Late 20th Century Figurative Prints

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Alphabet Year: 1982 Medium: Offset lithograph on archival paper Size: 36 x 24 inches Condition: Excellent Inscription: Signed in in...

This lithograph is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is additionally hand numbered in pencil, edition 133/150, at the lower left margi...

MARC CHAGALL (1887-1985) "Day Break" lithograph in colours, 1983, on wove paper. Signed in pencil, Numbered 26/50 in pencil 21.5 x 17 Inches. LITERATURE: Mourlot 1014 CONDITION: Exce...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting “Femme dans un Fauteuil”, which recently sold at auction for $10 million USD. The original painting was completed in 1948. In the 1970’s after Picasso’s death, Marina Picasso, his granddaughter, authorized the creation of this lithograph by Laurent Marcel Salinas, who worked closely with Picasso during his lifetime. The limited edition print run was completed and published by Marina Picasso in conjunction with Jackie Fine Arts in 1982. The lithograph is printed on French Arches paper, ink-stamped by the Estate verso, and hand-signed and numbered by Marina Picasso on the recto. The embossed seal of the Estate is lower right and the printer’s chop, lower left. Femme dans un Fauteuil Pablo Picasso (After), Spanish (1881–1973) Portfolio: Marina Picasso Estate Lithograph Collection...

Diane Keaton & Woody Allen "Annie Hall" Movie Oscar Academy Award Caricature Al Hirschfeld (1903-2003) Diane Keaton and Woody Allen in "Annie Hall" Plate Size: 13 x 9 3/4 Paper Size...

Showcasing a figure seated on a stool against an emerald green background, Pablo Picasso's print demonstrates the development and versatility of Cubism. Seen from multiple angles sim...

Original movie poster, Linen-backed original Indiana Jones and the Temple of Doom pre-release. "Coming May 23rd, 1984. Indiana Jones and the Temple of Doom, the 1984 Steven Spielberg treasure-hunting action-adventure fantasy sequel ("If adventure has a name... It must be Indiana Jones."; "Trust him." Starring: Harrison Ford, Kate Capshaw, Jonathan Ke Quan, Amrish Puri, Roshan Seth, Philip Stone...

Artist: Robin Shepherd (English-American, Active: Late 20th Century) Title: "St. Tropez" *Signed by Shepherd in pencil lower right Year: 1991 Medium: Original Screenprint on Stonehenge paper Limited edition: 150 (exact number may differ from photos) Printer: possibly the artist Shepherd himself, Jacksonville, FL Publisher: the artist Shepherd himself and The Collector's Exchange, Jacksonville, FL (present day Graves International Art...

Will Barnet The Book, from the 1776 USA 1976: Bicentennial Prints portfolio, 1975 Silkscreen in colors on white Arches wove paper Pencil signed, titled and numbered 65/75 on the fron...

Lithograph in colors on vélin Exhibition Fine Art Cartridge paper. Paper Size: 12.75 x 9.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Hockney's ...

Women’s Equality by Marisol Escobar, French/Venezuelan (1930–2016) Date: 1975 Offset Lithograph (Unsigned as issued) Size: 17 in. x 14 in. (43.18 cm x 35.56 cm) Frame Size: 20 x 17 i...

Raising his hands behind his head, the nude figure in this Pablo Picasso print looks downward. Rendered in a neutral orange hue, the figure is shown fragmented in a series of simple ...

Les Anatomes, Plate F is a contemporary artwork realized by Man Ray in 1970 Mixed colored etching Hand signed and numbered in pencil. Edition 26/100 Ref. Anselmino 70F Includes ...

PHILIP PEARLSTEIN Nude in New Mexico, 1984 Lithograph on art paper 31 3/5 × 40 3/4 inches Signed, titled, dated and numbered in graphite pencil from the limited edition of only 65. (48/65) Unframed Philip Pearlstein was born in Pittsburgh, PA, in 1924 and came to New York with Andy Warhol - his first roommate. In 1941, his junior year in high school, he received his first recognition when awarded first and third prizes in Scholastic Magazine's 14th National High School Art Exhibition. Upon graduation from high school in 1942, he enrolled in the Carnegie Institute of Technology but the draft limited his attendance to one year. After discharge from the army in 1946, he returned to Carnegie Tech where he studied with Robert Lepper, Balcomb Green and Samuel Rosenberg...

