Late 20th Century Figurative Prints

Andy Warhol Exhibition Poster for Andy Warhol Exhibition at the Denver Art Museum Double Elvis (Inscribed to Maryanne and hand signed twice by Andy W...

Original Lido poster: Panache - La Nouvelle Revue du Lido - Champs-Élysées, Paris.Artist: Rene Gruau. Archival linen backed and ready to frame. Step ...

Salvador DALI The Vitraux : The Angel, 1973 Original lithograph Handsigned in pencil Numbered 3/250 On Arches vellum, 65 x 48 cm (c. 25.6 x 18.9 inch) References : - Catalog ra...

This exquisite lithograph after Marc Chagall (1887–1985), titled Athene führt das Schiff des Telemachos (Athena Guides the Ship of Telemachus), from Homer, Die Odyssee (The Odyssey),...

Also known as Before the Promenade (1985), this original exhibition poster by Fernando Botero was published by Marlborough Gallery in 1985. Printed as an offset lithograph on semi-gl...

Title: Highest Mountain Year: 1999 Medium: Offset lithograph in colors on gloss archival paper Size: 24 x 36 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as is...

Title: Zion Subject: Various biblical images depicting Creation and prayer 1922 Medium: woodcut Frame: 14" x 18" Image: 12.5" x 16.75" Provenance: owned and signed verso by Peter Keil. Central panel shows the Jewish star over a crown, with inscription in Hebrew: "When God comforts Zion, He will comfort all its ruins and make its deserts look like Eden," and "You have sanctified the seventh day, the goal of creation of Heaven and Earth." This is flanked by a Palestinian farmer pioneer on the left and a Jew praying on the right. The lower tier shows six vignettes of the days of creation from Genesis. Hermann Fechenbach was born in 1897 in Württemberg, Germany. He grew up in Bad Mergentheim where his parents had an inn, which served as a meeting place for the local Jewish community. He left school early and through family connections with clothing retailers received training in window dressing. His skill with brush writing was quickly recognised by a big firm in Dortmund where he was responsible for the displays in 10 large windows. He received his conscription papers in 1916 and recalls “being as patriotic as any other fool”. In August 1917 he was involved in a grenade attack in which he was the sole survivor. With serious injuries to both legs he struggled to safety and was eventually transported to a front line “slaughterhouse” where the first of a series of amputations was performed which led to the loss of his left leg. As a result of his injuries his father dropped his opposition to him becoming an artist. His formal art education started in 1918 with training at a Stuttgart handcraft school for invalids. He attended the Academies in Stuttgart and Munich to learn painting and restoration for 3 years. He was influenced at this time by Max Liebermann. He has been compared to Kathe Kollwitz and was a contemporary of Jakob Steinhardt and hermann Struck. In 1923 he went to Florence for a year. While in Florence he started to produce a series of miniature wood engravings to illustrate the stories of Genesis. This was followed by periods in Pisa, Venice, Vienna and Amsterdam. In 1924 he returned to Stuttgart to paint in the contemporary style “Die Neue Sachlichkeit”. (The New Objectivity was a movement in German art that arose during the 1920s Weimar republic as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit. These artists—who included Max Beckmann, Otto Dix, George Grosz, Christian Schad, Rudolf Schlichter and Jeanne Mammen) Every spring and autumn he exhibited at the “Kunstgebit” which served as the showcase for all serious artists of the period. His professional status “Kunstmaler und Grafiker” was recognised by Berlin in 1926. Practically all his work from this period was sold following exhibition. In 1926 he collaborated with an architect friend to build a bungalow in Hohenheim, a non-Jewish area and a suburb of Stuttgart. Hermann alternately lived in his country bungalow and his town studio, producing portraits for sale or barter and wood engravings for his own pleasure. In 1930 he married a non-Jewish professional photographer – Greta Batze. They had a studio in Stuttgart, which was used to teach art to a group of 12 students. In 1933 the Nazi influence removed his name from the official state register together with the right to exhibit. By spending most of his time in his bungalow out of the Jewish quarter the Fechenbachs escaped being registered by the Nazis for some years. They were ostracised and abused by their non-Jewish neighbours. Hermann made weekly visits to friends in town to teach them the practical skills they would need assuming they were to escape from Germany. His energies were directed towards protection and survival. Ultimately the Nazi persecution forced the Fechenbachs to flee their homeland. They moved to Palestine for 3 months in 1938, but found the political and physical environment unsustainable. Greta arrived in England penniless in January 1939 to work as a domestic servant and to find a guarantor for her husband. Hermann arrived in May 1939. They moved to Blackheath a few months later. Hermann resumed his painting and engraving as a means of earning a living. He raised enough money to get his parents out of Germany to join his brothers in Argentina but was unable to save his twin sister Rosa who died in a Nazi concentration camp. In 1940 Hermann was interned in Bury as a suspect alien. He protested about his treatment by starting a hunger strike. Because of his persistence he was moved to a prison in Liverpool. From Liverpool he was moved to the Hutchinson Camp in the Isle of Man with fellow artist Kurt Schwitters. Arrangements were made for Greta to be accommodated near by. While interned he commenced work on “Refugee Impressions”, a series of linocut prints (no wood was available). In 1941 when released from internment the Fechenbachs came under the sponsorship of Dr. Bela Horovitz, the Austrian art publisher who in turn made an introduction to Professor Tancred Borenius. They were offered lodgings with a family in Oxford. Hermann had his first public exhibition for many years in a small gallery in Oxford in 1942. A second exhibition of oils, pencil drawings, coloured linocut and woodblock prints held later in the year was opened by the mayor of Oxford and critically acclaimed. In 1944 the first London exhibition took place at the Anglo-Palestinian club in Piccadilly. There were two exhibitions at the Ben Uri Art gallery during this period. In 1948 a second exhibition at the Anglo Palestinian club was inaugurated by a member of the Rothschild family and several members of Parliament. This was a great success. In 1944 the Fechenbachs moved to a top floor studio flat in Colet Gardens. Open exhibitions were held each Spring at the Embankment from 1946 to 1951. Movietone News produced a short feature on the artist, which was shown in cinemas in England and Germany. In 1969 he published the Genesis story in a hard back volume containing 137 prints. He started to research the fate of the entire Jewish community of Bad Mergentheim during the period of the second world war, liaising with historian Dr. Paul Sauer and Professor Max Miller, historian and theologian. In 1972 Kohlhammer published his partly autobiographical book “The last Jews of Mergentheim”. He exhibited at the Anglo-Palestinian Club & the Ben Uri Gallery in the 1940s. His works only came to prominence during the last year of his life when he exhibited at Blond Fine Art. Peter Keil part of the Junge Wilde. In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). They were also known as the Neue Wilde. Artists included; Austria: Siegfried Anzinger, Erwin Bohatsch, Herbert Brandl, Gunter Damisch, Hubert Scheibl, Hubert Schmalix...

