork titled "Ancient Civilization" 1996, is an original color serigraph on thin rice paper taped to a sheet of wove paper for stabilization by noted ...

I was told this might be by another David Prentice. as I am uncertain I will add his bio. I cannot ascertain which one it is. Vintage 1981 DAVID PRENTI...

This artwork titled "Bali Princess" variant blue, 1996, is an original color serigraph on thin rice paper taped to a sheet of wove paper for stabilization by noted Chinese artist Ting Shao Kuang...

This artwork "Intermission" 1995 is an original colors serigraph by American artist Barbara A. wood, born 1926. It is hand signed and numbered 251/350 in pencil by the artist. The a...

A limited edition silkscreen poster Keith Haring designed for Playboy. This limited edition run of 1000 was published in 1990 by Special Editions Ltd. The signature and date is in th...

Offset lithograph printed in colours on wove paper 30 3/4 × 26 in 78.1 × 66 cm

This artwork titled "Bali Princess" variant green, 1996, is an original color serigraph on thin rice paper taped to a sheet of wove paper for stabilization by noted Chinese artist Ting Shao Kuang...

Françoise GILOT (1921) The Love Letter, 1951 Original lithograph On Marais vellum 28 x 22.5 cm (c. 11 x 9 inches) REFERENCES : Catalog raisonne "Stone Echoes, Original Prints by Fr...

This artwork titled "Startlet Silence" c.1980 is an original color lithograph on wove paper by American artist Robert Raymond Anderson, 1945-20...

Houston Artist Margarita Urquiza’s Greek-themed etching done on arches paper. Printed by Hare and Hound Press in a unique impression. The work is signed, numbered and dated in pencil...

This artwork titled "Religion and Peace" 1995, is an original color serigraph on thin rice paper taped to a sheet of wove paper for stabilization by noted Ch...