This artwork, titled "Clown sur Fond Bleu" from the suite "Clowns" 1985, is an original color lithograph on Arches watermarked paper by renown French artist Bernard Buffet, 1928-1999...

Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...

Artist: Keith Haring (1958-1990) (after) Title: Lucky Strike (Littmann P. 78) Year: 1987 Medium: Silkscreen on Arches cotton rag paper Inscription: Hand signed and numbered, 70/80, a...

Artist: Alice Neel (1900-1984) Title: The Youth (John Cheim) Year: 1982 Medium: Lithograph on Arches paper Edition: 20/25 A.P. Size: 38 x 24 inches Condition: Good Inscription: Signe...

Color lithograph after a gouache by Georges Braque from the edition of 398 published by Armand & Georges Israel in 1988. Printed signature. Artwork entirely made in France: from th...

"1993 in Review" Broadway, Movies, Dance, Film, Opera, Nureyev, Bette Middler Al Hirschfeld (1903-2003) "1993 in Review" Lithograph on heavy paper Sight: 22 x 16 inches Signed lower...

New York Graphic Society, Ltd. Printed in U.S.A. Measures 15 x 20 inches and is unframed. The piece is in Good Condition.

Theo Tobiasse Title "On the Shores of the Circus" Suite: Song of Songs of King Solomon Year: 1975 Medium: Original lithograph in colors on paper (deckle edged paper) Publisher: Leon Amiel, Paris & New York Signature: Hand signed by the artist Theo Tobiasse, born Tobias Eidesas, 1927 in Jaffa then in British Mandate Palestine, died 2012 in Cagnes-sur-Mer in France. Well known painter, engraver, draftsman and sculptor. French Jewish artist. The youngest son of Chaim (Charles) Eidesas and Brocha (Berthe) Slonimsky from Kaunas, Lithuania, Théo Tobiasse was born in Mandatory Palestine in 1927, where his Jewish parents lived since 1925, far from the threat of pogroms and upheavals of East European policies. The family encountered material difficulties and decided to return to Lithuania, ultimately leaving for Paris in 1931 where his father typographer finds work in a Russian printing press. Theo Tobiasse shows very early talent for drawing and painting, and during a visit to the Special Exhibition of 1937 held in Paris, he is enchanted by Raoul Dufy. The death of his mother (in June 1939) followed by the outbreak of the Second World War, Paris under the German Nazi occupation, the wearing of the yellow star and his registration at the National School of Decorative Arts denied for racist reasons upsets his life. He enrolled in a private advertising design course on the boulevard Saint-Michel, which he abandoned nine months later because his family, narrowly escaping the Winter Vélodrome roundup in July 1942 was forced to hide in an apartment in Paris for two years. At the Liberation of Paris, he quickly began a career as an advertising graphic designer with the Draeger art printer and also produced tapestry cartoons, stage sets and Hermes showcases at the Hermès boutique on rue du Faubourg Saint-Honoré. In 1950, he obtained French nationality and moved to Nice in the Alpes-Maritimes, where he continued his advertising graphic design career. His first paintings were exhibited at the Salon des peintres du Sud-Est in 1960. He was laureate in 1961 the "prize of the young Mediterranean painting" and Armand Drouant offers him a first contract and exhibited at the Faubourg Saint-Honoré Gallery in Paris in 1962. Théo Tobiasse also won the Dorothy Gould Prize in 1961. He decided to devote himself solely to the visual arts. Numerous exhibitions are dedicated to him all over the world, in Paris at the Drouant Gallery, in Geneva, Montreal or Tokyo, then London, Zurich, Lausanne, Los Angeles, Kiev, and then a first personal exhibition in New York (1968). Self-taught, he studied the technique of grand masters in museums during his travels. The reliefs, glazes and colors of Rembrandt's Jewish Fiancee at the Rijksmuseum in Amsterdam, in particular, open up new technical possibilities that he explores in his canvases back to his studio. The figurative subjects without narrative or symbolism (cat, bird, kite, velocipede, etc.) of his first paintings, allow him to focus on the techniques, the color and the texture of oil painting and gouache. From 1964, Theo Tobiasse develops a more personal iconography drawn from his own memories of his childhood in Lithuania, the wanderings