AFTERNOON STROLL is a hand drawn original lithograph by the artist Ari Gradus printed in 13 colors using traditional hand printmaking techniques on archival Arches paper 100% acid fr...

Artist: Peter Max, German/American (1937 - ) Title: Colossus II Year: 1971 Medium: Serigraph, signed and numbered in pencil Edition: 220/300 Size: 30 x 22 in. (76.2 x 55.88 cm)

David Hockney, Munich Olympics Poster - Olympische Spiele Munchen, 1972 Offset lithograph poster Signed in plate Issued in a run of 4000 101 x 64 c...

A beautiful reproduction of one of the most celebrated Piranesi's masterpieces, realized in a limited edition of a few hundreds in 1990s. The Trajan's Column is the last remaining n...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Le Lagon (The Lagoon), from Henri Matisse, Jazz, originates from the 1983 second edition published by George Brazi...

Still Life is an original colored lithograph on Fabriano watermarked paper realized by the Italian artist Rosario Mazzella. Representing a colorful autumnal still life, this origina...

Printer's Proof /5 Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. Her...

Keith Haring (1958–1990) 'Into 84' / Tony Shafrazi Gallery, 1984 Lithograph in colors Plate signed lower right, signed in silver ink lower right on figures foot Sheet 35⅛ in H × 23⅛ ...

Jean Jansem (1920-2013) Deux danseuses, 1995 Lithographie sur papier Arches, justifiée et numérotée EA Signée en bas à droite 22 x 17 cm / 32 x 26 cm Bibliographie: Catalogue raiso...

Screenprint in colors on Lenox Museum Board. Hand signed, dated and numbered by Keith Haring. Image size 38.75 x 28.5 inches. Edition 21/100 (there were also 15 artist's proofs). P...

This exquisite lithograph by Dorothea Tanning (1910–2012), titled LExpose (The Exhibition), from the album XXe Siecle, Nouvelle serie, XXXVIe Annee, No. 42, Juin 1974, originates fro...

Collotype in colors on paper. Unsigned. Published in 1972. Copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

This exquisite lithograph by David Hockney (born 1937), titled Letter K, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

ARTIST: Salvador Dali TITLE: Visions Surrealiste Coronation of Gala MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: EA MEASUREMENTS: 21.37" x 29.75" YEA...

