Modern Figurative Prints

Maurice de Vlaminck - Original Handsigned Etching Title: L'Oise à Cergy Reference: Catalogue raisonné Walterskirchen, n°110. Original etching, hand-signed in pencil by the artist ; ...

Wonderful black and white lithograph on China paper. Excellent conditions, including a ivory colored cardboard passepartout 49.6 x 45 cm. Image dimensions: 26 x 20.5 cm Touching ar...

"7Eme Bal de l'AAAA Skater" is an original color lithograph poster by Ludovic Rodo Pissarro. The artist signed the piece in plate lower right. It depicts a wo...

Artist: Georges Rouault Title: La Parade Year: circa 1925 Medium: Lithograph on Arches paper, signed and numbered in pencil Edition: 15/25 Image: 12.5 x 1...

Artist: Georges Rouault Title: L'Orateur Year: circa 1925 Medium: Lithograph on ivory Japanese paper, signed and numbered in pencil Edition: 13/50 Image: 11.5 x 8.5 inches Size: 19...

A Spanish Good Friday (Ronda). 1925. Drypoint. Dodgson catalog 412 state xxix. Image: 12 1/2 x 8 1/8 (sheet 16 3/4 x 12). Edition 160 in 29 states. Illustrated: Zigrosser: Six Centuries of Fine Prints. A rich impression with velvety drypoint burr. Printed on smooth simili-Japan paper with full margins. Signed in pencil by Bone. Housed in a 22 1/4 x 15 1/2-inch period gold leaf frame. This is one of Bone's most dramatic images. The night shadows...

1928. Etching. Morse catalog 235. state ii. Image: 9 3/4 x 7 (sheet 17 1/4 x 11 3/8). From the first printing of 100 proofs by Peter Platt. There were an additional 10 printed by Er...

Hand signed and numbered.This lithograph is from the portfolio “Metamorphosis”. Reference: A. Ciranna, Giorgio de Chirico. Catalogo delle opere grafiche, Milan-Rome, p. 32, n.12 V...

Coloured Lithograph, 1929. Dimensions: 41,2 x 31 cm. Hand signed and numbered. This lithograph is from the portfolio “Metamorphosis”. Reference: A. Ciranna, Giorgio de Chirico. C...

Machine Guns. 1921-22. Etching. Giardina 64 state ii. 7 x 11 1/2 (sheet 9 3/8 x 13 3/4). Published state from the edition of 75. Toning in the image area; ...

Jean-Emile Laboureur lithograph La Depart Pour La Chasse, in five colors, 1927, signed and numbered (35/150) in pencil (Sylvain Laboureur, Godefry 780), from the edition of 150 plus ...

Hermine David (1886-1970), Marechal Ferrant (The Blacksmith), etching and drypoint, signed in pencil lower right [also signed in the plate lower left], ...

- one of the 13 etchings from the book Le Chef-d'OEvre Inconnu - edition 340 - unsigned (as specified in the cat. raisonné) - cat. raisonné Bloch 89

"New Masses" Vol 1, No 1, May 1926, Actual Magazine, VG Condition Hugo Gellert New Masses Magazine. May 1926, Inaugural: Vol 1, No 1. Published by the New Masses Inc., 39 West 8th St., New York City. New Masses (1926-1948) was an American Marxist magazine launched in New York City. It was closely associated with the Communist Party USA. With the coming of the Great Depression in 1929 America became more receptive to ideas from the political Left and New Masses became highly influential in intellectual circles. The magazine has been called the principal organ of the American cultural left from 1926 onwards. It featured the work of an array of independent writers and artists. The Metropolitan Museum of Art’s recent exhibition, “Art for the Millions: American Culture and Politics in the 1930s” celebrated the American spirit during the depression era. In the exhibition several issues of "New Masses" are exhibited, but not Vol 1. No. 1. We offer that. Lithograph by Hugo Gellert on the cover and multiple illustrations in magazine. Hugo Gellert (1892-1985) was a Hungarian-American illustrator and muralist. A committed radical and member of the Communist Party of America, Gellert is considered by some art critics as among the best political work of the first half of the 20th century. The artists who works are inside Vol 1, No. 1 include: William Gropper, Adolph Dehn, Stuart Davis, Art Young, I. Klein, Boardman Robinson, Wanda Gag, Louis Lozowick, F. S. Hynd, New Masses, Otto Soclow, Hans Stengel and Arnold Ronnebeck. The writers included in this issue: Babette Deutsch, Robert Dljnn, Robinson Jeffers, William Carlos Williams, Nathan Asch, Norman Studer, M. H. Hedges, Art Shields, Karol Rembov, Hal Saunders-White, Edwin Seaver, George Sterling, Scott Nearing and Whittaker Chambers. Editors: Egmont Arens, Joseph Freeman, Hugo Gellert, Michael Gold, James Rorty, and Joan Sloan.Executive Board: Egmont Arens, Maurice Becker, Helen Black, John Dos Passos, Robert Dunn...