of a family seeking a land of asylum and the Holocaust. The train, the one which drove his family from Kaunas to Paris, or the Jews to the camps, becomes a recurring motif and memory a major theme in his work. A visit to Jerusalem, Israel in 1970 brings him closer to his Israeli Jewish origins. He created his first Judaic stained-glass windows on the theme of "Jewish Feasts" for the Jewish Community Center in Nice and a monumental oil painting titled " Que tentes sont beau", O Jacob (1982). He continues to travel and immerse himself in the cultures he meets, New Orleans jazz, Mexican archaeological sites and Native American totems . In New York, he meets Elie Wiesel (1982). While Josy Eisenberg makes a film about Théo Tobiasse, entitled Tell me who you are painting, for French television in 1977, many personal exhibitions are devoted to him in France and abroad, notably at the Passali gallery in Paris, France. Atheneum Museum in Geneva and the Nahan Gallery in New Orleans. In 1983, a retrospective exhibition of his work was organized in Nice , at the Museum of Contemporary Art in Ponchettes. Carborundum engraving, lithography, stained glass, mosaic, pottery, bronze and ceramic sculpture are all tools of expression he first explored in the studio he had built at his home on the heights of Nice (1954 -1972), then to the Rauba Capeu wharf in Nice (1971-1976). He leaves Nice to install his main workshop on his property in Saint-Paul-de-Vence in 1976. In collaboration with Pierre Chave, lithographer in Saint-Paul-de-Vence, Théo Tobiasse is developing a technique for making lithographs of eighteen to twenty colors that he produces for many original portfolio editions published in France, Sweden and the United States. In addition to the theme of memory of the wanderings and exodus of his family and the Jewish people, the personal iconography of Tobiasse comprises three other major themes that recur in his work: The cities that are dear to him (Paris and Jerusalem, first, then New York and Venice from the 1980s); twenty-eight monochrome gouaches, From Notre-Dame to Saint-Germain-des-Près (1969). The Hebrew Bible, an endless source of human dramas, which he re-imagines in contemporary times. Rachel (1978), Sarah and the three messengers (1981),Bathsheba in the Garden of Pomegranates (1982). The woman, lover, erotic and shameless, Daphnis and Chloé (1978), Portrait of a woman immobile in ecstasy , (1978), a creature-sex apple whose skin burns and arms twist (1980). To explore the theme of the erotic woman, Tobiasse adopts nude drawing in graphite, ink and pastel on paper, as well as the writing of poetic texts he inscribed in his drawings and notebooks. The American merchant, Kenneth Nahan Sr., met in 1978, encourages Théo Tobiasse to join in the United States other French painters he represents, including Max Papart and James Coignard. Tobiasse moved to New York in 1984. He first worked at the Chelsea Hotel and then set up his studio in Manhattan. He decides to split his time and his work between Saint-Paul-de-Vence and New York. The first paintings painted in America are distinguished from their European production by their scale and their bright themes. Oil-painted canvases are filled with family portraits, children, and biblical characters. My family came from Lithuania, Little Girl Sitting , Saul and David (1984). In these paintings, families no longer flee the pogroms in the trains, but land in New York, new host country according to his imagination, as in America (1984). He also created the Myriam sculpture in New York, which became the model for the Venus, a monumental bronze sculpture to be installed at the entrance of Saint-Paul-de-Vence in 2007 15. New York joins the inspiring cities of Theo Tobiasse and the woman now personifies freedom. Along with Marc Chagall, Raya Sorkine, Zamy Steynovitz and Yoel Benharrouche, Tobiasse becomes one of the pillars of modern French Judaica...

Mireille Kramer, Egyptian/American (1932 - ) - African Dancers, Year: circa 1980, Medium: Etching, signed and numbered in pencil, Edition: 14/300, Size: 17 x 14 in. (43.18 x 35...

This exquisite lithograph and silkscreen with hand-rendered techniques after Pablo Picasso (1881–1973), from the rare 1970 folio Pablo Picasso, Le Gout du Bonheur (The Taste of Happi...