The Monkey  is a Contemporary artwork realized in the 1972  by the italian artist  Leo Guida. Etching on paper. Mint conditions.  Edition of 12/30 Hand-signed and numbered in pen...

"Cardinal" - Jim Dine at Albright Knox poster, 1984 LARGE: 40 inches (vertical) x 24 inches (horizontal) (Ships rolled in a tube measuring 36" x 6" ) Offset lithograph poster Limite...

Artist: Keith Haring Title: Plate 6 from Story of Red and Blue (L. pp. 128-133) Medium: Screen print in colors on wove paper Sheet Size: 22 x 16.5 inches Frame Size: approx 28.5 x 22...

Full Moon Night (from "In the Floating World" series) Fuji Xerox copy print Signed, dated, and numbered 11/50 in pencil. Image: 29.5 x 41.5 cm. Sheet: 29.5 x 41.5 cm. BSS No. : E-199...

Artist: Alexandra Nechita Title: Soft Velvet Cat Year: 1998 Lithograph on Arches Archival Paper    Size; 35½'' x 23½'' inches Edition: Signed in pencil, dated and marked 65/199 Embo...

Artist: Salvador Dali Title: Venus, Mars and Cupid Medium: Engraving with stencil color on Rives paper Year: 1971 Edition: 81/150 Sheet Size: 29 5/8" x 22" Image Size: 22 3/4" x 15" ...

Interspaceograph - multidimensional silkscreen print on plexiglass pane and mirror. There is space between the silkscreen printed plexiglass pane and silkscreen printed mirror in th...

"Shubert Theater" original lithograph by artist Al Hirschfeld. Featuring caricature portraits of Jason Robards, Jr.; Fred Astaire; Jimmy Durante; Eddie Cantor; Alfred Drake; Fred Allen; Al Jolson; Katherine Hepburn; Rex Harrison; Julie Andrews; Clark Gable; Ethel Waters; Carol Channing; Ethel Merman; Mary Martin; Lynn Fontanne; Alfred Lunt; Lillian Gish...

Juan Genovés Candel (Spanish, 1930-) Painter, illustrator, and graphic printmaker engraver. He painted 'El abrazo' ('the embrace'), which became an emblematic poster during the Spanish political transition. He was born in Valencia in 1930. The son of Juan Genovés Cubells, an artisan whose family was close to the labor movement. His mother Maria Candel Muñoz came from a family of practicing Catholics. In 1946 Genovés studied at the Escuela de Bellas Artes de San Carlos in Valencia and then settled in Madrid. He set up the 'Los Siete' group together with other artists in 1949, and the following year he travelled to Madrid, where he was influenced by the works by Fra Angélico and Hieronymus Bosch in the Prado Museum. In 1957 he had his first solo exhibitions in the gallery Alfil, Madrid and in the Museo d'Arte Moderna, Havana. He is considered the most important representative of modern Spanish painting. His images, executed in a politically engaged, critical realism...

This exquisite lithograph by David Hockney (born 1937), titled Letter E, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

This exquisite lithograph by David Hockney (born 1937), titled Letter S, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

Medium: original lithograph. Printed in 1970 for the art revue Derriere le Miroir (issue No. 188) and published in Paris by Maeght. Size: 15 x 22 inches (380 x 560 mm). There is a ce...

This exquisite lithograph by David Hockney (born 1937), titled Letter C, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

Screen print realized by the italian painter Rolandi, in the 1980s. Hand signed in pencil on the lower right margin. Artist's proof (as reported in the lower left margin) Dry stam...

This artwork titled "Tristan and Isolde" 1978 is an original color lithograph on Arches wove paper by noted Italian/Argentinian artist Leonor Fini, 1907-1996. It is hand signed and n...

Keith Haring Cover Art SFMMA 1984: Published by the San Francisco Museum of Modern Art on the occasion of ‘The Human Condition SFMMA Biennial III’ 28 June-26 August 1984. Cover art created by Keith Haring specifically for the exhibit. Includes work by Jenny Holzer (reverse cover) with a foreword by Shirley Davis. An introduction by Henry T. Hopkins is followed up with essays by Dorothy Martinson, Wolfgang Max Faust, Achille Bonito Olivia, Klaus Ottman, and Edward Kienholz...

Raymond PEYNET Astrology - Zodiac : Pisces, 1979 Original etching Handsigned in pencil Numbered /22 On Arches vellum 76x56 cm (c. 30 x 22 inches) This etching is authentified by the...