Dan Flavin Rare invitation poster for 1970 ACE Gallery exhibition, 1970 Letterpress and stencil on colored paper Not signed Frame included Floated in the original ACE gallery vintage wood frame. Measurements: Framed: 17.75" x 17.75" x 1.6 inches Poster: 16 inches x 16 inches Extremely uncommon letterpress and stencil poster designed by Dan Flavin on the occasion of his 1970 exhibition “Two Cornered Installations in Colored Fluorescent Light from Dan Flavin” at the legendary Ace Gallery in Los Angeles. The poster, like most exhibition invitations of that era (including those from the Leo Castelli gallery in New York) was undated, as these works were so much of the moment. This work was acquired directly from the collection of the ACE Gallery. Other than the present work, we've never seen another example of this collectors item anywhere in the world, on or off the market (If anyone is aware of others, we'd love to see!) More about the legendary ACE gallery, and the sale of some of its art collection from the bankruptcy estate, from where the present work was acquired: ACE Gallery founder Douglas Chrismas opened his own frame shop and gallery in Vancouver at the age of 17. His gallery became known as a venue where Vancouver artists could show alongside major New Yorkers, and get the feeling of belonging to a bigger scene. In the 60s and early 70s he brought artists such as Robert Rauschenberg, Carl Andre, Sol LeWitt, Bruce Nauman, and Donald Judd to Vancouver, Canada. The gallery expanded to Los Angeles in 1967 at the former Virginia Dwan Gallery space in Westwood, and then further expanded to New York in 1994. The galleries were noted for doing museum-level exhibitions by up and coming and internationally renowned artists. While in New York the gallery’s presence was amplified by doing exhibitions in conjunction with cultural institutions such as the Guggenheim Museum and the Cartier Foundation (Paris). Under Chrismas' directorship, ACE Gallery has had either offices or galleries in art centers outside of the United States, such as Mexico City, Paris, Berlin. and Beijing. In 1972, Chrismas mounted Robert Irwin’s installation Room Angle Light Volume at the first ACE/Venice, which opened at 72 Market Street in 1971. In 1977, ACE mounted exhibitions of work by Frank Stella and Robert Motherwell, along with Michael Heizer’s Displaced/Replaced Mass. Installed at ACE/Venice, the Heizer piece required that huge chunks be gouged out of the gallery floor to create recessed areas able to accommodate boulders. In April 2016, ACE Gallery emerged from a three-year bankruptcy proceeding under the leadership of Sam S. Leslie. In May 2016, founder Douglas Chrismas was terminated from all roles at the gallery. In July 2021, Douglas Chrismas was arrested by the FBI and charged with embezzlement. In May 2022, Douglas Chrismas was ordered to repay 14.2 million in ACE art sale profits, which were diverted to personal accounts. Chrismas is awaiting criminal trial in January, 2023. He faces up to 15 years in prison if convicted. Controversies In a 1983 lawsuit in Los Angeles federal court, Rauschenberg sought $500,000 from Chrismas' Flow ACE Gallery; the artist won a $140,000 judgment in the suit in 1984. Eventually the two reconciled their differences and in 1997 Robert Rauschenberg insisted that ACE Gallery New York (in conjunction with the Guggenheim Museum) host his Retrospective. In 1986, Chrismas pleaded no contest after Canadian real estate developer C. Frederick Stimpson alleged that he had improperly sold work belonging to the collector, among them pieces by Andy Warhol and Rauschenberg. Under the terms of the settlement, Chrismas agreed to pay Stimpson $650,000 over a period of five years. He continues to work with the Stimpson family in handling their art interests. In 1989, ACE Gallery wanted to borrow a work by Judd along with Carl Andre's 1968 Fall, both owned by Count Giuseppe Panza, for an exhibition devoted to minimal art called The Innovators Entering into the Sculpture. Rather than shipping the two large scale works from Italy, Panza authorized ACE Gallery to refabricate the pieces in Los Angeles. In Panza's collection archives, there is a series of signed certificates signed by Judd that granted Panza broad authority over the works by Judd in his collection. These certificates "authorized Panza and followers to reconstruct work for a variety of reasons," as long as instructions and documentation provided by Judd were followed and either he or his estate was notified. This even included the right to make "temporary exhibition copies, as long as the temporary copy was destroyed after the exhibition; and the right to recreate the work to save expense and difficulty in transportation as long as the original was then destroyed." Miwon Kwon, in her account of site specificity: "One Place After Another," presents the account of ACE Gallery recreating artworks by Donald Judd and Carl Andre without the artist's permission. Andre and Judd both publicly denounced these recreations as "a gross falsification" and a "forgery," in letters to Art in America, however, the fabrication of the pieces were permitted by Panza Collection in Italy, the owner of the works. Despite the confusion surrounding the Panza refabrications, both Carl Andre and Donald Judd maintained a professional relationship with Douglas Chrismas and ACE Gallery. Andre showcased works at ACE Gallery in 1997, 2002, 2007, 2011 and present day. In 2007, Carl Andre's show entitled "Zinc" was exhibited at ACE Gallery in Beverly Hills. Donald Judd paid a visit to The Innovators Entering into the Sculpture exhibition at ACE Gallery and agreed to keep his sculpture in the exhibition. After the exhibition was over, Chrismas planned to sell the metal used for the re-fabrication of Judd's work for scrap metal but Judd wanted to own the re-fabrication for himself. ACE Gallery then sold the re-fabrication of Donald Judd's work to Donald Judd. After having consigned more than $4 million worth of art to ACE Gallery to sell in 1997 and 1998, the sculptor Jannis Kounellis filed a lawsuit in Los Angeles Superior Court in 2006, accusing Chrismas of keeping most of the profits of artworks and refusing to return the pieces that did not sell. According to the lawsuit, the primary agreement between Kounellis and Chrismas was oral. Chrismas returned all of Kouenllis' artwork, and did a full accounting of the proceeds from Kounellis' work—minus the expense of exhibiting it. The matter was resolved between the two of them and ACE Gallery still sells and exhibits Kounellis' work today. By 2006, Chrismas had filed for Chapter 11 bankruptcy protection at least six times since 1982, barring most of his creditors from collecting the money immediately owed to them. Chrismas filed for Chapter 11 bankruptcy to protect the gallery's extensive real estate holdings from the problematic landlord. The landlord of the Wilshire Boulevard space, Wilshire Dunsmuir Company, claimed that ACE owed back rent and penalties however, the claim was disputed by Douglas Chrismas. In court papers, Chrismas Fine Art claimed that it would cure "the pre-petition" debt by Feb. 1, 2000, and was asking the court to protect its right to remain in the property. A declaration filed by Douglas Chrismas characterized this leasehold as the business' primary asset. -Courtesy Wikipedia About Dan Flavin Dan Flavin (1933–1996) was a pioneer of Minimal Art. He rose to fame in the 1960s with his work with industrially manufactured fluorescent tubes, inventing a new art form and securing his place in art history. The exhibition at the Kunstmuseum Basel focuses on his works that are dedicated to other artists or make reference to certain events. Back in 1963 Dan Flavin mounted a single, industrial fluorescent light tube at a 45-degree angle to the wall of his studio declaring it art; the act was radical, and it still is. Indeed, it was owing to this action that standard commercial products would be introduced into art: The nascent Minimal Art of the era emphasised seriality, reduction and matter-of-factness. Somewhat ironically, while the autodidact Flavin never himself sought membership to this movement in art, he would, and quite literally, go on to become one of its most illustrious exponents. Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called ‘situations’, he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated color from the two-dimensionality of painting. The prevalent perception of his light works has, to date, largely centred on their minimalist, industrial aspect, and thus on the inherent simplicity of their beauty. The exhibition at Kunstmuseum Basel, by contrast, places emphasis on looking at Flavin’s oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists—as in the work untitled (in memory of Urs Graf...

