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Peter SaulSigned Peter Saul print 1971 (Peter Saul Shicago Justus)1971
1971
About the Item
Peter Saul Shicago Justus lithograph 1971 (from Conspiracy: The Artist as Witness):
Bold, bright hand-signed Peter Saul lithograph from 1971 picturing the activist Bobby Seale subdued by injections labeled "SHICAGO" and "JUSTUS."
Seale (born 1936) co-founded the Black Panther Party with fellow activist Huey P. Newton. While Seale was on trial as a defendant charged with conspiracy and inciting a riot in the wake of the 1968 Democratic National Convention in Chicago, one of the "Chicago Eight" defendants, he repeatedly claimed he was denied his constitutional right to defend himself and he was found in contempt of the court. Seale was then handcuffed, leg-cuffed to a chair and a tape was placed around his mouth to stop him from talking in the court. Though he was never convicted in the case, on November 5, 1969, the judge sentenced him to four years in prison for 16 counts of contempt.
Lithograph in colors 1971.
15.75 x 23.75 inches. Artist's proof, aside from the edition of 150.
Very good overall vintage condition. A fine, well-preserved example with bold, bright colors.
Signed, dated and inscribed "Artist's proof" in pencil, lower margin, and with the artist's copyright ink stamp on the reverse.
Printed by Bank Street Atelier, New York, with the blind stamp lower right.
Published by David G. Godine Publishers and the Center for Constitutional Rights, New York.
Literature/References:
Allison Carey, A Space for Dialogue 99, When Art Intersects History, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2020.
Peter Saul is a contemporary American painter known for his genre-defying paintings satirizing American culture. Influenced by the cartoonish style of MAD Magazine, Saul uses Day-Glo color and lush forms as a foil for his nightmarish content. One of his most famous works, Saigon (1967), embodies the chaos and deformities that typify Saul’s scenes, offering the viewer a feverish candy colored vision of the Vietnam War. “I enjoy finding a low subject and bringing it up high,” he has said. “I think with strong technique, you can glamorize certain things. You can make the imagery sharper, rounder, and basically better looking.” Born on August 16, 1934, in San Francisco, CA, he studied at the California School of Fine Arts before receiving a BFA from Washington University in St. Louis in 1956. After finishing school, he lived in Europe where he met the Surrealist painter Roberto Matta, and the American art dealer Allan Frumkin, who went on to represent him for three decades.
In 2008, a retrospective of his work was held at the Orange County Museum of Art in Newport Beach, then traveling to the Pennsylvania Academy of Fine Arts in Philadelphia and finally the Contemporary Art Center in New Orleans. In 2010, he was elected to the American Academy of Art and Letters. Today, Saul’s works are held in the collections of the Whitney Museum of American Art in New York, the Center Georges Pompidou in Paris, the Museum Ludwig in Cologne, and the Stedelijk Museum in Amsterdam, among others.
Related Categories:
Black Panthers. Protest art. Activist art. 60s Pop Art. 70s Pop Art. Tom Wesselmann. Black Art. Comic Cartoon art.
- Creator:Peter Saul (1934)
- Creation Year:1971
- Dimensions:Height: 15.75 in (40.01 cm)Width: 23.75 in (60.33 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU35439170842
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By Keith Haring
Located in NEW YORK, NY
'Keith Haring Painted Man'/Keith Haring Into 84:
A set of 2 announcement cards for Keith Haring’s well-documented exhibition, 'Into 84' at Tony Shafrazi Gallery, New York, 1983. For this series Haring borrowed Jones' body — from head to toe — as the canvas to his work. A bodily canvas defined by much of the bold pictograms characteristic of Haring's artistic signature. Photos by Haring's long-time friend and collaborator Tseng Kwong Chi. Looks fantastic framed as a set.
Off-set printed gallery announcements, 1983.
Dimensions: 6 x 4 inches (applies to each individual).
Good overall condition with well-preserved colors. Some surface creating to red card.
Unsigned from an edition of unknown.
Further About:
In 1983 Keith Haring teamed up with award-winning choreographer and dancer Bill T. Jones, founder of the Bill T. Jones/Arnie Zane Dance Company. Keith and Bill met in London in 1983 at a time when the graffiti artist was opening a major show at the Robert Fraser Gallery, and together they produced a series of exceptional collaborations in both performance and drawing.
Keith Haring was an American artist and social activist known for his illustrative depictions of figures and symbols. His white chalk drawings could often been found on the blank poster marquees in New York’s public spaces and subways. “I don't think art is propaganda,” he once stated. “It should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.” Born on May 4, 1958 in Reading, PA, he grew up in neighboring Kutztown, where he was inspired to draw from an early age by Walt Disney cartoons and his father who was an amateur cartoonist. After briefly studying commercial art in Pittsburgh, Haring came across a show of the works of Pierre Alechinksy and decided to pursue a career in fine art instead. He moved to New York in the late 1970s to attend the School of Visual Arts, and soon immersed himself in the city’s graffiti culture. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf, and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. Diagnosed with HIV/AIDS in 1988, Haring’s prodigious career was brief, and he died of AIDS-related complications on February 16, 1990 at the age of 31. Before his death, Haring established the Keith Haring Foundation, a non-profit committed to raising awareness of the illness through art programing and community outreach. Throughout his career, Haring made his art widely available through the location of his murals, as well as through the Pop Shop—Haring's own storefront which he used to sell his memorabilia.The artist’s mural Crack is Wack (1986), can still be seen today on a retaining wall along FDR Drive in Manhattan. Haring’s works can be found in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C.
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Located in NEW YORK, NY
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Dimensions: 12 3/4 x 19 1/2 in. (32.4 x 49.5 cm)
Good overall vintage condition. Minor signs of aging & handling. Well-preserved.
Unsigned from an edition of unknown.
Warhol Foundation annotations in pencil on one side.
Provenance:
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Susan Sheehan Gallery, New York.
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Literature:
Kornbluth: Pre-Pop Warhol, no. 66, pp. 164-165.
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Warhol’s career began as a commercial illustrator on New York’s Madison Avenue in 1949, during the massive post-war economic boom. His arrival additionally coincided with an extensive change in the motivations and strategies behind advertising, utilizing applied psychology to influence American consumers to purchase products. This stint as an ad man would further his Pop interest in cultural commercialization and start his artistic career; thus began the first chapter of Warhol’s oeuvre.
Several of Andy Warhol's earliest exhibitions in New York were at the Bodley during the 1950s, starting with two in 1956.
_
Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions.
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