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Richard Estes"Roma (from Urban Landscapes III)" Richard Estes, Photorealist Screenprint1981
1981
$6,000
£4,607.74
€5,280.42
CA$8,446.52
A$9,461.97
CHF 4,921.40
MX$115,416.47
NOK 62,655.95
SEK 59,080.09
DKK 39,411.58
About the Item
Richard Estes
Roma (from Urban Landscapes III), 1981
Signed and numbered "33/250" in pencil, lower margin
Color screenprint on white wove paper
14 x 20 inches
Edition 33/250
Richard Estes is considered the foremost practitioner of the international group of artists known loosely as photorealists and has been celebrated for more than forty-five years as the premier painter of American cityscapes. A master of contemporary realism, Estes is primarily known as a painter of urban scenes.
Estes stayed true to the photographs he used: when his paintings include stickers, signs, and window displays, they are always depicted backwards because of the reflection. His work rarely included litter or snow around the buildings because he believed these details detract from the buildings themselves. The paintings are always in daylight, suggesting "vacant and quiet Sunday mornings." Estes' works strive to create convincing three-dimensionality on a two-dimensional canvas. His work has been described in terms ranging from super-realism, sharp-focus realism, neo-realism, photo-realism, to radical realism. Estes' paintings from the early 1960s are typically of city dwellers engaged in everyday activities. Around 1967, he began to paint storefronts and buildings with glass windows and their reflected images. The paintings were based on Estes' color photographs, which captured the evanescence of the reflections, changing with the lighting and the time of day.
Estes paintings were based on multiple photographs of the subject. He avoided famous New York landmarks. His paintings provided fine details that were invisible to the naked eye, and gave "depth and intensity of vision that only artistic transformation can achieve." While some alteration was done for the sake of aesthetic composition, it was important to Estes that the central and the main reflected objects be recognizable, and that the evanescent quality of the reflections be preserved. He had a one-man show in 1968 at the Allan Stone Gallery. His works have been exhibited at the Metropolitan Museum of Art, the Whitney Museum, the Thyssen-Bornemisza Museum, and the Solomon R. Guggenheim Museum. In 1971, Estes was granted a National Council for the Arts fellowship. The same year, he was elected into the National Academy of Design as an Associate member, and he became a full Academician in 1984.
- Creator:Richard Estes (1932, American)
- Creation Year:1981
- Dimensions:Height: 14 in (35.56 cm)Width: 20 in (50.8 cm)
- More Editions & Sizes:Edition 35 of 250Price: $6,000
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1841215196172
Richard Estes
Richard Estes is a photorealist painter renowned for his meticulous attention to detail and invisible brushwork. He was born in Kewanee, Illinois, on May 14, 1932. From 1952 to 1956, Estes studied fine art at the Art Institute of Chicago. He relocated to New York after graduating and worked for the next 10 years as a commercial artist for various publishers in New York and Spain. By 1966, the artist had saved up enough money to paint full time. In the 1960s, Estes and his contemporaries, including painter Chuck Close and sculptor Duane Hanson, helped photorealism emerge from modern art movements such as pop art and minimalism. His paintings are reproductions of photographs he takes of urban landscapes, most of which are realistic representations of Manhattan, with few to no people on the streets and sidewalks. He often exaggerates the detail in his imagery by using mirrored objects and reflections. During the 1970s, Estes was chosen three times to represent the United States at the Bienniales in Venice and Basel. He also received the MECA Award for Achievement as a Visual Artist from Maine College of Art. In 1971, Estes was granted a fellowship with the National Council for the Arts. His work has been included in exhibitions in numerous museums around the world including the Museum of Art and Design in New York; the Museo Thyssen-Bornemisza in Madrid, Spain; the Nelson-Atkins Museum of Art in Kansas City, Missouri; the Isetan Museum of Art in Tokyo, the Museum of Art in Osaka, and the Hiroshima City Museum of Contemporary Art in Japan; the Sert Gallery, Carpenter Center for the Visual Arts, Harvard University in Cambridge and Museum of Fine Arts, Boston in Massachusetts; the Hirshhorn Museum and Sculpture Garden in Washington, D.C.; and the Museum of Contemporary Art in Chicago, Illinois, among others. Estes’ work can also be found in numerous public collections including those of the Albright-Knox Art Gallery in Buffalo, New York; the Art Institute of Chicago, Illinois; the Butler Institute of American Art in Youngstown, Ohio; the Crystal Bridges Museum of American Art in Bentonville, Arkansas; the Detroit Institute of Arts in Michigan; the Fine Arts Museum of San Francisco, California; the High Museum of Art in Atlanta, Georgia; the Indianapolis Museum of Art in Indiana; the J.P. Morgan Chase Art Collection, the Metropolitan Museum of Art, the Museum of Modern Art, the Solomon R. Guggenheim Museum and the Whitney Museum of American Art in New York; the Modern Art Museum of Fort Worth, Texas; the National Gallery of Art and Smithsonian American Art Museum in Washington, D.C.; the National Gallery of Australia in Canberra; the Philadelphia Museum of Art in Pennsylvania; the San Francisco Museum of Modern Art in California; the Tate Gallery in London, England; the Tehran Museum of Contemporary Art in Iran; the Brooklyn Museum of Art in New York; the Walker Art Center in Minneapolis, Minnesota; and the Yale University Art Gallery in New Haven, Connecticut.
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