Richard Mock, American (1944 - 2006) - Childhood in America, Year: 1999, Medium: Linocut on BFK Rives, signed, titled, numbered and dated in pencil, Edition: 80, Image Size: 17 x...

This artwork titled "Sugar Cane Day, Hawaii" c.1985, is an original color lithograph on paper by noted French artist Guy Buffet, 1943-2023. It is hand signed and numbered 404/425 in ...

Lithograph in colors on Guarro paper. Hand signed lower right by Joan Miro. Hand numbered 'HC' lower left (there is also a main edition of 150 and 15 artist's proofs in Roman numer...

Jean Jansem (1920-2013) La Brocante, 1975 Lithographie sur papier Arches Signée en bas à droite et justifiée en bas à gauche 69 x 51,5 cm / 76 x 54,5 cm Bibliographie: Jansem Lith...

Joseph Beuys Stripes from the House of the Shaman (Hand Signed), 1980 Silkscreen exhibition poster with offset lettering on wove paper; hand signed by Joseph Beuys Boldly signed on t...

Original 17th Grand Prix of San Marino vintage Italian poster. Gran Premio di San Marino. Artist: Giovanni Cremonini. Larger format race poster. Linen backed and ready to frame. This original poster advertises the 17th Grand Prix in San Marino. This is a great poster for Ferrari enthusiasts. Archival is mounted on acid-free paper bonded to linen canvas. The San Marino Grand Prix (Italian: Gran Premio di San Marino) was a Formula One championship race that was run at the Autodromo Internazionale Enzo e Dino Ferrari...

Jacob's Blessing  is a beautiful contemporary art realized by March Chagall in 1979.  Color lithograph printed and published by Maeght, Paris, in 1979. Ref. Catalogue Mourlot n. 94...

Lithograph on vélin d’Arches paper. Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Picasso au baiser d'Avignon, douze dessins, lavis, aquarelle...

This artwork titled "Fireside Christmas" c. 1985 is an original color etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered 158/250 in pencil by the artist. Published and printed by the artist. The image (plate mark) size is 11.5 x 17.65 inches, sheet size is 19.25 x 25.25 inches. it is in excellent condition, has never been framed. About the artist: Scott Fitzgerald received his Master’s Degree in Arts from California State University Fullerton, and went on to teach drawing and printmaking for 2 years at the university. During his college years, he focused his study in contemporary art and photography, creating mixed media works often with social comments. It was not until the sophomore year, he discovered the traditional art of etching in his printmaking class. Immediately, he embraced the complex and difficult technical process of making prints from etching on copper plates. Scott Fitzgerald established himself as a prominent printmaker in the next few years. With a strong interest in history, he accepted a commission to produce a series of etching depicting 15 Orange County historical landmarks. Besides producing very intricate prints in various sizes, he has engaged in many special projects. He worked with renowned English printer John Randle to produce a group of etchings...

Robert Indiana Pop Art: Selections from the Museum of Modern Art (Hand Signed and Inscribed by Robert Indiana), 1999 Offset lithograph poster on poster board (hand signed, dated and ...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXXVIe Année, N°42 Juin...

"Shiny Nude" by Tom Wesselmann, published by Parasol Press LTD. and printed by A. Colish Press, stands out for its glossy finish and vibrant depiction of th...

ARTIST: Salvador Dali TITLE: Winter and Summer MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: A/P MEASUREMENTS: 25" x 35.5" YEAR: 1973 FRAMED: No AUTHENTICITY: This pi...

CIRCUS is a hand drawn original lithograph by the Argentine born woman artist Ivel Weihmüller printed using traditional hand printmaking techniques on archival paper 100% acid free. ...

Keith Haring Into 84 exhibition poster: Vintage original 1980's poster designed by Keith Haring for his well-documented exhibition, 'Keith Haring: Into 84' at...

Artist: Raya Sorkine Title: "La Roue Qui Tourne" Title: Wedding in Venice Year: 1999 Print - Lithograph on Arches Archival Paper   39'' x 29.5'' Edition: signed in pencil and number...

Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...

Frank Sinatra Hollywood Music Movie Legends 20th Century Oscars Grammys Litho Al Hirschfeld (1903-2003) Frank Sinatra Lithograph on heavy paper Plate Size: 12 3/4 x 9 1/4 Paper Siz...