Artist: Ron Kleemann, American (1937 - ) Title: Gas Line from the CityScapes Portfolio Year: 1981 Medium: Serigraph on Somerset Paper, signed and number...

Lithograph in colors on Arches paper. Hand signed and numbered by Marc Chagall. Mourlot 713. Edition 41/50. Image size 27.25 x 21 inches. Sheet size 32 x 24.25 inches. Frame ...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

Artist: Keith Haring Title: United Nations International Youth Year Medium: Lithograph in colors Date: 1985 Edition: 91/1000 Sheet Size: 11" x 8 1/2" Image Size: 11" x 8 1/2" Frame S...

This exquisite silkscreen by Jacob Lawrence (1917–2000), titled Boy with Kite, from the album Hiroshima, originates from the 1983 edition published by The Limited Editions Club, New ...

Artist: Andy Warhol. Title: 'Mick Jagger' FS II.140 Framed Announcement card. Medium: Lithograph Size: Image size: 6" x 4" Framed: 10" x 8" Year: 1975 Description: Signed and numbere...

This artwork titled "Festive Occasion" 1989 is a color offset lithograph by noted British artist Alan Maley, 1931-1995. It is hand signed, titled and numbered 21/750 in pencil by the...

From the Three Lithographs Suite. Lithograph in black and red, on BFK Rives paper. Edition 25/80 (there were also 20 artist's proofs). Sheet size 31.875 x 39.5 inches. Image size...

This exquisite lithograph by Alexander Calder (1898–1976), titled Joueurs de cartes III (Card Players III), originates from the historic 1975 folio Derriere le Miroir, No. 212. Publi...

Synthia Saint James (American, b. 1949), WITH HONORS is a hand drawn limited edition color lithograph(not a photo reproduction or digital print) printed using hand lithography techni...

ARTIST: Salvador Dali TITLE: Alchimie des Philosophes L'Immortalite MEDIUM: Etching on Parchment Paper SIGNED: Hand Signed PUBLISHER: Ar...

Visually, the design evokes a king playing card, reinterpreted through a Mesoamerican lens: Mayan‑style figures, swords, clouds, and other symbolic motifs are composed in a richly gr...

Roy Lichtenstein 1970-1980 (Hand Signed and dated by Roy Lichtenstein), 1981 Offset lithograph. Hand signed and dated in ink Hand-signed by artist, H...

Keith Haring ACT UP 1989: RARE 1989 Keith Haring illustrated mailer used as promotional material for the AIDS Coalition to Unleash Power (ACT UP). Keith Haring designed & authored ...

This exquisite lithograph after Rene Magritte (1898–1967), titled Les Bijoux indiscrets (The Indiscreet Jewels), from the album San Lazzaro et ses Amis, Hommage au fondateur de la re...

Original Madhouse vintage 1974 movie poster, folded as issued. Very good condition with bright colors. No pin holes. Very minor edge wear Very good condition, ready to frame. See images. We flatten the poster at the time it is scanned to provide you with the most detailed and correct color of the vintage poster...

Original Rick Griffin Canablis vintage psychedelic European Limited Edition, numbered and in excellent condition. The first printing done in the US was about 14” x 20” in size, but you get the full impact of this in the larger European size format. Printed in 1967, Rick Griffin’s plate signature is in the lower right corner. The edition number is in the lower left-hand corner. Bold, playful, and unmistakably psychedelic, this limited European edition of Rick Griffin’s “Canablis — Pipe & Cigarette Tobacco” bursts with high-contrast color, hand-tooled lettering, and a lush still life framed by swaying palms. Griffin’s eye-popping typography and layered iconography channel the late-60s poster...

This exquisite lithograph by Alexander Calder (1898–1976), titled Mama Citron, originates from the historic 1975 folio Derriere le Miroir, No. 212. Published by Maeght Editeur, Paris...

Artist: Peter Max, German/American (1937 - ) Title: Saturn Messenger Year: 1972 Medium: Silkscreen, signed and numbered in pencil Edition: HC 11 Image...

Artist: Dagmar Mezricky (Czech, 1944-) Title: "Act III with Portrait" *Signed by Mezricky in pencil lower right Circa: 1988 Medium: Original Lithograph on unbranded heavy white wove ...

Screen print on arches paper. From Double Metamorphosis Series. Hand signed and numbered by Yaacov Agam. From the edition of 180. Sheet size 36.25 x 49.75 inches. Image size 29 ...

This artwork titled "Acrobats" c.1990, is an original colors lithograph by renown Russian artist Mihail Chemiakin, b.1943. It is hand signed and numbered 283/300 in pencil by the art...