This artwork titled "Moonlight" 1994, is an original color serigraph on wove paper by noted Chinese artist Ting Shao Kuang, b.1939. It is unsigned as issue....

Original poster: Parc de Bagatelle et Louis Vuitton 1999 Hand-signed by the artist Razzia in black marker on the left side. In plate right side. Linen backed, ready to frame. Ex...

(after) Andy Warhol Campbell's Soup Can Poster, 1993 Offset Lithograph Poster on thin board. Unframed. Authorized by the Andy Warhol Foundation of the Visual Arts, Inc. 30 × 23 1/4 i...

Lithograph in colors on paper. Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of these original lithographs which have come to be known as the Picasso Estate Collection The lithographs were meticulously created after the original works oil paintings watercolors pastels and charcoal drawings by Master Chromist Marcel Salinas who worked closely with Picasso in his lifetime They are printed in an edition of 1000 on first quality paper. Estate approved Picasso signature printed below image. It also has in typeset under image Collection Marina Picasso and the copyright info in typeset on the right of image. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: Pablo Picasso (Spanish, 1881–1973) was one of the most influential artists of the 20th century. Picasso melded forms he saw in African sculpture with the multiple perspectives he gleaned from Paul Cezanne, to produce Cubism. Not limited to painting, the artist also expressed himself through collage, sculpture, and ceramics. The artist was prolific up until his death on April 8, 1973 in Mougins...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Olga Picasso". The original painting was completed in 1922. In the 1970's after Picasso's de...

This lithograph was created by American artist George Tooker. His subjects often are depicted naturally as in a photograph, but the images use flat tones, an ambiguous perspective, a...

This artwork titled "Ramayana" 1995, is an original color serigraph on wove paper by noted Chinese artist Ting Shao Kuang, b.1939. It is unsigned as issue. ...

Medium: original lithograph. Printed in 1979 and published in Barcelona by La Poligrafa in an edition of 1000. Size: 10 x 7 1/2 inches (255 x 188 mm). Not signed.

The City is an artwork realized in the 1980sy by Giuseppe Aleandro Hand signed and numbered on the lower margin. Mixed colored serigraph. Edition of 16/150 prints.

KEITH HARING - Untitled Limited 1990s edition by the Keith Haring Foundation, Inc. Only 150 copies total (here 28/150). Lithograph on thick ca...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme Assise a la Robe Grise". The original painting was completed in 1943. In the 1970's af...

James Rosenquist Rosenquist at Leo Castelli (Hand Signed and inscribed by James Rosenquist), 1988 Offset Lithograph Poster (Hand Signed and Dedicated) Frame included: held in original vintage frame under plexiglass A collectors' item when hand signed by the artist as the present work Early historic Leo Castelli exhibition poster published on the occasion of the James Rosenquist exhibition "Through the Eye of the Needle...

This artwork titled "Bali Princess" variant red, 1996, is an original color serigraph on thin rice paper taped to a sheet of wove paper for stabilization by ...

Description: Pablo Picasso created the Suite Vollard between 1930 and 1939 in honor of his friend and art dealer, Ambroise Vollard. The suite is comprised of 100 etchings, illustrat...

Hand numbered 198/200, signed and dated on the recto in the lower right margin. Provenance: Martin Lawrence Gallery, Los Angeles, 1993 and Private coll...

Description: Pablo Picasso created the Suite Vollard between 1930 and 1939 in honor of his friend and art dealer, Ambroise Vollard. The suite is comprised of 100 etchings, illustrat...

#5-2957 Engraving of three dancing Abstract Putti in a forest scene signed E Andrews 30/100 Image size 10 H x 5.5 W