Duke Ellington Jazz Music Legend African American Grammys NY Times Published Al Hirschfeld (1903 – 2003) Duke Ellington Sight Size: 12 x 12 1/4 inches Etching with aquatint Signed ...

Etching and aquatint realized by Edolo Masci. Hand signed and numbered in pencil. Edition of 90. Excellent condition.

Margo Humphrey, 'The Garden (Adam and Eve)', reductive color woodcut, 1989. Signed, dated, and annotated 'A/P' in pencil. Signed and dated in the image, lower right. A fine, richly-inked, artist's proof impression, with fresh, vivid colors, on BFK Rives, heavy, off-white wove paper; the full sheet with margins (1 to 1 3/8 inches), in excellent condition. Archivally sleeved, unmatted. Scarce. Image size 27 1/4 x 39 1/8 inches (692 x 994 mm); sheet size 29 1/2 x 42 inches (749 x 1,067 mm). ABOUT THIS WORK "Humphrey continued to reinterpret stories from the Bible with African American figures. In 1989 she published the woodcut print 'The Garden' at Magnolia Editions in Oakland, CA. For this rare foray into relief printmaking, she employed the reductive method, which uses only one block that is successively carved for each color segment, reducing the block with each cutting. Technically challenging, this lush and elaborate print is a testament to Humphrey’s skills as a printmaker. A youthful Adam and Eve are depicted in a luxuriant tropical landscape. Here, Humphrey chooses not to include the traditional symbols of humanity’s downfall but instead portrays them as being protected by angels in an atmosphere of idyllic bounty. ...Although Humphrey challenges traditional representation of Christian themes, her images are not iconoclastic but present a broader, more inclusive engagement with religious spirituality." — Adrienne L. Childs, 'Margo Humphrey, The David C. Driskell Series of African American Art: Volume VII,' Pomegranate Communications, Inc., 2009, page 71. ABOUT THE ARTIST American printmaker, illustrator, and art teacher Margo Humphrey was born in Oakland, California, in 1942. She earned a BFA in Painting and Printmaking from the California College of Arts and Crafts and a Master of Fine Arts degree in Printmaking from Stanford University. Humphrey began teaching in 1973 at the University of California Santa Cruz and has since taught at the University of Texas at San Antonio, the San Francisco Art Institute, and the School of the Art Institute of Chicago. She has also taught at the University of the South Pacific in Suva, Fiji; Yaba Technological Institute of Fine Art, Ekoi Island, Nigeria; the University of Benin in Benin City, Nigeria; the Margaret Trowell School of Fine Art in Kampala, Uganda, and the Fine Art School of the National Gallery of Art, Harare, Zimbabwe. In 1989, she was appointed Department Head of Printmaking at the University of Maryland in College Park. Humphrey has worked in lithography, monoprint, and woodcut with significant printmaking ateliers, including the Rutgers Center for Innovative Print and Paper, the Bob Blackburn Printmaking Workshop, and the Tamarind Institute in New Mexico. She was one of the earliest African-American woman artists to distinguish herself as a lithographer in a highly technical, male-dominated profession and was the first to have her prints published by Tamarind in 1974. Humphrey’s imagery combines historical perspective, autobiography, and fantasy to illuminate her experience as an African American woman. Bold, saturated color, animated figures, and syncopated rhythmic arrangements are hallmarks of Humphrey's oeuvre. Though Humphrey labels her distinctive style "sophisticated naive," the narrative complexity and technical skill of her works attest to her artistic virtuosity. Joyful, expressive, and at times humorous, her works offer engaging commentary on the presumptions of American culture and myth while embracing her personal vision of authenticity and spirituality. She developed her 1987 work The Last Bar-B-Que, a vividly colored transformation of the Last Supper, following a three-year period during which she examined portrayals of the iconic subject by artists from Pietro Lorenzetti to Emil Nolde. Her narrative work The Garden, a monumentally scaled reductive woodcut, is a further example of an archetypal subject—Adam and Eve in the Garden of Eden—debunked and rendered with fresh, life-affirming vibrancy. Since her first solo exhibition in 1965, Humphrey’s works have been exhibited internationally. They are held in major institutions, including the Museum of Modern Art, The Smithsonian American Art Museum, the Philadelphia Museum of Art, the Hampton University Museum, the Victoria and Albert Museum (London), the Museum of Modern Art, Rio de Janeiro, and the National Gallery of Modern Art, Lagos. In 1996, she was invited to be part of the World Printmaking Survey at the Museum of Modern Art, New York. In 2011, Hampton University Museum mounted a 45-year retrospective of Humphrey’s work Her Story: Margo Humphrey Lithographs and Works on Paper, jointly curated by Robert E. Steele, executive director of the David Driskell...