GEORGES ROUAULT (1871 -1958) THE GOOD CANDIDATE, BOUDOUBADABOU, 1928 (Chapon & Rouault 10) Etching, aquatint and roulette. From “Reincarnations du Pere Ubu...

This large, dramatic and beautiful work has been thoughtfully executed, expressing the technical mastery and skill of Henri Matisse. Brightly colored and delicately composed, this wo...

Henri Matisse Figure assise sur fond de carreaux fleuris, 1929 etching, on chine appliqué Signed in pencil and numbered 12 from the edition of 25 Plate: 4 3/8 x 5 7/8 inches (11.1 x ...

Henri Matisse Nu assis, bras croisés sur la poitrine, 1929 drypoint, on chine appliqué, signed in pencil and numbered 22 from the edition of 25 Plate: 5 9/16 x 3 15/16 inches (14.1 x...

Henri Matisse Petite Liseuse, 1923 lithograph on Japanese vellum, edition 3 of 12 AP, apart from the edition of 50 17 3/16 x 11 in. (43.7 x 27.9 cm) Ref: Duthuit 431; Cat. 40 signed...

Henri Matisse Nu couché, jambe repliée - Étude de jambes, 1925 lithograph on Japanese vellum, edition of 50 18 x 22 1/16 in. (45.7 x 56 cm)

Henri Matisse Figure devant tapa africain, 1929 lithograph on Japanese vellum, edition of 50 25 3/8 x 19 11/16 in. (64.5 x 50 cm)

Henri Matisse Danseuse endormie, 1926-27 lithograph on Japanese vellum, AP 17 5/16 x 22 in. (44 x 55.9 cm)

Henri Matisse Danseuse à mi-jambes, Main au Menton (Pl. de l'album Dix danseuses), 1927 lithograph on wove paper 19 3/4 x 13 in. (50.2 x 33 cm)

Signed & numbered in image from the edition of 50. Printed from 4 blocks in blue oil paint, crimson oil paint, viridian printing ink and black printing ink. On oriental laid tinted w...

Armand Rassenfosse (1862-1934) Attractive Nude, 1928 Original drypoint etching Signed with a crayon and also plate signed Dated 1928 On vellum 28 x 24 cm (c. 11 x 9,4 in) Very good...

Armand Rassenfosse (1862-1934) Stretching Nude, 1928 Original drypoint etching Signed with a crayon and also plate signed Dated 1928 On vellum 28 x 24 cm (c. 11 x 9,4 in) Excellent...

Armand Rassenfosse (1862-1934) Young Model, 1928 Original drypoint etching Signed with a crayon and also plate signed Dated 1928 On vellum 28 x 24 cm (c. 11 x 9,4 in) Excellent con...

Armand Rassenfosse (1862-1934) Awaking Model, 1928 Original drypoint etching Signed with a crayon and also plate signed Dated 1928 On vellum 28 x 24 cm (c. 11 x 9,4 in) Very good c...

Jean-Emile Laboureur Cafe des Allies, 1920 Original woodcut Handsigned in pencil Numbered /105 Bears the blind stamp of the editor (Lugt 1140a) On Vel...

Quarter of Nine, Saturday's Children. 1929. Drypoint. McCarron 78. 9 3/4 x 12 3/4 (sheet 12 7/8 x 17 7/8). Illustrated: American Etchers: Martin Lewis. Edition 107. A fine impression...

McCarron 74. 11 7/8 x 9 7/8 (sheet 17 1/8 x 13 3/4). Edition of 111. Illustrated: American Etchers: Martin Lewis. A brilliant, luminous impression with rich, velvety burr, printed on cream laid paper. Signed in pencil. Price upon request. Housed in an archival mat and a 25 x 21-inch black wood frame. According to McCarron, page 136, "The popularity of Relics when first issued is clear; the entire edition sold in just a few months, a spectacular achievement for a printmaker of the time." The location depicted in Relics is the intersection of Charles Street and West Fourth Street in Greenwich Village, a few blocks from Lewis's house on Bedford Street. During Lewis' lifetime, Relics was his most popular print, and the entire edition was sold. Relics and Glow of the City...