Lithograph on vélin d’Arches 300gm paper. Paper Size: 21.8125 x 18.3125 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, For My People, 1992. Published...

Lena Horne Film Broadway Star African American 20th Century Litho NYT Published Al Hirschfeld (1903-2003) "Lena Horne" Hand-signed Limited Edition Etching, 56/200 Sight size 14 1/2 ...

This artwork titled "After Dinner Relaxation" c.1980 is an original color serigraph on paper by Israeli artist Itzchac Tarkay 1935-2012. It is hand signed and numbered 426/450 in pe...

David Hockney My Mother (Bridlington), 1988 Four Color Lithograph on T.H. Saunders Waterford 250 gram paper. Hand signed. Also accompanied by a separate signed Certificate of Authent...

SAJIPPE KRAKA JOUJESH Year: 1998 Medium: Silkscreen Size: 39 x 46 inches (99 x 117 cm) Edition: 150 Price: $4,000 Kenny Scharf was born in 1958, in Hollywood, California. The artis...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 12 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio...

Moore, Henry (British, 1898-1986). SIX HEADS - OLYMPIANS. (C. 657), 1983. Lithograph in colors on Arches paper, signed in pencil and numbered XXV/XXXV (Artist's Proofs additional to ...

Keith Haring ACT UP 1989: RARE 1989 Keith Haring illustrated mailer used as promotional material for the AIDS Coalition to Unleash Power (ACT UP). Keith Haring designed & authored ...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Profil et tete de femme (Profile and Head of a Woman), originates from the rare 1970 folio Suite des reproductions d...

Printer's Proof Edition Number /5. Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint wi...

Color lithograph after a gouache by Georges Braque from the edition of 398 published by Armand & Georges Israel in 1988. Printed signature. Artwork en...

Screen print on Beckett High white paper. From the Mao Portfolio. Hand signed by Andy Warhol and stamp numbered with the Andy Warhol Copyright and Styria Studio ink stamp on the rev...

This artwork titled "Someday" c.1980 is an original colors offset lithograph on Wove paper by noted American artist Sheldon C. Schoneberg, 1926-2012. It is hand signed, titled and numbered 10/425 in pencil by the artist. The image size is 20 x 25 inches, sheet size is 21.75 x 29.5 inches. It is in excellent condition, it has as a small brown ink spot in the bottom margin under the title. has never been framed. About the artist: Born in Oak Park, Illinois; family moves to Beverly Hills; Attends El Rodeo, Beverly Hills High then Chouinard Art Institute, Los Angeles; University of Southern California, BFA cum laude. MFA, 1951; Academia di Belle Arti, Rome, 3rd Year Certificate; Universidad Michoacana, Morelia, Mexico, 1952, Graduate School - Fresco Printings. TEACHING: Santa Monica College, 1947; Hollywood Art Center School 1948; Pratt University, New York, 1950; Academic Rank of Full Professor of Art - University of New York, New Paltz, 1964 and University of Southern Maine 1967; Master Drawing Classes, Paris-American Academy of Art, Paris, France 1984-1985, Drawing, Painting and Contemporary Art History- University of New England, Biddeford, Maine 1993 - 2002. CYCLES OF WORKS IN ART: • Biblical, American Indian, Rome 1948-62, Oil Paintings • Drawings Wash and Ink, Wood and Ink, Sepia Conte and Ink, Pastels 1940-1968, California, New York, Maine • Archetypal Frescos 1948-55, Mexico, California, Israel • Goyescas, Satiric Ink and Wash Sketches, Spain and Greece 1954-1962 • Tapestries of the Zodiac 1961-1963, Spain • Para-Mandalas, Collages, Mixed-Media, Oil Paintings 1961-1967 • Flower-Children Series and Flag Series, Charcoal Pastel Drawings, California and Maine 1965-2008 • Bas-Relief polyester Resin Sculpture, Bronze Sculpture, 1966-1968 • The Centaurs Garden Suite, Centre Genevois de Grauvure Contemporaine, Geneva, Switzerland, lithographs on stone and etchings 1971 • Oil Paintings,Landscapes, Portraits, Nudes and Still Lifes, Mykonos, Greece, Spain, California, France, Mexico, Maine, British Columbia, Switzerland 1960-2008 • Barbary Coast Drawings, Full Color and Monochromatic 1967-1994 • The Apocalypse Series, Acrylic and Oil Paintings, Drawings 1973-1983 • Charcoal Pastel Drawings, California, Maine, France, Switzerland 1946-2008 • Metamorphous Series, Charcoal Pastel Collage Drawings on Museum Board 1987-2008 • Collage Series Drawings, San Francisco, Limington, New paltz, Los Angeles 1958-2008 • Poster Series, 90+ Charcoal Pastel Drawings on Museum Board 1985-2008 • Fayum Portrait Series, Charcoal-Pastel and Fauve Drawings 1992-2008 • Formal and Informal Portraits - Oil Paintings, Drawings, Models, Commissions, Compositions, Re-Creations 1942-2008 • Murals- Commissiond, Given and Inspired Oil paintings, Drawings, Acrylic Paintings, Collage Drawings 1936-2008 • Maquettes-100+ small original Charcoal Pastel Drawings for commissions 1970-2008 • The Great Masters of Art Series 1998-2008 • Flower Oil Paintings on Canvas ( Sunflowers, Hydrangas,etc) 2000-2008 EXHIBITIONS: INTERNATIONAL: COMBINED TOTAL OF 214, INCLUDING 82 ONE_MAN EXHIBITIONS. A SELECTION FOLLOWS. • Museum of Munich 1948 • Museum of Morelia, Michoacan, Mexico 1952 • Hellenic-American Union, Athens, Greece 1961 • Casa de Cultura, Malaga, Spain 1964 • Exposition Internationale d'Art de Mode, Val de Grace, Paris, France • 20th Anniversaire Paris American Academy 1985 • Gallery International Inc, St Maarten, Netherlands Antilles 1990-93 • National Museum of Mexico,D.F.1970-2008 Genesis Fresco 12'x35' • Galerie du Carlton, La Croisette, Cannes, France 1964-78 • Galerie des Champs-Elysees, Paris, France 1966-78 • Galeria "M" Copenhagan, Denmark 1967 • Galerie del Cisne, Madrid, Spain • Upper Grosvenor Galleries, London England 1966-68 • Kunsthandel Monet, Amsterdam Holland 1960-80 • Harrison Galleries, Vancouver BC Canada 1970-2008 • Guild Gallerie Calgary, Canada 1975-98 SELECTED EXHIBITIONS: USA • University of Southern California 1950 • Palos Verdes Community Galleries, CA 1955 • Cowie Galleries, Los Angeles, CA 1956 • Los Angeles Municipal Galleries, Barnsdall, CA " Art of the Mural" 1959 • Maxwell Galleries, San Francisco, CA 1962-63 • Raymond Burr Galleries Beverly Hills, CA 1961-64 • Gallery 235, Chicago,IL 1967 • Triton Museum of Art, Santa Clara CA (Retrospective 1969-2008) • Lars Laine Art Galleries, Palm Springs, CA 1969-84 • Two Squares Gallery, Denver, CA 1966-70 • Fisk University Art Museum, Nashville TN 1968 • Lewis Galleries, Omaha Nebraska 1973-2008 • Talberts Galleria Tacoma, WA 1978-2008 • Lyon Art Gallery San Francisco CA 1974-1980 • Owl 57 Galleries Woodmere NY 1979-2008 • Walt Kuhn Galleries, Cape Neddick...

Artist: Salvador Dali Title: Ladies of the Renaissance Medium: Drypoint and aquatint in color on paper Year: 1971 Edition: IV/L Sheet Size: 22 7/8" x 31 1/8" Image Size: 15 1/2" x 22...